Romulus

Sudden termination of the combat.

Immediately after throwing his spear, and perceiving that it had failed of its intended effect, Achilles drew his sword and rushed forward to engage Æneas, hand to hand. Æneas himself recovering in an instant from the consternation which his narrow escape from impalement had awakened, seized an enormous stone, heavier, as Homer represents it, than any two ordinary men could lift, and was about to hurl it at his advancing foe, when suddenly the whole combat was terminated by a very unexpected interposition. It seems that the various gods and goddesses, from their celestial abodes among the summits of Olympus, had assembled in invisible forms to witness this combat – some sympathizing with and upholding one of the combatants, and some the other. Neptune was on Æneas's side; and accordingly when he saw how imminent the danger was which threatened Æneas, when Achilles came rushing upon him with his uplifted sword, he at once resolved to interfere. He immediately rushed, himself, between the combatants. He brought a sudden and supernatural mist over the scene, such as the God of the Sea has always at his command; and this mist at once concealed Æneas from Achilles's view. Neptune drew the spear out of the ground, and released it too from the shield which remained still pinned down by it; and then threw the spear down at Achilles's feet. He next seized Æneas, and lifting him high above the ground he bore him away in an invisible form over the heads of soldiers and horsemen that had been drawn up in long lines around the field of combat. When the mist passed away Achilles saw his spear lying at his feet, and on looking around him found that his enemy was gone.

The tales of the Æneid.

Such are the marvelous tales which were told by the ancient narrators, of the prowess and exploits of Æneas under the walls of Troy, and of the interpositions which were put forth to save him in moments of desperate danger, by beings supernatural and divine. These tales were in those days believed as sober history. That which was marvelous and philosophically incredible in them, was sacredly sheltered from question by mingling itself with the prevailing principles of religious faith. The tales were thus believed, and handed down traditionally from generation to generation, and admired and loved by all who heard and repeated them, partly on account of their romantic and poetical beauty, and partly on account of the sublime and sacred revelations which they contained, in respect to the divinities of the spiritual world.

Chapter IV.

The Destruction of Troy.

B.C. 1200

Termination of the siege of Troy.

After the final conquest and destruction of Troy, Æneas, in the course of his wanderings, stopped, it was said, at Carthage, on his way to Italy, and there, according to ancient story, he gave the following account of the circumstances attending the capture and the sacking of the city, and his own escape from the scene.

Appearances observed by the besieged.

One day, after the war had been continued with various success for a long period of time, the sentinels on the walls and towers of the city began to observe extraordinary movements in the camp of the besiegers, which seemed to indicate preparations for breaking up the camp and going away. Tents were struck. Men were busy passing to and fro, arranging arms and military stores, as if for transportation. A fleet of ships was drawn up along the shore, which was not far distant, and a great scene of activity manifested itself upon the bank, indicating an approaching embarkation. In a word, the tidings soon spread throughout the city, that the Greeks had at length become weary of the protracted contest, and were making preparations to withdraw from the field. These proceedings were watched, of course, with great interest from the walls of the city, and at length the inhabitants, to their inexpressible joy, found their anticipations and hopes, as they thought, fully realized. The camp of the Greeks was gradually broken up, and at last entirely abandoned. The various bodies of troops were drawn off one by one to the shore, where they were embarked on board the ships, and then sailed away. As soon as this result was made sure, the Trojans threw open the gates of the city, and came out in throngs, – soldiers and citizens, men, women and children together, – to explore the abandoned encampment, and to rejoice over the departure of their terrible enemies.

The wooden horse.

Its probable size.

The first thing which attracted their attention was an immense wooden horse, which stood upon the ground that the Greek encampment had occupied. The Trojans immediately gathered, one and all, around the monster, full of wonder and curiosity. Æneas, in narrating the story, says that the image was as large as a mountain; but, as he afterward relates that the people drew it on wheels within the walls of the city, and especially as he represents them as attaching the ropes for this purpose to the neck of the image, instead of to its fore-legs, which would have furnished the only proper points of attachment if the effigy had been of any very extraordinary size, he must have had a very small mountain in mind in making the comparison. Or, which is perhaps more probable, he used the term only in a vague metaphorical sense, as we do now when we speak of the waves of the ocean as running mountain high, when it is well ascertained that the crests of the billows, even in the most violent and most protracted storms, never rise more than twenty feet above the general level.

Various opinions in respect to the disposal of it.

