Struggles amd Triumphs: or, Forty Years' Recollections of P.T. Barnum

With a hearty laugh at Pentland I told him that his language was not understood in this locality and that he must try again. He was chagrined, and declared that he would not say another word. Little Vivalla laughed, danced around like a monkey, and said, in his broken English:

“Ah, ha! Signor Pentland; you no speak good Eenglish, hah! These educated peoples no understand you, eh? By gar what d – d fools. Ah, Signor Barnum, let me speaks to them; I will make them jump double queek.”

I quite enjoyed the fun and said, “Well, Signor, go ahead.”

The little Italian jumped upon the stage and with a broad grimace and tremendous gesture exclaimed —

“Eet is feenish!”

He then retired behind the curtain, but, of course, the audience did not understand that he had told them the performance was finished. No one would have understood him. Hence, the spectators sat still, wondering what would come next. “By gar,” said Vivalla, losing his temper, “I will give them a hint,” and he loosened the cord and down fell the curtain on one side of the stage.

“Good, good,” cried out an enthusiastic “poor white,” giving his quid a fresh roll to the other side of his mouth, “now we are going to have something new.”

“I reckon they’s totin’ that plunder off to get ready for a dance,” said a delicate “dipper,” making a lunge into her box for another mouthful of the dust.

Things were becoming serious, and I saw that in order to get rid of these people they must be addressed in plain language; so, walking upon the stage, I simply said, making at the same time a motion for them to go, —

“It is all over; no more performance; the show is out.”

This was understood, but they still stood upon the order of their going and were loth to leave, especially as the, to them, extraordinary announcements of Pentland and Vivalla had prepared them for something fresh. Several days before, our band of musicians had left us, reducing our orchestra to an organ and pipes, ground and blown by an Italian whom we had picked up on the road. We had, in addition, a large bass drum, with no one to beat it, and this drum was espied by some of the audience in going out. Very soon I was waited upon by a masculine committee of three, who informed me that “the young ladies were very anxious to hear a tune on the big drum.” Pentland heard the request and replied, “I will accommodate the young ladies,” and strapping on the drum he took a stick in each hand and began to pound tremendously. Occasionally he would rap the sticks together, toss one of them into the air, catching it as it came down, and then pound away again like mad. In fact, he cut up all sorts of pranks with that big drum and when he was tired out and stopped, he was gratified at being told by the “young ladies” that they had never heard a big drum before, but he “played it splendid,” and they thought it was altogether the best part of the entire performance!

The next forenoon we arrived at Macon, and congratulated ourselves that we had again reached the regions of civilization.

In going from Columbus, Georgia, to Montgomery, Alabama, we were obliged to cross a thinly-settled, desolate tract, known as the “Indian Nation,” and as several persons had been murdered by hostile Indians in that region, it was deemed dangerous to travel the road without an escort. Only the day before we started, the mail stage had been stopped and the passengers murdered, the driver alone escaping. We were well armed, however, and trusted that our numbers would present too formidable a force to be attacked, though we dreaded to incur the risk. Vivalla alone was fearless and was ready to encounter fifty Indians and drive them into the swamp.

Accordingly, when we had safely passed over the entire route to within fourteen miles of Montgomery, and were beyond the reach of danger, Joe Pentland determined to test Vivalla’s bravery. He had secretly purchased at Mount Megs, on the way, an old Indian dress with a fringed hunting shirt and moccasins and these he put on, after coloring his face with Spanish brown. Then, shouldering his musket he followed Vivalla and the party and, approaching stealthily, leaped into their midst with a tremendous whoop.

Vivalla’s companions were in the secret, and they instantly fled in all directions. Vivalla himself ran like a deer and Pentland after him, gun in hand and yelling horribly. After running a full mile the poor little Italian, out of breath and frightened nearly to death, dropped on his knees and begged for his life. The “Indian” levelled his gun at his victim, but soon seemed to relent and signified that Vivalla should turn his pockets inside out – which he did, producing and handing over a purse, containing eleven dollars. The savage then marched Vivalla to an oak and with a handkerchief tied him in the most approved Indian manner to the tree, leaving him half dead with fright.

