The Three Miss Kings

"Oh," cried Mrs. Aarons, striking in, "play that – you know – what you were talking of just now – what Mrs. Duff-Scott wanted so much to hear. I want to hear it too."

"Impossible – impossible," he said quickly, almost with a shudder. "It has a piano part, and there is no one here to take that."

Then Paul Brion broke in, conscious that he was running heavy risks of all sorts, but resolved to seize his chance.

"I think there is someone who could play it," he said to Mrs. Aarons, speaking with elaborate distinctness. "The Miss Kings – one of them, at any rate – "

"Nonsense," interrupted Mrs. Aarons, sharply, but under her breath. "Not at all likely." She was annoyed by the suggestion, and wished to treat it as if unheard (it was unreasonable, on the face of it, of course); but Mrs. Duff-Scott caught at it in her direct way. "Who are they? Which are the Miss Kings?" she asked of Paul, putting up her eye-glass to see what manner of man had taken upon himself to interfere.

"My dear lady," sighed Herr Wüllner, dropping his bow dejectedly, "it is out of the question, absolutely. It is not normal music at its best – and I have it only in manuscript. It is impossible that any lady can attempt it."

"She will not attempt it if she cannot do it, Herr Wüllner," said Paul. "But you might ask her."

Mrs. Duff-Scott had followed the direction of his eyes, and her attention was violently arrested by the figures of the three girls sitting together, who were so remarkably unlike the majority of Mrs. Aarons's guests. She took note of all their superficial peculiarities in a moment, and the conviction that the lace and the pearls were real flashed across her like an inspiration. "Is it the young lady with the bright eyes?" she inquired. "What a charming face! Yes, Herr Wüllner, we will ask her. Introduce her to me, Mrs. Aarons, will you?"

She rose as she spoke and sailed towards Patty, Mrs. Aarons following; and Paul Brion held his breath while he waited to see how his reckless enterprise would turn out. In a few minutes Patty came towards the piano, with her head up and her face flushed, looking a little defiant, but as self-possessed as the great lady who convoyed her across the room. The events of the evening had roused her spirit, and strung up her nerves like Herr Wüllner's fiddle-strings, and she, too, was in a daring and audacious mood.

"This is it," said the old musician, looking at her critically as he gave a sheet of manuscript into her hand. It was a wonderful chance, of course, but Patty had seen the facsimile of that manuscript many times before, and had played from it. It is true she had never played with the violin accompaniment – had never so much as seen a violin until she came to Melbourne; but her mother had contrived to make her understand how the more delicate and sensitive instrument ought to be deferred to in the execution of the piano part, and what the whole should sound like, by singing the missing air in her flexible trilling voice; and just now she was in that peculiar mood of exaltation that she felt inspired to dare anything and assured that she should succeed. "You will not be able to read it?" Herr Wüllner suggested persuasively, drawing hope from her momentary silence.

"Oh, yes," she said, looking up bravely: "I think so. You will stop me, please, if I do not play it right." And she seated herself at the piano with a quiet air of knowing what she was doing that confounded the two ladies who were watching her and deeply interested Mrs. Duff-Scott. Paul Brion's heart was beating high with anticipated triumph. Herr Wüllner's heart, on the contrary, sank with a mild despair.

"Well, we will have a few bars," he sighed. "And pray, my dear young lady, don't bang the piano – I mean don't play over me. And try to keep time. But you will never do it – with the best intentions, my dear, you will never be able to read it from such a manuscript as that."

Patty looked up at him with a sort of radiant calmness, and said gently, "Go on. You see you have an opening movement to yourself."