At all events, the image was large enough to excite the wonder of all the beholders. The Trojan people gathered around it, wholly unable to understand for what purpose the Greeks could have constructed such a monster, to leave behind them on their departure from Troy. After the first emotions of astonishment and wonder which the spectacle awakened had somewhat subsided, there followed a consultation in respect to the disposal which was to be made of the prodigy. The opinions on this point were very various. One commander was disposed to consider the image a sacred prize, and recommended that they should convey it into the city, and deposit it in the citadel, as a trophy of victory. Another, dissenting decidedly from this counsel, said that he strongly suspected some latent treachery, and he proposed to build a fire under the body of the monster, and burn the image itself and all contrivances for mischief which might be contained in it, together. A third recommended that they should hew it open, and see for themselves what there might be within. One of the Trojan leaders named Laocoon, who, just at this juncture, came to the spot, remonstrated loudly and earnestly against having any thing to do with so mysterious and suspicious a prize, and, by way of expressing the strong animosity which he felt toward it, he hurled his spear with all his force against the monster's side. The spear stood trembling in the wood, producing a deep hollow sound by the concussion.

Sudden appearance of a captive.

What the decision would have been in respect to the disposal of the horse, if this consultation and debate had gone on, it is impossible to say, as the farther consideration of the subject was all at once interrupted, by new occurrences which here suddenly intervened, and which, after engrossing for a time the whole attention of the company assembled, finally controlled the decision of the question. A crowd of peasants and shepherds were seen coming from the mountains, with much excitement, and loud shouts and outcries, bringing with them a captive Greek whom they had secured and bound. As the peasants came up with their prisoner, the Trojans gathered eagerly round them, full of excitement and threats of violence, all thirsting, apparently, for their victim's blood. He, on his part, filled the air with the most piteous lamentations and cries for mercy.

His wretched condition.

Sinon's account of the departure of the Greeks.

His story of the proposed sacrifice.

His escape.

His distress and wretchedness, and the earnest entreaties which he uttered, seemed at length to soften the hearts of his enemies and finally, the violence of the crowd around the captive became somewhat appeased, and was succeeded by a disposition to question him, and hear what he had to say. The Greek told them, in answer to their interrogations, that his name was Sinon, and that he was a fugitive from his own countrymen the Greeks, who had been intending to kill him. He said that the Greek leaders had long been desirous of abandoning the siege of Troy, and that they had made many attempts to embark their troops and sail away, but that the winds and seas had risen against them on every such attempt, and defeated their design. They then sent to consult the oracle of Apollo, to learn what was the cause of the displeasure and hostility thus manifested against them by the god of the sea. The oracle replied, that they could not depart from Troy, till they had first made an atoning and propitiatory offering by the sacrifice of a man, such an one as Apollo himself might designate. When this answer was returned, the whole army, as Sinon said, was thrown into a state of consternation. No one knew but that the fatal designation might fall on him. The leaders were, however, earnestly determined on carrying the measure into effect. Ulysses called upon Calchas, the priest of Apollo, to point out the man who was to die. Calchas waited day after day, for ten days, before the divine intimation was made to him in respect to the individual who was to suffer. At length he said that Sinon was the destined victim. His comrades, Sinon said, rejoicing in their own escape from so terrible a doom, eagerly assented to the priest's decision, and immediately made preparations for the ceremony. The altar was reared. The victim was adorned for the sacrifice, and the garlands, according to the accustomed usage, were bound upon his temples. He contrived, however, he said, at the last moment, to make his escape. He broke the bands with which he had been bound, and fled into a morass near the shore, where he remained concealed in inaccessible thickets until the Greeks had sailed away. He then came forth and was at length seized and bound by the shepherds of the mountains, who found him wandering about, in extreme destitution and misery. Sinon concluded his tale by the most piteous lamentations, on his wretched lot. The Trojans, he supposed, would kill him, and the Greeks, on their return to his native land, in their anger against him for having made his escape from them, would destroy his wife and children.

Priam's address to him.

The air and manner with which Sinon told this story seemed so sincere, and so natural and unaffected were the expressions of wretchedness and despair with which he ended his narrative, that the Trojan leaders had no suspicion that it was not true. Their compassion was moved for the wretched fugitive, and they determined to spare his life. Priam, the aged king, who was present at the scene, in the midst of the Trojan generals, ordered the cords with which the peasants had bound the captive to be sundered, that he might stand before them free. The king spoke to him, too, in a kind and encouraging manner. "Forget your countrymen," said he. "They are gone. Henceforth you shall be one of us. We will take care of you. And now," he continued, "tell us what this monstrous image means. Why did the Greeks make it, and why have they left it here?"