Pentland then joined us, and washing his face and changing his dress, we all went to the relief of Vivalla. He was overjoyed to see us, and when he was released his courage returned; he swore that after his companions left him the Indian had been re-enforced by six more to whom, in default of a gun or other means to defend himself, Vivalla had been compelled to surrender. We pretended to believe his story for a week and then told him the joke, which he refused to credit, and also declined to take the money which Pentland offered to return, as it could not possibly be his since seven Indians had taken his money. We had a great deal of fun over Vivalla’s courage, but the matter made him so cross and surly that we were finally obliged to drop it altogether. From that time forward, however, Vivalla never boasted of his prowess.

We arrived at Montgomery, February 28th, 1837. Here I met Henry Hawley a legerdemain performer, about forty-five years of age, but as he was prematurely gray he looked at least seventy, and I sold him one-half of my exhibition. He had a ready wit, a happy way of localizing his tricks, was very popular in that part of the country, where he had been performing for several years, and I never saw him nonplussed but once. This was when he was performing on one occasion the well-known egg and bag trick, which he did with his usual success, producing egg after egg from the bag and finally breaking one to show that they were genuine. “Now,” said Hawley, “I will show you the old hen that laid them.” It happened, however, that the negro boy to whom had been intrusted the duty of supplying the bag had made a slight mistake which was manifest when Hawley triumphantly produced, not “the old hen that laid the eggs,” but a rooster! The whole audience was convulsed with laughter and the abashed Hawley retreated to the dressing room cursing the stupidity of the black boy who had been paid to put a hen in the bag.

After performing in different places in Alabama, Kentucky, and Tennessee, we disbanded at Nashville in May, 1837, Vivalla going to New York, where he performed on his own account for a while previous to sailing for Cuba, Hawley staying in Tennessee to look after our horses which had been turned out to grass, and I returning home to spend a few weeks with my family.

Early in July, returning west with a new company of performers, I rejoined Hawley and we began our campaign in Kentucky. We were not successful; one of our small company was incompetent; another was intemperate – both were dismissed; and our negro-singer was drowned in the river at Frankfort. Funds were low and I was obliged to leave pledges here and there, in payment for bills, which I afterwards redeemed. Hawley and I dissolved in August and making a new partnership with Z. Graves, I left him in charge of the establishment and went to Tiffin, Ohio, where I re-engaged Joe Pentland, buying his horses and wagons and taking him, with several musicians, to Kentucky.

During my short stay at Tiffin, a religious conversation at the hotel introduced me to several gentlemen who requested me to lecture on the subjects we had discussed, and I did so to a crowded audience in the school-house Sunday afternoon and evening. At the solicitation of a gentleman from Republic, I also delivered two lectures in that town on the evenings of September 4th and 5th.

On our way to Kentucky, just before we reached Cincinnati, we met a drove of hogs and one of the drivers making an insolent remark because our wagons interfered with his swine, I replied in the same vein, when he dismounted and pointing a pistol at my breast swore he would shoot me if I did not apologize. I begged him to permit me to consult with a friend in the next wagon, and the misunderstanding should be satisfactorily settled. My friend was a loaded double-barreled gun which I pointed at him and said:

“Now, sir, you must apologize, for your brains are in danger. You drew a weapon upon me for a trivial remark. You seem to hold human life at a cheap price; and now, sir, you have the choice between a load of shot and an apology.”

This led to an apology and a friendly conversation in which we both agreed that many a life is sacrificed in sudden anger because one or both of the contending parties carry deadly weapons.

In our subsequent southern tour we exhibited at Nashville (where I visited General Jackson, at the Hermitage), Huntsville, Tuscaloosa, Vicksburg and intermediate places, doing tolerably well. At Vicksburg we sold all our land conveyances, excepting the band wagon and four horses, bought the steamboat “Ceres” for six thousand dollars, hired the captain and crew, and started down the river to exhibit at places on the way. At Natchez our cook left us and in the search for another I found a white widow who would go, only she expected to marry a painter. I called on the painter who had not made up his mind whether to marry the widow or not, but I told him if he would marry her the next morning I would hire her at twenty-five dollars a month as cook, employ him at the same wages as painter, with board for both, and a cash bonus of fifty dollars. There was a wedding on board the next day and we had a good cook and a good dinner.

