The Hungry Ghosts

Audrey—1975 (#litres_trial_promo)

Ghost—1975 (#litres_trial_promo)

Myrtle—1980 (#litres_trial_promo)

Bear—1986 (#litres_trial_promo)

Pierre—1986 (#litres_trial_promo)

Myrtle—1986 (#litres_trial_promo)

Pierre—1996 (#litres_trial_promo)

Ghost—1997 (#litres_trial_promo)

Ralph—1999 (#litres_trial_promo)

Myrtle—1999 (#litres_trial_promo)

Ingrid—1999 (#litres_trial_promo)

Ralph—2003 (#litres_trial_promo)

Nicola—2003 (#litres_trial_promo)

Nicola—2005 (#litres_trial_promo)

Ghost—2006 (#litres_trial_promo)

Harry—2006 (#litres_trial_promo)

Ghost—2006 (#litres_trial_promo)

Ghost—2006 (#litres_trial_promo)

Ghost—2007 (#litres_trial_promo)

Ghost—2007 (#litres_trial_promo)

Epilogue—Ghost (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

PROLOGUE Ghost (#ulink_361d4f83-af5b-544c-830e-0f15ecf39b0e)

I am dead. No, strictly speaking that is not the truth. I am neither fully alive nor fully dead. I am ‘undead’. I am unable to relinquish my present and consign it to the past. I am unable to accept I have no future. Thus I am static, earthbound, my feet anchored in mud, while my essence, my Chi, is being pulled, tugged, drawn towards the ghosts of my ancestors, towards the dominion of death. Sometimes I feel like a bone being worried at by a dog. This is an appropriate image because that is exactly what happened to me. This ‘half-death’ does not make for a peaceful spirit. I am troubled and I am trouble. You see I just have to stir things up, play with the laws of physics to prove…to prove what? That I may still be the cause and have an effect. When the ancestors clamour I tell them to be patient. I am not prepared for death I say.

My name was Lin Shui. I was the daughter of a fisherman. I lived on the island of Hong Kong and I was not ready to die. But nor were thousands of others, dying all around me every day.This is not what keeps me here. It is my gnawing hunger that fixes me to the earth.

I was murdered on a perfect summer’s morning. It was early June, the year 1942. We had seen a black Christmas come and go. Our tiny island was infested with Japanese soldiers.They had invaded our shores. They held us in their vice-like grip. Father told me that the British could not withstand their venom, that, though they fought with courage, a time had come when they buckled and fell. He explained to me in his customary soft voice that our Governor, Sir Mark Young, had gone in person to the Japanese headquarters in the Peninsula Hotel, and surrendered on Christmas Day. I thought that was odd, to hand over our island home in a place where people had once come to dine and dance, and wear fine clothes and sparkling jewels, and talk of nothing in particular. But Father told me that everything in the time that was coming would be odd, and often not just odd but terrible as well. He told me the devils of war were unleashed, that we must bear their madness with fortitude. I listened like a child, and feared like the woman rising up within me. Father told me the worst that could happen had happened, that we were an occupied island now, that they could take no more from us. But in this he deceived me, for one day a Japanese soldier was occupying me, and what he took from me was my life.

My death is like a tune that plays over and over in my thoughts. I cannot rid myself of the melody.

I am alone. My father and our junk have been taken. My mother, who paved my way into this world with her own life, is no more than a shadow to me. For months now hunger has been my constant companion.With each passing day it consumes more of me. I know that soon there will be nothing left.When you are stripped of everything, I reason, it is good to climb a mountain, for then you will see the way ahead. So I slip through the busy streets of Aberdeen dodging the soldiers, ducking out of the way of jeeps, and diving into the maze of alleys. I find the narrow path that winds its way up to the Peak. I will climb this path, I resolve. When I am high up, I will look down on Aberdeen harbour and I will know what to do. Perhaps my spirit mother tries to warn me, but I am headstrong and do not listen. Perhaps the ancestors barrel into me, a wave of consciousness holding me back. But I am stubborn and plough on. Perhaps he has been watching me for days, my murderer, has seen that I am alone, vulnerable, an easy target? Like the hunter he stalks me as I ascend.