Sinon's account of the horse.

Sinon, as if grateful for the generosity with which his life had been spared, professed himself ready to give his benefactors the fullest information. He told them that the wooden horse had been built by the Greeks to replace a certain image of Pallas which they had previously taken and borne away from Troy. It was to replace this image, Sinon said, that the Greeks had built the wooden horse; and their purpose in making the image of this monstrous size was to prevent the possibility of the Trojans taking it into the city, and thus appropriating to themselves the benefit of its protecting efficacy and virtue.

Effect produced by Sinon's story.

The serpents and Laocoon.

The Trojans listened with breathless interest to all that Sinon said, and readily believed his story; so admirably well did he counterfeit, by his words and his demeanor, all the marks and tokens of honest sincerity in what he said of others, as well of grief and despair in respect to his own unhappy lot. The current of opinion which had begun before to set strongly in favor of destroying the horse, was wholly turned, and all began at once to look upon the colossal image as an object of sacred veneration, and to begin to form plans for transporting it within the limits of the city. Whatever remaining doubts any of them might have felt on the subject were dispelled by the occurrence of a most extraordinary phenomenon just at this stage of the affair, which was understood by all to be a divine judgment upon Laocoon for his sacriligious temerity in striking his spear into the horse's side. It had been determined to offer a sacrifice to Neptune. Lots were drawn to determine who should perform the rite. The lot fell upon Laocoon. He began to make preparations to perform the duty, assisted by his two young sons, when suddenly two immense serpents appeared, coming up from the sea. They came swimming over the surface of the water, with their heads elevated above the waves, until they reached the shore, and then gliding swiftly along, they advanced across the plain, their bodies brilliantly spotted and glittering in the sun, their eyes flashing, and their forked and venomous tongues darting threats and defiance as they came. The people fled in dismay. The serpents, disregarding all others, made their way directly toward the affrighted children of Laocoon, and twining around them they soon held the writhing and struggling limbs of their shrieking victims hopelessly entangled in their deadly convolutions.

Laocoon, who was himself at a little distance from the spot, when the serpents came, as soon as he saw the danger and heard the agonizing cries of his boys, seized a weapon and ran to rescue them. Instead, however, of being able to save his children, he only involved himself in their dreadful fate. The serpents seized him as soon as he came within their reach, and taking two turns around his neck and two around his body, and binding in a remorseless grip the forms of the fainting and dying boys with other convolutions, they raised their heads high above the group of victims which they thus enfolded, and hissed and darted out their forked tongues in token of defiance and victory. When at length their work was done, they glided away and took refuge in a temple that was near, and coiled themselves up for repose beneath the feet of the statue of a goddess that stood in the shrine.

Ancient statue of Laocoon.

Its history.

The statue now deposited in the Vatican.

The story of Laocoon has become celebrated among all mankind in modern times by means of a statue representing the catastrophe, which was found two or three centuries ago among the ruins of an ancient edifice at Rome. This statue was mentioned by an old Roman writer, Pliny, who gave an account of it while it yet stood in its place in the ancient city. He said that it was the work of three artists, a father and two sons, who combined their industry and skill to carve in one group, and with immense labor and care, the representation of Laocoon himself, the two boys, and the two serpents, making five living beings intertwined intricately together, and all carved from one single block of marble. On the decline and fall of Rome this statue was lost among the ruins of the city, and for many centuries it was known to mankind only through the description of Pliny. At length it was brought to light again, having been discovered about three centuries ago, under the ruins of the very edifice in which Pliny had described it as standing. It immediately became the object of great interest and attention to the whole world. It was deposited in the Vatican; a great reward was paid to the owner of the ground on which it was discovered; drawings and casts of it, without number, have been made; and the original stands in the Vatican now, an object of universal interest, as one of the most celebrated sculptures of ancient or modern times.

Description of it.

Laocoon himself forms the center of the group, with the serpents twined around him, while he struggles, with a fearful expression of terror and anguish in his countenance, in the vain attempt to release himself from their hold. One of the serpents has bitten one of the boys in the side, and the wounded child sinks under the effects of the poison. The other boy, in an agony of terror, is struggling, hopelessly, to release his foot from the convolutions with which one of the serpents has encircled it. The expression of the whole group is exciting and painful, and yet notwithstanding this, there is combined with it a certain mysterious grace and beauty which charms every eye, and makes the composition the wonder of mankind.

