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Memoir of Fleeming Jenkin

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2017
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‘Went out again up the Boulevards. The house of the Minister of Foreign Affairs was filled with people and “Hôtel du Peuple” written on it; the Boulevards were barricaded with fine old trees that were cut down and stretched all across the road. We went through a great many little streets, all strongly barricaded, and sentinels of the people at the principal of them. The streets were very unquiet, filled with armed men and women, for the troops had followed the ex-King to Neuilly and left Paris in the power of the people. We met the captain of the Third Legion of the National Guard (who had principally protected the people), badly wounded by a Municipal Guard, stretched on a litter. He was in possession of his senses. He was surrounded by a troop of men crying “Our brave captain – we have him yet – he’s not dead! Vive la Réforme!” This cry was responded to by all, and every one saluted him as he passed. I do not know if he was mortally wounded. That Third Legion has behaved splendidly.

‘I then returned, and shortly afterwards went out again to the garden of the Tuileries. They were given up to the people and the palace was being sacked. The people were firing blank cartridges to testify their joy, and they had a cannon on the top of the palace. It was a sight to see a palace sacked and armed vagabonds firing out of the windows, and throwing shirts, papers, and dresses of all kinds out of the windows. They are not rogues, these French; they are not stealing, burning, or doing much harm. In the Tuileries they have dressed up some of the statues, broken some, and stolen nothing but queer dresses. I say, Frank, you must not hate the French; hate the Germans if you like. The French laugh at us a little, and call out Goddam in the streets; but to-day, in civil war, when they might have put a bullet through our heads, I never was insulted once.

‘At present we have a provisional Government, consisting of Odion [sic] Barrot, Lamartine, Marast, and some others; among them a common workman, but very intelligent. This is a triumph of liberty – rather!

‘Now then, Frank, what do you think of it? I in a revolution and out all day. Just think, what fun! So it was at first, till I was fired at yesterday; but to-day I was not frightened, but it turned me sick at heart, I don’t know why. There has been no great bloodshed, [though] I certainly have seen men’s blood several times. But there’s something shocking to see a whole armed populace, though not furious, for not one single shop has been broken open, except the gunsmiths’ shops, and most of the arms will probably be taken back again. For the French have no cupidity in their nature; they don’t like to steal – it is not in their nature. I shall send this letter in a day or two, when I am sure the post will go again. I know I have been a long time writing, but I hope you will find the matter of this letter interesting, as coming from a person resident on the spot; though probably you don’t take much interest in the French, but I can think, write, and speak on no other subject.

    ‘Feb. 25.

‘There is no more fighting, the people have conquered; but the barricades are still kept up, and the people are in arms, more than ever fearing some new act of treachery on the part of the ex-King. The fight where I was was the principal cause of the Revolution. I was in little danger from the shot, for there was an immense crowd in front of me, though quite within gunshot. [By another letter, a hundred yards from the troops.] I wished I had stopped there.

‘The Paris streets are filled with the most extraordinary crowds of men, women and children, ladies and gentlemen. Every person joyful. The bands of armed men are perfectly polite. Mamma and aunt to-day walked through armed crowds alone, that were firing blank cartridges in all directions. Every person made way with the greatest politeness, and one common man with a blouse, coming by accident against her immediately stopped to beg her pardon in the politest manner. There are few drunken men. The Tuileries is still being run over by the people; they only broke two things, a bust of Louis Philippe and one of Marshal Bugeaud, who fired on the people…

‘I have been out all day again to-day, and precious tired I am. The Republican party seem the strongest, and are going about with red ribbons in their button-holes…

‘The title of “Mister” is abandoned; they say nothing but “Citizen,” and the people are shaking hands amazingly. They have got to the top of the public monuments, and, mingling with bronze or stone statues, five or six make a sort of tableau vivant, the top man holding up the red flag of the Republic; and right well they do it, and very picturesque they look. I think I shall put this letter in the post to-morrow as we got a letter to-night.

    (On Envelope.)

‘M. Lamartine has now by his eloquence conquered the whole armed crowd of citizens threatening to kill him if he did not immediately proclaim the Republic and red flag. He said he could not yield to the citizens of Paris alone, that the whole country must be consulted; that he chose the tricolour, for it had followed and accompanied the triumphs of France all over the world, and that the red flag had only been dipped in the blood of the citizens. For sixty hours he has been quieting the people: he is at the head of everything. Don’t be prejudiced, Frank, by what you see in the papers. The French have acted nobly, splendidly; there has been no brutality, plundering, or stealing… I did not like the French before; but in this respect they are the finest people in the world. I am so glad to have been here.’

And there one could wish to stop with this apotheosis of liberty and order read with the generous enthusiasm of a boy; but as the reader knows, it was but the first act of the piece. The letters, vivid as they are, written as they were by a hand trembling with fear and excitement, yet do injustice, in their boyishness of tone, to the profound effect produced. At the sound of these songs and shot of cannon, the boy’s mind awoke. He dated his own appreciation of the art of acting from the day when he saw and heard Rachel recite the ‘Marseillaise’ at the Français, the tricolour in her arms. What is still more strange, he had been up to then invincibly indifferent to music, insomuch that he could not distinguish ‘God save the Queen’ from ‘Bonnie Dundee’; and now, to the chanting of the mob, he amazed his family by learning and singing ‘Mourir pour la Patrie.’ But the letters, though they prepare the mind for no such revolution in the boy’s tastes and feelings, are yet full of entertaining traits. Let the reader note Fleeming’s eagerness to influence his friend Frank, an incipient Tory (no less) as further history displayed; his unconscious indifference to his father and devotion to his mother, betrayed in so many significant expressions and omissions; the sense of dignity of this diminutive ‘person resident on the spot,’ who was so happy as to escape insult; and the strange picture of the household – father, mother, son, and even poor Aunt Anna – all day in the streets in the thick of this rough business, and the boy packed off alone to school in a distant quarter on the very morrow of the massacre.

They had all the gift of enjoying life’s texture as it comes; they were all born optimists. The name of liberty was honoured in that family, its spirit also, but within stringent limits; and some of the foreign friends of Mrs. Jenkin were, as I have said, men distinguished on the Liberal side. Like Wordsworth, they beheld

France standing on the top of golden hours

And human nature seeming born again.

At once, by temper and belief, they were formed to find their element in such a decent and whiggish convulsion, spectacular in its course, moderate in its purpose. For them,

Bliss was it in that dawn to be alive,

But to be young was very heaven.