Bewildered, the old man dropped his bow upon the strings, and set forth on his hopeless task. And at exactly the right moment the piano glided in, so lightly, so tenderly, and yet with such admirable precision and delicate clearness, that it justified, for once, its trespass upon ground that belonged to more aerial instruments. It was just what Paul Brion had counted on – though Paul Brion had not the least idea what a wild chance had brought about the fulfilment of his expectations. Patty was able to display her chief accomplishment to the very best advantage, and the sisters were thereby promoted to honour. The cold shade of neglect and obscurity was to chill them no more from this happy moment. It was a much greater triumph than Patty herself had any idea of, or than anybody had had the least reason to expect. She knew that piles of music, all in this self-same handwriting (she had never seen any other and supposed that all manuscript music was alike), were stowed away in the old bureau at home, and in the ottoman which she had constructed out of a packing-case, and that long familiarity had made it as easy to her to read as print; but Herr Wüllner was not in a position to make the faintest guess at such a circumstance. When Elizabeth moved her seat nearer to the piano, as if to support her sister, though he was close enough to see it, he did not recognise in the miniature round her neck the face of that young lady of genius who eloped with a scapegrace, and was supposed to have been drowned at sea with her husband. And yet it was that lady's face. Such wonderful coincidences are continually happening in our small world. It was not more wonderful than that Herr Wüllner, Mrs. Duff-Scott, Paul Brion, and Patty King should have been gathered together round one piano, and that piano Mrs. Aarons's.

The guests were laughing and talking and flirting, as they were wont to do under cover of the music that generally prevailed at these Friday receptions, when an angry "Hush!" from the violinist, repeated by Mrs. Duff-Scott, made a little circle of silence round the performers. And in this silence Patty carried through her responsible undertaking with perfect accuracy and the finest taste – save for a shadowy mistake or two, which, glancing over them as if they were mere phantoms of mistakes, and recovering herself instantly, only served to show more clearly the finished quality of her execution, and the thoroughness of her musical experience. She was conscious herself of being in her very best form.

"Ah!" said Herr Wüllner, drawing a long breath as he uttered the exclamation, and softly laying down his violin, "I was mistaken. My dear young lady, allow me to beg your pardon, and to thank you." And he bowed before Patty until his nose nearly touched his knees.

Mrs. Duff-Scott, who was a woman of impulses, as most nice women are, was enthusiastic. Not only had she listened to Patty's performance with all her intelligent ears, but she had at the same time investigated and appraised the various details of her personal appearance, and been particularly interested in that bit of lace about her neck.

"My dear," she said, putting out her hand as the girl rose from the music-stool, "come here and sit by me and tell me where you learned to play like that."

Patty went over to her readily, won by the kind voice and motherly gesture. And, in a very few minutes, Paul had the pleasure of seeing the great lady sitting on a sofa with all three sisters around her, talking to them, and they to her, as if they had known one another for years.

Leaving them thus safe and cared for, he bade good-night to his hostess, and went home to his work, in a mood of high contentment.

CHAPTER XIII.

PATTY IN UNDRESS

When Paul Brion bade Mrs. Aarons good-night, he perceived that she was a little cold to him, and rather wondered at himself that he did not feel inclined either to resent or to grieve over that unprecedented circumstance.

"I am going to steal away," he said in an airy whisper, coming across her in the middle of the room as he made his way to the door. "I have a good couple of hours' work to get through to-night."

He was accustomed to speak to her in this familiar and confidential fashion, though she was but a recent acquaintance, and she had always responded in a highly gratifying way. But now she looked at him listlessly, with no change of face, and merely said, "Indeed."

"Yes," he repeated; "I have a lot to do before I can go to bed. It is delightful to be here; but I must not indulge myself any longer. Good-night."

"Good-night," she said, still unsmiling, as she gave him her hand. "I am sorry you must go so soon." But she did not look as if she were sorry; she looked as if she didn't care a straw whether he went or stayed. However, he pressed her hand with the wonted friendly pressure, and slipped out of the room, unabashed by her assumed indifference and real change of manner, which he was at no great trouble to interpret; and he took a cab to his office – now a humming hive of busy bees improving the shining hours of the gaslit night – and walked back from the city through the shadowy gardens to his lodgings, singing a tuneless air to himself, which, if devoid of music, was a pleasant expression of his frame of mind.