During one of our evening performances at Francisville, Louisiana, a man tried to pass me at the door of the tent, claiming that he had paid for admittance. I refused him entrance; and as he was slightly intoxicated he struck me with a slung shot, mashing my hat and grazing what phrenologists call “the organ of caution.” He went away and soon returned with a gang of armed and half-drunken companions who ordered us to pack up our “traps and plunder” and to get on board our steamboat within an hour. The big tent speedily came down. No one was permitted to help us, but the company worked with a will and within five minutes of the expiration of the hour we were on board and ready to leave. The scamps who had caused our departure escorted us and our last load, waving pine torches, and saluted us with a hurrah as we swung into the stream.

The New Orleans papers of March 19, 1838, announced the arrival of the “Steamer Ceres, Captain Barnum, with a theatrical company.” After a week’s performances, we started for the Attakapas country. At Opelousas we exchanged the steamer for sugar and molasses; our company was disbanded, and I started for home, arriving in New York, June 4, 1838.

CHAPTER VII.

AT THE FOOT OF THE LADDER

DISGUST AT THE TRAVELLING BUSINESS – ADVERTISING FOR AN ASSOCIATE – RUSH OF THE MILLION-MAKERS – COUNTERFEITERS, CHEATS AND QUACKS – A NEW BUSINESS – SWINDLED BY MY PARTNER – DIAMOND THE DANCER – A NEW COMPANY – DESERTIONS – SUCCESSES AT NEW ORLEANS – TYRONE POWER AND FANNY ELLSLER – IN JAIL AGAIN – BACK TO NEW YORK – ACTING AS A BOOK AGENT – LEASING VAUXHALL – FROM HAND TO MOUTH – DETERMINATION TO MAKE MONEY – FORTUNE OPENING HER DOOR – THE AMERICAN MUSEUM FOR SALE – NEGOTIATIONS FOR THE PURCHASE – HOPES AND DISAPPOINTMENTS – THE TRAIN LAID – SMASHING A RIVAL COMPANY.

I HAVE said that the show business has as many grades of dignity as trade, which ranges all the way from the mammoth wholesale establishment down to the corner stand. The itinerant amusement business is at the bottom of the ladder. I had begun there, but I had no wish to stay there; in fact, I was thoroughly disgusted with the trade of a travelling showman, and although I felt that I could succeed in that line, yet I always regarded it, not as an end, but as a means to something better.

Longing now for some permanent respectable business, I advertised for a partner, stating that I had $2,500 to invest and would add my unremitting personal attention to the capital and the business. This advertisement gave me an altogether new insight into human nature. Whoever wishes to know how some people live, or want to live, let him advertise for a partner, at the same time stating that he has a large or small capital to invest. I was flooded with answers to my advertisements and received no less than ninety-three different propositions for the use of my capital. Of these, at least one-third were from porter-house keepers. Brokers, pawnbrokers, lottery-policy dealers, patent medicine men, inventors, and others also made application. Some of my correspondents declined to specifically state the nature of their business, but they promised to open the door to untold wealth.

I had interviews with some of these mysterious million-makers. One of them was a counterfeiter, who, after much hesitation and pledges of secrecy showed me some counterfeit coin and bank notes; he wanted $2,500 to purchase paper and ink and to prepare new dies, and he actually proposed that I should join him in the business which promised, he declared, a safe and rich harvest. Another sedate individual, dressed in Quaker costume, wanted me to join him in an oat speculation. By buying a horse and wagon and by selling oats, bought at wholesale, in bags, he thought a good business could be done, especially as people would not be particular to measure after a Quaker.

“Do you mean to cheat in measuring your oats?” I asked.

“O, I should probably make them hold out,” he answered, with a leer.

One application came from a Pearl street wool merchant, who failed a month afterwards. Then came a “perpetual motion” man who had a fortune-making machine, in which I discovered a main-spring slyly hid in a hollow post, the spring making perpetual motion – till it ran down. Finally, I went into partnership with a German, named Proler, who was a manufacturer of paste-blacking, water-proof paste for leather, Cologne water and bear’s grease. We took the store No. 101½ Bowery, at a rent (including the dwelling) of $600 per annum, and opened a large manufactory of the above articles. Proler manufactured and sold the goods at wholesale in Boston, Charleston, Cleveland, and various other parts of the country. I kept the accounts, and attended to sales in the store, wholesale and retail. For a while the business seemed to prosper – at least till my capital was absorbed and notes for stock began to fall due, with nothing to meet them, since we had sold our goods on long credits. In January, 1840, I dissolved partnership with Proler, he buying the entire interest for $2,600 on credit, and then running away to Rotterdam without paying his note, and leaving me nothing but a few recipes. Proler was a good-looking, plausible, promising – scamp.