And I cannot but smile when I think that (again like Wordsworth) they should have so specially disliked the consequence.

It came upon them by surprise. Liberal friends of the precise right shade of colour had assured them, in Mrs. Turner’s drawing-room, that all was for the best; and they rose on January 23 without fear. About the middle of the day they heard the sound of musketry, and the next morning they were wakened by the cannonade. The French who had behaved so ‘splendidly,’ pausing, at the voice of Lamartine, just where judicious Liberals could have desired – the French, who had ‘no cupidity in their nature,’ were now about to play a variation on the theme rebellion. The Jenkins took refuge in the house of Mrs. Turner, the house of the false prophets, ‘Anna going with Mrs. Turner, that she might be prevented speaking English, Fleeming, Miss H. and I (it is the mother who writes) walking together. As we reached the Rue de Clichy, the report of the cannon sounded close to our ears and made our hearts sick, I assure you. The fighting was at the barrier Rochechouart, a few streets off. All Saturday and Sunday we were a prey to great alarm, there came so many reports that the insurgents were getting the upper hand. One could tell the state of affairs from the extreme quiet or the sudden hum in the street. When the news was bad, all the houses closed and the people disappeared; when better, the doors half opened and you heard the sound of men again. From the upper windows we could see each discharge from the Bastille – I mean the smoke rising – and also the flames and smoke from the Boulevard la Chapelle. We were four ladies, and only Fleeming by way of a man, and difficulty enough we had to keep him from joining the National Guards – his pride and spirit were both fired. You cannot picture to yourself the multitudes of soldiers, guards, and armed men of all sorts we watched – not close to the window, however, for such havoc had been made among them by the firing from the windows, that as the battalions marched by, they cried, “Fermez vos fenêtres!” and it was very painful to watch their looks of anxiety and suspicion as they marched by.’

‘The Revolution,’ writes Fleeming to Frank Scott, ‘was quite delightful: getting popped at and run at by horses, and giving sous for the wounded into little boxes guarded by the raggedest, picturesquest, delightfullest, sentinels; but the insurrection! ugh, I shudder to think at [sic] it.’ He found it ‘not a bit of fun sitting boxed up in the house four days almost.. I was the only gentleman to four ladies, and didn’t they keep me in order! I did not dare to show my face at a window, for fear of catching a stray ball or being forced to enter the National Guard; [for] they would have it I was a man full-grown, French, and every way fit to fight. And my mamma was as bad as any of them; she that told me I was a coward last time if I stayed in the house a quarter of an hour! But I drew, examined the pistols, of which I found lots with caps, powder, and ball, while sometimes murderous intentions of killing a dozen insurgents and dying violently overpowered by numbers…’ We may drop this sentence here: under the conduct of its boyish writer, it was to reach no legitimate end.

Four days of such a discipline had cured the family of Paris; the same year Fleeming was to write, in answer apparently to a question of Frank Scott’s, ‘I could find no national game in France but revolutions’; and the witticism was justified in their experience. On the first possible day, they applied for passports, and were advised to take the road to Geneva. It appears it was scarce safe to leave Paris for England. Charles Reade, with keen dramatic gusto, had just smuggled himself out of that city in the bottom of a cab. English gold had been found on the insurgents, the name of England was in evil odour; and it was thus – for strategic reasons, so to speak – that Fleeming found himself on the way to that Italy where he was to complete his education, and for which he cherished to the end a special kindness.

It was in Genoa they settled; partly for the sake of the captain, who might there find naval comrades; partly because of the Ruffinis, who had been friends of Mrs. Jenkin in their time of exile and were now considerable men at home; partly, in fine, with hopes that Fleeming might attend the University; in preparation for which he was put at once to school. It was the year of Novara; Mazzini was in Rome; the dry bones of Italy were moving; and for people of alert and liberal sympathies the time was inspiriting. What with exiles turned Ministers of State, universities thrown open to Protestants, Fleeming himself the first Protestant student in Genoa, and thus, as his mother writes, ‘a living instance of the progress of liberal ideas’ – it was little wonder if the enthusiastic young woman and the clever boy were heart and soul upon the side of Italy. It should not be forgotten that they were both on their first visit to that country; the mother still child enough ‘to be delighted when she saw real monks’; and both mother and son thrilling with the first sight of snowy Alps, the blue Mediterranean, and the crowded port and the palaces of Genoa. Nor was their zeal without knowledge. Ruffini, deputy for Genoa and soon to be head of the University, was at their side; and by means of him the family appear to have had access to much Italian society. To the end, Fleeming professed his admiration of the Piedmontese and his unalterable confidence in the future of Italy under their conduct; for Victor Emanuel, Cavour, the first La Marmora and Garibaldi, he had varying degrees of sympathy and praise: perhaps highest for the King, whose good sense and temper filled him with respect – perhaps least for Garibaldi, whom he loved but yet mistrusted.

But this is to look forward: these were the days not of Victor Emanuel but of Charles Albert; and it was on Charles Albert that mother and son had now fixed their eyes as on the sword-bearer of Italy. On Fleeming’s sixteenth birthday, they were, the mother writes, ‘in great anxiety for news from the army. You can have no idea what it is to live in a country where such a struggle is going on. The interest is one that absorbs all others. We eat, drink, and sleep to the noise of drums and musketry. You would enjoy and almost admire Fleeming’s enthusiasm and earnestness – and, courage, I may say – for we are among the small minority of English who side with the Italians. The other day, at dinner at the Consul’s, boy as he is, and in spite of my admonitions, Fleeming defended the Italian cause, and so well that he “tripped up the heels of his adversary” simply from being well-informed on the subject and honest. He is as true as steel, and for no one will he bend right or left… Do not fancy him a Bobadil,’ she adds, ‘he is only a very true, candid boy. I am so glad he remains in all respects but information a great child.’

