About Grace

He had standard dreams, too, of course, the types of dreams everyone has, the film reels of paradoxical sleep, all the improbable narratives concocted by a cerebral cortex working to organize its memories. But occasionally, rarely, what he saw when he slept (rain overwhelmed the gutters; the plumber offered half his turkey sandwich; a coin disappeared, inexplicably, from his pocket) was different—sharper, truer, and premonitory.

All his life it had been like this. His dreams predicted crazy, impossible things: stalactites grew out of the ceiling; he opened a door to find the bathroom stuffed with melting ice. And they predicted everyday things: a woman dropped a magazine; a cat delivered a broken sparrow to the back door; a bag fell from an overhead bin and its contents broke in the aisle. Like dreams these apparitions ambushed him in the troubled fringes of sleep, and once they were finished, they were almost always lost, disbanding into fragments he could not reassemble later.

But a few times in his life he had fuller visions: the experience of them fine-edged and hyperreal—like waking to find himself atop a barely frozen lake, the deep cracking sounding beneath his feet—and those dreams remained long after he woke, reminding themselves to him throughout the days to come, as if the imminent could not wait to become the past, or the present lunged at the future, eager for what would be. Here most of all the word failed: These were dreams deeper than dreaming, beyond remembering. These dreams were knowing.

He shifted in his seat and watched phalanxes of clouds pass below the wing. Memories scudded toward him, as distinct as the fibers in the seat-back in front of him: he saw the blue glow of a welding arc flicker in a window; he saw rain washing over the windshield of his old Chrysler. He was seven and his mother bought him his first pair of eyeglasses; he hurried through the apartment examining everything: the structure of frost in the icebox, a spattering of rain on the parlor window. What a marvel it had been to see the particulars of the world—rainbows of oil floating in puddles; columns of gnats spiraling over Ship Creek; the crisp, scalloped edges of clouds.

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He was on an airplane, fifty-nine years old, but he could be simultaneously—in the folds of memory—a quarter century younger, in bed, in Ohio, falling asleep. The house was still and going dark. Beside him his wife slept on top of the comforter, legs splayed, her body giving off heat as it always did. Their infant daughter was quiet across the hall. It was midnight, March, rain at the windows, and he had to be up at five the next morning. He listened to the click and patter of drops against the panes. His eyelids fell.

In his dream, water swirled three feet deep in the street. From the upstairs window—he was standing at it, palms against the glass—the neighborhood houses looked like a fleet of foundered arks: flood-water past the first-floor sills, fences swallowed, saplings up to their necks.

His daughter was crying somewhere. Behind him the bed was empty and neatly made—where had his wife gone? Boxes of cereal and a few dishes stood on the dresser; a pair of gum boots waited atop the stairs. He hurried from room to room calling for his daughter. She was not in her crib or the bathroom or anywhere upstairs. He pulled on the boots and descended to the front hall. Two feet of water covered the entire first floor, silent and cold, a color like milky coffee. When he stood on the hall carpet, the water was past his knees. His daughter’s whimpering echoed strangely through the rooms, as if she were present in every corner. “Grace?”

Outside more water muttered and pressed at the walls. He waded forward. Pale spangles of reflected light swung back and forth over the ceiling. Three magazines turned idly in his wake; a bloated roll of paper towels bumped his knee and drifted off.

He opened the pantry and sent a wave rolling through the kitchen, jostling the stools. A group of half-submerged lightbulbs like the caps of tiny drifting skulls sailed toward the refrigerator. He paused. He could no longer hear her. “Grace?”

From outside came the sound of a motorboat passing. Each breath hung in front of him a moment before dispersing. The light was failing. The hairs on his arms stood up. He picked up the phone—the cord floating beneath it—but there was no dial tone. Something sour and thin was beginning to rise from his gut.

He forced open the basement door and found the stairwell entirely submerged, lost beneath a foamy brown rectangle of water. A page from a calendar floated there, something of his wife’s, a photo of a candy-striped lighthouse, darkening and turning in the froth.

He panicked. He searched for her beneath the hall table, behind the armchair (which was nearly afloat now); he looked in ridiculous places: the silverware drawer, a Tupperware bowl. He waded with his arms down, feeling below the surface, dragging his fingers along the floor. The only sounds were of his lower body splashing along and the smaller percussions of waves he’d made lapping against the walls.