During my connection with Proler, I became acquainted with a remarkable young dancer named John Diamond. He was one of the first and best of the numerous negro and “break-down” dancers who have since surprised and amused the public, and I entered into an engagement with his father for his services, putting Diamond in the hands of an agent, as I did not wish to appear in the transaction. In the spring of 1840, I hired and opened the Vauxhall Garden saloon, in New York, and gave a variety of performances, including singing, dancing, Yankee stories, etc. In this saloon Miss Mary Taylor, afterwards so celebrated as an actress and singer, made her first appearance on the stage. The enterprise, however, did not meet my expectation and I relinquished it in August.

What was to be done next? I dreaded resuming the life of an itinerant showman, but funds were low, I had a family to care for, and as nothing better presented I made up my mind to endure the vexations and uncertainties of a tour in the West and South. I collected a company, consisting of Mr. C. D. Jenkins, an excellent singer and delineator of Yankee and other characters; Master John Diamond, the dancer; Francis Lynch, an orphan vagabond, fourteen years old, whom I picked up at Troy, and a fiddler. My brother-in-law, Mr. John Hallett, preceded us as agent and advertiser, and our route passed through Buffalo, Toronto, Detroit, Chicago, Ottawa, Springfield, the intermediate places, and St. Louis, where I took the steamboat for New Orleans with a company reduced by desertions to Master Diamond and the fiddler.

Arriving in New Orleans, January 2, 1841, I had but $100 in my purse, and I had started from New York four months before with quite as much in my pocket. Excepting some small remittances to my family I had made nothing more than current expenses; and, when I had been in New Orleans a fortnight, funds were so low that I was obliged to pledge my watch as security for my board bill. But on the 16th, I received from the St. Charles Theatre $500 as my half share of Diamond’s benefit; the next night I had $50; and the third night $479 was my share of the proceeds of a grand dancing match at the theatre between Diamond and a negro dancer from Kentucky. Subsequent engagements at Vicksburg and Jackson were not so successful, but returning to New Orleans we again succeeded admirably and afterwards at Mobile. Diamond, however, after extorting considerable sums of money from me, finally ran away, and, March 12th, I started homeward by way of the Mississippi and the Ohio.

While I was in New Orleans I made the acquaintance of that genial man, Tyrone Power, who was just concluding an engagement at the St. Charles Theatre. In bidding me farewell, he wished me every success and hoped we should meet again. Alas, poor Power! All the world knows how he set sail from our shores, and he and his ship were never seen again. Fanny Ellsler was also in New Orleans, and when I saw seats in the dress circle sold at an average of four dollars and one-half, I gave her agent, Chevalier Henry Wyckoff, great credit for exciting public enthusiasm to the highest pitch and I thought the prices enormous. I did not dream then that, within twelve years, I should be selling tickets in the same city for full five times that sum.

At Pittsburg, where I arrived March 30th, I learned that Jenkins, who had enticed Francis Lynch away from me at St. Louis, was exhibiting him at the Museum under the name of “Master Diamond,” and visiting the performance, the next day I wrote Jenkins an ironical review for which he threatened suit and he actually instigated R. W. Lindsay, from whom I hired Joice Heth in Philadelphia in 1835, and whom I had not seen since, though he was then residing in Pittsburg, to sue me for a pipe of brandy which, it was pretended, was promised in addition to the money paid him. I was required to give bonds of $500, which, as I was among strangers, I could not immediately procure, and I was accordingly thrown into jail till four o’clock in the afternoon, when I was liberated. The next day I caused the arrest of Jenkins for trespass in assuming Master Diamond’s name and reputation for Master Lynch, and he was sent to jail till four o’clock in the afternoon. Each having had his turn at this amusement, we adjourned our controversy to New York where I beat him. As for Lindsay, I heard nothing more of his claim or him till twelve years afterwards when he called on me in Boston with an apology. He was very poor and I was highly prosperous, and I may add that Lindsay did not lack a friend.