If this letter is correctly dated, the cause was already lost and the King had already abdicated when these lines were written. No sooner did the news reach Genoa, than there began ‘tumultuous movements’; and the Jenkins’ received hints it would be wise to leave the city. But they had friends and interests; even the captain had English officers to keep him company, for Lord Hardwicke’s ship, the Vengeance, lay in port; and supposing the danger to be real, I cannot but suspect the whole family of a divided purpose, prudence being possibly weaker than curiosity. Stay, at least, they did, and thus rounded their experience of the revolutionary year. On Sunday, April 1, Fleeming and the captain went for a ramble beyond the walls, leaving Aunt Anna and Mrs. Jenkin to walk on the bastions with some friends. On the way back, this party turned aside to rest in the Church of the Madonna delle Grazie. ‘We had remarked,’ writes Mrs. Jenkin, ‘the entire absence of sentinels on the ramparts, and how the cannons were left in solitary state; and I had just remarked “How quiet everything is!” when suddenly we heard the drums begin to beat and distant shouts. Accustomed as we are to revolutions, we never thought of being frightened.’ For all that, they resumed their return home. On the way they saw men running and vociferating, but nothing to indicate a general disturbance, until, near the Duke’s palace, they came upon and passed a shouting mob dragging along with it three cannon. It had scarcely passed before they heard ‘a rushing sound’; one of the gentlemen thrust back the party of ladies under a shed, and the mob passed again. A fine-looking young man was in their hands; and Mrs. Jenkin saw him with his mouth open as if he sought to speak, saw him tossed from one to another like a ball, and then saw him no more. ‘He was dead a few instants after, but the crowd hid that terror from us. My knees shook under me and my sight left me.’ With this street tragedy, the curtain rose upon their second revolution.

The attack on Spirito Santo, and the capitulation and departure of the troops speedily followed. Genoa was in the hands of the Republicans, and now came a time when the English residents were in a position to pay some return for hospitality received. Nor were they backward. Our Consul (the same who had the benefit of correction from Fleeming) carried the Intendente on board the Vengeance, escorting him through the streets, getting along with him on board a shore boat, and when the insurgents levelled their muskets, standing up and naming himself, ‘Console Inglese.’ A friend of the Jenkins’, Captain Glynne, had a more painful, if a less dramatic part. One Colonel Nosozzo had been killed (I read) while trying to prevent his own artillery from firing on the mob; but in that hell’s cauldron of a distracted city, there were no distinctions made, and the Colonel’s widow was hunted for her life. In her grief and peril, the Glynnes received and hid her; Captain Glynne sought and found her husband’s body among the slain, saved it for two days, brought the widow a lock of the dead man’s hair; but at last, the mob still strictly searching, seems to have abandoned the body, and conveyed his guest on board the Vengeance. The Jenkins also had their refugees, the family of an employé threatened by a decree. ‘You should have seen me making a Union Jack to nail over our door,’ writes Mrs. Jenkin. ‘I never worked so fast in my life. Monday and Tuesday,’ she continues, ‘were tolerably quiet, our hearts beating fast in the hope of La Marmora’s approach, the streets barricaded, and none but foreigners and women allowed to leave the city.’ On Wednesday, La Marmora came indeed, but in the ugly form of a bombardment; and that evening the Jenkins sat without lights about their drawing-room window, ‘watching the huge red flashes of the cannon’ from the Brigato and La Specula forts, and hearkening, not without some awful pleasure, to the thunder of the cannonade.

Lord Hardwicke intervened between the rebels and La Marmora; and there followed a troubled armistice, filled with the voice of panic. Now the Vengeance was known to be cleared for action; now it was rumoured that the galley slaves were to be let loose upon the town, and now that the troops would enter it by storm. Crowds, trusting in the Union Jack over the Jenkins’ door, came to beg them to receive their linen and other valuables; nor could their instances be refused; and in the midst of all this bustle and alarm, piles of goods must be examined and long inventories made. At last the captain decided things had gone too far. He himself apparently remained to watch over the linen; but at five o’clock on the Sunday morning, Aunt Anna, Fleeming, and his mother were rowed in a pour of rain on board an English merchantman, to suffer ‘nine mortal hours of agonising suspense.’ With the end of that time, peace was restored. On Tuesday morning officers with white flags appeared on the bastions; then, regiment by regiment, the troops marched in, two hundred men sleeping on the ground floor of the Jenkins’ house, thirty thousand in all entering the city, but without disturbance, old La Marmora being a commander of a Roman sternness.

With the return of quiet, and the reopening of the universities, we behold a new character, Signor Flaminio: the professors, it appears, made no attempt upon the Jenkin; and thus readily italianised the Fleeming. He came well recommended; for their friend Ruffini was then, or soon after, raised to be the head of the University; and the professors were very kind and attentive, possibly to Ruffini’s protégé, perhaps also to the first Protestant student. It was no joke for Signor Flaminio at first; certificates had to be got from Paris and from Rector Williams; the classics must be furbished up at home that he might follow Latin lectures; examinations bristled in the path, the entrance examination with Latin and English essay, and oral trials (much softened for the foreigner) in Horace, Tacitus, and Cicero, and the first University examination only three months later, in Italian eloquence, no less, and other wider subjects. On one point the first Protestant student was moved to thank his stars: that there was no Greek required for the degree. Little did he think, as he set down his gratitude, how much, in later life and among cribs and dictionaries, he was to lament this circumstance; nor how much of that later life he was to spend acquiring, with infinite toil, a shadow of what he might then have got with ease and fully. But if his Genoese education was in this particular imperfect, he was fortunate in the branches that more immediately touched on his career. The physical laboratory was the best mounted in Italy. Bancalari, the professor of natural philosophy, was famous in his day; by what seems even an odd coincidence, he went deeply into electromagnetism; and it was principally in that subject that Signor Flaminio, questioned in Latin and answering in Italian, passed his Master of Arts degree with first-class honours. That he had secured the notice of his teachers, one circumstance sufficiently proves. A philosophical society was started under the presidency of Mamiani, ‘one of the examiners and one of the leaders of the Moderate party’; and out of five promising students brought forward by the professors to attend the sittings and present essays, Signor Flaminio was one. I cannot find that he ever read an essay; and indeed I think his hands were otherwise too full. He found his fellow-students ‘not such a bad set of chaps,’ and preferred the Piedmontese before the Genoese; but I suspect he mixed not very freely with either. Not only were his days filled with university work, but his spare hours were fully dedicated to the arts under the eye of a beloved task-mistress. He worked hard and well in the art school, where he obtained a silver medal ‘for a couple of legs the size of life drawn from one of Raphael’s cartoons.’ His holidays were spent in sketching; his evenings, when they were free, at the theatre. Here at the opera he discovered besides a taste for a new art, the art of music; and it was, he wrote, ‘as if he had found out a heaven on earth.’ ‘I am so anxious that whatever he professes to know, he should really perfectly possess,’ his mother wrote, ‘that I spare no pains’; neither to him nor to myself, she might have added. And so when he begged to be allowed to learn the piano, she started him with characteristic barbarity on the scales; and heard in consequence ‘heart-rending groans’ and saw ‘anguished claspings of hands’ as he lost his way among their arid intricacies.