He found her on his third pass through the family room. She was in her bassinet, atop the highest shelf of his wife’s plant stand, against the foggy window, her eyes wide, a blanket over her shoulders. Her yellow wool cap on her head. Her blanket was dry. “Grace,” he said, lifting her out, “who put you up there?”

Emotion flitted across her face, her lips tightening, her forehead wrinkling. Just as quickly, her expression eased. “It’s okay,” he said. “We’ll get you out of here.” He held her against his chest, waded through the hall, and dragged open the front door.

Water sighed in from the yard. The street had become a clotted, makeshift river. The sugar maple on the Sachses’ lawn was lying immersed across the street. Plastic bags, snagged in the branches, vibrated in the passage of water and sent up a high, unearthly buzzing, a sound like insects swarming. No lights were on. Two cats he had never seen before paced a low branch of the front yard oak. Dozens of possessions were adrift: a lawn chair, a pair of plastic trash cans, a Styrofoam cooler—all slathered with mud, all parading slowly down the street.

He waded down the steps of the front walk. Soon the water was to his belt and he held Grace high against his shoulder with both arms and fought the current. Her breath was small in his ear. His own breath stood out in front of them in short-lived clouds of vapor.

His clothes were drenched and he had begun to shiver. The force of water—slow, but heavy with sediment and sticks and whole clumps of turf—pushed resolutely at his thighs and he felt it trying to raise his feet and carry them away. A hundred yards up the street, behind the Stevensons’ place, a small blue light winked among the trees. He glanced back at the entrance to his own house, dark, already far away.

“Hang on, Grace,” he said. She did not cry. From the location of the telephone poles standing in the dimness he could discern where the sidewalk was and made for it.

He clawed his way up the street, hanging with one arm on to lampposts and the trunks of trees and pulling himself forward as if up the rungs of an enormous ladder. He would reach the blue light and save them. He would wake, safe and dry, in his bed.

The flood hissed and murmured, a sound like blood rising in his ears. The taste of it was in his teeth: clay and something else, like rust. Several times he thought he might slip and had to stop, propped against a mailbox, spitting water, clutching the baby. His glasses fogged. His legs and feet were numb. The flood sucked at his boots.

The light behind the Stevensons’ wavered and blinked and rematerialized as it passed behind obstacles. A boat. The water was not as deep up here. “Help!” he called. “Help us.” Grace was quiet: a small weight against his wet shirt. Far away, as if from a distant shore, sirens keened.

A few steps later, he stumbled. Water surged to his shoulders. The river pushed at him the way wind pushes at a sail and all his life, even in dreams, he would remember the sensation: the feeling of being overwhelmed by water. In a second he was borne away. He held Grace as high as he could and clamped her little thighs between his palms, his thumbs in the small of her back. He kicked; he pointed his toes and tried to find bottom. The upper halves of houses glided past. For a moment he thought they would be carried all the way down the street, past their house, past the cul-de-sac, and into the river. Then his head struck a telephone pole; he spun; the current washed them under.

The evening had gone to that last blue before darkness. He tried to hold Grace above his chest, her little hips in his hands; his own head stayed under.

His shoulders struck submerged sticks, a dozen unseen obstacles. The undercurrent sucked one of his boots off. A few hundred feet down the block they passed into an eddy, full of froth and twigs, and he threw his legs around a mailbox—the last mailbox on the street. Here the flood coursed through wooded lots at the terminus of the street and merged with the swollen, unrecognizable Chagrin River. There, somehow, he managed to stagger to his feet, still holding Grace. A spasm tore through his diaphragm and he began to cough.

The bobbing, shifting point of light that had been by the Stevensons’ was miraculously closer. “Help us!” he gasped. “Over here!”

The mailbox swiveled against his weight. The light drew nearer. It was a rowboat. A man leaned over the bow waving a flashlight. He could hear voices. The mailbox groaned against his weight. “Please,” Winkler tried to say. “Please.”

The boat approached. The light was in his face. Hands had ahold of his belt and were hauling him over the gunwale.

“Is she dead?” he heard someone ask. “Is she breathing?”

