Уильям Мейкпис Теккерей
A History of Pendennis. Volume 1. His fortunes and misfortunes, his friends and his greatest enemy
And in the midst of this simple conversation, the hour and a quarter which poor Pen could afford to allow himself, passed away only too quickly; and he had taken leave, he was gone, and away on his rapid road homeward on the back of Rebecca. She was called upon to show her mettle in the three journeys which she made that day.
"What was that he was talking about, the madness of Hamlet, and the theory of the great German critic on the subject?" Emily asked of her father.
"'Deed then I don't know, Milly dear," answered the captain. "We'll ask Bows when he comes."
"Anyhow, he's a nice, fair-spoken, pretty young man," the lady said: "how many tickets did he take of you?"
"'Fait, then, he took six, and gev me two guineas, Milly," the captain said, "I suppose them young chaps is not too flush of coin."
"He's full of book-learning," Miss Fotheringay continued. "Kotzebue! He, he, what a droll name indeed, now; and the poor fellow killed by Sand, too! Did ye ever hear such a thing? I'll ask Bows about it, papa, dear."
"A queer death, sure enough," ejaculated the captain, and changed the painful theme. "'Tis an elegant mare the young gentleman rides," Costigan went on to say; "and a grand breakfast, intirely, that young Mister Foker gave us."
"He's good for two private boxes, and at least twenty tickets, I should say," cried the daughter, a prudent lass, who always kept her fine eyes on the main chance.
"I'll go bail of that," answered the papa; and so their conversation continued awhile, until the tumbler of punch was finished; and their hour of departure soon came, too; for at half past six Miss Fotheringay was to appear at the theater again, whither her father always accompanied her; and stood, as we have seen, in the side-scene watching her, and drank spirits-and-water in the green-room with the company there.
"How beautiful she is," thought Pen, cantering homeward. "How simple and how tender! How charming it is to see a woman of her commanding genius busying herself with the delightful, though humble, offices of domestic life, cooking dishes to make her old father comfortable, and brewing drink for him with her delicate fingers! How rude it was of me to begin to talk about professional matters, and how well she turned the conversation! By-the-way, she talked about professional matters herself; but then with what fun and humor she told the story of her comrade, Pentweazle, as he was called! There is no humor like Irish humor. Her father is rather tedious, but thoroughly amiable; and how fine of him, giving lessons in fencing after he quitted the army, where he was the pet of the Duke of Kent! Fencing! I should like to continue my fencing, or I shall forget what Angelo taught me. Uncle Arthur always liked me to fence – he says it is the exercise of a gentleman. Hang it. I'll take some lessons of Captain Costigan. Go along, Rebecca – up the hill, old lady. Pendennis, Pendennis – how she spoke the word! Emily, Emily! how good, how noble, how beautiful, how perfect, she is!"
Now the reader, who has had the benefit of overhearing the entire conversation which Pen had with Miss Fotheringay, can judge for himself about the powers of her mind, and may perhaps be disposed to think that she has not said any thing astonishingly humorous or intellectual in the course of the above interview. She has married, and taken her position in the world as a most spotless and irreproachable lady since, and I have had the pleasure of making her acquaintance: and must certainly own, against my friend Pen's opinion, that his adored Emily is not a clever woman. The truth is, she had not only never heard of Kotzebue, but she had never heard of Farquhar, or Congreve, or any dramatist in whose plays she had not a part: and of these dramas she only knew that part which concerned herself. A wag once told her that Dante was born at Algiers: and asked her – which Dr. Johnson wrote first, "Irene," or "Every Man in his Humor." But she had the best of the joke, for she had never heard of Irene, or Every Man in his Humor, or Dante, or perhaps Algiers. It was all one to her. She acted what little Bows told her – where he told her to sob, she sobbed – where he told her to laugh, she laughed. She gave the tirade or the repartee without the slightest notion of its meaning. She went to church and goes every Sunday, with a reputation perfectly intact, and was (and is) as guiltless of sense as of any other crime.
But what did our Pen know of these things? He saw a pair of bright eyes, and he believed in them – a beautiful image, and he fell down and worshiped it. He supplied the meaning which her words wanted; and created the divinity which he loved. Was Titania the first who fell in love with an ass, or Pygmalion the only artist who has gone crazy about a stone? He had found her; he had found what his soul thirsted after. He flung himself into the stream and drank with all his might. Let those say who have been thirsty once how delicious that first draught is. As he rode down the avenue toward home, Pen shrieked with laughter, as he saw the Reverend Mr. Smirke once more coming demurely away from Fairoaks on his pony. Smirke had dawdled and staid at the cottages on the way, and then dawdled with Laura over her lessons – and then looked at Mrs. Pendennis's gardens and improvements until he had perfectly bored out that lady: and he had taken his leave at the very last minute without that invitation to dinner which he fondly expected.