In this picture of the lad at the piano, there is something, for the period, girlish. He was indeed his mother’s boy; and it was fortunate his mother was not altogether feminine. She gave her son a womanly delicacy in morals, to a man’s taste – to his own taste in later life – too finely spun, and perhaps more elegant than healthful. She encouraged him besides in drawing-room interests. But in other points her influence was manlike. Filled with the spirit of thoroughness, she taught him to make of the least of these accomplishments a virile task; and the teaching lasted him through life. Immersed as she was in the day’s movements and buzzed about by leading Liberals, she handed on to him her creed in politics: an enduring kindness for Italy, and a loyalty, like that of many clever women, to the Liberal party with but small regard to men or measures. This attitude of mind used often to disappoint me in a man so fond of logic; but I see now how it was learned from the bright eyes of his mother and to the sound of the cannonades of 1848. To some of her defects, besides, she made him heir. Kind as was the bond that united her to her son, kind and even pretty, she was scarce a woman to adorn a home; loving as she did to shine; careless as she was of domestic, studious of public graces. She probably rejoiced to see the boy grow up in somewhat of the image of herself, generous, excessive, enthusiastic, external; catching at ideas, brandishing them when caught; fiery for the right, but always fiery; ready at fifteen to correct a consul, ready at fifty to explain to any artist his own art.

The defects and advantages of such a training were obvious in Fleeming throughout life. His thoroughness was not that of the patient scholar, but of an untrained woman with fits of passionate study; he had learned too much from dogma, given indeed by cherished lips; and precocious as he was in the use of the tools of the mind, he was truly backward in knowledge of life and of himself. Such as it was at least, his home and school training was now complete; and you are to conceive the lad as being formed in a household of meagre revenue, among foreign surroundings, and under the influence of an imperious drawing-room queen; from whom he learned a great refinement of morals, a strong sense of duty, much forwardness of bearing, all manner of studious and artistic interests, and many ready-made opinions which he embraced with a son’s and a disciple’s loyalty.

CHAPTER III. 1851–1858

Return to England – Fleeming at Fairbairn’s – Experience in a Strike – Dr. Bell and Greek Architecture – The Gaskells – Fleeming at Greenwich – The Austins – Fleeming and the Austins – His Engagement – Fleeming and Sir W. Thomson.

In 1851, the year of Aunt Anna’s death, the family left Genoa and came to Manchester, where Fleeming was entered in Fairbairn’s works as an apprentice. From the palaces and Alps, the Mole, the blue Mediterranean, the humming lanes and the bright theatres of Genoa, he fell – and he was sharply conscious of the fall – to the dim skies and the foul ways of Manchester. England he found on his return ‘a horrid place,’ and there is no doubt the family found it a dear one. The story of the Jenkin finances is not easy to follow. The family, I am told, did not practice frugality, only lamented that it should be needful; and Mrs. Jenkin, who was always complaining of ‘those dreadful bills,’ was ‘always a good deal dressed.’ But at this time of the return to England, things must have gone further. A holiday tour of a fortnight, Fleeming feared would be beyond what he could afford, and he only projected it ‘to have a castle in the air.’ And there were actual pinches. Fresh from a warmer sun, he was obliged to go without a greatcoat, and learned on railway journeys to supply the place of one with wrappings of old newspaper.

From half-past eight till six, he must ‘file and chip vigorously in a moleskin suit and infernally dirty.’ The work was not new to him, for he had already passed some time in a Genoese shop; and to Fleeming no work was without interest. Whatever a man can do or know, he longed to know and do also. ‘I never learned anything,’ he wrote, ‘not even standing on my head, but I found a use for it.’ In the spare hours of his first telegraph voyage, to give an instance of his greed of knowledge, he meant ‘to learn the whole art of navigation, every rope in the ship and how to handle her on any occasion’; and once when he was shown a young lady’s holiday collection of seaweeds, he must cry out, ‘It showed me my eyes had been idle.’ Nor was his the case of the mere literary smatterer, content if he but learn the names of things. In him, to do and to do well, was even a dearer ambition than to know. Anything done well, any craft, despatch, or finish, delighted and inspired him. I remember him with a twopenny Japanese box of three drawers, so exactly fitted that, when one was driven home, the others started from their places; the whole spirit of Japan, he told me, was pictured in that box; that plain piece of carpentry was as much inspired by the spirit of perfection as the happiest drawing or the finest bronze; and he who could not enjoy it in the one was not fully able to enjoy it in the others. Thus, too, he found in Leonardo’s engineering and anatomical drawings a perpetual feast; and of the former he spoke even with emotion. Nothing indeed annoyed Fleeming more than the attempt to separate the fine arts from the arts of handicraft; any definition or theory that failed to bring these two together, according to him, had missed the point; and the essence of the pleasure received lay in seeing things well done. Other qualities must be added; he was the last to deny that; but this, of perfect craft, was at the bottom of all. And on the other hand, a nail ill-driven, a joint ill-fitted, a tracing clumsily done, anything to which a man had set his hand and not set it aptly, moved him to shame and anger. With such a character, he would feel but little drudgery at Fairbairn’s. There would be something daily to be done, slovenliness to be avoided, and a higher mark of skill to be attained; he would chip and file, as he had practiced scales, impatient of his own imperfection, but resolute to learn.

And there was another spring of delight. For he was now moving daily among those strange creations of man’s brain, to some so abhorrent, to him of an interest so inexhaustible: in which iron, water, and fire are made to serve as slaves, now with a tread more powerful than an elephant’s, and now with a touch more precise and dainty than a pianist’s. The taste for machinery was one that I could never share with him, and he had a certain bitter pity for my weakness. Once when I had proved, for the hundredth time, the depth of this defect, he looked at me askance. ‘And the best of the joke,’ said he, ‘is that he thinks himself quite a poet.’ For to him the struggle of the engineer against brute forces and with inert allies, was nobly poetic. Habit never dulled in him the sense of the greatness of the aims and obstacles of his profession. Habit only sharpened his inventor’s gusto in contrivance, in triumphant artifice, in the Odyssean subtleties, by which wires are taught to speak, and iron hands to weave, and the slender ship to brave and to outstrip the tempest. To the ignorant the great results alone are admirable; to the knowing, and to Fleeming in particular, rather the infinite device and sleight of hand that made them possible.

