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The Faith Doctor: A Story of New York

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2017
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"Tell him that Mrs. Hilbrough wishes his advice, and would be glad if he would come to dinner with us some evening."

"Why do I need to say anything about your wanting advice? I don't just like to ask a favor of such a dude. I'll ask him to dinner, and you can ask his advice as though by accident."

"No; that won't do. That kind of man would see through it all. Tell him that I wish his advice. That will show him that I recognize his position as an authority. He'll like that better."

Warren Hilbrough suddenly discovered that his wife was cleverer – or, as he would have said, "smarter" – than he had thought her.

"You are a good hand, Jenny," he said. "You'll win your game." And after he had resumed the reading of his paper he looked over the top of it once or twice in furtive admiration of her as she sat between him and the dark portière, which set her form in relief against the rich background and made her seem a picture to the fond eyes of her husband. He reflected that perhaps after all managing church fairs and running sewing societies was no bad training for a larger social activity.

VI.

PHILLIDA CALLENDER

"Hilbrough has sent for me," said Millard to Philip Gouverneur, who was sitting so as to draw his small form into the easy-chair as he smoked by the open fire in the newspaper room at the Terrapin Club. Millard, who had never liked tobacco, was pretending to smoke a cigarette because smoking seemed to him the right thing to do. He had no taste for any more desperate vice, and tobacco smoke served to take the gloss off a character which seemed too highly finished for artistic effect.

"Hilbrough" – Charley smiled as he recalled it – "always gets uneasy when he's talking to me. He takes his foot off the chair and puts it on the floor. Then he throws himself forward on the table with his elbows outward, and then he straightens up. He's a jolly kind of man, though, and a good banker. But his wife – she is the daughter of a Yankee school-teacher that taught in Brooklyn till he died – is a vigorous little woman. She hasn't come to New York to live quietly. She's been head and front of her set in Brooklyn, and the Lord knows what she won't undertake now that Hilbrough's getting rich very fast. I haven't seen her yet, but I rather like her in advance. She didn't try to trap me into an acquaintance, but sent me word that she wanted advice. There's a woman who knows what she wants, and goes for it with a clear head. But what can I do for her? She'll be wanting to give a tea or a ball before she has acquaintances enough. It's awfully ticklish making such people understand that they must go slow and take what they can get to begin with."

"Why," said Gouverneur, "you can tell her to take the religious or moral reform dodge, and invite all the friends of some cause to meet some distinguished leader of that cause. Bishop Whipple, if she could capture him, would bring all the Friends of the Red Man, just as Miss Willard or Mrs. Livermore would fetch the temperance and woman-suffrage people. You remember the converted Hindu princess they had over here last winter? Between her rank, and her piety, and her coming from the antipodes, and her heathen antecedents, she drew beautifully. Fine woman, too. Even my mother forgave her for not having a drop of Dutch or Revolutionary blood in her veins, and we all liked her very much. Give Mrs. Hilbrough that tip."

Millard shook his head, and smiled. He had the appreciative smile of a man with a genius for listening, which is a better, because a rarer, contribution to conversation than good speech. Philip, crouched in his chair with his face averted from the electric lights, went on:

"Well, then you know there is the literary dodge. Have papers read, not enough to bore people too deeply, but to bore them just enough to give those who attend an impression of intellectuality. Have discussions of literary questions, seasoned with stewed terrapin, and decorated with dress coats and external anatomy gowns. Those who go to such places flatter themselves that they are getting into literary circles and improving their minds, especially if a popular magazinist or the son of some great author can be persuaded to read one of his rejected articles or to make a few remarks now and then. Then there is the musical dodge on the drawing-room scale, or by wholesale, like the Seidl Society, for example. One is able by this means to promote a beautiful art and increase one's social conspicuousness at the same time. Then there is the distinguished-foreigner dodge, give a reception in honor of – "

"Hang it, Philip; I'll tell Mrs. Hilbrough to send for you," said Millard, laughing as he got up and threw his cigarette into the grate. "I don't like to interrupt your lecture, but it's eleven o'clock, and I'm going home. Good-night."

Philip sat there alone and listened to the rain against the windows, and smoked until his cigar went out. The mere turning of things over in his mind, and tacking witty labels to them, afforded so much amusement that inactivity and revery were his favorite indulgences.

Mrs. Hilbrough gave a good deal of thought to her dinner on the next evening after the conversation between Philip Gouverneur and Millard. To have it elegant, and yet not to appear vulgar by making too much fuss over a dinner en famille, taxed her thought and taste. Half an hour before dinner she met her husband with a perturbed face.

"It's too bad that Phillida Callender should have come this evening. That's just the way with an indefinite invitation. Poor girl, I've been asking her to come any evening, and now she has hit on the only one in the year on which I would rather she should have stayed at home."

