The Confessions of Harry Lorrequer — Volume 2

"Why, I do," replied he, "and I do not. The girl is very pretty. The place is dull in the morning; and altogether it helps to fill up time."

"Well," said I, "you are always fortunate, Curzon. You have ever your share of what floating luck the world affords."

"It is not exactly all luck, my dear friend; for, as I shall explain to you — "

"Not now," replied I, "for I have not yet breakfasted." So saying I turned into the coffee-room, leaving the worthy adjutant to revel in his fancied conquest, and pity such unfortunates as myself.

After an early dinner at the club-house, I hastened down to the theatre, where numerous preparations for the night were going forward. The green-room was devoted to the office of a supper-room, to which the audience had been invited. The dressing-rooms were many of them filled with the viands destined for the entertainment. Where, among the wooden fowls and "impracticable" flagons, were to be seen very imposing pasties and flasks of champaigne, littered together in most admirable disorder. The confusion naturally incidental to all private theatricals, was ten-fold increased by the circumstances of our projected supper. Cooks and scene-shifters, fiddlers and waiters, were most inextricably mingled; and as in all similar cases, the least important functionaries took the greatest airs upon them, and appropriated without hesitation whatever came to their hands — thus the cook would not have scrupled to light a fire with the violoncello of the orchestra; and I actually caught one of the "gens de cuisine" making a "soufflet" in a brass helmet I had once worn when astonishing the world as Coriolanus.

Six o'clock struck. In another short hour and we begin, thought I, with a sinking heart, as I looked upon the littered stage crowded with hosts of fellows that had nothing to do there. Figaro himself never wished for ubiquity more than I did, as I hastened from place to place, entreating, cursing, begging, scolding, execrating, and imploring by turns. To mend the matter, the devils in the orchestra had begun to tune their instruments, and I had to bawl like a boatswain of a man-of-war, to be heard by the person beside me.

As seven o'clock struck, I peeped through the small aperture in the curtain, and saw, to my satisfaction, mingled, I confess, with fear, that the house was nearly filled — the lower tier of boxes entirely so. There were a great many ladies handsomely dressed, chatting gaily with their chaperons, and I recognised some of my acquaintances on every side; in fact, there was scarcely a family of rank in the county that had not at least some member of it present. As the orchestra struck up the overture to Don Giovanni, I retired from my place to inspect the arrangements behind.

Before the performance of the "Family Party," we were to have a little one-act piece called "a day in Madrid," written by myself — the principal characters being expressly composed for "Miss Ersler and Mr. Lorrequer."

The story of this trifle, it is not necessary to allude to; indeed, if it were, I should scarcely have patience to do so, so connected is my recollection of it with the distressing incident which followed.

In the first scene of the piece, the curtain rising displays la belle Fanny sitting at her embroidery in the midst of a beautiful garden, surrounded with statues, fountains, At the back is seen a pavillion in the ancient Moorish style of architecture, over which hang the branches of some large and shady trees — she comes forward, expressing her impatience at the delay of her lover, whose absence she tortures herself to account for by a hundred different suppositions, and after a very sufficient expose of her feelings, and some little explanatory details of her private history, conveying a very clear intimation of her own amiability, and her guardian's cruelty, she proceeds, after the fashion of other young ladies similarly situated, to give utterance to her feelings by a song; after, therefore, a suitable prelude from the orchestra, for which, considering the impassioned state of her mind, she waits patiently, she comes forward and begins a melody —

"Oh why is he far from the heart that adores him?"

in which, for two verses, she proceeds with sundry sol feggio's, to account for the circumstances, and show her disbelief of the explanation in a very satisfactory manner, — meanwhile, for I must not expose my reader to an anxiety on my account, similar to what the dear Fanny here laboured under, I was making the necessary preparations for flying to her presence, and clasping her to my heart — that is to say, I had already gummed on a pair of mustachios, had corked and arched a ferocious pair of eyebrows, which, with my rouged cheeks, gave me a look half Whiskerando, half Grimaldi; these operations were performed, from the stress of circumstances, sufficiently near the object of my affections, to afford me the pleasing satisfaction of hearing from her own sweet lips, her solicitude about me — in a word, all the dressing-rooms but two were filled with hampers of provisions, glass, china, and crockery, and from absolute necessity, I had no other spot where I could attire myself unseen, except in the identical pavillion already alluded to — here, however, I was quite secure, and had abundant time also, for I was not to appear till scene the second, when I was to come forward in full Spanish costume, "every inch a Hidalgo." Meantime, Fanny had been singing —

"Oh why is he far,"

