The Bostonians, Vol. I

"You don't know me, but I want to know you," Olive said. "I can thank you now. Will you come and see me?"

"Oh yes; where do you live?" Verena answered, in the tone of a girl for whom an invitation (she hadn't so many) was always an invitation.

Miss Chancellor syllabled her address, and Mrs. Tarrant came forward, smiling. "I know about you, Miss Chancellor. I guess your father knew my father—Mr. Greenstreet. Verena will be very glad to visit you. We shall be very happy to see you in our home."

Basil Ransom, while the mother spoke, wanted to say something to the daughter, who stood there so near him, but he could think of nothing that would do; certain words that came to him, his Mississippi phrases, seemed patronising and ponderous. Besides, he didn't wish to assent to what she had said; he wished simply to tell her she was delightful, and it was difficult to mark that difference. So he only smiled at her in silence, and she smiled back at him—a smile that seemed to him quite for himself.

"Where do you live?" Olive asked; and Mrs. Tarrant replied that they lived at Cambridge, and that the horse-cars passed just near their door. Whereupon Olive insisted "Will you come very soon?" and Verena said, Oh yes, she would come very soon, and repeated the number in Charles Street, to show that she had taken heed of it. This was done with childlike good faith. Ransom saw that she would come and see any one who would ask her like that, and he regretted for a minute that he was not a Boston lady, so that he might extend to her such an invitation. Olive Chancellor held her hand a moment longer, looked at her in farewell, and then, saying, "Come, Mr. Ransom," drew him out of the room. In the hall they met Mr. Pardon, coming up from the lower regions with a jug of water and a tumbler. Miss Chancellor's hackney-coach was there, and when Basil had put her into it she said to him that she wouldn't trouble him to drive with her—his hotel was not near Charles Street. He had so little desire to sit by her side—he wanted to smoke—that it was only after the vehicle had rolled off that he reflected upon her coolness, and asked himself why the deuce she had brought him away. She was a very odd cousin, was this Boston cousin of his. He stood there a moment, looking at the light in Miss Birdseye's windows and greatly minded to re-enter the house, now he might speak to the girl. But he contented himself with the memory of her smile, and turned away with a sense of relief, after all, at having got out of such wild company, as well as with (in a different order) a vulgar consciousness of being very thirsty.

X

Verena Tarrant came in the very next day from Cambridge to Charles Street; that quarter of Boston is in direct communication with the academic suburb. It hardly seemed direct to poor Verena, perhaps, who, in the crowded street-car which deposited her finally at Miss Chancellor's door, had to stand up all the way, half suspended by a leathern strap from the glazed roof of the stifling vehicle, like some blooming cluster dangling in a hothouse. She was used, however, to these perpendicular journeys, and though, as we have seen, she was not inclined to accept without question the social arrangements of her time, it never would have occurred to her to criticise the railways of her native land. The promptness of her visit to Olive Chancellor had been an idea of her mother's, and Verena listened open-eyed while this lady, in the seclusion of the little house in Cambridge, while Selah Tarrant was "off," as they said, with his patients, sketched out a line of conduct for her. The girl was both submissive and unworldly, and she listened to her mother's enumeration of the possible advantages of an intimacy with Miss Chancellor as she would have listened to any other fairy-tale. It was still a part of the fairy-tale when this zealous parent put on with her own hands Verena's smart hat and feather, buttoned her little jacket (the buttons were immense and gilt), and presented her with twenty cents to pay her car-fare.

