The Great Taboo

"It is a great risk, a very great risk," the Shadow answered, trembling. "Tu-Kila-Kila is a mighty god. He may be listening this moment, and may pinch us to death by his spirits for our words, or burn us to ashes with a flash of his anger."

The woman smiled an incredulous smile. "If you had lived as near Tu-Kila-Kila as I have," she answered, boldly, "you would think as little, perhaps, of his divinity as I do."

For even in Polynesia, superstitious as it is, no hero is a god to his wives or his valets.

CHAPTER XXI.

METHUSELAH GIVES SIGN

All the hopes of the three Europeans were concentrated now on the bare off-chance of a passing steamer. M. Peyron in particular was fully convinced that, if the Australasian had found the inner channel practicable, other ships in future would follow her example. With this idea firmly fixed in his head, he arranged with Felix that one or other of them should keep watch alternately by night as far as possible; and he also undertook that a canoe should constantly be in readiness to carry them away to the supposititious ship, if occasion arose for it. Muriel took counsel with Mali on the question of rousing the Frenchman if a steamer appeared, and they were the first to sight it; and Mali, in whom renewed intercourse with white people had restored to some extent the civilized Queensland attitude of mind, readily enough promised to assist in their scheme, provided she was herself taken with them, and so relieved from the terrible vengeance which would otherwise overtake her. "If Boupari man catch me," she said, in her simple, graphic, Polynesian way, "Boupari man kill me, and lay me in leaves, and cook me very nice, and make great feast of me, like him do with Jani." From that untimely end both Felix and Muriel promised faithfully, as far as in them lay, to protect her.

To communicate with M. Peyron by daytime, without arousing the ever-wakeful suspicion of the natives, Felix hit upon an excellent plan. He burnished his metal matchbox to the very highest polish it was capable of taking, and then heliographed by means of sun-flashes on the Morse code. He had learned the code in Fiji in the course of his official duties; and he taught the Frenchman now readily enough how to read and reply with the other half of the box, torn off for the purpose.

It was three or four days, however, before the two English wanderers ventured to return M. Peyron's visit. They didn't wish to attract too greatly the attention of the islanders. Gradually, as their stay on the island went on, they learned the truth that Tu-Kila-Kila's eyes, as he himself had boasted, were literally everywhere. For he had spies of his own, told off in every direction, who dogged the steps of his victims unseen. Sometimes, as Felix and Muriel walked unsuspecting through the jungle paths, closely followed by their Shadows, a stealthy brown figure, crouched low to the ground, would cross the road for a moment behind them, and disappear again noiselessly into the dense mass of underbrush. Then Mali or Toko, turning round, all hushed, with a terrified look, would murmur low to themselves, or to one another, "There goes one of the Eyes of Tu-Kila-Kila!" It was only by slow degrees that this system of espionage grew clear to the strangers; but as soon as they had learned its reality and ubiquity, they felt at once how undesirable it would be for them to excite the terrible man-god's jealousy and suspicion by being observed too often in close personal intercourse with their fellow-exile and victim, the Frenchman. It was this that made them have recourse to the device of the heliograph.

So three or four days passed before Muriel dared to approach M. Peyron's cottage. When she did at last go there with Felix, it was in the early morning, before the fierce tropical sun, that beat full on the island, had begun to exert its midday force and power. The path that led there lay through the thick and tangled mass of brushwood which covered the greater part of the island with its dense vegetation; it was overhung by huge tree-ferns and broad-leaved Southern bushes, and abutted at last on the little wind-swept knoll where the King of the Birds had his appropriate dwelling-place. The Frenchman received them with studied Parisian hospitality. He had decorated his arbor with fresh flowers for the occasion, and bright tropical fruits, with their own green leaves, did duty for the coffee or the absinthe of his fatherland on his homemade rustic table. Yet in spite of all the rudeness of the physical surroundings, they felt themselves at home again with this one exiled European; the faint flavor of civilization pervaded and permeated the Frenchman's hut after the unmixed savagery to which they had now been so long accustomed.

Muriel's curiosity, however, centred most about the mysterious old parrot, of whose strange legend so much had been said to her. After they had sat for a little under the shade of the spreading banyan, to cool down from their walk—for it was an oppressive morning—M. Peyron led her round to his aviary at the back of the hut, and introduced her, by their native names, to all his subjects. "I am responsible for their lives," he said, gravely, "for their welfare, for their happiness. If I were to let one of them grow old without a successor in the field to follow him up and receive his soul—as in the case of my friend Methuselah here, who was so neglected by my predecessors—the whole species would die out for want of a spirit, and my own life would atone for that of my people. There you have the central principle of the theology of Boupari. Every race, every element, every power of nature, is summed up for them in some particular person or thing; and on the life of that person or thing depends, as they believe, the entire health of the species, the sequence of events, the whole order and succession of natural phenomena."

