Duet

Duet
Carol Shields

Orange Prize and Pulitzer Prize-winning Carol Shields’ tender, funny and wonderfully insightful portrait of two sisters struggling to rediscover themselves amidst the perplexing swirl of family life.Judith is a biographer whose life is subsumed by others: her eccentric husband, her secretive children and the Victorian novelist who is her subject. Her sister Charleen is a single mother and lapsed poet. While Judith analyses the minutiae of lives past and present, Charleen battles her own past ghosts and wonders desperately what her life has been about. As their mother’s wedding approaches, both sisters must come to terms with the paths they have chosen.Originally published as two companion novels: Small Ceremonies and The Box Garden.

Duet

Carol Shields

Table of Contents

Cover Page (#ua38c0ff7-dbfa-58be-8078-55de36cd3648)

Title Page (#ufed16266-a265-5d2a-ade0-e598513d7045)

Introduction (#ub32df058-7d5f-5418-95e9-455be3662587)

Judith (#uf69c7b6e-696c-5f26-96b7-6ef942b81b24)

September (#udafeee0d-830f-53d5-b463-5647ae5b31cf)

October (#u64b1e6c4-1647-57d6-987f-3aba9461b592)

November (#u3a161d74-bc77-5d3d-b819-7f21638a2173)

December (#u896e5dff-84db-5e6b-bba9-2ca3813fb444)

January (#uccf77386-53f1-5f56-b544-e4baa2735fc1)

February (#litres_trial_promo)

March (#litres_trial_promo)

April (#litres_trial_promo)

May (#litres_trial_promo)

Charleen (#litres_trial_promo)

Chapter 1 (#litres_trial_promo)

Chapter 2 (#litres_trial_promo)

Chapter 3 (#litres_trial_promo)

Chapter 4 (#litres_trial_promo)

Chapter 5 (#litres_trial_promo)

Chapter 6 (#litres_trial_promo)

Chapter 7 (#litres_trial_promo)

About the Author (#litres_trial_promo)

The Work of Carol Shields (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Introduction (#ulink_c716e171-6925-53ac-94b4-91005ae7ceb3)

I’ve always thought of my first two books as ‘companion’ novels, a term I seem to have invented. Small Ceremonies was published in 1976, and a year later, 1977, came The Box Garden. There is no sense of this second book being a sequel to the first, but a number of threads connect them. Above all, they are about two women, Judith and Charleen, who happen to be sisters.

The mother of the two women also appears in both novels. Mrs McNinn is an sour, disenfranchised housewife whose only relief is found in the manic redecorating of her small suburban house. Judith, a biographer, is scarcely touched by her mother’s narrowness; Charleen, on the other hand, a poet, has been thwarted by her bitter mother.

These are both short novels, and the idea of publishing them together makes sense to me. Each enriches and fills out the other, and together they lead to the sisters’ discovery of what their mother really is; an artist who, like themselves, stumbles toward that recognition.

Carol Shields

Judith (#ulink_f3235177-7597-5e98-bc72-678829089a3d)

For Inez

1902-1971

September (#ulink_bbce66cd-8a02-568c-a0a3-858618006dd0)

Sunday night. And the thought strikes me that I ought to be happier than I am.

We have high tea on Sunday, very Englishy, the four of us gathered in the dining ell of our cream-coloured living room at half-past five for cold pressed ham, a platter of tomatoes and sliced radishes. Slivers of hardboiled egg. A plate of pickles.

The salad vegetables vary with the season. In the summer they’re larger and more varied, cut into thick peasant slices and drenched with vinegar and oil. And in the winter, in the pale Ontario winter, they are thin, watery, and tasteless, though their exotic pallor gives them a patrician presence. Now, since it is September, we are eating tomatoes from our own suburban garden, brilliant red under a scatter of parsley. Delicious, we all agree.

‘Don’t we have any mustard?’ my husband Martin asks. He is an affectionate and forgetful man, and on weekends made awkward by leisure.

‘We’re all out,’ I tell him, ‘but there’s chutney. And a little of that green relish.’

‘Never mind, Judith. It doesn’t matter.’

‘I’ll get the chutney for you,’ Meredith offers.

‘No, really. It doesn’t matter.’

‘Well, I’d like some,’ Richard says.

‘In that case you can just go and get it yourself,’ Meredith tells him. She is sixteen; he is twelve. The bitterness between them is variable but always present.

Meredith makes a sweep for the basket in the middle of the table. ‘Oh,’ she says happily, ‘fresh rolls.’