A notion was current at the time that, in such a shop as Fairbairn’s, a pupil would never be popular unless he drank with the workmen and imitated them in speech and manner. Fleeming, who would do none of these things, they accepted as a friend and companion; and this was the subject of remark in Manchester, where some memory of it lingers till to-day. He thought it one of the advantages of his profession to be brought into a close relation with the working classes; and for the skilled artisan he had a great esteem, liking his company, his virtues, and his taste in some of the arts. But he knew the classes too well to regard them, like a platform speaker, in a lump. He drew, on the other hand, broad distinctions; and it was his profound sense of the difference between one working man and another that led him to devote so much time, in later days, to the furtherance of technical education. In 1852 he had occasion to see both men and masters at their worst, in the excitement of a strike; and very foolishly (after their custom) both would seem to have behaved. Beginning with a fair show of justice on either side, the masters stultified their cause by obstinate impolicy, and the men disgraced their order by acts of outrage. ‘On Wednesday last,’ writes Fleeming, ‘about three thousand banded round Fairbairn’s door at 6 o’clock: men, women, and children, factory boys and girls, the lowest of the low in a very low place. Orders came that no one was to leave the works; but the men inside (Knobsticks, as they are called) were precious hungry and thought they would venture. Two of my companions and myself went out with the very first, and had the full benefit of every possible groan and bad language.’ But the police cleared a lane through the crowd, the pupils were suffered to escape unhurt, and only the Knobsticks followed home and kicked with clogs; so that Fleeming enjoyed, as we may say, for nothing, that fine thrill of expectant valour with which he had sallied forth into the mob. ‘I never before felt myself so decidedly somebody, instead of nobody,’ he wrote.

Outside as inside the works, he was ‘pretty merry and well to do,’ zealous in study, welcome to many friends, unwearied in loving-kindness to his mother. For some time he spent three nights a week with Dr. Bell, ‘working away at certain geometrical methods of getting the Greek architectural proportions’: a business after Fleeming’s heart, for he was never so pleased as when he could marry his two devotions, art and science. This was besides, in all likelihood, the beginning of that love and intimate appreciation of things Greek, from the least to the greatest, from the Agamemnon (perhaps his favourite tragedy) down to the details of Grecian tailoring, which he used to express in his familiar phrase: ‘The Greeks were the boys.’ Dr. Bell – the son of George Joseph, the nephew of Sir Charles, and though he made less use of it than some, a sharer in the distinguished talents of his race – had hit upon the singular fact that certain geometrical intersections gave the proportions of the Doric order. Fleeming, under Dr. Bell’s direction, applied the same method to the other orders, and again found the proportions accurately given. Numbers of diagrams were prepared; but the discovery was never given to the world, perhaps because of the dissensions that arose between the authors. For Dr. Bell believed that ‘these intersections were in some way connected with, or symbolical of, the antagonistic forces at work’; but his pupil and helper, with characteristic trenchancy, brushed aside this mysticism, and interpreted the discovery as ‘a geometrical method of dividing the spaces or (as might be said) of setting out the work, purely empirical and in no way connected with any laws of either force or beauty.’ ‘Many a hard and pleasant fight we had over it,’ wrote Jenkin, in later years; ‘and impertinent as it may seem, the pupil is still unconvinced by the arguments of the master.’ I do not know about the antagonistic forces in the Doric order; in Fleeming they were plain enough; and the Bobadil of these affairs with Dr. Bell was still, like the corrector of Italian consuls, ‘a great child in everything but information.’ At the house of Colonel Cleather, he might be seen with a family of children; and with these, there was no word of the Greek orders; with these Fleeming was only an uproarious boy and an entertaining draughtsman; so that his coming was the signal for the young people to troop into the playroom, where sometimes the roof rang with romping, and sometimes they gathered quietly about him as he amused them with his pencil.

In another Manchester family, whose name will be familiar to my readers – that of the Gaskells, Fleeming was a frequent visitor. To Mrs. Gaskell, he would often bring his new ideas, a process that many of his later friends will understand and, in their own cases, remember. With the girls, he had ‘constant fierce wrangles,’ forcing them to reason out their thoughts and to explain their prepossessions; and I hear from Miss Gaskell that they used to wonder how he could throw all the ardour of his character into the smallest matters, and to admire his unselfish devotion to his parents. Of one of these wrangles, I have found a record most characteristic of the man. Fleeming had been laying down his doctrine that the end justifies the means, and that it is quite right ‘to boast of your six men-servants to a burglar or to steal a knife to prevent a murder’; and the Miss Gaskells, with girlish loyalty to what is current, had rejected the heresy with indignation. From such passages-at-arms, many retire mortified and ruffled; but Fleeming had no sooner left the house than he fell into delighted admiration of the spirit of his adversaries. From that it was but a step to ask himself ‘what truth was sticking in their heads’; for even the falsest form of words (in Fleeming’s life-long opinion) reposed upon some truth, just as he could ‘not even allow that people admire ugly things, they admire what is pretty in the ugly thing.’ And before he sat down to write his letter, he thought he had hit upon the explanation. ‘I fancy the true idea,’ he wrote, ‘is that you must never do yourself or anyone else a moral injury – make any man a thief or a liar – for any end’; quite a different thing, as he would have loved to point out, from never stealing or lying. But this perfervid disputant was not always out of key with his audience. One whom he met in the same house announced that she would never again be happy. ‘What does that signify?’ cried Fleeming. ‘We are not here to be happy, but to be good.’ And the words (as his hearer writes to me) became to her a sort of motto during life.