When he reached Myrtle Street the town clocks were striking twelve. He looked up at his neighbours' windows as he passed the gate of No. 6, and saw no light, and supposed they had returned from their revels and gone peaceably to bed. He opened his own door softly, as if afraid of waking them, and went upstairs to his sitting-room, where Mrs. M'Intyre, who loved to make him comfortable, had left him a bit of supper, and a speck of gas about the size of a pea in the burner at the head of his arm-chair; and he pulled off his dress coat, and kicked away his boots, and got his slippers and his dressing-gown, and his tobacco and his pipe, and took measures generally for making himself at home. But before he had quite settled himself the idea occurred to him that his neighbours might not have returned from Mrs. Aarons's, but might, indeed (for he knew their frugal and unconventional habits), be even then out in the streets, alone and unprotected, walking home by night as they walked home by day, unconscious of the perils and dangers that beset them. He had not presumed to offer his escort – he had not even spoken to them during the evening, lest he should seem to take those liberties that Miss Patty resented so much; but now he angrily reproached himself for not having stayed at Mrs. Aarons's until their departure, so that he could, at least, have followed and watched over them. He put down his pipe hastily, and, opening the window, stepped out on the balcony. It was a dark night, and a cold wind was blowing, and the quarter-hour after midnight was chiming from the tower of the Post Office. He was about to go in for his boots and his overcoat, when he was relieved to hear a cab approaching at a smart pace, and to see it draw up at the gate of No. 6. Standing still in the shadow of the partition that divided his enclosure from theirs, he watched the girls descend upon the footpath, one by one, fitfully illuminated from the interior of the vehicle. First Eleanor, then Elizabeth, then Patty – who entered the gate and tapped softly at her street door. He expected to see the driver dismissed, with probably double the fare to which he was entitled; but to his surprise, the cab lingered, and Elizabeth stood at the step and began to talk to someone inside. "Thank you so much for your kindness," she said, in her gentle but clear tones, which were perfectly audible on the balcony. A voice from the cab answered, "Don't mention it, my dear. I am very glad to see as much of you as possible, for I want to know you. May I come and have a little gossip to-morrow afternoon?" It was the voice of Mrs. Duff-Scott, who, after keeping them late at Mrs. Aarons's, talking to them, had frustrated their intention of making their own way home. That powerful woman had "taken them up," literally and figuratively, and she was not one to drop them again – as fine ladies commonly drop interesting impecunious protégées when the novelty of their acquaintance has worn off – save for causes in their own conduct and circumstances that were never likely to arise. Paul Brion, thoroughly realising that his little schemes had been crowned with the most gratifying success, stole back to his rooms, shut the window softly, and sat down to his pipe and his manuscripts. And he wrote such a maliciously bitter article that, when he took it to the office, his editor refused to print it without modifications, on the ground that it would land the paper in an action for libel.

Meanwhile our girls parted from their new friend with affectionate good-nights, and were let into their house by the landlady, who had herself been entertaining company to a late hour. They went upstairs with light feet, too excited to feel tired, and all assembled in Elizabeth's meagrely-appointed bedchamber to take off their finery and to have a little happy gossip before they went to rest. Elizabeth herself, who was not a gushing person, had the most to say at first, pouring out her ingenuous heart in grateful reminiscences of the unparalleled kindness of Mrs. Duff-Scott. "What a dear, dear woman!" she murmured, with soft rapture, as she unwound the watch-chain and locket from her neck and disembarrassed herself of her voluminous fichu. "You can see that what she does and says is real and truthful – I am certain you can trust her. I do not trust Mrs. Aarons – I do not understand her ways. She wanted us to go and see her, and when we went she was unkind to us; at least, she was not polite. I was very sorry we had gone to her house – until Mrs. Duff-Scott came to our sofa to speak to us. But now I feel so glad! For it has given us her. And she is just the kind of friend I have so often pictured to myself – so often longed to know."