Pen was full of kindness and triumph. "What, picked up and sound?" he cried out, laughing. "Come along back, old fellow, and eat my dinner – I have had mine: but we will have a bottle of the old wine and drink her health, Smirke."
Poor Smirke turned the pony's head round, and jogged along with Arthur. His mother was charmed to see him in such high spirits, and welcomed Mr. Smirke for his sake, when Arthur said he had forced the curate back to dine. He gave a most ludicrous account of the play of the night before, and of the acting of Bingley the Manager, in his ricketty Hessians, and the enormous Mrs. Bingley as the Countess, in rumpled green satin and a Polish cap: he mimicked them, and delighted his mother and little Laura, who clapped her hands with pleasure.
"And Mrs. Haller?" said Mrs. Pendennis.
"She's a stunner, ma'am," Pen said, laughing, and using the words of his reverend friend, Mr. Foker.
"A what, Arthur?" asked the lady.
"What is a stunner, Arthur?" cried Laura, in the same voice.
So he gave them a queer account of Mr. Foker, and how he used to be called Vats and Grains, and by other contumelious names at school, and how he was now exceedingly rich, and a Fellow Commoner at St. Boniface. But gay and communicative as he was, Mr. Pen did not say one syllable about his ride to Chatteries that day, or about the new friends whom he had made there.
When the two ladies retired, Pen, with flashing eyes, filled up two great bumpers of Madeira, and looking Smirke full in the face said, "Here's to her!"
"Here's to her," said the curate with a sigh, lifting the glass: and emptying it, so that his face was a little pink when he put it down.
Pen had even less sleep that night than on the night before. In the morning, and almost before dawn, he went out and saddled that unfortunate Rebecca himself, and rode her on the Downs like mad. Again Love had roused him – and said, "Awake Pendennis, I am here." That charming fever – that delicious longing – and fire, and uncertainty; he hugged them to him – he would not have lost them for all the world.
CONTAINS BOTH LOVE AND WAR
Cicero and Euripides did not occupy Mr. Pen much for some time after this, and honest Mr. Smirke had a very easy time with his pupil. Rebecca was the animal who suffered most in the present state of Pen's mind for, besides those days when he could publicly announce his intention of going to Chatteries to take a fencing-lesson, and went thither with the knowledge of his mother, whenever he saw three hours clear before him, the young rascal made a rush for the city, and found his way to Prior's Lane. He was as frantic with vexation when Rebecca went lame, as Richard at Bosworth, when his horse was killed under him: and got deeply into the books of the man who kept the hunting stables at Chatteries for the doctoring of his own, and the hire of another animal.
Then, and perhaps once in a week, under pretense of going to read a Greek play with Smirke, this young reprobate set off so as to be in time for the Competitor down coach, staid a couple of hours in Chatteries, and returned on the Rival which left for London at ten at night. Once his secret was nearly lost by Smirke's simplicity, of whom Mrs. Pendennis asked whether they had read a great deal the night before, or a question to that effect. Smirke was about to tell the truth, that he had never seen Mr. Pen at all, when the latter's boot-heel came grinding down on Mr. Smirke's toe under the table, and warned the curate not to betray him.
They had had conversations on the tender subject of course. It is good sport (if you are not yourself engaged in the conversation) to hear two men in love talk. There must be a confidant and depositary somewhere. When informed, under the most solemn vows of secrecy, of Pen's condition of mind, the curate said, with no small tremor, "that he hoped it was no unworthy object – no unlawful attachment, which Pen had formed" – for if so, the poor fellow felt it would be his duty to break his vow and inform Pen's mother, and then there would be a quarrel, he felt, with sickening apprehension, and he would never again have a chance of seeing what he most liked in the world.
"Unlawful, unworthy!" Pen bounced out at the curate's question. "She is as pure as she is beautiful; I would give my heart to no other woman. I keep the matter a secret in my family, because – because – there are reasons of a weighty nature which I am not at liberty to disclose. But any man who breathes a word against her purity insults both her honor and mine, and – and dammy, I won't stand it."
Smirke, with a faint laugh, only said, "Well, well, don't call me out, Arthur, for you know I can't fight;" but by this compromise the wretched curate was put more than ever into the power of his pupil, and the Greek and mathematics suffered correspondingly.
If the reverend gentleman had had much discernment, and looked into the poet's corner of the County Chronicle, as it arrived in the Wednesday's bag, he might have seen "Mrs. Haller," "Passion and Genius," "Lines to Miss Fotheringay, of the Theater Royal," appearing every week; and other verses of the most gloomy, thrilling, and passionate cast. But as these poems were no longer signed NEP. by their artful composer, but subscribed EROS; neither the tutor nor Helen, the good soul, who cut all her son's verses out of the paper, knew that Nep. was no other than that flaming Eros, who sang so vehemently the character of the new actress.