From Fairbairn’s and Manchester, Fleeming passed to a railway survey in Switzerland, and thence again to Mr. Penn’s at Greenwich, where he was engaged as draughtsman. There in 1856, we find him in ‘a terribly busy state, finishing up engines for innumerable gun-boats and steam frigates for the ensuing campaign.’ From half-past eight in the morning till nine or ten at night, he worked in a crowded office among uncongenial comrades, ‘saluted by chaff, generally low personal and not witty,’ pelted with oranges and apples, regaled with dirty stories, and seeking to suit himself with his surroundings or (as he writes it) trying to be as little like himself as possible. His lodgings were hard by, ‘across a dirty green and through some half-built streets of two-storied houses’; he had Carlyle and the poets, engineering and mathematics, to study by himself in such spare time as remained to him; and there were several ladies, young and not so young, with whom he liked to correspond. But not all of these could compensate for the absence of that mother, who had made herself so large a figure in his life, for sorry surroundings, unsuitable society, and work that leaned to the mechanical. ‘Sunday,’ says he, ‘I generally visit some friends in town and seem to swim in clearer water, but the dirty green seems all the dirtier when I get back. Luckily I am fond of my profession, or I could not stand this life.’ It is a question in my mind, if he could have long continued to stand it without loss. ‘We are not here to be happy, but to be good,’ quoth the young philosopher; but no man had a keener appetite for happiness than Fleeming Jenkin. There is a time of life besides when apart from circumstances, few men are agreeable to their neighbours and still fewer to themselves; and it was at this stage that Fleeming had arrived, later than common and even worse provided. The letter from which I have quoted is the last of his correspondence with Frank Scott, and his last confidential letter to one of his own sex. ‘If you consider it rightly,’ he wrote long after, ‘you will find the want of correspondence no such strange want in men’s friendships. There is, believe me, something noble in the metal which does not rust though not burnished by daily use.’ It is well said; but the last letter to Frank Scott is scarcely of a noble metal. It is plain the writer has outgrown his old self, yet not made acquaintance with the new. This letter from a busy youth of three and twenty, breathes of seventeen: the sickening alternations of conceit and shame, the expense of hope in vacuo, the lack of friends, the longing after love; the whole world of egoism under which youth stands groaning, a voluntary Atlas.

With Fleeming this disease was never seemingly severe. The very day before this (to me) distasteful letter, he had written to Miss Bell of Manchester in a sweeter strain; I do not quote the one, I quote the other; fair things are the best. ‘I keep my own little lodgings,’ he writes, ‘but come up every night to see mamma’ (who was then on a visit to London) ‘if not kept too late at the works; and have singing lessons once more, and sing “Donne l’amore è scaltro pargoletto”; and think and talk about you; and listen to mamma’s projects de Stowting. Everything turns to gold at her touch, she’s a fairy and no mistake. We go on talking till I have a picture in my head, and can hardly believe at the end that the original is Stowting. Even you don’t know half how good mamma is; in other things too, which I must not mention. She teaches me how it is not necessary to be very rich to do much good. I begin to understand that mamma would find useful occupation and create beauty at the bottom of a volcano. She has little weaknesses, but is a real generous-hearted woman, which I suppose is the finest thing in the world.’ Though neither mother nor son could be called beautiful, they make a pretty picture; the ugly, generous, ardent woman weaving rainbow illusions; the ugly, clear-sighted, loving son sitting at her side in one of his rare hours of pleasure, half-beguiled, half-amused, wholly admiring, as he listens. But as he goes home, and the fancy pictures fade, and Stowting is once more burthened with debt, and the noisy companions and the long hours of drudgery once more approach, no wonder if the dirty green seems all the dirtier or if Atlas must resume his load.

But in healthy natures, this time of moral teething passes quickly of itself, and is easily alleviated by fresh interests; and already, in the letter to Frank Scott, there are two words of hope: his friends in London, his love for his profession. The last might have saved him; for he was ere long to pass into a new sphere, where all his faculties were to be tried and exercised, and his life to be filled with interest and effort. But it was not left to engineering: another and more influential aim was to be set before him. He must, in any case, have fallen in love; in any case, his love would have ruled his life; and the question of choice was, for the descendant of two such families, a thing of paramount importance. Innocent of the world, fiery, generous, devoted as he was, the son of the wild Jacksons and the facile Jenkins might have been led far astray. By one of those partialities that fill men at once with gratitude and wonder, his choosing was directed well. Or are we to say that by a man’s choice in marriage, as by a crucial merit, he deserves his fortune? One thing at least reason may discern: that a man but partly chooses, he also partly forms, his help-mate; and he must in part deserve her, or the treasure is but won for a moment to be lost. Fleeming chanced if you will (and indeed all these opportunities are as ‘random as blind man’s buff’) upon a wife who was worthy of him; but he had the wit to know it, the courage to wait and labour for his prize, and the tenderness and chivalry that are required to keep such prizes precious. Upon this point he has himself written well, as usual with fervent optimism, but as usual (in his own phrase) with a truth sticking in his head.

‘Love,’ he wrote, ‘is not an intuition of the person most suitable to us, most required by us; of the person with whom life flowers and bears fruit. If this were so, the chances of our meeting that person would be small indeed; our intuition would often fail; the blindness of love would then be fatal as it is proverbial. No, love works differently, and in its blindness lies its strength. Man and woman, each strongly desires to be loved, each opens to the other that heart of ideal aspirations which they have often hid till then; each, thus knowing the ideal of the other, tries to fulfil that ideal, each partially succeeds. The greater the love, the greater the success; the nobler the idea of each, the more durable, the more beautiful the effect. Meanwhile the blindness of each to the other’s defects enables the transformation to proceed [unobserved,] so that when the veil is withdrawn (if it ever is, and this I do not know) neither knows that any change has occurred in the person whom they loved. Do not fear, therefore. I do not tell you that your friend will not change, but as I am sure that her choice cannot be that of a man with a base ideal, so I am sure the change will be a safe and a good one. Do not fear that anything you love will vanish, he must love it too.’