"I think it was Patty's playing that gave us Mrs. Duff-Scott," said Eleanor, who was sitting by the dressing table with her frock unbuttoned. "She is fond of music, and really there was no one who could play at all except Herr Wüllner – which was a very strange thing, don't you think? And the singing was worse – such sickly, silly sort of songs, with such eccentric accompaniments. I could not understand it, unless the fashion has changed since mother was a girl. I suppose it has. But when Patty and Herr Wüllner got together it was like another atmosphere in the room. How did you come to play so well, Patty? – to be so collected and quiet when there was so much to frighten you? I was so nervous that my hands shook, and I had to squeeze them to keep myself still."

"I was nervous, too, at first," said Patty, who, divested of her dress and laces, was lying all along on Elizabeth's bed, with her pretty bare arms flung up over the pillows, and her hands clasped one over the other at the back of her head. "When we got there, that impudent maid in the room where we took our things off upset me; she looked at our old hats and water-proofs as if she had never seen such things before – and they did seem very shabby amongst all the pretty cloaks and hoods that the other ladies were taking off. And then it was so ignominious to have to find our way to the drawing-room by following other people, and to have our names bawled out as if to call everybody's attention to us, and then not to have attentions. When we trailed about the room, so lost and lonely, with all those fine people watching us and staring at us, my knees were shaking under me, and I felt hot and cold – I don't know how I felt. The only comfort I had was seeing how calm Elizabeth was. She seemed to stand up for us all, and to carry us through it. I felt – I hate to think I could be such an idiot – so nervous and so unhinged, and so miserable altogether, that I should have liked to go away somewhere and have a good cry. But," added Patty, suddenly sitting up in the bed, and removing her hands from the back of her head to her knees, "but after a little while it got too horrid. And then I got angry, and that made me feel much better. And by-and-bye, when they began to play and sing, and I saw how ridiculous they made themselves, I brightened up, and was not nervous any more – for I saw that they were rather ignorant people, in spite of their airs and their fine clothes. When the girl in that beautiful creamy satin dress sang her whining little song about parting and dying half a note flat, while she dashed her hands up and down the keyboard, and they all hung round her when she had done and said how charming it was, I felt that really– " Patty paused, and stared into the obscurity of the room with brilliant, humorous, disdainful eyes, which expressed her sentiments with a distinctness that made further words unnecessary.

"But, you see, if people don't know that you are superior to them – " suggested Eleanor, folding up Elizabeth's best gloves, and wrapping them in tissue paper, with a reflective air.

"Who would care about their knowing?" interposed Elizabeth. "We should not be very much superior to anyone if we could indulge in a poor ambition to seem so. That is not one of Patty's feelings, I think."

"But it is, then," Patty confessed, with honest promptness. "I found it out to-night, Elizabeth. When I saw those conceited people sweeping about in their splendid trains and looking as if all Melbourne belonged to them – when I heard that girl singing that preposterous twaddle, and herself and all her friends thinking she was a perfect genius – I felt that I would give anything, anything, just to rise up and be very grand and magnificent for a little while and crush them all into vulgarity and insignificance."

"Patty!" murmured Elizabeth.

"Yes, my dear, it shocks you, I know. But you wouldn't have me disguise the truth from you, would you? I wanted to pay them out. I saw they were turning up their noses at us, and I longed – I raged– to be in a position to turn up my nose at them, if only for five minutes. I thought to myself, oh, if the door should suddenly open and that big footman shout out, 'His Grace the Duke of So and So;' and they should all be ready to drop on their knees before such a grand person – as you know they would be, Elizabeth; they would grovel, simply – and he should look with a sort of gracious, ducal haughtiness over their heads and say to Mrs. Aarons, 'I am told that I shall find here the daughters of my brother, who disappeared from home when he was young, along with his wife, the Princess So and So.' You know, Elizabeth, our father, who never would talk about his family to anybody, might have been a duke or an earl in disguise, for anything we know, and our mother was the very image of what a princess ought to be – "

"We should have been found out before this, if we had been such illustrious persons," said Elizabeth, calmly.

"Yes, of course – of course. But one needn't be so practical. You are free to think what you like, however improbable it may be. And that is what I thought of. Then I thought, suppose a telegram should be brought in, saying that some enormously wealthy squatter, with several millions of money and no children, had left us all his fortune – "

"I should think that kind of news would come by post," suggested Eleanor.