There was never any knowing in advance how Mrs. Tarrant would take a thing, and even Verena, who, filially, was much less argumentative than in her civic and, as it were, public capacity, had a perception that her mother was queer. She was queer, indeed—a flaccid, relaxed, unhealthy, whimsical woman, who still had a capacity to cling. What she clung to was "society," and a position in the world which a secret whisper told her she had never had and a voice more audible reminded her she was in danger of losing. To keep it, to recover it, to reconsecrate it, was the ambition of her heart; this was one of the many reasons why Providence had judged her worthy of having so wonderful a child. Verena was born not only to lead their common sex out of bondage, but to remodel a visiting-list which bulged and contracted in the wrong places, like a country-made garment. As the daughter of Abraham Greenstreet, Mrs. Tarrant had passed her youth in the first Abolitionist circles, and she was aware how much such a prospect was clouded by her union with a young man who had begun life as an itinerant vendor of lead-pencils (he had called at Mr. Greenstreet's door in the exercise of this function), had afterwards been for a while a member of the celebrated Cayuga community, where there were no wives, or no husbands, or something of that sort (Mrs. Tarrant could never remember), and had still later (though before the development of the healing faculty) achieved distinction in the spiritualistic world. (He was an extraordinarily favoured medium, only he had had to stop for reasons of which Mrs. Tarrant possessed her version.) Even in a society much occupied with the effacement of prejudice there had been certain dim presumptions against this versatile being, who naturally had not wanted arts to ingratiate himself with Miss Greenstreet, her eyes, like his own, being fixed exclusively on the future. The young couple (he was considerably her elder) had gazed on the future together until they found that the past had completely forsaken them and that the present offered but a slender foothold. Mrs. Tarrant, in other words, incurred the displeasure of her family, who gave her husband to understand that, much as they desired to remove the shackles from the slave, there were kinds of behaviour which struck them as too unfettered. These had prevailed, to their thinking, at Cayuga, and they naturally felt it was no use for him to say that his residence there had been (for him—the community still existed) but a momentary episode, inasmuch as there was little more to be urged for the spiritual picnics and vegetarian camp-meetings in which the discountenanced pair now sought consolation.

Such were the narrow views of people hitherto supposed capable of opening their hearts to all salutary novelties, but now put to a genuine test, as Mrs. Tarrant felt. Her husband's tastes rubbed off on her soft, moist moral surface, and the couple lived in an atmosphere of novelty, in which, occasionally, the accommodating wife encountered the fresh sensation of being in want of her dinner. Her father died, leaving, after all, very little money; he had spent his modest fortune upon the blacks. Selah Tarrant and his companion had strange adventures; she found herself completely enrolled in the great irregular army of nostrum-mongers, domiciled in humanitary Bohemia. It absorbed her like a social swamp; she sank into it a little more every day, without measuring the inches of her descent. Now she stood there up to her chin; it may probably be said of her that she had touched bottom. When she went to Miss Birdseye's it seemed to her that she re-entered society. The door that admitted her was not the door that admitted some of the others (she should never forget the tipped-up nose of Mrs. Farrinder), and the superior portal remained ajar, disclosing possible vistas. She had lived with long-haired men and short-haired women, she had contributed a flexible faith and an irremediable want of funds to a dozen social experiments, she had partaken of the comfort of a hundred religions, had followed innumerable dietary reforms, chiefly of the negative order, and had gone of an evening to a séance or a lecture as regularly as she had eaten her supper. Her husband always had tickets for lectures; in moments of irritation at the want of a certain sequence in their career, she had remarked to him that it was the only thing he did have. The memory of all the winter nights they had tramped through the slush (the tickets, alas! were not car-tickets) to hear Mrs. Ada T. P. Foat discourse on the "Summer-land," came back to her with bitterness. Selah was quite enthusiastic at one time about Mrs. Foat, and it was his wife's belief that he had been "associated" with her (that was Selah's expression in referring to such episodes) at Cayuga. The poor woman, matrimonially, had a great deal to put up with; it took, at moments, all her belief in his genius to sustain her. She knew that he was very magnetic (that, in fact, was his genius), and she felt that it was his magnetism that held her to him. He had carried her through things where she really didn't know what to think; there were moments when she suspected that she had lost the strong moral sense for which the Greenstreets were always so celebrated.

Of course a woman who had had the bad taste to marry Selah Tarrant would not have been likely under any circumstances to possess a very straight judgement; but there is no doubt that this poor lady had grown dreadfully limp. She had blinked and compromised and shuffled; she asked herself whether, after all, it was any more than natural that she should have wanted to help her husband, in those exciting days of his mediumship, when the table, sometimes, wouldn't rise from the ground, the sofa wouldn't float through the air, and the soft hand of a lost loved one was not so alert as it might have been to visit the circle. Mrs. Tarrant's hand was soft enough for the most supernatural effect, and she consoled her conscience on such occasions by reflecting that she ministered to a belief in immortality. She was glad, somehow, for Verena's sake, that they had emerged from the phase of spirit-intercourse; her ambition for her daughter took another form than desiring that she, too, should minister to a belief in immortality. Yet among Mrs. Tarrant's multifarious memories these reminiscences of the darkened room, the waiting circle, the little taps on table and wall, the little touches on cheek and foot, the music in the air, the rain of flowers, the sense of something mysteriously flitting, were most tenderly cherished. She hated her husband for having magnetised her so that she consented to certain things, and even did them, the thought of which to-day would suddenly make her face burn; hated him for the manner in which, somehow, as she felt, he had lowered her social tone; yet at the same time she admired him for an impudence so consummate that it had ended (in the face of mortifications, exposures, failures, all the misery of a hand-to-mouth existence) by imposing itself on her as a kind of infallibility. She knew he was an awful humbug, and yet her knowledge had this imperfection, that he had never confessed it—a fact that was really grand when one thought of his opportunities for doing so. He had never allowed that he wasn't straight; the pair had so often been in the position of the two augurs behind the altar, and yet he had never given her a glance that the whole circle mightn't have observed. Even in the privacy of domestic intercourse he had phrases, excuses, explanations, ways of putting things, which, as she felt, were too sublime for just herself; they were pitched, as Selah's nature was pitched, altogether in the key of public life.