It is already warm when I set out. A June day when the sky is clear as glass, and when the sun, as it swells to its zenith, exudes a smouldering heat that makes your skin prickle, and your head throb. The blood drums in my ears. I can feel the sweat pool in the dip between my shoulderblades, and trickle down my back. I can hear birdsong and the sounds of distant traffic. Sometimes a gunshot rings out, and then the birds, startled, fly up from their perches in the thick green canopy that surrounds me. From time to time I stand at the edge of the path and gaze down the slope, judging how far I have come, how high I am, how much further I have to go before I gain the summit. I look across a tangle of trees and vines and grasses. I am cocooned in confusion. But I am climbing the mountain that will spin lucid strands from all that is dense and opaque, I whisper.

I hear him then, his boot on the dusty ground behind me, and a stone slipping away, falling into the untidy green expanse. I turn but see nothing.Three times I spin round and the third time he is there. Neither of us speaks. We both freeze for a moment, statues on the rutted path. Even then I realise I am on the cusp, on the brink of stepping out of time, of sinking in the bottomless well. He glances over his shoulder, and when he is certain we are alone he walks purposefully towards me.

‘Run,’ cries my mother, wrapping around me. ‘Run and together we will shun him.’

There are only a few yards between us now. I can hear his short breaths, and smell his stale sweat. If I face him he will not harm me, I tell my ancestors. They mock softly, but my mother keens. He pauses feet from me, and there is a space between us where our breaths mingle. I can see wet patches on his khaki uniform, under his arms, across his chest, around his groin. He is wearing a cap and his face is partly shaded. He has a rifle slung over his shoulder. He mutters something in Japanese, his voice harsh and dissonant, specks of cloudy spit fires from his mouth. His eyes narrow to thin wet lines. His mouth splits in a yellow-toothed sneer.

Someone will come by and by, and all will be well, I tell myself.

This is in my head as he swings the rifle off his shoulder and rams me in the chest with the butt of it. I feel a shock of pain, a sickening thud, a splintering crack. I reel backwards, lose my footing, and fall against a hard bed of dirt and stones. He has knocked the air out of me. I am gagging, trying to bite in breath. The soldier does not wait for my lungs to fill. He throws the rifle aside along with his cap, leans over me, seizes the top of my blue cotton tunic, and rips it from my body. A slither of oxygen filters into me.Looking down I see my small breasts, the nipples raised, tight and hard against the cedar brown of my flesh. I am going to crawl away, but the pain in my chest blossoms now like a flower. Again the soldier lurches forwards.This time he grasps my trousers.As he wrenches them away my slippers tumble off. My bare feet scrabble in the dirt. I try to draw my knees up to hide my shame, but he lays hold of my legs and thrusts them apart. He thrusts them so wide I think I might split in two. Here, hunched between my open legs, with one hand he frees his penis, with the other he jams fingers inside me, tearing at my soft virgin centre. My scream dies in my throat, paralysed with terror.

He waits a single interminable beat before he drives into me. In that beat his immutable eyes lock with mine, and he brings his fingers up to his mouth. I see they are coated with flecks of blood and matter.While I watch, he sucks at them ravenously. I have found my voice but he smites it with this same hand. My cry is suffocated and becomes no more than a gurgle. I taste myself in the blow, the sea-musk at the core of me, and my own blood, the metallic sweetness of it on the fingers that are clamped across my mouth. As he slams into me I feel rivers scorch and become runnels of ash.With his free hand roughly he kneads a breast, bruising and crushing it, pinching it so hard I am sure his fingers will meet, claw through my soft flesh.

But when the moment comes and he shudders out his power, I cheat him of victory, for I have left my body and am looking down from a great height. My eyes, which have been stretched wide, aflame with fear, are smothered. They set in a dead fish stare. The stare enrages him. He lets go breast and mouth, and sits back heavily. He is gasping, his penis still ramrod straight between his sweat-slicked loins. He clenches a fist and then slams it into my face.The force of the blow breaks two teeth and cuts into my cheek. A trickle of blood courses down it like a single red tear. From above I snigger at him, and the face of that other girl below breaks into a toothless grin, as she joins me, coughing and hacking with laughter. His manhood shrivels then. It becomes a poor thing at the peal of our contempt, and we can see it is no better than a worm. In the same moment he glimpses it too, and his sallow skin is empurpled with fury as he grapples at his belt.