"Who is the lady," at last asked Mrs. Pendennis, "whom your rival is always singing in the County Chronicle. He writes something like you, dear Pen, but yours is much the best. Have you seen Miss Fotheringay?"
Pen said yes, he had; that night he went to see the "Stranger," she acted Mrs. Haller. By the way she was going to have a benefit, and was to appear in Ophelia – suppose we were to go – Shakspeare you know, mother – we can get horses from the Clavering Arms. Little Laura sprang up with delight, she longed for a play.
Pen introduced "Shakspeare you know," because the deceased Pendennis, as became a man of his character, professed an uncommon respect for the bard of Avon, in whose works he safely said there was more poetry than in all "Johnson's Poets" put together. And though Mr. Pendennis did not much read the works in question, yet he enjoined Pen to peruse them, and often said what pleasure he should have, when the boy was of a proper age, in taking him and his mother to see some good plays of the immortal poet.
The ready tears welled up in the kind mother's eyes as she remembered these speeches of the man who was gone. She kissed her son fondly, and said she would go. Laura jumped for joy. Was Pen happy? – was he ashamed? As he held his mother to him, he longed to tell her all, but he kept his counsel. He would see how his mother liked her; the play should be the thing, and he would try his mother like Hamlet's.
Helen, in her good humor, asked Mr. Smirke to be of the party. That ecclesiastic had been bred up by a fond parent at Clapham, who had an objection to dramatic entertainments, and he had never yet seen a play. But, Shakspeare! – but to go with Mrs. Pendennis in her carriage, and sit a whole night by her side! – he could not resist the idea of so much pleasure, and made a feeble speech, in which he spoke of temptation and gratitude, and finally accepted Mrs. Pendennis's most kind offer. As he spoke he gave her a look, which made her exceedingly uncomfortable. She had seen that look more than once, of late, pursuing her. He became more positively odious every day in the widow's eyes.
We are not going to say a great deal about Pen's courtship of Miss Fotheringay, for the reader has already had a specimen of her conversation, much of which need surely not be reported. Pen sate with her hour after hour, and poured forth all his honest boyish soul to her. Every thing he knew, or hoped, or felt, or had read, or fancied, he told to her. He never tired of talking and longing. One after another, as his thoughts rose in his hot eager brain, he clothed them in words, and told them to her. Her part of the tête-à-tête was not to talk, but to appear as if she understood what Pen talked (a difficult matter, for the young fellow blurted out no small quantity of nonsense), and to look exceedingly handsome and sympathizing. The fact is, while he was making one of his tirades – and delighted, perhaps, and wondering at his own eloquence, the lad would go on for twenty minutes at a time – the lovely Emily, who could not comprehend a tenth part of his talk, had leisure to think about her own affairs, and would arrange, in her own mind how they should dress the cold mutton, or how she would turn the black satin, or make herself out of her scarf a bonnet like Miss Thackthwaite's new one, and so forth. Pen spouted Byron and Moore; passion and poetry: her business was to throw up her eyes, or fixing them for a moment on his face, to cry, "Oh, 'tis beautiful! Ah, how exquisite! Repeat those lines again." And off the boy went, and she returned to her own simple thoughts about the turned gown, or the hashed mutton.
In fact Pen's passion was not long a secret from the lovely Emily or her father. Upon his second visit, his admiration was quite evident to both of them, and on his departure the old gentleman said to his daughter, as he winked at her over his glass of grog, "Faith, Milly darling, I think ye've hooked that chap."
"Pooh, 'tis only a boy, papa dear," Milly remarked. "Sure he's but a child." Pen would have been very much pleased if he had heard that phrase – he was galloping home wild with pleasure, and shouting out her name as he rode.
"Ye've hooked 'um any how," said the captain, "and let me tell ye he's not a bad fish. I asked Tom at the George, and Flint, the grocer, where his mother dales – fine fortune – drives in her chariot – splendid park and grounds – Fairoaks Park – only son – property all his own at twenty-one – ye might go further and not fare so well, Miss Fotheringay."
"Them boys are mostly talk," said Milly, seriously. "Ye know at Dublin how ye went on about young Poldoody, and I've a whole desk full of verses he wrote me when he was in Trinity College; but he went abroad, and his mother married him to an Englishwoman."
"Lord Poldoody was a young nobleman; and in them it's natural: and ye weren't in the position in which ye are now, Milly dear. But ye mustn't encourage this young chap too much, for, bedad, Jack Costigan wont have any thrifling with his daughter."
"No more will his daughter, papa, you may be sure of that," Milly said. "A little sip more of the punch – sure, 'tis beautiful. Ye needn't be afraid about the young chap – I think I'm old enough to take care of myself, Captain Costigan."