Felix approached the mysterious and venerable bird with somewhat incautious fingers. "It looks very old," he said, trying to stroke its head and neck with a friendly gesture. "You do well, indeed, in calling it Methuselah."

As he spoke, the bird, alarmed at the vague consciousness of a hand and voice which it did not recognize and mindful of Tu-Kila-Kila's recent attack, made a vicious peck at the fingers outstretched to caress it. "Take care!" the Frenchman cried, in a warning voice. "The patriarch's temper is no longer what it was sixty or seventy years ago. He grows old and peevish. His humor is soured. He will sing no longer the lively little scraps of Offenbach I have taught him. He does nothing but sit still and mumble now in his own forgotten language. And he's dreadfully cross—so crabbed—mon Dieu, what a character! Why, the other day, as I told you, he bit Tu-Kila-Kila himself, the high god of the island, with a good hard peck, when that savage tried to touch him; you'd have laughed to see his godship sent off bleeding to his hut with a wounded finger! I will confess I was by no means sorry at the sight myself. I do not love that god, nor he me; and I was glad when Methuselah, on whom he is afraid to revenge himself openly, gave him a nice smart bite for trying to interfere with him."

"He's very snappish, to be sure," Felix said, with a smile, trying once more to push forward one hand to stroke the bird cautiously. But Methuselah resented all such unauthorized intrusions. He was growing too old to put up with strangers. He made a second vicious attempt to peck at the hand held out to soothe him, and screamed, as he did so, in the usual discordant and unpleasant voice of an angry or frightened parrot.

"Why, Felix," Muriel put in, taking him by the arm with a girlish gesture—for even the terrors by which they were surrounded hadn't wholly succeeded in killing out the woman within her—"how clumsy you are! You don't understand one bit how to manage parrots. I had a parrot of my own at my aunt's in Australia, and I know their ways and all about them. Just let me try him." She held out her soft white hand toward the sulky bird with a fearless, caressing gesture. "Pretty Poll, pretty Poll!" she said, in English, in the conventional tone of address to their kind. "Did the naughty man go and frighten her then? Was she afraid of his hand? Did Polly want a lump of sugar?"

On a sudden the bird opened its eyes quickly with an awakened air, and looked her back in the face, half blindly, half quizzingly. It preened its wings for a second, and crooned with pleasure. Then it put forward its neck, with its head on one side, took her dainty finger gently between its beak and tongue, bit it for pure love with a soft, short pressure, and at once allowed her to stroke its back and sides with a very pleased and surprised expression. The success of her skill flattered Muriel. "There! it knows me!" she cried, with childish delight; "it understands I'm a friend! It takes to me at once! Pretty Poll! Pretty Poll! Come, Poll, come and kiss me!"

The bird drew back at the words, and steadied itself for a moment knowingly on its perch. Then it held up its head, gazed around it with a vacant air, as if suddenly awakened from a very long sleep, and, opening its mouth, exclaimed in loud, clear, sharp, and distinct tones—and in English—"Pretty Poll! Pretty Poll! Polly wants a buss! Polly wants a nice sweet bit of apple!"

For a moment M. Peyron couldn't imagine what had happened. Felix looked at Muriel. Muriel looked at Felix. The Englishman held out both his hands to her in a wild fervor of surprise. Muriel took them in her own, and looked deep into his eyes, while tears rose suddenly and dropped down her cheeks, one by one, unchecked. They couldn't say why, themselves; they didn't know wherefore; yet this unexpected echo of their own tongue, in the mouth of that strange and mysterious bird, thrilled through them instinctively with a strange, unearthly tremor. In some dim and unexplained way, they felt half unconsciously to themselves that this discovery was, perhaps, the first clue to the solution of the terrible secret whose meshes encompassed them.

M. Peyron looked on in mute astonishment. He had heard the bird repeat that strange jargon so often that it had ceased to have even the possibility of a meaning for him. It was the way of Methuselah—just his language that he talked; so harsh! so guttural! "Pretty Poll! Pretty Poll!" he had noticed the bird harp upon those quaint words again and again. They were part, no doubt, of that old primitive and forgotten Pacific language the creature had learned in other days from some earlier bearer of the name and ghastly honors of Tu-Kila-Kila. Why should these English seem so profoundly moved by them?