So it had come to pass, in her distended and demoralised conscience, that with all the things she despised in her life and all the things she rather liked, between being worn out with her husband's inability to earn a living and a kind of terror of his consistency (he had a theory that they lived delightfully), it happened, I say, that the only very definite criticism she made of him to-day was that he didn't know how to speak. That was where the shoe pinched—that was where Selah was slim. He couldn't hold the attention of an audience, he was not acceptable as a lecturer. He had plenty of thoughts, but it seemed as if he couldn't fit them into each other. Public speaking had been a Greenstreet tradition, and if Mrs. Tarrant had been asked whether in her younger years she had ever supposed she should marry a mesmeric healer, she would have replied: "Well, I never thought I should marry a gentleman who would be silent on the platform!" This was her most general humiliation; it included and exceeded every other, and it was a poor consolation that Selah possessed as a substitute—his career as a healer, to speak of none other, was there to prove it—the eloquence of the hand. The Greenstreets had never set much store on manual activity; they believed in the influence of the lips. It may be imagined, therefore, with what exultation, as time went on, Mrs. Tarrant found herself the mother of an inspired maiden, a young lady from whose lips eloquence flowed in streams. The Greenstreet tradition would not perish, and the dry places of her life would, perhaps, be plentifully watered. It must be added that, of late, this sandy surface had been irrigated, in moderation, from another source. Since Selah had addicted himself to the mesmeric mystery, their home had been a little more what the home of a Greenstreet should be. He had "considerable many" patients, he got about two dollars a sitting, and he had effected some most gratifying cures. A lady in Cambridge had been so much indebted to him that she had recently persuaded them to take a house near her, in order that Doctor Tarrant might drop in at any time. He availed himself of this convenience—they had taken so many houses that another, more or less, didn't matter—and Mrs. Tarrant began to feel as if they really had "struck" something.

Even to Verena, as we know, she was confused and confusing; the girl had not yet had an opportunity to ascertain the principles on which her mother's limpness was liable suddenly to become rigid. This phenomenon occurred when the vapours of social ambition mounted to her brain, when she extended an arm from which a crumpled dressing-gown fluttered back to seize the passing occasion. Then she surprised her daughter by a volubility of exhortation as to the duty of making acquaintances, and by the apparent wealth of her knowledge of the mysteries of good society. She had, in particular, a way of explaining confidentially—and in her desire to be graphic she often made up the oddest faces—the interpretation that you must sometimes give to the manners of the best people, and the delicate dignity with which you should meet them, which made Verena wonder what secret sources of information she possessed. Verena took life, as yet, very simply; she was not conscious of so many differences of social complexion. She knew that some people were rich and others poor, and that her father's house had never been visited by such abundance as might make one ask one's self whether it were right, in a world so full of the disinherited, to roll in luxury. But except when her mother made her slightly dizzy by a resentment of some slight that she herself had never perceived, or a flutter over some opportunity that appeared already to have passed (while Mrs. Tarrant was looking for something to "put on"), Verena had no vivid sense that she was not as good as any one else, for no authority appealing really to her imagination had fixed the place of mesmeric healers in the scale of fashion. It was impossible to know in advance how Mrs. Tarrant would take things. Sometimes she was abjectly indifferent; at others she thought that every one who looked at her wished to insult her. At moments she was full of suspicion of the ladies (they were mainly ladies) whom Selah mesmerised; then again she appeared to have given up everything but her slippers and the evening-paper (from this publication she derived inscrutable solace), so that if Mrs. Foat in person had returned from the summer-land (to which she had some time since taken her flight), she would not have disturbed Mrs. Tarrant's almost cynical equanimity.

