The Corner House Girls in a Play

A full fortnight before the thirty-first of October, came the first general rehearsal of the musical play. It could not be rehearsed with the scenery, of course, nor on the Opera House stage. The big hall of the high school building had a large stage and here the preliminary rehearsals were to be conducted.

That was a Saturday afternoon eagerly looked forward to. Although the boys claimed to have much less interest in the play than the girls, even they were excited over the rehearsal. Few of the boys had speaking parts in The Carnation Countess, but all who had good voices were drafted by Professor Ware for the choruses.

"And even those fellows whose voices are changing, and sound more like bullfrogs than anything human," chuckled Neale O'Neil, "have got to help swell the 'Roman populace' or carry out the dead."

"Now, Neale O'Neil! you know very well," said Tess, reprovingly, "that the Romans aren't in this play at all, and there will be no dead to carry out."

"Buzz! buzz! buzz-z-z-z!" crooned Dot, rocking her Alice-doll to sleep.

"Somebody'll slap at that bumblebee and try to kill it, if it doesn't look out," promised Agnes, pouting. "I wish you folks wouldn't talk about the old play. You – make – me – feel – so – bad!"

"You'll feel worse when you see that Trix Severn trying to play Innocent Delight," sniffed Eva Larry, who chanced to be present in the Corner House sitting-room where the discussion was going on.

"I don't suppose she is really bad in it, Eva," Ruth said.

"Not bad? She's – worse!" proclaimed the boisterous one. "Just wait. I know Miss Lederer is heart-broken over her."

"She'll spoil the play, won't she?" asked Tess, the anxious. "I hope I won't spoil it, with my Swiftwing part."

"Oh, you're all right, honey," Agnes assured her. "You know your part already, don't you?"

"Oh, yes. It's not nearly so hard to remember as the sovereigns of England. And that's how I come to get the part of Swiftwing, I guess."

"What is the way?" asked Ruth, curiously.

"She means the reason," Agnes put in, who had lately begun to criticise the family's use of English.

"The reason I got the part?" queried Tess, gravely. "'Cause I could recite the sovereigns of England so well. I guess Miss Pepperill told Professor Ware, and so he gave me the part in the play."

"Of course!" whispered Neale. "Of course, it couldn't be that they gave a certain person her part because, if it hadn't been for her, nobody would ever have thought of having a play for the benefit of the hospital."

"I hope they gave it to her because they believed she was best fitted for the part," said Ruth, placidly.

"Well, believe me!" exclaimed the slangy Eva, "Trix Severn is not fitted for her part. Wait till to-morrow afternoon!"

"I have a good mind not to go to the rehearsal at all," sighed Agnes.

But she did not mean that. If she could not be one of the performers herself, she was eager to see her fellow-pupils try their talents on the stage.

There was no orchestra, of course; but the pianist gave the music cues, and the stage-manager lectured the various choruses and dancers, while Professor Ware put them through their musical parts. Most of the song numbers had become familiar to the young performers. Even Dot Kenway's class went through with their part quite successfully. And if they had all been "buzzing" as indefatigably as the smallest Corner House girl at home and abroad, it was not surprising that they were letter perfect.

The dancing was another matter entirely. To teach a few pupils at a time certain steps, and then to try to combine those companies in a single regiment, each individual of which must keep perfect time, is a greater task than the inexperienced would imagine.

The training of the girls and boys to whom had been assigned the rôles of the more or less important characters in the play, was an unhappy task in some instances. While most children can be taught to sing, and many take naturally to dancing, to instruct them in the mysteries of elocution is a task to try the patience of the angels themselves.

None of the professional principals in the cast were present at this rehearsal save the gracious lady who was to represent The Carnation Countess. She was both cheerful and obliging; but she did lose her temper in one instance and spoke sharply.

A certain portion of the first act had been gone over and over again. It had been wrecked each time by one certain actor. They had left it and gone on with further scenes, and had then gone back to the hard part again. It was no use; the girl who did not express her part properly balked them all.

