Countess Vera; or, The Oath of Vengeance

"Never fear for me. I shall be discretion itself," laughs Ivy. "But, of course, I shall make no display of grief. That could not be expected."

"Of course not. But it will be a mark of respect to Leslie if you will attend the funeral to-morrow."

"Then I will do so, with a proper show of decorum. I am determined that he shall not slip through my fingers again."

So the two cruel and wicked women plot and plan, while the poor victim of their heartlessness lies up-stairs dead, in all her young, winsome beauty, with her small hands folded on her quiet heart, and the black-fringed lashes lying heavily against the marble-white cheeks. They have robed her for the grave, and left her there alone, with no one "to come in and kiss her to lighten the gloom."

So the day wanes and the night, and Vera lies still and white in the long black casket to which they have consigned her. They have left the cover off, and only a transparent veil lies lightly across her face, through which her delicate features show clearly. How wonderfully the look of life lingers still; how the pink lips retain the warm, pink coloring of life. But there is no one to note how wonderfully death has spared her fairness; no one to exclaim, with the power of affection:

"She looks too sweet and life-like for us to bury her out of our sight."

Afternoon comes, and they carry the casket down into the parlor where a little group are waiting to hear the brief service of the black-robed minister. Then they gather around in the gloomy, darkened room, glance shudderingly at the beautiful white face, and turn away, while the stolid undertaker screws down the coffin-lid over the desperate young suicide. After that the solemn, black-plumed hearse is waiting to bear her away to her rest, by her mother's side. "Ashes to ashes, dust to dust." "Resquiescat in pace."

Leslie Noble goes home that night. In his character of a widower, he must wait a little space before he renews his suit to the impatient Ivy.

"You will come back to me soon, Leslie dear?" she sighs, sentimentally, as she clings to his arm.

"As soon as decorum permits me," he replies. "Will you wait for me patiently, Ivy?"

"Yes, only do not stay too long," she answers, and he presses a light kiss on her powdered forehead, which Ivy takes in good faith as the solemn seal of their betrothal.

"Oh, dear, it is very lonely," Ivy sighs, that evening, as she and her mother sit alone in the luxurious parlor, where so late the presence of death cast its pall of gloom. "I miss Leslie very much. Shall we be obliged to seclude ourselves from all gaiety, mamma, just because those two people—the plague of our lives—are dead?"

"I am afraid so—for awhile, at least, dear. People would think it strange, you know, my dear Ivy, if we did not make some outward show of grief," Mrs. Cleveland answers, thoughtfully, for she has been turning the matter over in her own mind, and, like her daughter, she cannot endure the thought of foregoing the daily round of fashionable pleasures that are "meat and drink to her."

"How horrid!" complains Ivy. "I should die of the dismals! Listen, mamma, I have a plan."

"Really?" Mrs. Cleveland asks, with faint sarcasm, for her daughter is not at all clever.

"Yes, although you think I am so stupid," Ivy answers, vivaciously. "It is this, mamma. Let us leave Washington and go south this winter to one of the gayest, most fashionable cities, and have a real good time where nobody can expect us to be snivelling several long months over two deaths that give us unqualified pleasure."

"Vera and her mother were very useful to us, after all," Mrs. Cleveland answers, with a sigh to the memory of her purse. "They saved me a good deal of money in dressmaking bills and the like. They more than paid for their keeping."

"What a stingy, craving soul you have, mother," Ivy exclaims, impatiently. "But what do you think of my plan?"

"It is capital and quite original. I did not give you credit for so much invention," Mrs. Cleveland answers, smiling at her daughter.

"Shall we go, then?" Ivy inquires.

"Yes, if–" Mrs. Cleveland is beginning to say, when she is interrupted by the swift unclosing of the door, and a man comes into the room, pausing abruptly in the center of the apartment, and fixing his burning black eyes on the face of Mrs. Cleveland.

He is tall, dark, princely handsome, with a face full of fire and passion, blent with "cureless melancholy." His dark hair, thickly streaked with gray, is tossed carelessly back from his broad, white brow, and an air of nobility is indelibly stamped on every straight, aristocratic feature. Mrs. Cleveland springs to her feet with a cry of surprise and terror:

"Lawrence Campbell!"

CHAPTER VII

After that one shriek of surprise and almost terror, Mrs. Cleveland remains silent, devouring the man's face with a gaze as fixed and burning as his own. Ivy, in her corner, is forgotten by her mother, and unnoticed by the stranger.

"Yes, Lawrence Campbell," he answers her in a deep, hoarse voice, that thrills to the hearts of the listeners. "Are you glad to see me, Mrs. Cleveland?"

"Glad!" she shudders, in an indescribable voice.

"After these long years," he pursues, speaking under the spur of some deep, overmastering agitation, "I have come back to curse you, traitorous, false-hearted woman, and to make atonement."

"Atonement!" she falters, with a start of fear.

"Yes, Marcia Cleveland, atonement," he bursts out passionately. "Tell me, where is the dear, true angel-wife whom I was led to believe false and unfaithful to me, through your heartless machinations. At last I know the truth, at last I know you, devil that you are! You maligned the truest, purest, gentlest woman that ever lived! Your own sister, too—the beautiful, innocent child that was left to your charge by her dying parents. God only knows what motive you had for your terrible sin."

