The position of the paws also carries a message. With the right paw raised the cat will bring money and happiness to home and workplace. A cat raising its left paw (like the one illustrated here) will attract new customers for a business. And a cat with both paws raised hits the jackpot; both home and business will be happy and profitable, attracting good luck, friends, prosperity, and new clients.
This cat is also the symbol of the small Buddhist temple in Tokyo, where the original incident that shot the cat to fame is said to have happened. Originally the temple was a lowly place, whose impoverished priest would regularly share what little food he had with his pet cat. One day some Samurai were passing and noticed this cat, who had one paw raised as though to say hello. The warriors stopped, intrigued by the beckoning cat, and went into the temple just as a horrendous rain storm started. They believed that paying attention to the cat’s invitation had prevented them being struck by lightning. Thereafter, the fortunes of the priest, the temple, and of course the cat, started to change for the better.
BELL
There is a mysticism surrounding the bell that far transcends its mundane use as a way of getting attention in the schoolroom, for example. The sound of the bell is universally accepted as a way of communicating with the spirits, or as a herald for the arrival of a supernatural, holy power.
The analogy of the bell occurs in language, too, used to symbolize something of sacred origin. In Islam, the “reverberation of the bell” is used to describe the sound of the revelations of the Qu’ran, and in Buddhism, the “sound of the golden bell” is an analogy for heavenly voices. The sound of a bell is a reminder that, like the sound, the world may be experienced, but not possessed.
Pagoda roofs sometimes have hundreds of tiny bells hanging from them, symbolizing, in sound, the concepts of the Buddhist laws as well as frightening away any malicious entities. For the same reason, the church bells of Christian churches, at one time, were peeled not only during processions or as a notice of a ceremony or service, but also during thunderstorms to chase away demons.
The bell is also a sacred object. In the form of the Buddhist Drilbu, or the Hindu Ghanta, it symbolizes the illusory world, because of the fleetingly resonant nature of its sound. It is the feminine principle paired up with the masculine vajra.
The use of these oriental bells largely influenced their European symbolism and use. The sweet reverberation of a bell, rung three times in the silence of a large stone church or cathedral, has a quality of calming the atmosphere, attracting the attention of the worshippers, welcoming in the spirits, and setting the scene for the ritual that follows.
The power of the bell as a way of spiritual communication is carried one step further in the magical bell made of an amalgam of the seven sacred metals that are ruled by the planets. This bell, engraved with the Tetragrammaton and the planetary seals from alchemy, allegedly has the power to summon the spirits of the dead. However, this spell calls for the bell to be put into a grave for seven days and seven nights before it will work properly.
BELL, BOOK, AND CANDLE
Singly, these items all have mystical significance. When grouped together, they have a certain frisson, somehow seeming to resonate with dark forces, pagan ideals, and witchcraft in particular. However, this sinister grouping actually comes from the rites of excommunication or anathema in the Roman Catholic Church. Effectively a powerful curse, this ritual is taken very seriously, reserved only for those whose transgressions against the Church are deemed unforgivable.
After the officiating cleric has verbally declared the excommunication, he declares it symbolically with three actions; he shuts the Bible, sounds the bell, and then snuffs out the candle.
These actions are clear. Closing the Bible tells the excommunicant that he is no longer privy to the Word of God. Ringing the bell is symbolic of mourning for the “departed,” the excommunicant, who is now effectively spiritually dead to the Church. Snuffing the candle is a universal sign of the “snuffing out” of the soul, now doomed because of its banishment from the faith.
BESOM
See Broomstick.
BINDHU
See First Signs: Dot.
BLACK SUN
The notion of the Sun being black runs completely counter to what is generally accepted about it; the simplest explanation for a Black Sun is that it describes what happens at night, when the Sun is casting its light on another part of the planet. However, the Black Sun more sinisterly denotes the idea of the world going wrong, destructive forces, disaster, and even death.
Whether the Nazis were aware of this aspect of the Black Sun is open to conjecture. The symbol reproduced for this entry was also called the “Sonnenrad” or Sun Wheel and was based on the design of early medieval brooches, some of which had a swastika in the center. The “rays” numbered between five and twelve, with the twelve-rayed symbol denoting the passage of the Sun through the months of the year. The rays bear a great deal of resemblance to the swastika and to the lightning flash symbols used by the SS, themselves the same as a rune known as “Sig,” meaning “Sun” or “Victory.”
The symbol, used by wartime German occult mystics and still employed by some neo-Nazis, is based on a mosaic set into the floor of the early seventeenth-century castle of Wewelsburg in Germany. Himmler decided that the site of the castle would be the center of the proposed “New World” once victory was achieved. However, the extensive building works planned for the castle were never completed; the ambitious “New World” failed to materialize and the building work that had been started was blasted to the ground in 1945. The mosaic remains, although there is no concrete evidence as to who put it there. The mosaic is of dark green marble, set into a cream-colored marble floor.
For neo-Nazis, the symbol has proved a useful one. The single swastika is banned in Germany, and yet the Black Sun symbol hides three swastikas within it. Further significance is accorded the symbol since it contains twelve of the aforementioned Sig runes from the Futhark runic system. The circular shape of the symbol implies protection and magical powers. Secret signs, indeed.
