The whole story of the alleged appearances of the white bird has been gone into with thoroughness by Mr. Cotton, of Exeter, who to some extent credits it; that is to say, he thinks that some real instances of birds fluttering at the window may have given rise to the story. But the basis is rotten, and the superstructure accordingly will not stand.[24 - Cotton (R. W.), "The Oxenham Omen," in Transactions of the Devonshire Association, 1882.]
A mine had been worked formerly above South Zeal. It had been under a "captain," of practical experience but no scientific knowledge. It yielded a small but steady profit. Then the directors and shareholders became impatient. They discharged the old captain, and sent down a fellow who had passed through the mining college, had scientific geology and mineralogy at his fingers' ends. He scouted the machinery that had been hitherto in use, sneered at the old-fashioned methods that had been pursued, boasted of what he was going to do, revolutionised the mine, reorganised the plant, had all the old machinery cast aside, or sold for old iron; had down new and costly apparatus – then came heavy calls on the shareholders – renewed calls – and there was an end of profits, and as finis a general collapse.
Some years ago a great fraud was committed in the neighbourhood. It was rumoured that gold was to be found in the gozen – the refuse from the mines. All who had old mines on their land sent up specimens to London, and received reports that there was a specified amount of gold in what was forwarded. Some, to be sure that there was no deception, went up with their specimens and saw them ground, washed, and analysed, and the gold extracted. So large orders were sent up for gozen-crushing machines. These came down, were set to work, and no gold was then found. The makers of the machines had introduced gold-dust into the water that was used in the washing of the crushed stone. I made use of this incident in my novel John Herring.
But to return to the singers. Here is a song of local origin, which, however, I did not obtain from these South Zeal singers. I must premise that the local pronunciation of Okehampton is Ockington.
At Ockington, in Devonshire,
Old vayther lived vor many a year.
And I along wi' he did dwell
Nigh Dartimoor 'tes knawed vull well.
Diddle-diddle-dee.
It happ'nd on a zartain day,
Vour score o' sheep – they rinned astray.
Zeth vayther, Jack go arter'n, yū.
Zez I – Be darned if ee'r I dū.
Diddle-diddle-dee.
Purvokèd at my sāacy tongue,
A dish o' brāath at me he flung.
Then fu' o' wrath, as poppy red
I knacked old vayther on the head.
Diddle-diddle-dee.
Then drayed wor I to Ex't'r jail,
There to be tried – allowed no bail,
And at next Easter 'zizes I
Condemnèd was therefor to die.
Diddle-diddle-dee.
Young men and maydens all, I pray
Take warnin' by my tragedy.
Rin arter sheep when they are strayed,
And don't knack vaythers on the 'ead.
Diddle-diddle-dee.
South Tawton Church is fine. The restorer has taken the monumental slabs, sawn them in half, and employed them for lining the drain round the church, thus destroying the historical records of the parish. This is the more to be regretted, as a fire that occurred in the parsonage has seriously damaged the old registers. There is a fine Wyke monument in the church.
But by far the most interesting church within an excursion of Okehampton is Bratton Clovelly, which, although not large, has a stately grandeur internally that is very impressive. Much money has been spent in "restoring" this church. The glass is good, but the new work in wood and alabaster is barely passable. North Lew Church contains very fine old oak, beside modern woodwork of poverty-stricken design.
There are some early Christian monuments near Okehampton, a well at Sticklepath with an inscribed stone by it, and another inscribed stone by the roadside from Okehampton to Exeter.
Note. – Books that may be consulted: —
Bridges (M. B.), Some Account of the Barony and Town of Okehampton. New edition, Tiverton, 1889.
Worth (R. N.), "Okehampton Castle," in Transactions of the Devonshire Association, 1895.
CHAPTER XIII.
MORETON HAMPSTEAD
Moreton Church – The almshouse – The dancing tree – Other dancing trees – The vintner's bush – The calculating boy – Life of Mr. Bidder – The ravens of Brennan – Grimspound – The Great Central Trackway – Stone rows – The Lych Way – Churches – Bowerman's Nose – Ashton – The Duchess of Kingston – Hennock – The Loveys family – Parson Harris – John Cann's Rocks – Lustleigh Cleave – Hound Tor and Hey Tor Rocks – Widecombe – The Ballad of Tom Pearse.
Moreton, with its whitewashed cottages and thatched roofs, has a primitive appearance, and withal a look of cleanliness. It is now the fashion to go to Chagford, which has been much puffed, but Moreton makes quite as good a headquarters for Dartmoor excursions.
It has a fine church of the usual type, that was gutted at its so-called restoration, and a remarkably fine carved oak screen was turned out, but happily secured by the late Earl of Devon, who gave it to Whitchurch, near Tavistock. A few years ago the fine screen of South Brent was thrown out when the church was made naked under the pretence of restoration, and allowed to rot in an outhouse.