It was, however, in her social subtleties that she was most beyond her daughter; it was when she discovered extraordinary though latent longings on the part of people they met to make their acquaintance, that the girl became conscious of how much she herself had still to learn. All her desire was to learn, and it must be added that she regarded her mother, in perfect good faith, as a wonderful teacher. She was perplexed sometimes by her worldliness; that, somehow, was not a part of the higher life which every one in such a house as theirs must wish above all things to lead; and it was not involved in the reign of justice, which they were all trying to bring about, that such a strict account should be kept of every little snub. Her father seemed to Verena to move more consecutively on the high plane; though his indifference to old-fashioned standards, his perpetual invocation of the brighter day, had not yet led her to ask herself whether, after all, men are more disinterested than women. Was it interest that prompted her mother to respond so warmly to Miss Chancellor, to say to Verena, with an air of knowingness, that the thing to do was to go in and see her immediately? No italics can represent the earnestness of Mrs. Tarrant's emphasis. Why hadn't she said, as she had done in former cases, that if people wanted to see them they could come out to their home; that she was not so low down in the world as not to know there was such a ceremony as leaving cards? When Mrs. Tarrant began on the question of ceremonies she was apt to go far; but she had waived it in this case; it suited her more to hold that Miss Chancellor had been very gracious, that she was a most desirable friend, that she had been more affected than any one by Verena's beautiful outpouring; that she would open to her the best saloons in Boston; that when she said "Come soon" she meant the very next day, that this was the way to take it, anyhow (one must know when to go forward gracefully); and that in short she, Mrs. Tarrant, knew what she was talking about.

Verena accepted all this, for she was young enough to enjoy any journey in a horse-car, and she was ever-curious about the world; she only wondered a little how her mother knew so much about Miss Chancellor just from looking at her once. What Verena had mainly observed in the young lady who came up to her that way the night before was that she was rather dolefully dressed, that she looked as if she had been crying (Verena recognised that look quickly, she had seen it so much), and that she was in a hurry to get away. However, if she was as remarkable as her mother said, one would very soon see it; and meanwhile there was nothing in the girl's feeling about herself, in her sense of her importance, to make it a painful effort for her to run the risk of a mistake. She had no particular feeling about herself; she only cared, as yet, for outside things. Even the development of her "gift" had not made her think herself too precious for mere experiments; she had neither a particle of diffidence nor a particle of vanity. Though it would have seemed to you eminently natural that a daughter of Selah Tarrant and his wife should be an inspirational speaker, yet, as you knew Verena better, you would have wondered immensely how she came to issue from such a pair. Her ideas of enjoyment were very simple; she enjoyed putting on her new hat, with its redundancy of feather, and twenty cents appeared to her a very large sum.

XI

"I was certain you would come—I have felt it all day—something told me!" It was with these words that Olive Chancellor greeted her young visitor, coming to her quickly from the window, where she might have been waiting for her arrival. Some weeks later she explained to Verena how definite this prevision had been, how it had filled her all day with a nervous agitation so violent as to be painful. She told her that such forebodings were a peculiarity of her organisation, that she didn't know what to make of them, that she had to accept them; and she mentioned, as another example, the sudden dread that had come to her the evening before in the carriage, after proposing to Mr. Ransom to go with her to Miss Birdseye's. This had been as strange as it had been instinctive, and the strangeness, of course, was what must have struck Mr. Ransom; for the idea that he might come had been hers, and yet she suddenly veered round. She couldn't help it; her heart had begun to throb with the conviction that if he crossed that threshold some harm would come of of it for her. She hadn't prevented him, and now she didn't care, for now, as she intimated, she had the interest of Verena, and that made her indifferent to every danger, to every ordinary pleasure. By this time Verena had learned how peculiarly her friend was constituted, how nervous and serious she was, how personal, how exclusive, what a force of will she had, what a concentration of purpose. Olive had taken her up, in the literal sense of the phrase, like a bird of the air, had spread an extraordinary pair of wings, and carried her through the dizzying void of space. Verena liked it, for the most part; liked to shoot upward without an effort of her own and look down upon all creation, upon all history, from such a height. From this first interview she felt that she was seized, and she gave herself up, only shutting her eyes a little, as we do whenever a person in whom we have perfect confidence proposes, with our assent, to subject us to some sensation.