BLACK SUN IN ALCHEMY
Alchemists and hermeticists believe that there are two Suns; one of the pure “philosophical gold” that implies the highest attainment of the Spirit, and the other of the baser “material gold.” The Black Sun is the symbol of this material form of the Sun, and symbolizes the unworked, primal matter that needs to be developed.
BLAZING STAR
See Pentagram and Freemasonry.
BOLINE
The boline is a knife in the Druid and Wiccan tradition. Its specific symbolism is held within its blade, which is shaped like the crescent Moon and is silver in color. The boline usually has a white handle, also in deference to the Moon.
This boline is a practical, ceremonial tool often used for cutting herbs either for magical uses or simply for cooking. In the case of the druid, it is also used for cutting mistletoe directly from the tree.
BOOK
It might seem as though the book is such a commonplace object that it should not really have much significance as a secret symbol. However, this isn’t the case. Take, for example, the High Priestess card in the Tarot. The Priestess holds a book or scroll, half concealed within the folds of her robe. Here, the book symbolizes knowledge and hidden secrets, and in a wider sense the book symbolizes the very Universe itself. There are also parallels with the book and the Tree of Life; like a tree, the book has “leaves” that represent individual ideas and concepts and that collectively represent the sum total of all knowledge, occult or otherwise.
If we delve into word meanings, we find more analogies between books and trees. The etymology of “book” comes from the Old English bokiz, or the Germanic buche, meaning beech. This is likely to be because runes were initially inscribed on beechwood tablets. Similarly, the word “library,” originally meant the “inner bark of trees.”
A book that is closed is a book that conceals its secrets; sometimes we refer to an inscrutable person as a “closed book.” An open book is the opposite, ready to share its information with all and sundry.
The Book of the Dead, for the Ancient Egyptians, was the series of magical charms that were interred with the dead in order that they might journey safely into the next world, and that would provide answers to the questions posed by those casting judgement on the soul. This book, effectively, symbolizes the secrets of the divine that are revealed only to those who have undergone the ultimate initiation: death. The Book of Shadows is a sort of recipe book of spells, charms, and rituals, generally belonging to the Wiccan practitioner, written by hand and often in code. This book is the personal property of its owner, and can be a series of traditional texts as well as a personal journal, containing secrets that are passed down from generation to generation.
BRIGHIDS CROSS
Corn dollies are frequently constructed in the shape of Brighids Cross, and although the symbol itself predates Christianity, it was given the name of the saint in order to ease the passage of acceptance of the new religion.
The symbol is reminiscent of the ancient Sun symbol, the swastika, its four arms pointing to the cardinal points of the compass. They also represent the Elements, with the point at the center indicating the fifth element or quintessence.
BROOMSTICK
The hard and polished elm wood that is traditionally believed to make the handle of the witch’s broomstick would help to make it more aerodynamic.
The broomstick, at first, appears to be a simple piece of household equipment. Its form may have changed over the centuries from the traditional dried branch of the broom plant (hence the name) but its use seems to have remained unchanged. However, there’s far more to it than that. The very act of sweeping was a sacred task in temples, since to be able to clean something properly the person doing the cleaning must himself be both clean and pure.
As well as sweeping away dust and dirt, symbolically the besom or broomstick sweeps away other things too; in parts of France, for example, it’s considered bad form to sweep up after dark in case good luck is swept away with the dirt. In Ancient Rome special broomsticks were used by sacred “midwives” or wise women to symbolically sweep away any negative influences from a house in which a baby had just been born. These broom-wielding midwives are the precursor to the witch that popularly flies about on a broomstick, which has to be the ultimate carbon-neutral vehicle.
The broomstick of the female witch is a very handy object to have around. It is often seen as a phallic symbol, and in pre-Christian societies marriages were often validated by the happy couple leaping together, hand in hand, over the broomstick. It is also a symbol of the liberation of the woman away from domestic drudgery; with her magical broomstick, the witch can fly anywhere, wield her power, and disclose her true identity.
Incidentally, the broomstick is sometimes called a “besom;” this word originates from the old English besema, meaning “woman,” and has the same root as the word “bosom.”
BULL ROARER
An important ritual object for Native Americans, Eskimos, Africans, and the Australian Aborigines, for whom the object is associated with the Churinga.
The Bull Roarer is a long, narrow piece of wood with tapering ends that, when attached to a cord and whirled around the head, produces a sound very much like thunder or the bellowing of a bull. It was taboo for woman to see this sacred object, which was used in initiation ceremonies and was regarded as carrying the actual voices of the Spirits.
The Bull Roarer was thought to make men invincible and indeed the noise it produces is quite terrifying, especially if it is not expected. It was also used in fertility rites and as a way of calling for rain.
BULLA
This is a special charm or amulet that was given to Roman children when they were born. A sealed locket, the bulla (meaning “bubble” or “knob”) contained magical spells specific to the child in question, such as symbols of protection, or wishes for wealth. The bulla was constructed of different materials depending on the wealth of the family, leather for the poorest families and gold or other precious metals for the wealthiest.
Roman boys put aside their bullae when they reached puberty, and the object was offered to the Gods. Girls wore theirs until the eve of their wedding. In either case it was considered that the bulla belonged to the child, as part and parcel of their personality.