‘What have you got for me now?’ I taunt him, my voice as light as the breeze at his back.‘You have occupied me and I am still whole. How will you plant your filthy flag with its rising sun now?’

It is then that I see the glint of the knife, the bayonet he has freed from its leather sheath, and I know how he will plant his flag. The red of his sun will be stained with my blood when it flutters in the wind. He thrusts forwards with all his might, up beneath my broken ribs where he hits his mark. My heart gives a mighty shudder, unreels in a final leap and freezes, the blood curdling within it. I watch him come back to himself, caging his demon deep within, hefting out the knife, and springing back before the rush of red that fountains up to meet him. He drags my body to the edge of the path and rolls it roughly into the deep green cavern. But the ragged tear in my chest snags on a branch and my body hangs there. My blood spills onto the bark, cloaking it thickly, dripping darkly, and even now drying to a crisp beneath the unforgiving sun.The soldier cleans his bayonet blade in the earth, slicing the wetness off it, slipping it back in its sheath. He adjusts his uniform, stoops to retrieve his cap, slips it on, takes up his rifle and slings it back over his shoulder. He gathers up my garments and slippers, wipes his hands on them, balls them in his fists and hurls them after my body. They do not snag on the branch but unfold as they spin, performing mid-air acrobatics as they shake off their creases, before landing, hidden in the undergrowth below. He scuffs the pool of blood over with earth, kicking at it, as if the merest sight of his sin is now abhorrent to him. Then he is gone, the beat of his boots ebbing away on the dusty tide.

I watch from my perch in the tree where I rest now, beside Lin Shui’s body. Soon all is still once more, but for the ‘drip, drip’ of my blood against a waxy leaf, scalding red, striking cool virgin green. How easy is it then, this business of dying, the ancestors trumpet, preparing to welcome me into their starry fold. That is when the fury unfurls inside me. I shrink from them.

‘I am not ready to go with you,’ I say, clinging to my body, smelling the black hair with just a trace of the mineral sea, and the skin, cotton fresh, and blood that oozes still, salt and copper and cloying with sweetness. And when their rhapsody swells and they pluck at me in their impatience, I hiss and lash the air up into a wind.Then they are frightened and disperse.

The flies come first, bent on blood, crazed with the rancid whiff of decay. And while they swarm over Lin Shui, I consider the shame I might bring on my family if I am found like this. If my father returns and discovers me with the blood bubbling between my thighs, it might prove too great a disgrace for him. I reflect over the buzzing of the flies that it would be better if I was never found. I summon all my strength, pushing the flesh that had once been mine, trying to dislodge it, but it is heavy as lead. When the chorus of cicadas start, I implode, gathering up all the spidery range of me. I slip into the branch, where the limb that bears Lin Shui’s body angles from the tree. I seep into the taut, woody fibres there, already stretched with the weight of their load. I saw at them, fuelled with anguish, and at last there is a great crack. The branch breaks, and Lin Shui’s bloody corpse, my corpse, pitches downwards, the green opening up to her like water, and closing over her when she is gone. Now you can no longer see her from the path. She is hidden, a covert child. I slither down to her. She has landed with a twist. She lies on her belly, her head corkscrewing round, her face still wreathed in its broken-toothed smile, crowning her back.

That night the dogs come. At first there is only one, a sad creature, all ribcage and weeping sores, that skulks nervously around my body, snarling and baring his dripping fangs for several minutes before tucking in. He laps and licks the blood thirstily. He tears at sinew and muscle and flesh. He crushes and crunches bones. His teeth grind and grate. The cacophony of his feeding frenzy appals me. He is joined by another. First they scrap, hackles up, wearing what fur they have on their mangy carcasses like ruffs, gnashing their teeth, growling and snapping over their prize. In the end they realise there is enough for both of them, and they settle down together to feast on Lin Shui. I cannot stay here, I think. If I stay here I shall be reminded that I am dead. So I rise up and shiver on the thermals, and see days come and days go. I soar with the birds. But even here there is buzzing, silver planes somersaulting and diving and chattering, and far below me a seething sea, carved up with sail-less pewter ships, all hard lines against the scrolls of the sea. I want somewhere I can repose and gather my wits, some refuge that I can lose myself in.