"I want to know you," Olive said, on this occasion; "I felt that I must last night, as soon as I heard you speak. You seem to me very wonderful. I don't know what to make of you. I think we ought to be friends; so I just asked you to come to me straight off, without preliminaries, and I believed you would come. It is so right that you have come, and it proves how right I was." These remarks fell from Miss Chancellor's lips one by one, as she caught her breath, with the tremor that was always in her voice, even when she was the least excited, while she made Verena sit down near her on the sofa, and looked at her all over in a manner that caused the girl to rejoice at having put on the jacket with the gilt buttons. It was this glance that was the beginning; it was with this quick survey, omitting nothing, that Olive took possession of her. "You are very remarkable; I wonder if you know how remarkable!" she went on, murmuring the words as if she were losing herself, becoming inadvertent in admiration.

Verena sat there smiling, without a blush, but with a pure, bright look which, for her, would always make protests unnecessary. "Oh, it isn't me, you know; it's something outside!" She tossed this off lightly, as if she were in the habit of saying it, and Olive wondered whether it were a sincere disclaimer or only a phrase of the lips. The question was not a criticism, for she might have been satisfied that the girl was a mass of fluent catch-words and yet scarcely have liked her the less. It was just as she was that she liked her; she was so strange, so different from the girls one usually met, seemed to belong to some queer gipsy-land or transcendental Bohemia. With her bright, vulgar clothes, her salient appearance, she might have been a rope-dancer or a fortune-teller; and this had the immense merit, for Olive, that it appeared to make her belong to the "people," threw her into the social dusk of that mysterious democracy which Miss Chancellor held that the fortunate classes know so little about, and with which (in a future possibly very near) they will have to count. Moreover, the girl had moved her as she had never been moved, and the power to do that, from whatever source it came, was a force that one must admire. Her emotion was still acute, however much she might speak to her visitor as if everything that had happened seemed to her natural; and what kept it, above all, from subsiding was her sense that she found here what she had been looking for so long—a friend of her own sex with whom she might have a union of soul. It took a double consent to make a friendship, but it was not possible that this intensely sympathetic girl would refuse. Olive had the penetration to discover in a moment that she was a creature of unlimited generosity. I know not what may have been the reality of Miss Chancellor's other premonitions, but there is no doubt that in this respect she took Verena's measure on the spot. This was what she wanted; after that the rest didn't matter; Miss Tarrant might wear gilt buttons from head to foot, her soul could not be vulgar.

"Mother told me I had better come right in," said Verena, looking now about the room, very glad to find herself in so pleasant a place, and noticing a great many things that she should like to see in detail.

"Your mother saw that I meant what I said; it isn't everybody that does me the honour to perceive that. She saw that I was shaken from head to foot. I could only say three words—I couldn't have spoken more! What a power—what a power, Miss Tarrant!"

"Yes, I suppose it is a power. If it wasn't a power, it couldn't do much with me!"

"You are so simple—so much like a child," Olive Chancellor said. That was the truth, and she wanted to say it because, quickly, without forms or circumlocutions, it made them familiar. She wished to arrive at this; her impatience was such that before the girl had been five minutes in the room she jumped to her point—inquired of her, interrupting herself, interrupting everything: "Will you be my friend, my friend of friends, beyond every one, everything, for ever and for ever?" Her face was full of eagerness and tenderness.

Verena gave a laugh of clear amusement, without a shade of embarrassment or confusion. "Perhaps you like me too much."

"Of course I like you too much! When I like, I like too much. But of course it's another thing, your liking me," Olive Chancellor added. "We must wait—we must wait. When I care for anything, I can be patient." She put out her hand to Verena, and the movement was at once so appealing and so confident that the girl instinctively placed her own in it. So, hand in hand, for some moments, these two young women sat looking at each other. "There is so much I want to ask you," said Olive.

"Well, I can't say much except when father has worked on me," Verena answered with an ingenuousness beside which humility would have seemed pretentious.

"I don't care anything about your father," Olive Chancellor rejoined very gravely, with a great air of security.

"He is very good," Verena said simply. "And he's wonderfully magnetic."

"It isn't your father, and it isn't your mother; I don't think of them, and it's not them I want. It's only you—just as you are."

Verena dropped her eyes over the front of her dress. "Just as she was" seemed to her indeed very well.

