Actions and Reactions

“No, ‘tis Rambler,” said the old man. “He’s been, at my swill-pail again. Staying at Rocketts, be ye? Come in. Ah! you runagate!”

The hound broke from him, and he tottered after him down the drive. They entered the hall – just such a high light hall as such a house should own. A slim-balustered staircase, wide and shallow and once creamy-white, climbed out of it under a long oval window. On either side delicately moulded doors gave on to wool-lumbered rooms, whose sea-green mantelpieces were adorned with nymphs, scrolls, and Cupids in low relief.

“What’s the firm that makes these things?” cried Sophie, enraptured. “Oh, I forgot! These must be the originals. Adams, is it? I never dreamed of anything like that steel-cut fender. Does he mean us to go everywhere?”

“He’s catching the dog,” said George, looking out. “We don’t count.”

They explored the first or ground floor, delighted as children playing burglars.

“This is like all England,” she said at last. “Wonderful, but no explanation. You’re expected to know it beforehand. Now, let’s try upstairs.”

The stairs never creaked beneath their feet. From the broad landing they entered a long, green-panelled room lighted by three full-length windows, which overlooked the forlorn wreck of a terraced garden, and wooded slopes beyond.

“The drawing-room, of course.” Sophie swam up and down it. “That mantelpiece – Orpheus and Eurydice – is the best of them all. Isn’t it marvellous? Why, the room seems furnished with nothing in it! How’s that, George?”

“It’s the proportions. I’ve noticed it.”

“I saw a Heppelwhite couch once” – Sophie laid her finger to her flushed cheek and considered. “With, two of them – one on each side – you wouldn’t need anything else. Except – there must be one perfect mirror over that mantelpiece.”

“Look at that view. It’s a framed Constable,” her husband cried.

“No; it’s a Morland – a parody of a Morland. But about that couch, George. Don’t you think Empire might be better than Heppelwhite? Dull gold against that pale green? It’s a pity they don’t make spinets nowadays.”

“I believe you can get them. Look at that oak wood behind the pines.”

“‘While you sat and played toccatas stately, at the clavichord,”’ Sophie hummed, and, head on one; side, nodded to where the perfect mirror should hang:

Then they found bedrooms with dressing-rooms and powdering-closets, and steps leading up and down – boxes of rooms, round, square, and octagonal, with enriched ceilings and chased door-locks.

“Now about servants. Oh!” She had darted up the last stairs to the chequered darkness of the top floor, where loose tiles lay among broken laths, and the walls were scrawled with names, sentiments, and hop records. “They’ve been keeping pigeons here,” she cried.

“And you could drive a buggy through the roof anywhere,” said George.

“That’s what I say,” the old man cried below them on the stairs. “Not a dry place for my pigeons at all.”

“But why was it allowed to get like this?” said Sophie.

“Tis with housen as teeth,” he replied. “Let ‘em go too far, and there’s nothing to be done. Time was they was minded to sell her, but none would buy. She was too far away along from any place. Time was they’d ha’ lived here theyselves, but they took and died.”

“Here?” Sophie moved beneath the light of a hole in the roof.

“Nah – none dies here excep’ falling off ricks and such. In London they died.” He plucked a lock of wool from his blue smock. “They was no staple – neither the Elphicks nor the Moones. Shart and brittle all of ‘em. Dead they be seventeen year, for I’ve been here caretakin’ twenty-five.”

“Who does all the wool belong to downstairs?” George asked.

“To the estate. I’ll show you the back parts if ye like. You’re from America, ain’t ye? I’ve had a son there once myself.” They followed him down the main stairway. He paused at the turn and swept one hand toward the wall. “Plenty room, here for your coffin to come down. Seven foot and three men at each end wouldn’t brish the paint. If I die in my bed they’ll ‘ave to up-end me like a milk-can. ‘Tis all luck, dye see?”

He led them on and on, through a maze of back kitchens, dairies, larders, and sculleries, that melted along covered ways into a farm-house, visibly older than the main building, which again rambled out among barns, byres, pig-pens, stalls and stables to the dead fields behind.

“Somehow,” said Sophie, sitting exhausted on an ancient well-curb – “somehow one wouldn’t insult these lovely old things by filling them with hay.”

George looked at long stone walls upholding reaches of silvery-oak weather-boarding; buttresses of mixed flint and bricks; outside stairs, stone upon arched stone; curves of thatch where grass sprouted; roundels of house-leeked tiles, and a huge paved yard populated by two cows and the repentant Rambler. He had not thought of himself or of the telegraph office for two and a half hours.

