Marie Tarnowska

“Nothing but your eighteen years, madame,” replied Katja.

She dressed me in the low-necked scarlet chiffon gown. She drew on my flame-colored stockings, and my crimson shoes. On my head she placed the diamond and ruby tiara, and about my shoulders she wound a red and gold scarf which looked like a snake of fire.

“Alas, Katja!” I sighed as I looked at myself in the mirror; “what would my mother say if she were to see me like this? What do I look like?”

“You look like a lighted torch,” said Katja.

I made her come with me in the troika, which sped swiftly and silently through the dim snow-covered streets. I was shaking with fear at the thought of Vassili. Katja was mumbling some prayers.

We drew up at the brilliant entrance of the restaurant.

“Oh, heavens, Katja! What will my husband say?”

“He will say that you are beautiful.”

How did I ever venture across that threshold of dazzling light? How was I able to ascend the red-carpeted stairs, preceded and followed by bows and smiles and whispers? At the head of the wide staircase, in front of a double-paneled door of white and gold, I paused with beating heart, almost unable to breathe. I could hear the gipsy-music inside, and women's voices and men's laughter and the tinkling of glasses.

An impassive head-waiter stood before me, calmly awaiting my orders.

“Tell”—I stammered—“tell—” as I thought of Vassili my courage failed me—“tell his Highness the Grand Duke that I wish to see him.”

Then I clung to the balustrade and waited. As the door opened and was quickly closed again, there came forth a puff of heat and sound which enwrapped me like a flame.

Almost immediately the door opened again and the Grand Duke appeared upon the threshold, his countenance still elated by recent laughter. He stared at me in astonishment, without recognition. “What—what can I do for you?” he asked. Then his eyes widened in limitless astonishment. “Upon my word! It is the Botticelli angel!”

I said “Yes,” and felt inclined to weep.

“Come in, come in!” he cried eagerly, taking me by the arm and leading me to the door.

A waiter threw it wide open. I had a dazzling vision of a table resplendent with crystal, silver, and flowers, and the bare jeweled shoulders of women.

“Tarnowsky!” called the Grand Duke from the threshold. “Fortunate among men! Behold—the most glorious of your conquests!”

Vassili had started to his feet and was looking at me with amazed and incredulous eyes. There was a deep silence. I felt as if I should die. Vassili came up to me. He took me brusquely by the hand, crushing my fingers in his iron clasp. “You are mad!” he said. Then he looked at me from head to foot—not with the gaze of a husband, nor yet with that of a lover, but with the cold curious scrutiny of the perfect connoisseur.

“Come,” he said at last, drawing me towards the others who were in a riot of laughter. “I have always told my friends that you were a chilling, lily-white flake of snow. You are not!” And he laughed. “You are a blazing little firebrand! Come in!”

Thenceforward my husband would always have me with him. My untutored adolescence was trailed from revelry to revelry, from banquet to orgy; my innocence swept into the maelstrom of a licentious life. I was forced to look into the depths of every depravity; to my lips was proffered every chalice of shame.

Oh, if as I stood trembling on the confines of maidenhood, some strong and tender hand had drawn me into safety, should not I have been like other women, those happy women who walk with lofty brows in the sunshine, august and ruthless in their purity?

But, alas! when with tardy and reluctant step I issued forth from my long childhood, a thousand cruel hands were thrust out to push me towards the abyss.

Oh, white pathway of innocence which knows no return! Oh, tenuous light of purity which, once quenched, kindles no more! Did I not grieve and mourn for you when I lost you before my twentieth year? Sadly, enviously, like some poor exile, I saw other girls of my age passing in blithe security by the side of their mothers, blushing at an eager word or at a daring glance. Alas! I felt that I was unworthy to kiss the hem of their skirts.

But bliss was to be vouchsafed to me. Redeeming and triumphant there came to me at last the Angel of Maternity. With proud humility I bore the little human flower fluttering in my breast. At every throb of life I felt myself swooning with joy—with the ineffable joy of my reconquered purity.

My mother was with me, and in the tender haven of her arms I found shelter for my meek and boundless ecstasy.

How is it possible, I asked myself, that there are women who dread this perfect happiness, who weep and suffer through these months fraught with rapturous two-fold life?

For me, I felt like a flowering plant in springtime, impelled by some potent influence towards its perfect blossoming. The whole of that blissful period seemed a sublime ascent to unalloyed felicity; everything enchanted me, from the awed and tremulous waiting to the final crowning consummation.

When at last the fragile infant—my son!—lay in my arms, he seemed to me sufficient to fill my entire life. I nursed him into ever-growing wonder and beauty. Day by day he seemed fairer, more entrancing, like a delicate flower in some fantastic lunar legend.

Oh, the wee groping hands against my face! The wilful little caprices, the cries like those of an angry dove! And the dimples on the elbows; the droll battle with the little cap always awry, and the joyous impatience of the tiny kicking feet!

Each day my mother and I invented new names for him—names of little flowers, names of little animals, nonsense-names made up of sweet senseless sounds.

I had no thought, I had no desire. Pale and pure I sat enthroned in the milk-white paradise of maternity.

VI

Soon after that my thoughts are adrift, my recollections grow confused. I see my mother with my baby in her arms, and myself in traveling attire, with my arms twined about them, weeping, despairing, refusing to leave them and set out on a journey of Vassili's planning. But Vassili grows impatient. Vassili grows angry. He is tired of playing the papa, tired of seeing me no longer a little “firebrand,” but calm as a young Madonna in the beatific purity of motherhood.

Vassili has taken it into his head that he wants to study singing. He has made up his mind to go to Italy, to Milan, to study scales and exercises; and I must go with him.

“But our baby, Vassili, our little Tioka! We must take our baby with us!”

No. Vassili does not want babies. He does not want to be bothered or hindered. “We are carting about eight trunks as it is!” he says, cynically.

And so we start for Italy—Italy, the yearned-for goal of all my girlish dreams.

At Milan Vassili sings. I seem always to see him with his handsome mouth open, singing scales and arpeggios. But a slow poison is creeping through my blood and I fall ill, ill with typhoid fever.

Again my thoughts go adrift and my recollections are confused. They dance in grotesque and hideous visions through my brain. I see livid hallucinated faces peering at me, towers and mountains tottering above me, undefined horrors all about me, and in the midst of them all I see Vassili—singing! He sings scales and arpeggios with his rounded open mouth. Now I can see a white spider—no, two white spiders—running about on a scarlet coverlet.... They are my hands. They frighten me. And Vassili is singing.

“Vassili, why are you singing? Don't sing! Don't sing!”

“No, darling, I am not singing. You only imagine it. You are ill; you are feverish. Calm yourself.”

········

“Vassili, where is my baby?”

“At home in Kieff, with grandmama. Dear grandmama is taking such good care of him!”

“And why are we not with him? Where are we?”

“We are at Pegli, darling.”

“Why? Why? Where is Pegli? What are we doing at Pegli?”

“Come now, dearest; you know—we came to Italy because I wanted to sing—”

“Ah, you see! You wanted to sing! Why do you want to sing when the baby is crying? The baby is so helpless. Why did you take me away from him? You sing, you sing so loud that I cannot hear my baby crying. Don't sing!”

But even as I speak I see that Vassili has his round mouth open again and he sings and sings, and the white spiders run over the scarlet counterpane and come close to my face—and the white spiders are my hands. I shriek and shriek to have them taken away. But the baby is crying and Vassili is singing and no one hears me.