"Do you want me to give up–?" she demanded, smiling.

Olive Chancellor drew in her breath for an instant, like a creature in pain; then, with her quavering voice, touched with a vibration of anguish, she said; "Oh, how can I ask you to give up? I will give up—I will give up everything!"

Filled with the impression of her hostess's agreeable interior, and of what her mother had told her about Miss Chancellor's wealth, her position in Boston society, Verena, in her fresh, diverted scrutiny of the surrounding objects, wondered what could be the need of this scheme of renunciation. Oh no, indeed, she hoped she wouldn't give up—at least not before she, Verena, had had a chance to see. She felt, however, that for the present there would be no answer for her save in the mere pressure of Miss Chancellor's eager nature, that intensity of emotion which made her suddenly exclaim, as if in a nervous ecstasy of anticipation, "But we must wait! Why do we talk of this? We must wait! All will be right," she added more calmly, with great sweetness.

Verena wondered afterward why she had not been more afraid of her—why, indeed, she had not turned and saved herself by darting out of the room. But it was not in this young woman's nature to be either timid or cautious; she had as yet to make acquaintance with the sentiment of fear. She knew too little of the world to have learned to mistrust sudden enthusiasms, and if she had had a suspicion it would have been (in accordance with common worldly knowledge) the wrong one—the suspicion that such a whimsical liking would burn itself out. She could not have that one, for there was a light in Miss Chancellor's magnified face which seemed to say that a sentiment, with her, might consume its object, might consume Miss Chancellor, but would never consume itself. Verena, as yet, had no sense of being scorched; she was only agreeably warmed. She also had dreamed of a friendship, though it was not what she had dreamed of most, and it came over her that this was the one which fortune might have been keeping. She never held back.

"Do you live here all alone?" she asked of Olive.

"I shouldn't if you would come and live with me!"

Even this really passionate rejoinder failed to make Verena shrink; she thought it so possible that in the wealthy class people made each other such easy proposals. It was a part of the romance, the luxury, of wealth; it belonged to the world of invitations, in which she had had so little share. But it seemed almost a mockery when she thought of the little house in Cambridge, where the boards were loose in the steps of the porch.

"I must stay with my father and mother," she said. "And then I have my work, you know. That's the way I must live now."

"Your work?" Olive repeated, not quite understanding.

"My gift," said Verena, smiling.

"Oh yes, you must use it. That's what I mean; you must move the world with it; it's divine."

It was so much what she meant that she had lain awake all night thinking of it, and the substance of her thought was that if she could only rescue the girl from the danger of vulgar exploitation, could only constitute herself her protectress and devotee, the two, between them, might achieve the great result. Verena's genius was a mystery, and it might remain a mystery; it was impossible to see how this charming, blooming, simple creature, all youth and grace and innocence, got her extraordinary powers of reflexion. When her gift was not in exercise she appeared anything but reflective, and as she sat there now, for instance, you would never have dreamed that she had had a vivid revelation. Olive had to content herself, provisionally, with saying that her precious faculty had come to her just as her beauty and distinction (to Olive she was full of that quality) had come; it had dropped straight from heaven, without filtering through her parents, whom Miss Chancellor decidedly did not fancy. Even among reformers she discriminated; she thought all wise people wanted great changes, but the votaries of change were not necessarily wise. She remained silent a little, after her last remark, and then she repeated again, as if it were the solution of everything, as if it represented with absolute certainty some immense happiness in the future—"We must wait, we must wait!" Verena was perfectly willing to wait, though she did not exactly know what they were to wait for, and the aspiring frankness of her assent shone out of her face, and seemed to pacify their mutual gaze. Olive asked her innumerable questions; she wanted to enter into her life. It was one of those talks which people remember afterwards, in which every word has been given and taken, and in which they see the signs of a beginning that was to be justified. The more Olive learnt of her visitor's life the more she wanted to enter into it, the more it took her out of herself. Such strange lives are led in America, she always knew that; but this was queerer than anything she had dreamed of, and the queerest part was that the girl herself didn't appear to think it queer. She had been nursed in darkened rooms, and suckled in the midst of manifestations; she had begun to "attend lectures," as she said, when she was quite an infant, because her mother had no one to leave her with at home. She had sat on the knees of somnambulists, and had been passed from hand to hand by trance-speakers; she was familiar with every kind of "cure," and had grown up among lady-editors of newspapers advocating new religions, and people who disapproved of the marriage-tie. Verena talked of the marriage-tie as she would have talked of the last novel—as if she had heard it as frequently discussed; and at certain times, listening to the answers she made to her questions, Olive Chancellor closed her eyes in the manner of a person waiting till giddiness passed. Her young friend's revelations actually gave her a vertigo; they made her perceive everything from which she should have rescued her. Verena was perfectly uncontaminated, and she would never be touched by evil; but though Olive had no views about the marriage-tie except that she should hate it for herself—that particular reform she did not propose to consider—she didn't like the "atmosphere" of circles in which such institutions were called into question. She had no wish now to enter into an examination of that particular one; nevertheless, to make sure, she would just ask Verena whether she disapproved of it.