"Mademoiselle doesn't surely understand the barbarous dialect which our Methuselah speaks!" he exclaimed in surprise, glancing half suspiciously from one to the other of these incomprehensible Britons. Like most other Frenchmen, he had been brought up in total ignorance of every European language except his own; and the words the parrot pronounced, when delivered with the well-known additions of parrot harshness and parrot volubility, seemed to him so inexpressibly barbaric in their clicks and jerks that he hadn't yet arrived at the faintest inkling of the truth as he observed their emotion.

Felix seized his new friend's hand in his and wrung it warmly. "Don't you see what it is?" he exclaimed, half beside himself with this vague hope of some unknown solution. "Don't you realize how the thing stands? Don't you guess the truth? This isn't a Polynesian, dialect at all. It's our own mother tongue. The bird speaks English!"

"English!" M. Peyron replied, with incredulous scorn. "What! Methuselah speak English! Oh, no, monsieur, impossible. Vous vous trompez, j'en suis sûr. I can never believe it. Those harsh, inarticulate sounds to belong to the noble language of Shaxper and Newtowne! Ah, monsieur, incroyable! vous vous trompez; vous vous trompez!"

As he spoke, the bird put its head on one side once more, and, looking out of its half-blind old eyes with a crafty glance round the corner at Muriel, observed again, in not very polite English, "Pretty Poll! Pretty Poll! Polly wants some fruit! Polly wants a nut! Polly wants to go to bed!… God save the king! To hell with all papists!"

"Monsieur," Felix said, a certain solemn feeling of surprise coming over him slowly at this last strange clause, "it is perfectly true. The bird speaks English. The bird that knows the secret of which we are all in search—the bird that can tell us the truth about Tu-Kila-Kila—can tell us in the tongue which mademoiselle and I speak as our native language. And what is more—and more strange—gather from his tone and the tenor of his remarks, he was taught, long since—a century ago, or more—and by an English sailor!"

Muriel held out a bit of banana on a sharp stick to the bird. Methuselah-Polly took it gingerly off the end, like a well-behaved parrot? "God save the king!" Muriel said, in a quiet voice, trying to draw him on to speak a little further.

Methuselah twisted his eye sideways, first this way, then that, and responded in a very clear tone, indeed, "God save the king! Confound the Duke of York! Long live Dr. Oates! And to hell with all papists!"

CHAPTER XXII.

TANTALIZING, VERY

They looked at one another again with a wild surmise. The voice was as the voice of some long past age. Could the parrot be speaking to them in the words of seventeenth-century English?

Even M. Peyron, who at first had received the strange discovery with incredulity, woke up before long to the importance of this sudden and unexpected revelation. The Tu-Kila-Kila who had taught Methuselah that long poem or sermon, which native tradition regarded as containing the central secret of their creed or its mysteries, and which the cruel and cunning Tu-Kila-Kila of to-day believed to be of immense importance to his safety—that Tu-Kila-Kila of other days was, in all probability, no other than an English sailor. Cast on these shores, perhaps, as they themselves had been, by the mercy of the waves, he had managed to master the language and religion of the savages among whom he found himself thrown; he had risen to be the representative of the cannibal god; and, during long months or years of tedious exile, he had beguiled his leisure by imparting to the unconscious ears of a bird the weird secret of his success, for the benefit of any others of his own race who might be similarly treated by fortune in future. Strange and romantic as it all sounded, they could hardly doubt now that this was the real explanation of the bird's command of English words. One problem alone remained to disturb their souls. Was the bird really in possession of any local secret and mystery at all, or was this the whole burden of the message he had brought down across the vast abyss of time—"God save the king, and to hell with all papists?"

Felix turned to M. Peyron in a perfect tumult of suspense. "What he recites is long?" he said, interrogatively, with profound interest. "You have heard him say much more than this at times? The words he has just uttered are not those of the sermon or poem you mentioned?"

M. Peyron opened his hands expansively before him. "Oh, mon Dieu, no, monsieur," he answered, with effusion. "You should hear him recite it. He's never done. It is whole chapters—whole chapters; a perfect Henriade in parrot-talk. When once he begins, there's no possibility of checking or stopping him. On, on he goes. Farewell to the rest; he insists on pouring it all forth to the very last sentence. Gabble, gabble, gabble; chatter, chatter, chatter; pouf, pouf, pouf; boum, boum, boum; he runs ahead eternally in one long discordant sing-song monotone. The person who taught him must have taken entire months to teach him, a phrase at a time, paragraph by paragraph. It is wonderful a bird's memory could hold so much. But till now, taking it for granted he spoke only some wild South Pacific dialect, I never paid much attention to Methuselah's vagaries."

"Hush. He's going to speak," Muriel cried, holding up, in alarm, one warning finger.

And the bird, his tongue-strings evidently loosened by the strange recurrence after so many years of those familiar English sounds, "Pretty Poll! Pretty Poll!" opened his mouth again in a loud chuckle of delight, and cried, with persistent shrillness, "God save the king! A fig for all arrant knaves and roundheads!"

