Johnstone of the Border

"The floorings would be nearly two feet above her bottom planks," Whitney said.

"Yes. It meant she was leaking hard, and I'll admit that rather staggered me, because she'd always been a remarkably tight craft. Well, I hove her to again, lighted the cabin lamp, and pulled up the floorings. This wasn't easy; they were closely fitted and the carpenter had nailed one or two of them down. I can't tell you why he did it, but I tore my hand before I got them loose. You can understand that I had to be quick. She wouldn't lie to well with nobody at the helm, and kept forging up head to wind and falling off again. The way she lurched about threw me against the lockers and once or twice I heard a sea come on board. There was too much water for me to find where it was coming in, and when I crawled out and tried the pump it wouldn't draw, so I went back and felt for the bottom of its pipe. There was a suction-box at the end, and it seemed to be stuffed up with shavings. The carpenter must have thrown them under the floor."

"Rather a curious place to put them!" Whitney commented. "I suppose a shaving had stuck under a valve and stopped the pump. But, as you'd have a grid on the suction-box, how did they get in?"

"I've never found out, but I'd like to meet that carpenter," Andrew replied grimly.

He felt for his pipe and lighted it, and Whitney had to prompt him before he resumed:

"Things didn't look hopeful. It was blowing hard; she was leaking fast, and I couldn't pump her out. I had to make the Ross while she kept afloat. I thought about cutting the punt adrift, but it seemed a waste, and afterward I was glad I didn't. As it was a dead beat to windward, speed was important, and the only thing was to keep her sailing hard and let the seas come on board. There was so much spray flying that I couldn't see the punt astern, but the drag on the tow-lines showed that she was there. Then the old boat began to get sluggish, and it made me savage. She'd brought me through many a stiff blow, and I was fond of her. The Ross light was getting brighter; but a sea that came over the coaming washed out the binnacle lamp when I was ready to make the Sound. If I'd been able to take the light's bearing and look at the chart, I might have sailed her in.

"Well, with the compass gone, I had to run for it blind, and she was so waterlogged that she would hardly steer. Then suddenly she stopped with a shock that threw me from the helm. What had happened was plain, and when the next sea washed over her I pulled up the punt, cut the lines, and fell into the well. She swung away on top of a comber, and I wondered where she'd take me; for there were crags about and the paddles had washed overboard. She was full and waterlogged, but I lay along the deck and she kept right side up until we came ashore on a bank of shingle. Rocks ran up behind it, and there was a gully I couldn't cross at the end of the cove. I pulled the punt up, and spent the night lying behind her out of the wind, when I wasn't tramping about the shingle to keep myself warm. In the morning a coastguard showed me a way up the cliff; and when I came back there later there was no sign of the Arrow."

Andrew stopped, and for some minutes the silence was broken by the rustle of the flapping topsail and the soft splash at the bows. It had grown dark and the sea was faintly phosphorescent: pale blue and green spangles glimmered down the wake. Ross Island had faded into the black head behind it, but a bright beam of light still glittered across the water.

"On the face of it, the reason you were wrecked is obvious," Whitney said. "The boat began to strain when she was pounding, overpressed with sail, through a steep head sea, and you couldn't pump her out. Besides, as she'd just been hauled up for repairs, a butt may have got started by the hammering or a seam have been left open."

"The carpenter was a good workman," Andrew replied quietly.

"He may have neglected something, for all that. Boats will leak when they're driven hard; pumps get out of order; and a stranger might nail down a floor board you kept loose. The curious point is that all these things should happen together." Whitney paused and smiled. "Of course, if you had some dangerous secret or were heir to a great estate that somebody else wanted, one might suggest a melodramatic explanation."

"I've no secret anybody would give twopence for, and I inherit nothing except a very small annuity."

"Then you'll have to put the series of accidents down to coincidence. Where were you bound for when you came to grief?"

Andrew glanced back toward a stretch of water that still shone faintly among the shadowy hills.

"Up yonder, near the head of Wigtown Bay, to shoot geese. Dick was to come on by train and join me. He's fond of wildfowling, and I took advantage of it to get him away."

"Away from what?"

Andrew hesitated.

"Well, you see, he was inclined to go the pace, and Staffer had some friends at Appleyard just then – clever, amusing men-about-town, who were fond of cards and knew all about the turf. Dick tried to play up to them, and he was losing a good deal of money and drinking rather more than was good for him."

"And his stepfather encouraged his extravagance?"

"Oh, no. Staffer gave him good advice in a cynical, witty way; told him he must pull up because the pace was too hot for a lad. I never quite liked the man, but one must be fair, and he was willing to let me take Dick. In fact, he agreed it was the best thing to do."

"But as it turned out, you didn't take him. Were you much at Appleyard afterward?"

"No. One of Staffer's friends offered me a pretty good post abroad, and everybody thought I ought to seize the chance, but I didn't. In consequence, a kind of coolness grew up and I haven't stayed long at Appleyard since. Dick sends a message and Elsie writes long letters now and then."

Whitney stood up and stretched himself. A rhythmic throb of engines stole out of the silence, and, some distance off, a yellow and a green light moved across the level sea. Overhead, the topsail cut black against the sky, and the water had grown more luminous in the eddying wake. To the east, a thin, silver moon was shining above the dim heights of Cumberland. Tiny ripples lapped the Rowan's side, but the breeze was faint and everything was still.

"The flood will take us to Rough Firth, and we may as well stand on," Andrew said. "You can go below. I'll call you if you're wanted."