"It might and it mightn't, Nelly. The old squatter might have been that queer old man who comes to the Library sometimes, and seems to take such interest in seeing us reading so hard. He might have thought that girls who were so studious would have serious views of life and the value of money. Or he might have overheard us castle-building about Europe, and determined to help us to realise our dreams. Or he might have fallen in love with Elizabeth – at a distance, you know, and in a humble, old-fashioned, hopeless way."

"But that doesn't account for the telegram, Patty."

"And have felt himself dying, perhaps," continued Patty, quite solemnly, with her bright eyes fixed on her invisible drama, "and have thought he would like to see us – to speak to Elizabeth – to give some directions and last wishes to us – before he went. No," she added, checking herself with a laugh and shaking herself up, "I don't think it was that. I think the lawyer came himself to tell us. The lawyer had opened the will, and he was a friend of Mrs. Aarons's, and he came to tell her of the wonderful thing that had happened. 'Everyone has been wondering whom he would leave his money to,' he says to her, 'but no one ever expected this. He has left it to three poor girls whom no one has ever heard of, and whom he never spoke to in his life. I am now going to find them out, for they are living somewhere in Melbourne. Their name is King, and they are sisters, without father or mother, or friends or fortune – mere nobodies, in fact. But now they will be the richest women in Australia.' And Mrs. Aarons suddenly remembers us, away there in the corner of the room, and it flashes across her that we are the great heiresses. And she tells the other ladies, and they all flock round us, and – and – "

"And you find yourself in the position to turn up your nose at them," laughed Eleanor. "No one would have guessed your thoughts, Patty, seeing you sitting on that sofa, looking so severe and dignified."

"But I had other thoughts," said Patty, quickly. "These were just passing ideas, of course. What really did take hold of me was an intense desire to be asked to play, so that I might show them how much better we could play than they could. Especially after I heard Herr Wüllner. I knew he, at least, would appreciate the difference – and I thought Mrs. Duff-Scott looked like a person who would, also. And perhaps – perhaps – Paul Brion."

"Oh, Patty!" exclaimed Elizabeth, smiling, but reproachful. "Did you really want to go to the piano for the sake of showing off your skill – to mortify those poor women who had not been taught as well as you had?"

"Yes," said Patty, hardily. "I really did. When Mrs. Duff-Scott came and asked me to join Herr Wüllner in that duet, I felt that, failing the duke and the lawyer, it was just the opportunity that I had been looking and longing for. And it was because I felt that I was going to do so much better than they could that I was in such good spirits, and got on – as I flatter myself I did – so splendidly."

"Well, I don't believe you," said Elizabeth. "You could never have rendered that beautiful music as you did simply from pure vindictiveness. It is not in you."

"No," said Patty, throwing herself back on the bed and flinging up her arms again, "no – when I come to think of it – I was not vindictive all the time. At first I was savage– O yes, there is no doubt about it. Then Herr Wüllner's fears and frights were so charming that I got amused a little; I felt jocose and mischievous. Then I felt Mrs. Duff-Scott looking at me —studying me – and that made me serious again, and also quieted me down and steadied me. Then I was a little afraid that I might blunder over the music – it was a long time since I had played that thing, and the manuscript was pale and smudged – and so I had to brace myself up and forget about the outside people. And as soon as Herr Wüllner reached me, and I began safely and found that we were making it, oh, so sweet! between us – then I lost sight of lots of things. I mean I began to see and think of lots of other things. I remembered playing it with mother – it was like the echo of her voice, that violin! – and the sun shining through a bit of the red curtain into our sitting-room at home, and flickering on the wall over the piano, where it used to stand; and the sound of the sea under the cliffs —whish-sh-sh-sh– in the still afternoon – " Patty broke off abruptly, with a little laugh that was half a sob, and flung herself from the bed with vehemence. "But it won't do to go on chattering like this – we shall have daylight here directly," she said, gathering up her frock and shoes.

CHAPTER XIV.

IN THE WOMB OF FATE