“But why,” said Sophie, as they went back through the crater of stricken fields, – “why is one expected to know everything in England? Why do they never tell?”

“You mean about the Elphicks and the Moones?” he answered.

“Yes – and the lawyers and the estate. Who are they? I wonder whether those painted floors in the green room were real oak. Don’t you like us exploring things together – better than Pompeii?”

George turned once more to look at the view. “Eight hundred acres go with the house – the old man told me. Five farms altogether. Rocketts is one of ‘em.”

“I like Mrs. Cloke. But what is the old house called?”

George laughed. “That’s one of the things you’re expected to know. He never told me.”

The Clokes were more communicative. That evening and thereafter for a week they gave the Chapins the official history, as one gives it to lodgers, of Friars Pardon the house and its five farms. But Sophie asked so many questions, and George was so humanly interested, that, as confidence in the strangers grew, they launched, with observed and acquired detail, into the lives and deaths and doings of the Elphicks and the Moones and their collaterals, the Haylings and the Torrells. It was a tale told serially by Cloke in the barn, or his wife in the dairy, the last chapters reserved for the kitchen o’ nights by the big fire, when the two had been half the day exploring about the house, where old Iggulden, of the blue smock, cackled and chuckled to see them. The motives that swayed the characters were beyond their comprehension; the fates that shifted them were gods they had never met; the sidelights Mrs. Cloke threw on act and incident were more amazing than anything in the record. Therefore the Chapins listened delightedly, and blessed Mrs. Shonts.

“But why – why – why – did So-and-so do so-and-so?” Sophie would demand from her seat by the pothook; and Mrs. Cloke would answer, smoothing her knees, “For the sake of the place.”

“I give it up,” said George one night in their own room. “People don’t seem to matter in this country compared to the places they live in. The way she tells it, Friars Pardon was a sort of Moloch.”

“Poor old thing!” They had been walking round the farms as usual before tea. “No wonder they loved it. Think of the sacrifices they made for it. Jane Elphick married the younger Torrell to keep it in the family. The octagonal room with the moulded ceiling next to the big bedroom was hers. Now what did he tell you while he was feeding the pigs?” said Sophie.

“About the Torrell cousins and the uncle who died in Java. They lived at Burnt House – behind High Pardons, where that brook is all blocked up.”

“No; Burnt House is under High Pardons Wood, before you come to Gale Anstey,” Sophie corrected.

“Well, old man Cloke said – ”

Sophie threw open the door and called down into the kitchen, where the Clokes were covering the fire “Mrs. Cloke, isn’t Burnt House under High Pardons?”

“Yes, my dear, of course,” the soft voice answered absently. A cough. “I beg your pardon, Madam. What was it you said?”

“Never mind. I prefer it the other way,” Sophie laughed, and George re-told the missing chapter as she sat on the bed.

“Here to-day an’ gone to-morrow,” said Cloke warningly. “They’ve paid their first month, but we’ve only that Mrs. Shonts’s letter for guarantee.”

“None she sent never cheated us yet. It slipped out before I thought. She’s a most humane young lady. They’ll be going away in a little. An’ you’ve talked a lot too, Alfred.”

“Yes, but the Elphicks are all dead. No one can bring my loose talking home to me. But why do they stay on and stay on so?”

In due time George and Sophie asked each other that question, and put it aside. They argued that the climate – a pearly blend, unlike the hot and cold ferocities of their native land – suited them, as the thick stillness of the nights certainly suited George. He was saved even the sight of a metalled road, which, as presumably leading to business, wakes desire in a man; and the telegraph office at the village of Friars Pardon, where they sold picture post-cards and pegtops, was two walking miles across the fields and woods.

For all that touched his past among his fellows, or their remembrance of him, he might have been in another planet; and Sophie, whose life had been very largely spent among husbandless wives of lofty ideals, had no wish to leave this present of God. The unhurried meals, the foreknowledge of deliciously empty hours to follow, the breadths of soft sky under which they walked together and reckoned time only by their hunger or thirst; the good grass beneath their feet that cheated the miles; their discoveries, always together, amid the farms – Griffons, Rocketts, Burnt House, Gale Anstey, and the Home Farm, where Iggulden of the blue smock-frock would waylay them, and they would ransack the old house once more; the long wet afternoons when, they tucked up their feet on the bedroom’s deep window-sill over against the apple-trees, and talked together as never till then had they found time to talk – these things contented her soul, and her body throve.

“Have you realized,” she asked one morning, “that we’ve been here absolutely alone for the last thirty-four days?”

“Have you counted them?” he asked.