A creepier feeling than ever came over the two English listeners at those astounding words. "Great heavens!" Felix exclaimed to the unsuspecting Frenchman, "he speaks in the style of the Stuarts and the Commonwealth!"

The Frenchman started. "Époque Louis Quatorze!" he murmured, translating the date mentally into his own more familiar chronology. "Two centuries since! Oh, incredible! incredible! Methuselah is old, but not quite so much of a patriarch as that. Even Humboldt's parrot could hardly have lived for two hundred years in the wilds of South America."

Felix regarded the venerable creature with a look of almost superstitious awe. "Facts are facts," he answered shortly, shutting his mouth with a little snap. "Unless this bird has been deliberately taught historical details in an archaic diction—and a shipwrecked sailor is hardly likely to be antiquarian enough to conceive such an idea—he is undoubtedly a survival from the days of the Commonwealth or the Restoration. And you say he runs on with his tale for an hour at a time! Good heavens, what a thought! I wish we could manage to start him now. Does he begin it often?"

"Monsieur," the Frenchman answered, "when I came here first, though Methuselah was already very old and feeble, he was not quite a dotard, and he used to recite it all every morning regularly. That was the hour, I suppose, at which the master, who first taught him this lengthy recitation, used originally to impress it upon him. In those days his sight and his memory were far more clear than now. But by degrees, since my arrival, he has grown dull and stupid. The natives tell me that fifty years ago, while he was already old, he was still bright and lively, and would recite the whole poem whenever anybody presented him with his greatest dainty, the claw of a moora-crab. Nowadays, however, when he can hardly eat, and hardly mumble, he is much less persistent and less coherent than formerly. To say the truth, I have discouraged him in his efforts, because his pertinacity annoyed me. So now he seldom gets through all his lesson at one bout, as he used to do at the beginning. The best way to get him on is for me to sing him one of my French songs. That seems to excite him, or to rouse him to rivalry. Then he will put his head on one side, listen critically for a while, smile a superior smile, and finally begin—jabber, jabber, jabber—trying to talk me down, as if I were a brother parrot."

"Oh, do sing now!" Muriel cried, with intense persuasion in her voice. "I do so want to hear it." She meant, of course, the parrot's story.

But the Frenchman bowed, and laid his hand on his heart. "Ah, mademoiselle," he said, "your wish is almost a royal command. And yet, do you know, it is so long since I have sung, except to please myself—my music is so rusty, old pieces you have heard—I have no accompaniment, no score—mais enfin, we are all so far from Paris!"

Muriel didn't dare to undeceive him as to her meaning, lest he should refuse to sing in real earnest, and the chance of learning the parrot's secret might slip by them irretrievably. "Oh, monsieur," she cried, fitting herself to his humor at once, and speaking as ceremoniously as if she were assisting at a musical party in the Avenue Victor Hugo, "don't decline, I beg of you, on those accounts. We are both most anxious to hear your song. Don't disappoint us, pray. Please begin immediately."

"Ah, mademoiselle," the Frenchman said, "who could resist such an appeal? You are altogether too flattering." And then, in the same cheery voice that Felix had heard on the first day he visited the King of Birds' hut, M. Peyron began, in very decent style, to pour forth the merry sounds of his rollicking song:

"Quand on conspi-re,
Quand sans frayeur
On peut se di-re
Conspirateur—
Pour tout le mon-de
Il faut avoir
Perruque blon-de
Et collet noir."

He had hardly got as far as the end of the first stanza, however, when Methuselah, listening, with his ear cocked up most knowingly, to the Frenchman's song, raised his head in opposition, and, sitting bolt upright on his perch, began to scream forth a voluble stream of words in one unbroken flood, so fast that Muriel could hardly follow them. The bird spoke in a thick and very harsh voice, and, what was more remarkable still, with a distinct and extremely peculiar North Country accent. "In the nineteenth year of the reign of his most gracious majesty, King Charles the Second," he blurted out, viciously, with an angry look at the Frenchman, "I, Nathaniel Cross, of the borough of Sunderland, in the county of Doorham, in England, an able-bodied mariner, then sailing the South Seas in the good bark Martyr Prince, of the Port of Great Grimsby, whereof one Thomas Wells, gent., under God, was master—"

"Oh, hush, hush!" Muriel cried, unable to catch the parrot's precious words through the emulous echo of the Frenchman's music. "Whereof one Thomas Wells, gent., under God, was master—go on, Polly."

"Perruque blonde
Et collet noir,"

the Frenchman repeated, with a half-offended voice, finishing his stanza.