So Pen used to come day after day, rushing in and galloping away, and growing more wild about the girl with every visit. Sometimes the captain was present at their meetings; but having a perfect confidence in his daughter, he was more often inclined to leave the young couple to themselves, and cocked his hat over his eye, and strutted off on some errand when Pen entered. How delightful these interviews were! The captain's drawing-room was a low wainscoted room, with a large window looking into the dean's garden. There Pen sate and talked – and talked to Emily, looking beautiful as she sate at her work – looking beautiful and calm, and the sunshine came streaming in at the great windows, and lighted up her superb face and form. In the midst of the conversation, the great bell would begin to boom, and he would pause, smiling, and be silent until the sound of the vast music died away – or the rooks in the cathedral elms would make a great noise toward sunset – or the sound of the organ and the choristers would come over the quiet air, and gently hush Pen's talking.
By the way, it must be said, that Miss Fotheringay, in a plain shawl and a close bonnet and vail, went to church every Sunday of her life, accompanied by her indefatigable father, who gave the responses in a very rich and fine brogue, joined in the psalms and chanting, and behaved in the most exemplary manner.
Little Bows, the house-friend of the family, was exceedingly wroth at the notion of Miss Fotheringay's marriage with a stripling seven or eight years her junior. Bows, who was a cripple, and owned that he was a little more deformed even than Bingley the manager, so that he could not appear on the stage, was a singular wild man of no small talents and humor. Attracted first by Miss Fotheringay's beauty he began to teach her how to act. He shrieked out in his cracked voice the parts, and his pupil learned them from his lips by rote, and repeated them in her full rich tones. He indicated the attitudes, and set and moved those beautiful arms of hers. Those who remember this grand actress on the stage can recall how she used always precisely the same gestures, looks, and tones: how she stood on the same plank of the stage in the same position, rolled her eyes at the same instant and to the same degree, and wept with precisely the same heart-rending pathos, and over the same pathetic syllable. And after she had come out trembling with emotion before the audience, and looking so exhausted and tearful that you fancied she would faint with sensibility, she would gather up her hair the instant she was behind the curtain, and go home to a mutton chop and a glass of brown stout; and the harrowing labors of the day over, she went to bed and snored as resolutely and as regularly as a porter.
Bows then, was indignant at the notion that his pupil should throw her chances away in life by bestowing her hand upon a little country squire. As soon as a London manager saw her, he prophesied that she would get a London engagement, and a great success. The misfortune was that the London managers had seen her. She had played in London three years before, and failed from utter stupidity. Since then it was that Bows had taken her in hand and taught her part after part. How he worked and screamed, and twisted, and repeated lines over and over again, and with what indomitable patience and dullness she followed him! She knew that he made her: and let herself be made. She was not grateful, or ungrateful, or unkind, or ill-humored. She was only stupid; and Pen was madly in love with her.
The post-horses from the Clavering Arms arrived in due time, and carried the party to the theater at Chatteries, where Pen was gratified in perceiving that a tolerably large audience was assembled. The young gentlemen from Baymouth had a box, in the front of which sate Mr. Foker and his friend Mr. Spavin splendidly attired in the most full-blown evening costume. They saluted Pen in a cordial manner, and examined his party, of which they approved, for little Laura was a pretty little red-cheeked girl with a quantity of shining brown ringlets, and Mrs. Pendennis, dressed in black velvet with the diamond cross which she sported on great occasions, looked uncommonly handsome and majestic. Behind these sate Mr. Arthur, and the gentle Smirke, with the curl reposing on his fair forehead, and his white tie in perfect order. He blushed to find himself in such a place – but how happy was he to be there. He and Mrs. Pendennis brought books of "Hamlet" with them to follow the tragedy, as is the custom of honest country-folks who go to a play in state. Samuel, coachman, groom, and gardener to Mr. Pendennis took his place in the pit, where Mr. Foker's man was also visible. It was dotted with non-commissioned officers of the Dragoons, whose band, by kind permission of Colonel Swallowtail, were as usual in the orchestra; and that corpulent and distinguished warrior himself, with his Waterloo medal and a number of his young men, made a handsome show in the boxes.
"Who is that odd-looking person bowing to you, Arthur?" Mrs. Pendennis asked of her son.
Pen blushed a great deal. "His name is Captain Costigan, ma'am," he said – a "Peninsular officer." In fact, it was the captain in a new shoot of clothes, as he called them, and with a large pair of white kid gloves, one of which he waved to Pendennis, while he laid the other sprawling over his heart and coat buttons. Pen did not say any more. And how was Mrs. Pendennis to know that Mr. Costigan was the father of Miss Fotheringay?
Mr. Hornbull, from London, was the Hamlet of the night, Mr. Bingley modestly contenting himself with the part of Horatio, and reserving his chief strength for William in "Black-Eyed Susan," which was the second piece.