A Hanging at Cinder Bottom
Glenn Taylor
From the author of The Ballad of Trenchmouth Taggart and set in the boom years of the West Virginia coalmining industry, this is an epic story of personal ambition, exile and return, and a grand heist.Keystone, West Virginia, 1910In the hot August rain the townspeople gather to witness the first public hanging in over a decade. At the gallows are none other than poker player, Abe Baach, and his lover, the madam of the town’s brothel, one Goldie Toothman.Abe split town seven years prior and has been playing cards up and down the coast ever since. But when he returns to Keystone to reunite with Goldie and to set the past right, he finds a brother dead and his father's saloon in shambles – and suspects the same men might be responsible for both. Only then, in facing his family's past, does the real swindle begin.
Copyright (#ud1ef196f-0240-5203-ab28-782692272db0)
The Borough Press,
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published by HarperCollinsPublishers 2015
Copyright © Glenn Taylor 2015
Cover layout design © HarperCollins Publishers Ltd 2016.
Cover design © Mecob Design Ltd
Cover photographs © Matthias Clamer / Getty Images; CGTextures (wood planks).
Glenn Taylor asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Ebook Edition © July 2015 ISBN: 9780008104825
Source ISBN: 9780008104801
Version 2016-04-22
Dedication (#ud1ef196f-0240-5203-ab28-782692272db0)
This one is for the people of McDowell County, West Virginia, past, present, and future
Cook ovens glare red-eyed upon the darkness
And belch their cinders at the fevered days.
—LOUISE MCNEILL
A man with a guitar laid flat on his lap
And a pocketknife for a slide
Called a song about old Keystone
Where the strumpets and knaves reside
Come all ye fornicators he sang
Come on Death’s Black Train
Ain’t no difference ’tween here and hell
’Cept a creek running ’side the lane
He told the tale of the Kid and the Queen
And he told what came before
The years he gave were wide apart
A season apiece made four
1877’s Fall and Winter ’97
1903 in Spring and Summer 1910
The hell he conjured was so glorious
I found salvation in every sin.
—JENKINJONES CHESTER
Table of Contents
Cover (#ufc8270fe-5abb-5611-8f84-689bb3d58e22)
Title Page (#u1f7acf99-d58d-5688-8654-0a9f90276426)
Copyright (#uc86afd2d-3dc1-5540-b4a6-994899b6c06d)
Dedication (#uba0724f1-67f8-550b-9000-bfb038e37096)
Epigraph (#u1ae9c54f-5b96-5ea0-a394-1d509ec0b55a)
Author’s Note (#ue0eaf6e1-38b1-5936-bda1-6ead23ea66f9)
Summer 1910 (#u86667039-3f5f-5d9c-813d-b8553dc5ac4b)