"I'm sure Phillida is nice enough for anybody," said Hilbrough, sturdily. "I don't see how she interferes with your plan."

"Well, Mr. Millard'll think I've asked her specially to help entertain him, and Phillida is so peculiar. She's nobody in particular, socially, and it will seem an unskillful thing to have asked her – and then she has ideas. Young girls with notions of their own are – well – you know."

"Yes, I know, home-made ideas are a little out of fashion," laughed Hilbrough. "But I'll bet he likes her. Millard isn't a fool if he does part his hair in the middle and carry his cane balanced in his fingers like a pair of steelyards."

"If he takes me to dinner, you must follow with Phillida. Give your left arm – "

"I'll feel like a fool escorting Phillida – "

"But you must if Mr. Millard escorts me."

Hilbrough could have cursed Millard. He hated what he called "flummery." Why couldn't people walk to the table without hooking themselves together, and why couldn't they eat their food without nonsense? But he showed his vexation in a characteristic way by laughing inwardly at his wife and Millard, and most of all at himself for an old fool.

Phillida Callender was the daughter of a Presbyterian minister who had gone as missionary to one of the Oriental countries. After years of life in the East, Mr. Callender had returned to America on account of his wife's health, and had settled in Brooklyn. If illusions of his youth had been dispelled in the attempt to convert Orientals to a belief in the Shorter Catechism he never confessed it, even to himself, and he cherished the notion that he would some day return to his missionary vocation. The family had an income from the rent of a house in New York that had been inherited by Mrs. Callender, and the husband received considerable sums for supplying the pulpits of vacant churches. He had occupied the pulpit of the church that the Hilbroughs attended during the whole time of Dr. North's journey to the Holy Land, and had thus come into a half-pastoral relation to the Hilbrough family. Mr. Callender sickened and died; the fragile wife and two daughters were left to plan their lives without him. The sudden shock and the new draft upon Mrs. Callender's energies had completed her restoration to a tolerable degree of health and activity. Between the elder daughter, whom the father had fancifully named Phillida, from the leafy grove in which stood the house where she was born, and Mrs. Hilbrough there had grown up a friendship in spite of the difference in age and temperament – a friendship that had survived the shock of prosperity. Lately the Callenders had found it prudent to remove to their house situate in the region near Second Avenue below Fourteenth Street, a quarter which, having once been fashionable, abides now in the merest twilight of its former grandeur. The letting of the upper rooms of the house was a main source of income.

Born in Siam, bred in a family pervaded with religious and propagandist ideas, and having led a half-recluse life, Phillida Callender did not seem to Mrs. Hilbrough just the sort of person to entertain a man of the world.

When dinner was announced Millard did give Mrs. Hilbrough his arm, and Phillida was startled and amused, when Mr. Hilbrough, after pausing an instant to remember which of his stout arms he was to offer, presented his left elbow. Despite much internal levity and external clumsiness, Hilbrough played his rôle to the satisfaction of his anxious wife, and Phillida looked at him inquiringly after she was seated as though to discover what transformation had taken place in him.

Millard could not but feel curious about the fine-looking, dark young woman opposite him. But with his unfailing sense of propriety he gave the major part of his attention to the elder lady, and, without uttering one word of flattery, he contrived, by listening well, and by an almost undivided attention to her when he spoke, to make Mrs. Hilbrough very content with herself, her dinner, and her guest. This is the sort of politeness not acquired in dancing-school nor learned in books of decorum; it is art, and of all the fine arts perhaps the one that gives the most substantial pleasure to human beings in general. Even Hilbrough was pleased with Millard's appreciation of Mrs. Hilbrough; to think well of Jenny was an evidence of sound judgment, like the making of a prudent investment.

Meantime Millard somewhat furtively observed Miss Callender. From the small contributions she made to the table-talk, she seemed, to him, rather out of the common run. Those little touches of inflection and gesture, which one woman in society picks up from another, and which are the most evanescent bubbles of fashion, were wanting in her, and this convinced him that she was not accustomed to see much of the world. On the other hand, there was no lack of refinement either in speech or manner. That disagreeable quality in the voice which in an American woman is often the most easily perceptible note of underbreeding was not there. Her speech was correct without effort, as of one accustomed to hear good English from infancy; her voice in conversation was an alto, with something sympathetic in its vibration, as though a powerful emotional nature lay dormant under the calm exterior. Millard was not the person to formulate this, but with very little direct conversation he perceived that she was outside the category to which he was accustomed, and that her personality might prove interesting, if one had an opportunity of knowing it. He reasoned that with such a voice she ought to be fond of music.

"Have you heard much of Wagner, Miss Callender?" he said when there was a pause in the conversation. He felt before he had finished the question that it was a false beginning, and he was helped to this perception by a movement of uneasiness on the part of Mrs. Hilbrough, who was afraid that Phillida's disqualifications might be too plainly revealed. But if Mrs. Hilbrough was rendered uneasy by the question, Phillida was not. She turned her dark eyes upon Millard, and smiled with genuine amusement as she answered:

"I have heard but one opera in my life, Mr. Millard, and that was not Wagner's."