Effect produced upon the Trojans by Laocoon's fate.

But to return to the story. The people understood this awful visitation to be the judgment of heaven against Laocoon for his sacrilegious presumption in daring to thrust his spear into the side of the image before them, and which they were now very sure they were to consider as something supernatural and divine. They determined with one accord to take it into the city.

The Trojans draw the horse into the city.

They immediately began to make preparations for the transportation of it. They raised it from the ground, and fitted to the feet some sort of machinery of wheels or rollers, suitable to the nature of the ground, and strong enough to bear the weight of the colossal mass. They attached long ropes to the neck of the image, and extended them forward upon the ground, and then brought up large companies of citizens and soldiers to man them. They arranged a procession, consisting of the generals of the army, and of the great civil dignitaries of the state; and in addition to these were groups of singing boys and girls, adorned with wreaths and garlands, who were appointed to chant sacred hymns to solemnize the occasion. They widened the access to the city, too, by tearing down a portion of the wall so as to open a sufficient space to enable the monster to get in. When all was ready the ropes were manned, the signal was given, the ponderous mass began to move, and though it encountered in its progress many difficulties, obstructions, and delays, in due time it was safely deposited in the court of a great public edifice within the city. The wall was then repaired, the day passed away, the night came on, the gates were shut, and the curiosity and wonder of the people within being gradually satisfied, they at length dispersed to their several homes and retired to rest. At midnight the unconscious effigy stood silent and alone where its worshipers had left it, while the whole population of the city were sunk in slumber, except the sentinels who had been stationed as usual to keep guard at the gates, or to watch upon the towers and battlements above them.

The Greeks admitted to the city.

In the mean time the Greek fleet, which had sailed away under pretense of finally abandoning the country, had proceeded only to the island of Tenedos, which was about a league from the shore, and there they had concealed themselves during the day. As soon as night came on they returned to the main land, and disembarking with the utmost silence and secrecy, they made their way back again under cover of the darkness, as near as they dared to come to the gates of the city. In the mean time Sinon had arisen stealthily from the sleep which he had feigned to deceive those to whose charge he had been committed, and creeping cautiously through the streets he repaired to the place where the wooden horse had been deposited, and there opened a secret door in the side of the image, and liberated a band of armed and desperate men who had been concealed within. These men, as soon as they had descended to the ground and had adjusted their armor, rushed to the city walls, surprised and killed the sentinels and watchmen, threw open the gates, and gave the whole body of their comrades that were lurking outside the walls, in the silence and darkness of the night, an unobstructed admission.

Æneas awakened by the din.

Æneas was asleep in his house while these things were transpiring. The house where he lived was in a retired and quiet situation, but he was awakened from his sleep by distant outcries and din, and springing from his couch, and hastily resuming his dress, he ascended to the roof of the house to ascertain the cause of the alarm. He saw flames ascending from various edifices in the quarter of the city where the Greeks had come in. He listened. He could distinctly hear the shouts of men, and the notes of trumpets sounding the alarm. He immediately seized his armor and rushed forth into the streets, arousing the inhabitants around him from their slumbers by his shouts, and calling upon them to arm themselves and follow him.

His meeting with Pantheus.

His surprise and terror.

In the midst of this excitement, there suddenly appeared before him, coming from the scene of the conflict, a Trojan friend, named Pantheus, who was hastening away from the danger, perfectly bewildered with excitement and agitation. He was leading with him his little son, who was likewise pale with terror. Æneas asked Pantheus what had happened. Pantheus in reply explained to him in hurried and broken words, that armed men, treacherously concealed within the wooden horse, had issued forth from their concealment, and had opened the gates of the city, and let the whole horde of their ferocious and desperate enemies in; that the sentinels and guards who had been stationed at the gates had been killed; and that the Greek troops had full possession of the city, and were barricading the streets and setting fire to the buildings on every side. "All is lost," said he, "our cause is ruined, and Troy is no more."

The announcing of these tidings filled Æneas and those who had joined him with a species of phrensy. They resolved to press forward into the combat, and there, if they must perish themselves, to carry down as many as possible of their enemies with them to destruction. They pressed on, therefore, through the gloomy streets, guiding their way toward the scene of action by the glare of the fires upon the sky, and by the sounds of the distant tumult and din.

Adventures of Æneas and Pantheus.