Carefully lowering his head, Whitney crept into the small cabin and lighted the lamp. Its illumination showed the oilskins swinging against the forecastle bulkhead, and the narrow table on top of the centerboard trunk, which ran up the middle of the floor. On each side were lockers that served as seats, and two folding cots were strapped against the skin of the boat. Whitney let one down and got into it with his clothes on: he had found that this was prudent when cruising in small vessels. There was a rack, loaded with odds and ends, a few inches above his head; and a smell of tarred rope, paraffin and mildewed canvas came out of the forecastle; but this did not trouble him, and he was soon asleep.

In the meanwhile, Andrew sat at the helm, his mind busy with gloomy thoughts.

CHAPTER IV

APPLEYARD

It was a stormy evening when Whitney caught his first glimpse of Appleyard. He felt disappointed. He had expected to see an ancient Border tower with modern additions; but the low, straight-fronted house did not look much more than a century old. It was solidly built of gray granite, with mullioned windows and a small pepper-box turret at one end, but while it made no pretense of architectural beauty, Whitney admitted that it had some charm. For one thing, Appleyard stood boldly on the breast of a knoll, with dark firs packed closely about it, and the landscape it commanded was ruggedly wild. Bleak pastures and lonely moorland, stained a purple-red, rolled back to the hills that melted into leaden cloud in the north. To the south, a strip of green littoral was dotted with white farmsteads and traversed by the curves of a river that flashed where it caught the light.

Beyond this level strip, the Solway sands ran far out to sea, glowing red in the angry sunset and pierced by channels of slate-green water. In the distance, a narrow white line showed where their edge was washed by the receding tide. On the western shore of the wide estuary, Criffell's lonely height stood out, a harsh dark-blue, against a saffron glare.

The car sped across an iron bridge spanning a ravine where hazel, mountain-ash, and scrub oak grew among the stones, skirted a broad lawn, and stopped at the door. Whitney was presented to Mrs. Woodhouse and Staffer, who welcomed him cordially, and then he shook hands with Dick. They entered the house at once, and Whitney found himself in a large, square hall, which looked older than the rest of the building. The light was dim, for the windows were narrow and were placed unusually high in the massive walls. A wood fire burned in the big, old-fashioned hearth, but the place felt chilly and especially cheerless.

Dick took them up a staircase that led to a gallery at the back of the hall.

"Your kit arrived from Glasgow, and I think you'll find all you want laid out in your rooms," he said. "Dinner will be ready as soon as you have changed."

They went along a passage, and Whitney was glad to be left alone in his room. It was his first visit to an old Scottish house, and although not an antiquarian he was capable of receiving impressions from places, and he wanted to discover what influence Appleyard had on him. He noted that a fire was laid ready in the grate, although it was August and until that morning the weather had been warm. The room was rather bare, but the few articles of old-fashioned furniture were solid and were made on a good model. They were marked by a certain austerity of taste, and he thought of them as business-like. The plain, self-colored rugs and curtains had a similar effect. Everything that utility demanded was there, but he marked the absence of luxury and ornament.

The walls were very thick, and there were seats in the deep window recesses. Opening one of the casements, Whitney stopped a minute and looked out. He could see a stretch of wet sands that were now growing dim, and the faint line of surf, and then, by turning sharply, black hills running back into gathering cloud. The air was unusually keen, and although darkness was fast coming on, the distance was clean-cut and sharp. The landscape somehow harmonized with the house; it was perhaps a trifle harsh, but it had a peculiarly distinctive character.

Andrew came in while Whitney was dressing, and finding him not ready, he went down first.

There was no one in the hall when Andrew reached it, and he was satisfied to be alone as he stood by the hearth, looking about. A lamp had been lighted, but the illumination did not carry far, and the high roof and the corners were shadowy. The hall occupied the lower story of the old central tower, which had served as a fort in bygone years but had since been partly rebuilt and incorporated in the house. Andrew knew its history, for he loved Appleyard. He was, in some respects, truer to the type of the men who had built and fought for it than Dick. He was not jealous of his cousin, but it was hard to feel himself a mere passing guest in the old house, and a vague discontent tempered his satisfaction at coming home. Besides, he was poor, and was condemned by an accident to a life of obscurity. He wondered why Elsie had not been there to welcome him, as she had always done on previous visits. He remembered her frank regret when he last went away. Indeed, he had often pictured her as she stood by the lodge gate, a slender, fresh-faced girl, with ruffled hair and a hint of tears in her blue eyes. She was as graceful as a fawn; but her beauty as yet was immature.

Andrew heard a sound behind him, and turning from the fire he saw a girl coming down the stairs. She stood out against the dark-paneled walls, for her pale green dress caught the light and shimmered. It went well with her auburn hair, emphasizing the pure white and pink of her skin; and it matched her eyes, which had the changing color of the sea. The immature grace Andrew had known had gone; there was something of distinction in her carriage.

While he gazed at her, she came toward him with a frank smile of pleasure.

"It's very nice to have you back," she said. "I couldn't get home until a few minutes after you arrived. Roy lost a shoe as I was driving up the Lockerbie road."

Andrew took her hand and held it for a moment, but the only remark he could think of was:

"You have Roy yet?"

Elsie laughed as if she understood, and rather liked, his embarrassment.

"Oh, yes. He's still going strong, and when Kevan re-shod him he brought me home in record time. But you're very brown and looking well."

"It's good to be back at Appleyard," he said quietly.

"You're still very fond of it? So am I, though that may seem curious, because I'm really an outsider."

"That applies to me more than to you, because the old place would never be the same without you."

Elsie looked at him as he stood, gravely quiet, studying her.

"Well," she said, "Appleyard is Dick's. His father was a true Johnstone, his mother a Jardine, but you make one feel that you're more at home here than he is. I can't account for it. Can you?"

"I might blame your imagination," he answered, smiling.