I know it is ironic for someone cheating death, but I settle at last on a morgue, the morgue of a British army hospital. Perhaps I have more in common with the dead than I realise. It is a gigantic red-brick building, three storeys high, with tiled floors and wide staircases.The patients’ wards, the operating theatres, the laboratories and the offices, which nestle within it, are bordered by long corridors, open to the elements but for the arched colonnades that line them. There are smaller barrack blocks standing on the terraced slopes above it. The edifice is reassuringly solid, rooted comfortingly, as I still am, to the earth. It rises grandly from its site in Bowen Road. My morgue lies in a roomy basement at one far end of the hospital. It is quenched of light.

This then is how I come to stave off death, with nothing but my will for weaponry. And it is how, paradoxically, I find myself housed in a sepulchre of death. Above me a battle rages, but I choose to reside below with the defeated.They lie stiffly in the tenebrous ward that all mankind must come to, with their shattered bones and gory stumps. Some have empty red sockets where the jelly of an eye once swivelled, some ragged flesh where once an ear thrilled to the music of life, some scorched bloody caves, where tongues wagged and lips were bellows, pumping the body’s elixir of oxygen. Beneath their shrouds I trace the puncture patterns of bullets, reliving the impact of each one, the flesh yielding with a judder to their sting.

These then are my playmates, my companions, these cold rigid cadavers. Sometimes I concentrate very hard and jerk their waxy limbs.I make their petrified,pale eyelids twitch.As I move over their ruined bodies like a lover, my presence soft as gentle rain on their ugly wounds, they tell me their sad tales of death. They speak of lovers left behind, of mothers longed for, and of filth and gore and carnage.They tell me how they grew fluent in the language of horror, of shrieks torn from bodies racked with pain, of groans dredged up from a Hades of everlasting torture, of grief that had not the luxury to linger.Theirs was a lottery of limbs yielded up to blade and bomb and bullet, their drama, the inestimable tragedy of war. And in turn I croon them to sleep with memories of breath, and the urgency of it, and the beat of blood, and the flood of sensation, and the tick of life. I tell them stories of our junk, Heavenly Sea, bucking and pitching across a bowl of liquid gold. I recount how my father, a simple fisherman, was taken by the Japanese, a suspected informer for the Gangjiu Dadui, one of the Chinese resistance forces. I confide my yearning for the inconstant ocean, the salt smack of her rough embrace. I impart that it was the South China Sea that bore me up, when my child’s body grew weary with its chores.

So we share our burden of loss, the dead and I, robbed of our lives and of our loves. Once, one of my soldier playmates is brought to the morgue, like me hovering in the half-light between life and death. Before he slips away, he makes a gift to me of his ethereal British army jacket.

‘To shield your modesty,’ he says, insisting as he departs that he no longer has a need for it.

Then a dawn breaks, that is marked by a ringing silence. Gone is the clattering, booming, jarring disharmony of war.The staccato guns have stopped firing. The crescendo of marching feet is stilled. The medley of horses’ hooves is muffled.The dreadful ululation is spent. My dead companions no longer come to see me, and the building above my head grows thick with quietude. I am thinning with loneliness, for dust motes and dried blood make for poor company. Curious, I creep out of obscurity. It is dusk. I alight on a curve of railing. I am aware that time has rolled by and all is changed. I stare down the skirt of the mountain at the harbour,Victoria harbour. I see it transformed, the dimpled sea freckled with crafts of every imaginable shape and size. Ribbons of road packed with cars and lorries and buses wind about the slopes. There are more buildings beaded with lights than I could ever have dreamt of—buildings so tall they seem to brush the clouds. I am blinded too by the shimmering pictures facing some of the tall towers, pictures that bounce out across the water, luminous sea snakes, electric colours that crackle and spit into the night. Lin Shui’s life is faded now, like an old book left in the sun and rain too long. Some days I allow myself to drift towards death.When I do, I think I see a small boy crouching in the shadows, an urchin with hair of spun gold, and skin that shines like varnished teak. He is barefoot and clad in black rags. I start to sink into the soporific infinite blackness at the centre of his eyes. And he stands and smiles, and opens his arms to me in greeting. Like a moth drawn to a flame, I am drawn to him. But always just before he enfolds me, I rouse myself and kick out.