The Lady Tree

The Lady Tree
Christie Dickason

A magnificent novel that vividly evokes the atmosphere of a seventeenth century English country estate, and the seething intrigue of Rembrandt’s Amsterdam where the population is in the grip of a fever of tulip trading.It is the Summer of 1636. In England botanist John Nightingale hides from his dangerous past at Hawkridge House, deep in the tranquillity of the countryside.In Holland, the population is gripped by a fever of speculation. Fortunes are gambled on the commodity markets, trading in spices, grain and even rare tulips.Blackmailed into leaving Hawkridge to join an elaborate money-making scheme in Amsterdam, a city of frenzied greed and luxury, haunted by the ever-nearer demons of his past, and falling in love with two very different women, John Nightingale must learn quickly the ways of the world.

CHRISTIE DICKASON

The Lady Tree

FOR MARJORIE, MY MOTHER,

WHO MADE THE FIRST GARDEN IN MY LIFE

Contents

Cover (#uee8f9729-cb6b-5aaa-a526-a117eed27fe9)

Title Page (#u29702c3c-bd96-568f-aac7-1fbd97497009)

Part One (#litres_trial_promo)

Prologue (#ulink_7759e3e7-7ab0-5a84-8b59-d8d50d065bcd)

One (#ulink_476f15fb-7fdb-5a70-af63-b3da9cec56cd)

Two (#ulink_c41229f0-48a3-5ab2-b0a5-41608cfd2f54)

Three (#ulink_544d2f23-0362-5754-83cc-ea1959e15d5f)

Four (#ulink_590b3199-a131-5644-8285-863f17d2760a)

Five (#litres_trial_promo)

Part Two (#litres_trial_promo)

Six (#litres_trial_promo)

Seven (#litres_trial_promo)

Eight (#litres_trial_promo)

Nine (#litres_trial_promo)

Ten (#litres_trial_promo)

Part Three (#litres_trial_promo)

Eleven (#litres_trial_promo)

Twelve (#litres_trial_promo)

Thirteen (#litres_trial_promo)

Fourteen (#litres_trial_promo)

Fifteen (#litres_trial_promo)

Sixteen (#litres_trial_promo)

Seventeen (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)

Keep Reading (#litres_trial_promo)

Author’s Note (#litres_trial_promo)

About the Author (#litres_trial_promo)

By the Same Author (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Part One (#ulink_2f02ca0c-bc81-59da-9df8-ac28eca40594)

Prologue (#ulink_acc6ac05-e6e1-59dc-8eb4-260d74e09612)

Majestic Wealth is the holiest of our gods.

Juvenal.

AMSTERDAM, FEBRUARY 1636

The room glinted with brass and gold but smelled of damp wool, nutmeg, cloves, sewage and burning fat. In the dim yellow light of thirty tallow candles held aloft by gilt fantasies of mermaids and dolphins, three men waited in uneasy silence. The Englishman, who looked pastel, insubstantial and overfrilled beside the two black-clad Dutchmen, peered down from an open window into the cavern of shadow beneath the massive bow of a moored ship. Although he stood in a house on dry land, the dark rim of the window seemed to shift. The floor tilted. The fat tree-trunks of the ship’s masts, tops far up out of sight in the night sky, swayed almost imperceptibly, not quite close enough to touch. He swallowed against the ghost of nausea that tickled his stomach unpleasantly.

Ships rubbed and shouldered each other for dock space as far as he could see to either side. The small red eye of a watchman’s lantern etched a slow path through the black, gently heaving thickets of spars and rigging.

I should have refused to come, he thought. Made them send someone weighty enough to decide such things.

But he knew that he had been sent precisely because he was unremarkable. The men who made the decisions paid men like himself to take the risk of looking like an ass. He shifted aching shoulders inside his doublet and cursed the damp.

Anyway, he couldn’t afford to refuse a commission.

The house stood on a dock on the Amstel River. The moored ships creaked and scraped. A far-away sailor shouted to another. On the dock just below the window the shadow of a dog nosing among the stacked bales, barrels, and coiled ropes suddenly erupted into a frenzy of barking. The three men inside the room lifted their heads.

In another room of the house, a bad-tempered viol was groaning and complaining again and again through the same four phrases of a French dance tune. The barking stopped.

‘Not yet.’ Vrel, one of the two Dutchmen and the owner of the house, settled his bulk back into his carved and gilded chair. He sat squarely at the end of a long heavy table as if he expected a dish of roast meat to be set in front of him, but diamond and ruby rings flashed uneasily in the candlelight as his short, strong fingers opened and closed over the lions’ masks of the arm ends.