"I declare, Professor," the professional said tartly, "you must have selected this Innocent Delight with your eyes shut. In the first place, why a brunette when the part calls for a blonde, if any part ever called for one? It distresses me to say it, but if this Innocent Delight is a sample of what your Milton girls can do in a play, you would much better change your plans and put on Puss in Boots, instead of a piece like The Carnation Countess. The former would compass the calibre of your talent, I should say."

"What did I tell you?" hissed Eva in Agnes' ear. "Trix Severn will spoil the whole show!"

CHAPTER XV

THE HALLOWE'EN PARTY

It had become an established custom now for Tess and Dot to call on Mrs. Eland each Monday afternoon.

"She is such a nice lady. I wish you could meet my Mrs. Eland," Tess said to Mrs. Adams, who lived not far from the old Corner House, on Willow Street, and who was one of the first friends the Kenway sisters had made in Milton.

Tess had been sent to Mrs. Adams on an errand for Mrs. MacCall, and now lingered at the invitation of the lady who loved to have any of the Corner House girls come in. "I wish you could meet my Mrs. Eland," repeated Tess. "I believe it would do her good to have more callers. They'd liven her up – and she's so sad nowadays. I know you'd liven her up, Mrs. Adams."

"Well, child, I hope I wouldn't make her unhappy, I'm sure. I believe in folks being lively if they can. I haven't a particle of use for grumps– no, indeed! 'Laugh and grow fat' is a pretty good motto."

"But you're not fat," suggested Tess; "and you are 'most always laughing."

"That's a fact; but it's not worrying that keeps me lean. 'Care killed the cat' my mother used to say; but care never killed her, I'm certain! Some folks is born for leanness, and I'm one of 'em."

"Well, it's real becoming to you," said Tess, kindly, eyeing the rather bony woman with reflective gaze. "And you're not as thin as Briggs, the baker. Mrs. MacCall says he doesn't cast a shadow."

"My soul! No!" exclaimed Mrs. Adams. "And his loaves of bread have got so't they don't cast much of a shadow. I've been complaining to him about his bread. The rise in the price of flour can't excuse altogether the stinginess of his loaves.

"He came here the other day about dark, and I had my porch door locked. I heard him knock and I asks, 'Who's there?'

"'It's the baker, ma'am,' says he. 'Here's your bread.'

"'Well, bring it in,' says I, forgetting the door was locked.

"'I don't see how I can, ma'am,' he says, ''nless I put it through the keyhole, ma'am,' and he begun to giggle. But I put the come-up-ance on him," declared Mrs. Adams, with satisfaction. I says:

"'I don't see what's to stop you, Myron Briggs. The goodness knows your loaves are small enough to go through the keyhole.' And he didn't have nothin' more to say to me."

"Why, I think that's very funny," said Tess, in her sober way. "I'll tell that to Mrs. Eland. Maybe it will amuse her."

But on the next occasion when the two younger Corner House girls went to the hospital, Tess did not try to cheer the matron's spirits by repeating Mrs. Adams's joke on the baker.

Mrs. Eland had been crying. Even usually unobservant Dot noticed it. Her eyes were red and her face pale and drawn. The pretty pink of her cheeks and the ready twinkle in her gray eyes, were missing.

On the table by the matron's side were some faded old letters – quite a bundle of them, in fact – tied with a faded tape. They were docketed carefully on their ends with ink that had yellowed with age.

"These are letters from my uncle – 'Lemon' Aden, as our little Dot called him," Mrs. Eland said, with a sad smile. "To my – my poor father. Those letters he put into my hand to take care of when we knew that awful fire that destroyed most of our city, was going to sweep away our home.

"I took the letters and Teeny by the hand – "

"Was Teeny your sister's name, Mrs. Eland?" asked Tess, deeply interested.

"So we called her," the matron said. "She was such a little fairy! As small and delicate as Dot, here. Only she was light – a regular milk-and-rose complexion and with red-gold hair."