Winkler gulped air. His glasses were lost but he could see that Grace’s mouth hung open. Her hair was wet, her yellow cap gone. Her cheeks had lost their color. He could not seem to relax his arms—they did not seem like his arms at all. “Sir,” someone said. “Let her loose, sir.”

He felt a scream boiling up in his throat. Someone called for him to let go, let go, let go.

This was a dream. This had not happened.

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Memory gallops, then checks up and veers unexpectedly; to memory, the order of occurrence is arbitrary. Winkler was still on an airplane, hurtling north, but he was also pushing farther back, sinking deeper into the overlaps, to the years before he even had a daughter, before he had even dreamed of the woman who would become his wife.

This was 1975. He was thirty-two years old, in Anchorage, Alaska. He had an apartment over a garage in Midtown, a 1970 Chrysler Newport, few friends, no family left. If there was anything to notice about him, it was his eyeglasses: thick, Coke-bottle lenses in plastic frames. Behind them his eyes appeared unsubstantial and slightly warped, as if he peered not through a half centimeter of curved glass but through ice, two frozen pools, his eyeballs floating just beneath.

It was March again, early breakup, the sun not completely risen but a warmth in the air, blowing east, and with it the improbable smell of new leaves, as if spring was already happening to the west—in the Aleutian volcanoes or all the way across the strait in Siberia—the first compressed buds showing on whatever kinds of trees they had there, and bears blinking as they stumbled from their hibernal dens, whole festivals starting, nighttime songs and burgeoning romances and homages to the equinox and the first seeds being sown—Russian spring blowing across the Bering Sea and over the mountains and tumbling into Anchorage.

Winkler dressed in one of his two brown corduroy suits and walked to the small brick National Weather Service office on Seventh Avenue where he worked as an analyst’s assistant. He spent the morning compiling snowpack forecasts at his little veneered desk. Every few minutes a slab of snow would slide off the roof and plunge into the hedge outside his window with a muffled whump.

At noon he walked to the Snow Goose Market and ordered a salami and mustard on wheat and waited in a checkout lane to pay for it.

Fifteen feet away a woman in tortoiseshell glasses and a tan polyester suit stopped in front of a revolving rack of magazines. Two boxes of cereal and a half gallon of milk stood primly in her basket. The light—angling through the front windows—fell across her waist and lit her shins below her skirt. He could see tiny particles of dust drifting in the air between her ankles, each fleck tumbling individually in and out of sunlight, and there was something intensely familiar in their arrangement.

A cash register clanged. An automatic fan in the ceiling clicked on with a sigh. Suddenly he knew what would happen—he had dreamed it four or five nights before. The woman would drop a magazine; he would step over, pick it up, and give it back.

The cashier handed a pair of teenagers their change and looked expectantly at Winkler. But he could not take his eyes from the woman browsing magazines. She spun the rack a quarter turn, her thumb and forefinger fell hesitantly upon an issue (Good Housekeeping, March 1975, Valerie Harper on the cover, beaming and tan in a green tank top), and she picked it up. The cover slipped; the magazine fell.

His feet made for her as if of their own volition. He bent; she stooped. The tops of their heads nearly touched. He lifted the magazine, swiped dust off the cover, and handed it over.

They straightened simultaneously. He realized his hand was shaking. His eyes did not meet hers but left their attention somewhere above her throat. “You dropped this,” he said. She didn’t take it. At the register a housewife had taken his place in line. A bagboy snapped open a bag and lowered a carton of eggs into it.

“Miss?”

She inhaled. Behind her lips were trim rows of shiny teeth, slightly off-axis. She closed her eyes and held them shut a moment before opening them, as if waiting out a spell of vertigo.

“Did you want this?”

“How—?”

“Your magazine?”

“I have to go,” she said abruptly. She set down her shopping basket and made for the exit, almost jogging, holding her coat around her, hurrying through the door into the parking lot. For a few seconds he could see her two legs scissoring up the street; then she was obscured by a banner taped over the window, and gone.

He stood holding the magazine for a long time. The sounds of the store gradually returned. He picked up her basket, set his sandwich in it, and paid for it all—the milk, the cereal, the Good Housekeeping.