"Well, I must say," said Miss Tarrant, "I prefer free unions."

Olive held her breath an instant; such an idea was so disagreeable to her. Then, for all answer, she murmured, irresolutely, "I wish you would let me help you!" Yet it seemed, at the same time, that Verena needed little help, for it was more and more clear that her eloquence, when she stood up that way before a roomful of people, was literally inspiration. She answered all her friend's questions with a good-nature which evidently took no pains to make things plausible, an effort to oblige, not to please; but, after all, she could give very little account of herself. This was very visible when Olive asked her where she had got her "intense realisation" of the suffering of women; for her address at Miss Birdseye's showed that she, too (like Olive herself), had had that vision in the watches of the night. Verena thought a moment, as if to understand what her companion referred to, and then she inquired, always smiling, where Joan of Arc had got her idea of the suffering of France. This was so prettily said that Olive could scarcely keep from kissing her; she looked at the moment as if, like Joan, she might have had visits from the saints. Olive, of course, remembered afterwards that it had not literally answered the question; and she also reflected on something that made an answer seem more difficult—the fact that the girl had grown up among lady-doctors, lady-mediums, lady-editors, lady-preachers, lady-healers, women who, having rescued themselves from a passive existence, could illustrate only partially the misery of the sex at large. It was true that they might have illustrated it by their talk, by all they had "been through" and all they could tell a younger sister; but Olive was sure that Verena's prophetic impulse had not been stirred by the chatter of women (Miss Chancellor knew that sound as well as any one); it had proceeded rather out of their silence. She said to her visitor that whether or no the angels came down to her in glittering armour, she struck her as the only person she had yet encountered who had exactly the same tenderness, the same pity, for women that she herself had. Miss Birdseye had something of it, but Miss Birdseye wanted passion, wanted keenness, was capable of the weakest concessions. Mrs. Farrinder was not weak, of course, and she brought a great intellect to the matter; but she was not personal enough—she was too abstract. Verena was not abstract; she seemed to have lived in imagination through all the ages. Verena said she did think she had a certain amount of imagination; she supposed she couldn't be so effective on the platform if she hadn't a rich fancy. Then Olive said to her, taking her hand again, that she wanted her to assure her of this—that it was the only thing in all the world she cared for, the redemption of women, the thing she hoped under Providence to give her life to. Verena flushed a little at this appeal, and the deeper glow of her eyes was the first sign of exaltation she had offered. "Oh yes—I want to give my life!" she exclaimed, with a vibrating voice; and then she added gravely, "I want to do something great!"

"You will, you will, we both will!" Olive Chancellor cried, in rapture. But after a little she went on: "I wonder if you know what it means, young and lovely as you are—giving your life!"

Verena looked down for a moment in meditation.

"Well," she replied, "I guess I have thought more than I appear."

"Do you understand German? Do you know 'Faust'?" said Olive. "'Entsagen sollst du, sollst entsagen!'"

"I don't know German; I should like so to study it; I want to know everything."

"We will work at it together—we will study everything." Olive almost panted; and while she spoke the peaceful picture hung before her of still winter evenings under the lamp, with falling snow outside, and tea on a little table, and successful renderings, with a chosen companion, of Goethe, almost the only foreign author she cared about; for she hated the writing of the French, in spite of the importance they have given to women. Such a vision as this was the highest indulgence she could offer herself; she had it only at considerable intervals. It seemed as if Verena caught a glimpse of it too, for her face kindled still more, and she said she should like that ever so much. At the same time she asked the meaning of the German words.

"'Thou shalt renounce, refrain, abstain!' That's the way Bayard Taylor has translated them," Olive answered.