Among other introductions in London, Fleeming had presented a letter from Mrs. Gaskell to the Alfred Austins. This was a family certain to interest a thoughtful young man. Alfred, the youngest and least known of the Austins, had been a beautiful golden-haired child, petted and kept out of the way of both sport and study by a partial mother. Bred an attorney, he had (like both his brothers) changed his way of life, and was called to the bar when past thirty. A Commission of Enquiry into the state of the poor in Dorsetshire gave him an opportunity of proving his true talents; and he was appointed a Poor Law Inspector, first at Worcester, next at Manchester, where he had to deal with the potato famine and the Irish immigration of the ‘forties, and finally in London, where he again distinguished himself during an epidemic of cholera. He was then advanced to the Permanent Secretaryship of Her Majesty’s Office of Works and Public Buildings; a position which he filled with perfect competence, but with an extreme of modesty; and on his retirement, in 1868, he was made a Companion of the Bath. While apprentice to a Norwich attorney, Alfred Austin was a frequent visitor in the house of Mr. Barron, a rallying place in those days of intellectual society. Edward Barron, the son of a rich saddler or leather merchant in the Borough, was a man typical of the time. When he was a child, he had once been patted on the head in his father’s shop by no less a man than Samuel Johnson, as the Doctor went round the Borough canvassing for Mr. Thrale; and the child was true to this early consecration. ‘A life of lettered ease spent in provincial retirement,’ it is thus that the biographer of that remarkable man, William Taylor, announces his subject; and the phrase is equally descriptive of the life of Edward Barron. The pair were close friends, ‘W. T. and a pipe render everything agreeable,’ writes Barron in his diary in 1828; and in 1833, after Barron had moved to London and Taylor had tasted the first public failure of his powers, the latter wrote: ‘To my ever dearest Mr. Barron say, if you please, that I miss him more than I regret him – that I acquiesce in his retirement from Norwich, because I could ill brook his observation of my increasing debility of mind.’ This chosen companion of William Taylor must himself have been no ordinary man; and he was the friend besides of Borrow, whom I find him helping in his Latin. But he had no desire for popular distinction, lived privately, married a daughter of Dr. Enfield of Enfield’s Speaker, and devoted his time to the education of his family, in a deliberate and scholarly fashion, and with certain traits of stoicism, that would surprise a modern. From these children we must single out his youngest daughter, Eliza, who learned under his care to be a sound Latin, an elegant Grecian, and to suppress emotion without outward sign after the manner of the Godwin school. This was the more notable, as the girl really derived from the Enfields; whose high-flown romantic temper, I wish I could find space to illustrate. She was but seven years old, when Alfred Austin remarked and fell in love with her; and the union thus early prepared was singularly full. Where the husband and wife differed, and they did so on momentous subjects, they differed with perfect temper and content; and in the conduct of life, and in depth and durability of love, they were at one. Each full of high spirits, each practised something of the same repression: no sharp word was uttered in their house. The same point of honour ruled them, a guest was sacred and stood within the pale from criticism. It was a house, besides, of unusual intellectual tension. Mrs. Austin remembered, in the early days of the marriage, the three brothers, John, Charles, and Alfred, marching to and fro, each with his hands behind his back, and ‘reasoning high’ till morning; and how, like Dr. Johnson, they would cheer their speculations with as many as fifteen cups of tea. And though, before the date of Fleeming’s visit, the brothers were separated, Charles long ago retired from the world at Brandeston, and John already near his end in the ‘rambling old house’ at Weybridge, Alfred Austin and his wife were still a centre of much intellectual society, and still, as indeed they remained until the last, youthfully alert in mind. There was but one child of the marriage, Anne, and she was herself something new for the eyes of the young visitor; brought up, as she had been, like her mother before her, to the standard of a man’s acquirements. Only one art had she been denied, she must not learn the violin – the thought was too monstrous even for the Austins; and indeed it would seem as if that tide of reform which we may date from the days of Mary Wollstonecraft had in some degree even receded; for though Miss Austin was suffered to learn Greek, the accomplishment was kept secret like a piece of guilt. But whether this stealth was caused by a backward movement in public thought since the time of Edward Barron, or by the change from enlightened Norwich to barbarian London, I have no means of judging.

When Fleeming presented his letter, he fell in love at first sight with Mrs. Austin and the life, and atmosphere of the house. There was in the society of the Austins, outward, stoical conformers to the world, something gravely suggestive of essential eccentricity, something unpretentiously breathing of intellectual effort, that could not fail to hit the fancy of this hot-brained boy. The unbroken enamel of courtesy, the self-restraint, the dignified kindness of these married folk, had besides a particular attraction for their visitor. He could not but compare what he saw, with what he knew of his mother and himself. Whatever virtues Fleeming possessed, he could never count on being civil; whatever brave, true-hearted qualities he was able to admire in Mrs. Jenkin, mildness of demeanour was not one of them. And here he found per sons who were the equals of his mother and himself in intellect and width of interest, and the equals of his father in mild urbanity of disposition. Show Fleeming an active virtue, and he always loved it. He went away from that house struck through with admiration, and vowing to himself that his own married life should be upon that pattern, his wife (whoever she might be) like Eliza Barron, himself such another husband as Alfred Austin. What is more strange, he not only brought away, but left behind him, golden opinions. He must have been – he was, I am told – a trying lad; but there shone out of him such a light of innocent candour, enthusiasm, intelligence, and appreciation, that to persons already some way forward in years, and thus able to enjoy indulgently the perennial comedy of youth, the sight of him was delightful. By a pleasant coincidence, there was one person in the house whom he did not appreciate and who did not appreciate him: Anne Austin, his future wife. His boyish vanity ruffled her; his appearance, never impressive, was then, by reason of obtrusive boyishness, still less so; she found occasion to put him in the wrong by correcting a false quantity; and when Mr. Austin, after doing his visitor the almost unheard-of honour of accompanying him to the door, announced ‘That was what young men were like in my time’ – she could only reply, looking on her handsome father, ‘I thought they had been better looking.’