Moreton undoubtedly at one time was a town in the moors, and the bold ridge that runs from Hell Tor to Hennock to the east was till comparatively recently furze-and-heather-clad moor.
An object of singular picturesqueness in Moreton is the almshouse, with the date of 1637, with a charming arcade of granite stunted pillars. Opposite another almshouse has been erected in modern times, to show how badly we can do things now when our forefathers did things well.
In the same street is the base of the old village cross and the head of the same broken off. In the place of the cross the "Dancing Tree" has sprung up, that has been made use of by Mr. Blackmore in his novel of Christowel. The tree in question is unhappily now in a condition to be danced round, not any longer to be danced upon.
The tree is an elm, and it grows out of the basement of the old village cross, the lower steps of which engirdle the trunk; and a fragment of the head of the cross lies just below. The tree must have sprung up after the destruction of the cross, or, possibly enough, it was itself the cause of destruction, much in the same way as trees have destroyed and rent in sunder the tomb of Lady Anne Grimstone, in Tewin churchyard.
Of this latter the story goes that Lady Anne on her deathbed declared that she could not and would not believe in the resurrection of the body. Rather, she was reported to have said, will I hold that nine trees shall spring out of my dead body.
Now in process of time the great stone sepulchral mass placed over her grave split asunder, and through the rents issued the shoots of nine trees, six ash and three sycamores, together with great trunks and coils of ivy, that among them have tossed up and hold in suspense the fragments of Lady Anne's tomb. The story is of course made to account for the phenomenon.
But to return to the Cross Tree, Moreton Hampstead. The elm, grown to a considerable size, was pollarded and had its branches curiously trained, so that the upper portion was given the shape of a table. On this tree-top it was customary on certain occasions to lay a platform, railed round, access to which was obtained by a ladder, and on this tree-top dancing took place.
The following extracts taken from a journal kept by an old gentleman, a native and inhabitant of Moreton Hampstead at the beginning of this century, are interesting as giving us some actual dates upon which festivities took place on the tree.
"June 4th, 1800. – His Majesty's birthday. Every mark of loyalty was shown. In the afternoon a concert of instrumental music was held on the Cross Tree.
"August 28th, 1801. – The Cross Tree floored and seated round, with a platform, railed on each side, from the top of an adjoining garden wall to the tree, and a flight of steps in the garden for the company to ascend. After passing the platform they enter under a grand arch formed of boughs. There is sufficient room for thirty persons to sit around, and six couples to dance, besides the orchestra. From the novelty of this rural apartment it is expected much company will resort there during the summer.
"August 19th, 1807. – This night the French officers[25 - Prisoners of war staying on parole at Moreton Hampstead.] assembled on the Cross Tree with their band of music. They performed several airs with great taste."
Unfortunately, and to the great regret of the inhabitants of Moreton, the tree was wrecked by a gale on October 1st, 1891, when the force of the wind was so great that the ancient elm could not withstand it, and at about a quarter past two o'clock in the afternoon most of the upper part was blown down, carrying with it a large piece of the trunk, which is quite hollow. This latter has been replaced and securely fastened.
A recent visit to the Cross Tree shows that the old elm is not prepared to die yet; it has thrown forth vigorous spray and has tufted its crown with green leaves.
Moreton tree is not the only dancing tree in the West of England. On the high road from Exeter to Okehampton, near Dunsford, is a similar tree, but an oak, and this was woven and extended and fashioned into a flat surface.
The story in the neighbourhood used to be that the Fulfords, of Great Fulford, held their lands on the singular tenure that they should dine once a year on the top of the tree, and give a dance there to their tenants. But this usage has long been discontinued. The Fulfords are at Great Fulford still, notwithstanding.
Again another dancing tree is at Trebursaye, near Launceston. This also is an oak, but is now in a neglected condition and has lost most of its original form, looking merely as a peculiarly crabbed and tortured old tree. Here anciently a ghost was wont to be seen, that of a woman who had fallen from it during a dance and broken her neck, and many stories were afloat relative to horses taking fright at night and running away with the riders, or of passers-by on foot who were so scared as to be unable to pursue their journey, through seeing the dead woman dancing on the tree. At length matters became so serious that Parson Ruddle, vicar of Launceston, a notable man in his way, and famous as a ghost-layer, was induced to go to the tree at nightfall and exorcise the unquiet spirit. The ghost had so effectually frightened people that the dances on the top of the tree had been discontinued. They were never resumed.
According to tradition there was again another dancing tree on the road from Okehampton to Launceston, near the village of Lifton. This tree was held to be the earliest to put forth leaves in all the country round. Entertainments were given on it, but it has disappeared, and the only reminiscence of it remained till recently in "The Royal Oak" Inn, hard by which the old dancing tree stood.