At the conclusion of the last verse, just as she repeats the words "why, why, why," in a very distracted and melting cadence, a voice behind startles her — she turns and beholds her guardian — so at least run the course of events in the real drama — that it should follow thus now however, "Dus aliter visum" — for just as she came to the very moving apostrophe alluded to, and called out, "why comes he not?" — a gruff voice from behind answered in a strong Cork brogue — "ah! would ye have him come in a state of nature?" at the instant a loud whistle rang through the house, and the pavillion scene slowly drew up, discovering me, Harry Lorrequer, seated on a small stool before a cracked looking-glass, my only habiliments, as I am an honest man, being a pair of long white silk stockings, and a very richly embroidered shirt with point lace collar. The shouts of laughter are yet in my ears, the loud roar of inextinguishable mirth, which after the first brief pause of astonishment gave way, shook the entire building — my recollection may well have been confused at such a moment of unutterable shame and misery; yet, I clearly remember seeing Fanny, the sweet Fanny herself, fall into an arm-chair nearly suffocated with convulsions of laughter. I cannot go on; what I did I know not. I suppose my exit was additionally ludicrous, for a new eclat de rire followed me out. I rushed out of the theatre, and wrapping only my cloak round me, ran without stopping to the barracks. But I must cease; these are woes too sacred for even confessions like mine, so let me close the curtain of my room and my chapter together, and say, adieu for a season.

CHAPTER XVIb.

THE WAGER

[Note: There are two Chapter XVIs. In the table of contents, this one has an asterisk but no explanation.]

It might have been about six weeks after the events detailed in my last chapter had occurred, that Curzon broke suddenly into my room one morning before I had risen, and throwing a precautionary glance around, as if to assure himself that we were alone, seized my hand with a most unusual earnestness, and, steadfastly looking at me, said —

"Harry Lorrequer, will you stand by me?"

So sudden and unexpected was his appearance at the moment, that I really felt but half awake, and kept puzzling myself for an explanation of the scene, rather than thinking of a reply to his question; perceiving which, and auguring but badly from my silence, he continued —

"Am I then, really deceived in what I believed to be an old and tried friend?"

"Why, what the devil's the matter?" I cried out. "If you are in a scrape, why of course you know I'm your man; but, still, it's only fair to let one know something of the matter in the meanwhile."

"In a scrape!" said he, with a long-drawn sigh, intended to beat the whole Minerva press in its romantic cadence.

"Well, but get on a bit," said I, rather impatiently; "who is the fellow you've got the row with? Not one of ours, I trust?"

"Ah, my dear Hal," said he, in the same melting tone as before — "How your imagination does run upon rows, and broils, and duelling rencontres," (he, the speaker, be it known to the reader, was the fire-eater of the regiment,) "as if life had nothing better to offer than the excitement of a challenge, or the mock heroism of a meeting."

As he made a dead pause here, after which he showed no disposition to continue, I merely added —

"Well, at this rate of proceeding we shall get at the matter in hand, on our way out to Corfu, for I hear we are the next regiment for the Mediterranean."

The observation seemed to have some effect in rousing him from his lethargy, and he added —

"If you only knew the nature of the attachment, and how completely all my future hopes are concerned upon the issue — "

"Ho!" said I, "so it's a money affair, is it? and is it old Watson has issued the writ? I'll bet a hundred."

"Well, upon my soul, Lorrequer," said he, jumping from his chair, and speaking with more energy than he had before evinced, "you are, without exception, the most worldly-minded, cold-blooded fellow I ever met. What have I said that could have led you to suppose I had either a duel or a law-suit upon my hands this morning? Learn, once and for all, man, that I am in love — desperately and over head and ears in love."

"Et puis," said I coolly.

"And intend to marry immediately."

"Oh, very well," said I; "the fighting and debt will come later, that's all. But to return — now for the lady."

"Come, you must make a guess."

"Why, then, I really must confess my utter inability; for your attentions have been so generally and impartially distributed since our arrival here, that it may be any fair one, from your venerable partner at whist last evening, to Mrs. Henderson, the pastry-cook inclusive, for whose macaroni and cherry-brandy your feelings have been as warm as they are constant."

"Come, no more quizzing, Hal. You surely must have remarked that lovely girl I waltzed with at Power's ball on Tuesday last."

"Lovely girl! Why, in all seriousness, you don't mean the small woman with the tow wig?"

"No, I do not mean any such thing — but a beautiful creature, with the brightest locks in Christendom — the very light-brown waving ringlets, Dominicheno loved to paint, and a foot — did you see her foot?"

"No; that was rather difficult, for she kept continually bobbing up and down, like a boy's cork-float in a fish-pond."

"Stop there. I shall not permit this any longer — I came not here to listen to — "

"But, Curzon, my boy, you're not angry?"

"Yes, sir, I am angry."

"Why, surely, you have not been serious all this time?"

"And why not, pray?"

"Oh! I don't exactly know — that is, faith I scarcely thought you were in earnest, for if I did, of course I should honestly have confessed to you that the lady in question struck me as one of the handsomest persons I ever met."

"You think so really, Hal?"

"Certainly I do, and the opinion is not mine alone; she is, in fact universally admired."

"Come, Harry, excuse my bad temper. I ought to have known you better — give me your hand, old boy, and wish me joy, for with you aiding and abetting she is mine to-morrow morning."

I wrung his hand heartily — congratulating myself, meanwhile, how happily I had got out of my scrape; as I now, for the first time, perceived that Curzon was bona fide in earnest.