This first visit to the Austins took place in 1855; and it seems it was some time before Fleeming began to know his mind; and yet longer ere he ventured to show it. The corrected quantity, to those who knew him well, will seem to have played its part; he was the man always to reflect over a correction and to admire the castigator. And fall in love he did; not hurriedly but step by step, not blindly but with critical discrimination; not in the fashion of Romeo, but before he was done, with all Romeo’s ardour and more than Romeo’s faith. The high favour to which he presently rose in the esteem of Alfred Austin and his wife, might well give him ambitious notions; but the poverty of the present and the obscurity of the future were there to give him pause; and when his aspirations began to settle round Miss Austin, he tasted, perhaps for the only time in his life, the pangs of diffidence. There was indeed opening before him a wide door of hope. He had changed into the service of Messrs. Liddell & Gordon; these gentlemen had begun to dabble in the new field of marine telegraphy; and Fleeming was already face to face with his life’s work. That impotent sense of his own value, as of a ship aground, which makes one of the agonies of youth, began to fall from him. New problems which he was endowed to solve, vistas of new enquiry which he was fitted to explore, opened before him continually. His gifts had found their avenue and goal. And with this pleasure of effective exercise, there must have sprung up at once the hope of what is called by the world success. But from these low beginnings, it was a far look upward to Miss Austin: the favour of the loved one seems always more than problematical to any lover; the consent of parents must be always more than doubtful to a young man with a small salary and no capital except capacity and hope. But Fleeming was not the lad to lose any good thing for the lack of trial; and at length, in the autumn of 1857, this boyish-sized, boyish-mannered, and superlatively ill-dressed young engineer, entered the house of the Austins, with such sinkings as we may fancy, and asked leave to pay his addresses to the daughter. Mrs. Austin already loved him like a son, she was but too glad to give him her consent; Mr. Austin reserved the right to inquire into his character; from neither was there a word about his prospects, by neither was his income mentioned. ‘Are these people,’ he wrote, struck with wonder at this dignified disinterestedness, ‘are these people the same as other people?’ It was not till he was armed with this permission, that Miss Austin even suspected the nature of his hopes: so strong, in this unmannerly boy, was the principle of true courtesy; so powerful, in this impetuous nature, the springs of self-repression. And yet a boy he was; a boy in heart and mind; and it was with a boy’s chivalry and frankness that he won his wife. His conduct was a model of honour, hardly of tact; to conceal love from the loved one, to court her parents, to be silent and discreet till these are won, and then without preparation to approach the lady – these are not arts that I would recommend for imitation. They lead to final refusal. Nothing saved Fleeming from that fate, but one circumstance that cannot be counted upon – the hearty favour of the mother, and one gift that is inimitable and that never failed him throughout life, the gift of a nature essentially noble and outspoken. A happy and high-minded anger flashed through his despair: it won for him his wife.

Nearly two years passed before it was possible to marry: two years of activity, now in London; now at Birkenhead, fitting out ships, inventing new machinery for new purposes, and dipping into electrical experiment; now in the Elba on his first telegraph cruise between Sardinia and Algiers: a busy and delightful period of bounding ardour, incessant toil, growing hope and fresh interests, with behind and through all, the image of his beloved. A few extracts from his correspondence with his betrothed will give the note of these truly joyous years. ‘My profession gives me all the excitement and interest I ever hope for, but the sorry jade is obviously jealous of you.’ – ‘“Poor Fleeming,” in spite of wet, cold and wind, clambering over moist, tarry slips, wandering among pools of slush in waste places inhabited by wandering locomotives, grows visibly stronger, has dismissed his office cough and cured his toothache.’ – ‘The whole of the paying out and lifting machinery must be designed and ordered in two or three days, and I am half crazy with work. I like it though: it’s like a good ball, the excitement carries you through.’ – ‘I was running to and from the ships and warehouse through fierce gusts of rain and wind till near eleven, and you cannot think what a pleasure it was to be blown about and think of you in your pretty dress.’ – ‘I am at the works till ten and sometimes till eleven. But I have a nice office to sit in, with a fire to myself, and bright brass scientific instruments all round me, and books to read, and experiments to make, and enjoy myself amazingly. I find the study of electricity so entertaining that I am apt to neglect my other work.’ And for a last taste, ‘Yesterday I had some charming electrical experiments. What shall I compare them to – a new song? a Greek play?’

It was at this time besides that he made the acquaintance of Professor, now Sir William, Thomson. To describe the part played by these two in each other’s lives would lie out of my way. They worked together on the Committee on Electrical Standards; they served together at the laying down or the repair of many deep-sea cables; and Sir William was regarded by Fleeming, not only with the ‘worship’ (the word is his own) due to great scientific gifts, but with an ardour of personal friendship not frequently excelled. To their association, Fleeming brought the valuable element of a practical understanding; but he never thought or spoke of himself where Sir William was in question; and I recall quite in his last days, a singular instance of this modest loyalty to one whom he admired and loved. He drew up a paper, in a quite personal interest, of his own services; yet even here he must step out of his way, he must add, where it had no claim to be added, his opinion that, in their joint work, the contributions of Sir William had been always greatly the most valuable. Again, I shall not readily forget with what emotion he once told me an incident of their associated travels. On one of the mountain ledges of Madeira, Fleeming’s pony bolted between Sir William. and the precipice above; by strange good fortune and thanks to the steadiness of Sir William’s horse, no harm was done; but for the moment, Fleeming saw his friend hurled into the sea, and almost by his own act: it was a memory that haunted him.

CHAPTER IV. 1859–1868

Fleeming’s Marriage – His Married Life – Professional Difficulties – Life at Claygate – Illness of Mrs. F. Jenkin; and of Fleeming – Appointment to the Chair at Edinburgh.

On Saturday, Feb. 26, 1859, profiting by a holiday of four days, Fleeming was married to Miss Austin at Northiam: a place connected not only with his own family but with that of his bride as well. By Tuesday morning, he was at work again, fitting out cableships at Birkenhead. Of the walk from his lodgings to the works, I find a graphic sketch in one of his letters: ‘Out over the railway bridge, along a wide road raised to the level of a ground floor above the land, which, not being built upon, harbours puddles, ponds, pigs, and Irish hovels; – so to the dock warehouses, four huge piles of building with no windows, surrounded by a wall about twelve feet high – in through the large gates, round which hang twenty or thirty rusty Irish, playing pitch and toss and waiting for employment; – on along the railway, which came in at the same gates and which branches down between each vast block – past a pilot-engine butting refractory trucks into their places – on to the last block, [and] down the branch, sniffing the guano-scented air and detecting the old bones. The hartshorn flavour of the guano becomes very strong, as I near the docks where, across the Elba’s decks, a huge vessel is discharging her cargo of the brown dust, and where huge vessels have been discharging that same cargo for the last five months.’ This was the walk he took his young wife on the morrow of his return. She had been used to the society of lawyers and civil servants, moving in that circle which seems to itself the pivot of the nation and is in truth only a clique like another; and Fleeming was to her the nameless assistant of a nameless firm of engineers, doing his inglorious business, as she now saw for herself, among unsavoury surroundings. But when their walk brought them within view of the river, she beheld a sight to her of the most novel beauty: four great, sea-going ships dressed out with flags. ‘How lovely!’ she cried. ‘What is it for?’ – ‘For you,’ said Fleeming. Her surprise was only equalled by her pleasure. But perhaps, for what we may call private fame, there is no life like that of the engineer; who is a great man in out-of-the-way places, by the dockside or on the desert island or in populous ships, and remains quite unheard of in the coteries of London. And Fleeming had already made his mark among the few who had an opportunity of knowing him.

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