"Shut it while you have a bit of money behind it, John. I heard Arkroyd had told his hands he would lock his gates at the end of the month."
"I shall keep Hatton mill going, mother, as long as I have money enough to buy a bale of cotton at any price."
"I know you will. But there! What is the good of talking about maybe's? At every turn and corner of life, there is sure to stand a maybe. I wait until we meet and I generally find them more friendly than otherwise."
"I wanted Jane to come with me this afternoon, and she would not do so."
"She is right. I don't think I expect her to come. She didn't like what I said to her the last time she favored me with a visit."
"What did you say to her, mother?"
"I will not tell thee. I hev told her to her face and I will not be a backbiter. Not I! Ask thy wife what I said to her and why I said it and the example I set before her. She can tell thee."
"Whatever is the matter with the women of these days, mother?"
"I'm sure I cannot tell. If they had a thimbleful of sense, they would know that the denial of the family tie is sure to weaken the marriage tie. One thing I know is that society has put motherhood out of fashion. It considers the nursery a place of punishment instead of a place of pleasure. Young Mrs. Wrathall was here yesterday all in a twitter of pleasure, because her husband is letting her take lessons in music and drawing."
"Why, mother, she must be thirty years old. What did you say to her?"
"I reminded her that she had four little children and the world could get along without water-color sketches and amateur music, but that it could not possibly get along without wives and mothers."
"You might have also told her, mother, that if the Progressive Club would read history, they might find out that those times in any nation when wives were ornaments and not mothers were always periods of national decadence and moral failures."
"Well, John, you won't get women to search history for results that wouldn't please them; and to expect a certain kind of frivolous, selfish woman to look beyond her own pleasure is to expect the great miracle that will never come. You can't expect it."
"But Jane is neither frivolous nor selfish."
"I am glad to hear it."
"Is that all you can say, mother?"
"All. Every word. Between you and her I will not stand. I have given her my mind. It is all I have to give her at present. I want to hear something about Harry. Whatever is he coming to Yoden for? Yoden will take a goodish bit of money to run it and if he hasn't a capable wife, he had better move out as soon as he moves in."
Then John told her the whole truth about Harry's position—his weariness of his profession, his indifference to business, and his temptation to gamble.
"The poor lad! The poor lad!" she cried. "He began all wrong. He has just been seeking his right place all these years."
"Well, mother, we cannot get over the stile until we come to it. I think Harry has crossed it now. And there could not be a better wife and mother than Lucy Hatton. You will help and advise her, mother? I am sure you will."
"I will do what I can, John. She ought to have called the little girl after me. I can scarce frame myself to love her under Agnes. However, it is English enough to stick in my memory and maybe it may find the way to my heart. As to Harry, he is my boy, and I will stand by him everywhere and in every way I can. He is sweet and true-hearted, and clever on all sides—the dangerous ten talents, John! We ought to pity and help him, for their general heritage is
"The ears to hear,
The eyes to see,
And the hands
That let all go."
CHAPTER X
AT HER GATES
We shape ourselves the joy or tear,
Of which the coming life is made;
And fill our future atmosphere
With sunshine or with shade.
It was just at the edge of the dark when John left his mother. He had perhaps been strengthened by her counsel, but he had not been comforted. In Hatton market-place he saw a large gathering of men and women and heard Greenwood in a passionate tone talking to them. Very soon a voice, almost equally powerful, started what appeared to be a hymn, and John rode closer to the crowd and listened.
"The Day of the Lord is at hand, at hand,
His storms roll up the sky;
The nations sleep starving on heaps of gold,
The dreamers toss and sigh.
The night is darkest before the morn,
When the pain is sorest the child is born,
And the Day of the Lord is at hand.
"Gather you, gather you, hounds of hell,
Famine, and Plague, and War,
Idleness, Bigotry, Cant and Misrule,
Gather, and fall in the snare.
Hireling and Mammonite, Bigot and Knave,
Crawl to the battlefield, sneak to your grave,
In the Day of the Lord at hand."
John did not hear Greenwood's voice among the singers, but at the close of the second verse it rose above all others. "Lads and lasses of the chapel singing-pew," he cried, "we will better that kind of stuff. Sing up to the tune of Olivet," and to this majestic melody he started in a clarion-like voice Toplady's splendid hymn,
"Lo! He comes with clouds descending,
Once for favored sinners slain,
Thousand, thousand saints attending,
Swell the triumph of his train.
Hallelujah!
God appears on earth to reign."
The words were as familiar as their mother tongue, and Greenwood's authoritative voice in chapel, mill, and trade meetings, was quite as intimate and potential. They answered his request almost as automatically as the looms answered the signal for their movement or stoppage; for music quickly fires a Yorkshire heart and a hymn led by Jonathan Greenwood was a temptation no man or woman present could resist. Very soon he gave them the word "Home," and they scattered in every direction, singing the last verse. Then Greenwood's voice rose higher and higher, jubilant, triumphant in its closing lines,
"Yea, amen! Let all adore Thee,
High on thy eternal throne;
Saviour, take the power and glory,
Claim the kingdom for thine own.
Jah Jehovah!
Everlasting God come down."
Greenwood's joyful enthusiasm was more than John could encounter at that hour. He did not stop to speak with him, but rode swiftly home. He saw and felt the brooding trouble and knew the question of more wage and shorter hours, though now a smoldering one, might at any hour become a burning one, only there was the coming war. If the men went on strike, he could then reasonably lock his factory gates. No, he could not. The inner John Hatton would not permit the outer man to do such a thing. His looms must work while he had a pound of cotton to feed them.
This resolution, warm and strong in his heart, cheered him, and he hastened home. Then he wondered how it would be with him there, and a feeling of unhappiness conquered for a moment. But John's mental bravery was the salt to all his other virtues, and mental bravery does not quail before an uncertainty.
He hoped that Jane would, as was her usual custom, meet him at the door, that she would hear his step and answer the call of it. But she did not. Then he remembered that the night had turned chilly and that it was near to dinner-time. She was probably in her dressing-room, but this uncertainty was not cheerful. Yet he sang as he prepared himself for dinner. He did not know why he sang for the song was not in his heart—he only felt it to be an act of relief and encouragement.
When he went to the dining-room Jane was there. She roused herself with a sleepy languor and stretched out her arms to him with welcoming smiles. For a moment he stood motionless and silent. She had dressed herself wonderfully in a long, graceful robe of white broadcloth, rich and soft and shining as the white satin which lay in folds about the bosom and sleeves and encircled her waist in a broad belt. Her hair, freed of puffs and braids, showed all its beauty in glossy smoothness and light coils, and in its meshes was one large red rose, the fellow of which was partly hidden among the laces at her bosom. Half-asleep she went to meet him, and his first feeling was a kind of awe at the sight of her. He had not dreamed she was so beautiful. Without a word he took her hands and hiding his emotion in some commonplace remark, drew her to his side.