I arrived in New York, April 23rd, 1841, after an absence of eight months; finding my family in good health, I resolved once more that I would never again be an itinerant showman. Three days afterwards I contracted with Robert Sears, the publisher, for five hundred copies of “Sears’ Pictorial Illustrations of the Bible,” at $500, and accepting the United States agency, I opened an office, May 10th, at the corner of Beekman and Nassau Streets, the site of the present Nassau Bank. I had had a limited experience with that book in this way: When I was in Pittsburg, an acquaintance, Mr. C. D. Harker, was complaining that he had nothing to do, when I picked up a New York paper and saw the advertisement of “Sears’s Pictorial Illustrations of the Bible, price $2 a copy.” Mr. Harker thought he could get subscribers, and I bought him a specimen copy, agreeing to furnish him with as many as he wanted at $1.37½ a copy, though I had never before seen the work and did not know the wholesale price. The result was that he obtained eighty subscribers in two days, and made $50. My own venture in the work was not so successful; I advertised largely, had plenty of agents, and, in six months, sold thousands of copies; but irresponsible agents used up all my profits and my capital.

While engaged in this business I once more leased Vauxhall saloon, opening it June 14th, 1841, employing Mr. John Hallett, my brother-in-law, as manager under my direction, and at the close of the season, September 25th, we had cleared about two hundred dollars. This sum was soon exhausted, and with my family on my hands and no employment I was glad to do anything that would keep the wolf from the door. I wrote advertisements and notices for the Bowery Amphitheatre, receiving for the service four dollars a week, which I was very glad to get, and I also wrote articles for the Sunday papers, deriving a fair remuneration and managing to get a living. But I was at the bottom round of fortune’s ladder, and it was necessary to make an effort which would raise me above want.

I was specially stimulated to this effort by a letter which I received, about this time, from my esteemed friend, Hon. Thomas T. Whittlesey, of Danbury. He held a mortgage of five hundred dollars on a piece of property I owned in that place, and, as he was convinced that I would never lay up anything, he wrote me that I might as well pay him then as ever. This letter made me resolve to live no longer from hand to mouth, but to concentrate my energies upon laying up something for the future.

While I was forming this practical determination I was much nearer to its realization than my most sanguine hopes could have predicted. The road to fortune was close by. Without suspecting it, I was about to enter upon an enterprise, which, while giving full scope for whatever tact, industry and pluck I might possess, was to take me from the foot of the ladder and place me many rounds above.

As outside clerk for the Bowery Amphitheatre I had casually learned that the collection of curiosities comprising Scudder’s American Museum, at the corner of Broadway and Ann Street, was for sale. It belonged to the daughters of Mr. Scudder, and was conducted for their benefit by John Furzman, under the authority of Mr. John Heath, administrator. The price asked for the entire collection was fifteen thousand dollars. It had cost its founder, Mr. Scudder, probably fifty thousand dollars, and from the profits of the establishment he had been able to leave a large competency to his children. The Museum, however, had been for several years a losing concern, and the heirs were anxious to sell it. Looking at this property, I thought I saw that energy, tact and liberality, were only needed to make it a paying institution, and I determined to purchase it if possible.

“You buy the American Museum!” said a friend, who knew the state of my funds, “what do you intend buying it with?”

“Brass,” I replied, “for silver and gold have I none.”

The Museum building belonged to Mr. Francis W. Olmsted, a retired merchant, to whom I wrote stating my desire to buy the collection, and that although I had no means, if it could, be purchased upon reasonable credit, I was confident that my tact and experience, added to a determined devotion to business, would enable me to make the payments when due. I therefore asked him to purchase the collection in his own name; to give me a writing securing it to me provided I made the payments punctually, including the rent of his building; to allow me twelve dollars and a half a week on which to support my family; and if at any time I failed to meet the instalment due, I would vacate the premises and forfeit all that might have been paid to that date. “In fact, Mr. Olmsted,” I continued in my earnestness, “you may bind me in any way, and as tightly as you please – only give me a chance to dig out, or scratch out, and I will do so or forfeit all the labor and trouble I may have incurred.”

In reply to this letter, which I took to his house myself, he named an hour when I could call on him, and as I was there at the exact moment, he expressed himself pleased with my punctuality. He inquired closely as to my habits and antecedents, and I frankly narrated my experiences as a caterer for the public, mentioning my amusement ventures in Vauxhall Garden, the circus, and in the exhibitions I had managed at the South and West.

“Who are your references?” he inquired.