"Miss Callender," said Mrs. Hilbrough, quickly, "is one who has sacrificed social opportunities to her care for an invalid mother – a great sacrifice to one at her time of life."

"I don't think I have sacrificed much," answered Phillida with a trace of embarrassment. "My social opportunities could not have been many at best, and I would rather have led," – she hesitated a moment, – "I don't know but I would rather have led my quiet life than – the other."

In her effort to say this so as neither to boast of her own pursuits nor to condemn those of others, Miss Callender's color was a little heightened. Millard was sorry that his innocent question had led the conversation into channels so personal. Mrs. Hilbrough was inwardly vexed that Phillida should be so frank, and express views so opposed to those of good society.

"You find Brooklyn a pleasant place to live, no doubt," said Millard, taking it for granted that Phillida was from Brooklyn, because of her friendship for the Hilbroughs.

"I liked it when we lived there. I like New York very well. My relatives all live on this side of East River, and so I am rather more at home here."

"Then you don't find New York lonesome," said Millard, with a falling cadence, seeking to drop the conversation.

"Oh, no! I live near Stuyvesant Square, and I have an aunt in Washington Square of whom I am very fond."

"I am often at the Gouverneurs, on the north side of the Square. I like Washington Square very much," said Millard, getting on solid ground again.

"We visit at the same house. Mrs. Gouverneur is my aunt," said Phillida.

Millard was a little stunned at this announcement. But his habitual tact kept him from disclosing his surprise at finding Miss Callender's affiliations better than he could have imagined. He only said with unaffected pleasure in his voice:

"The Gouverneurs are the best of people and my best friends."

Mr. Hilbrough looked in amusement at his wife, who was manifestly pleased to find that in Phillida she was entertaining an angel unawares. Millard's passion for personal details came to his relief.

"Mrs. Gouverneur," he said, "had a brother and two sisters. You must be the daughter of one of her sisters. One lives, or used to live, in San Francisco, and the other married a missionary."

"I am the missionary's daughter," said Phillida.

Millard felt impelled to redeem his default by saying something to Miss Callender about the antiquity and excellence of her mother's family. If he had been less skillful than he was he might have given way to this impulse; but with the knack of a conversational artist he contrived in talking chiefly to Mrs. Hilbrough to lead the conversation to Miss Callender's distinguished great-grandfather of the Revolutionary period, who was supposed to shed an ever-brightening luster all the way down the line of his family, and Millard added some traditional anecdotes of other ancestors of her family on the mother's side who had played a conspicuous part in the commercial or civic history of New York. All of which was flattering to Miss Callender, the more that it seemed to be uttered in the way of general conversation and with no particular reference to her.

Hilbrough listened with much interest to this very creditable account of Phillida's illustrious descent, and longed for the time when he should have the fun of reminding his wife that he had held the opinion from the beginning that Phillida Callender was good enough for anybody.

Mrs. Hilbrough took Phillida and left the table, Mr. Hilbrough rising as the ladies passed out, as he had been instructed. When he and Millard had resumed their seats the cigars were brought, but when Millard saw that his host did not smoke he did not see why he should punish himself with a cigar and a tête-à-tête with Hilbrough, whom he could see any day at the bank. So by agreement the sitting was soon cut short, and the gentlemen followed the ladies to the drawing-room. Mrs. Hilbrough had planned a conversation with Millard about her reception while Phillida should be left to talk with Mr. Hilbrough. But Phillida's position had been changed during dinner. Mrs. Hilbrough found a new card in her hand. She drew Miss Callender into the talk about the reception, leaving her husband to excuse himself, and to climb the stairs to the third floor, as was his wont, to see that the children had gone to bed well and were not quarreling, and to have a few cheery words with Jack and the smaller ones before they went to sleep. Receptions were nothing to him: the beds on the third floor contained the greater part of the world.

Millard was relieved to find that Mrs. Hilbrough proposed nothing more ambitious than an evening reception. He commended her for beginning in new surroundings in this way.

"You see, Mrs. Hilbrough," he said, "a reception seems to me more flexible than a ball. It is, in a sense, more democratic. There are many good people – people of some position – who do not care to attend a ball, who would be out of place at a ball, indeed, which should be a very fashionable assembly. The party with dancing can come after."

This commendation had an effect opposite to that intended. Mrs. Hilbrough hadn't thought of a ball, and she now suspected that she was going wrong. In proposing a reception she was imitating Mrs. Masters, and she had fancied herself doing the most proper thing of all. To have a reception called democratic, and treated as something comparatively easy of achievement, disturbed her.
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