She glares at him with fiery eyes from which the momentary fear has fled, leaving them filled with the mocking light of a wicked triumph.

"You should have known my motive, Lawrence Campbell," she bursts out, passionately. "When I first met you in society, the plain, untitled English gentleman, I was a young, beautiful, wealthy widow, and by your attentions and visits you led me to believe that you loved me.

"Then Edith came home from her boarding-school, and with her baby-face and silly school-girl shyness won you from me. You married her, and the very torments of the lost were mine, for I loved with a passion of which she, poor, weak-natured creature, could never dream. Did you think I could tamely bear the slight that was put upon me? No, no, I swore revenge—a deep and deadly revenge, and I have had it; ha, ha! a costly cup, full to the brim and running over!"

She pauses with a wild and maniacal laugh. The man stares at her with starting eyes and a death-white face. The enormity of the wrong that has been done him seems to strike him dumb.

"I have had a glorious revenge," she goes on, wildly, seeing that he cannot speak; "you fell an easy prey to my plan of vengeance through your foolish and ridiculous jealousy. Through the efficient help of a poor, weak fool who loved me I made you believe Edith false and vile, and taunted you into deserting her! Have you suffered? Ah, God, so did I! I was on fire with jealousy and hate. Every pang I made you and Edith suffer was like balm to my heart. I parted you, I came between your wedded hearts, and made your life and hers a hell! Aye, and your child's, too—ha, ha, I made her weep for the hour in which she was born!"

She tosses her white arms wildly in the air, and laughs low and wickedly with the glare of malice and revenge in her flashing, black eyes. She is transformed from the handsome, clever woman of the world into a mocking devil. Even Ivy, who knows her mother's heartlessness as none other know, stares with distended eyes at the infuriated woman. She involuntarily recalls a verse she has somewhere read:

"Earth has no spell like love to hatred turned,
And hell no fury like a woman scorned."

"My child," the man breaks out, with a yearning heart-hunger in his melancholy eyes. "She lives then—my child, and Edith's! Oh, God, will she ever forgive me the wrong I have done her mother? Speak, woman—devil, rather—and tell me where to find my Edith and her little one!"

"Little one!" mocks Mrs. Cleveland, scornfully. "Do you forget, Lawrence Campbell, that seventeen years have come and gone since you deserted Edith and her unborn child?"

"No, I am not likely to forget," he answers, with the bitterness of remorse in his low voice. "The child must be a woman now. But I will atone to Edith and her child for all I have made them suffer through your sin. I am rich, now, and I have fallen heir to a title in my native land. Edith will be a countess, our child a wealthy heiress. And I will make them happy yet. My heart is young, although my hair is gray. I love my wife yet, with all the fire of youth. Tell me where to find them, Marcia Cleveland, and for that one act of grace, I will forgive you all the black and sinful past."

He pauses, with his hollow, burning eyes fixed eerily upon her, waiting her reply. The autumn winds wail sharply round the house, the chilly rain taps at the window pane with ghostly fingers, as if to hint of those two graves lying side by side under the cold and starless sky of night.

"Tell me," she says, putting aside his questions scornfully. "How did you learn that I had deceived you?"

"From the dying lips of your tool—Egbert Harding. He was in London—dying of the excesses brought on by a fast and wicked life. At the last he repented of his sins, afraid to face the God whom his wicked life had outraged. He sent for me and confessed all—how he had lent himself to your diabolical plan to dupe and deceive me. He swore to me that my beautiful Edith was as innocent as an angel. I left him, poor, frightened, despairing wretch, at his last gasp, and came across the seas to seek for you and my wronged wife. Tell me, Marcia, for I can wait no longer; my heart is half-broken with grief and suspense. Where shall I find my wife and child?"

"In their graves!" she answers, with the hollow and exultant laugh of a fiend.

Lawrence Campbell reels backward as if some invisible hand had smitten him across the face. He throws up his thin, white, quivering hands in the air, as though in the agonies of death. But in a moment he rallies himself and looks at the tormenting fiend with lurid, blazing eyes.

"You lie!" he exclaims, hoarsely. "You are false to the core of your heart, Marcia. I will not believe you. God, who knows how much I have suffered, would not afflict me so cruelly. I ask you again—where are they?"

"And I tell you they are dead!" she answers, hoarsely. "If you will not believe me, go to Glenwood. You know our family burial-plot. There you will find two new-made graves. Ask the sexton whose they are, and he will tell you Mrs. Campbell's and her daughter Vera's. Your wife died three nights ago—died of a broken heart, while I, her sister who hated her, was dancing at a ball! Your daughter, Vera, died the night before last by her own hand—died the death of the suicide! Ha, ha!" she laughed, sneeringly, "have I not had a glorious revenge for my slighted love?"

"I will not believe you—I cannot. It is too terrible," Lawrence Campbell moans, with his hands pressed to his head, and a dazed look in his great, black eyes.

"You may, for it is true," exclaims Ivy, coming forward into the light, with a wicked triumph in her pale-blue eyes. "If you will not believe my mother, go to the graveyard and see, as she bade you."

He lifts his eyes and stares at her a moment, a white, dizzy horror on his face. The next moment he reels forward blindly, like some slaughtered thing, and falls in a white and senseless heap upon the floor.