Alroy: The Prince of the Captivity

‘Toil without glory is a menial’s lot.’

‘You are a boy; you may yet live to learn that the sweetest lot of life consists in tranquil duties and well-earned repose.’

‘If my lot be repose, I’ll find it in a lair.’

‘Ah! David, David, there is a wildness in your temper, boy, that makes me often tremble. You are already too much alone, child. And for this, as well as weightier reasons, I am desirous that you should at length assume the office you inherit. What my poor experience can afford to aid you, as your counsellor, I shall ever proffer; and, for the rest, our God will not desert you, an orphan child, and born of royal blood.’

‘Pr’ythee, no more, kind uncle. I have but little heart to mount a throne, which only ranks me as the first of slaves.’

‘Pooh, pooh, you are young. Live we like slaves? Is this hall a servile chamber? These costly carpets, and these rich divans, in what proud harem shall we find their match? I feel not like a slave. My coffers are full of dirhems. Is that slavish? The wealthiest company of the caravan is ever Bostenay’s. Is that to be a slave? Walk the bazaar of Bagdad, and you will find my name more potent than the Caliph’s. Is that a badge of slavery?’

‘Uncle, you toil for others.’

‘So do we all, so does the bee, yet he is free and happy.’

‘At least he has a sting.’

‘Which he can use but once, and when he stings–’

‘He dies, and like a hero. Such a death is sweeter than his honey.’

‘Well, well, you are young, you are young. I once, too, had fancies. Dreams all, dreams all. I willingly would see you happy, child. Come, let that face brighten; after all, to-day is a great day. If you had seen what I have seen, David, you too would feel grateful. Come, let us feast. The Ishmaelite, the accursed child of Hagar, he does confess to-day that you are a prince; this day also you complete your eighteenth year. The custom of our people now requires that you should assume the attributes of manhood. To-day, then, your reign commences; and at our festival I will present the elders to their prince. For a while, farewell, my child. Array that face in smiles. I shall most anxiously await your presence.’

‘Farewell, sir.’

He turned his head and watched his uncle as he departed: the bitter expression of his countenance gradually melted away as Bostenay disappeared: dejection succeeded to sarcasm; he sighed, he threw himself upon a couch and buried his face in his hands.

Suddenly he arose and paced the chamber with an irregular and moody step. He stopped, and leant against a column. He spoke in a tremulous and smothered voice:

‘Oh! my heart is full of care, and my soul is dark with sorrow! What am I? What is all this? A cloud hangs heavy o’er my life. God of my fathers, let it burst!

‘I know not what I feel, yet what I feel is madness. Thus to be is not to live, if life be what I sometimes dream, and dare to think it might be. To breathe, to feed, to sleep, to wake and breathe again, again to feel existence without hope; if this be life, why then these brooding thoughts that whisper death were better?

‘Away! The demon tempts me. But to what? What nameless deed shall desecrate this hand? It must not be: the royal blood of twice two thousand years, it must not die, die like a dream. Oh! my heart is full of care, and my soul is dark with sorrow!

‘Hark! the trumpets that sound our dishonour. Oh, that they but sounded to battle! Lord of Hosts, let me conquer or die! Let me conquer like David; or die, Lord, like Saul!

‘Why do I live? Ah! could the thought that lurks within my secret heart but answer, not that trumpet’s blast could speak as loud or clear. The votary of a false idea, I linger in this shadowy life, and feed on silent images which no eye but mine can gaze upon, till at length they are invested with all the terrible circumstance of life, and breathe, and act, and form a stirring world of fate and beauty, time, and death, and glory. And then, from out this dazzling wilderness of deeds, I wander forth and wake, and find myself in this dull house of bondage, even as I do now. Horrible! horrible!

‘God, of my fathers! for indeed I dare not style thee God of their wretched sons; yet, by the memory of Sinai, let me tell thee that some of the antique blood yet beats within these pulses, and there yet is one who fain would commune with thee face to face, commune and conquer.

‘And if the promise unto which we cling be not a cheat, why, let him come, come, and come quickly, for thy servant Israel, Lord, is now a slave so infamous, so woe-begone, and so contemned, that even when our fathers hung their harps by the sad waters of the Babylonian stream, why, it was paradise compared with what we suffer.

‘Alas! they do not suffer; they endure and do not feel. Or by this time our shadowy cherubim would guard again the ark. It is the will that is the father to the deed, and he who broods over some long idea, however wild, will find his dream was but the prophecy of coming fate.

‘And even now a vivid flash darts through the darkness of my mind. Methinks, methinks—ah! worst of woes to dream of glory in despair. No, no; I live and die a most ignoble thing; beauty and love, and fame and mighty deeds, the smile of women and the gaze of men, and the ennobling consciousness of worth, and all the fiery course of the creative passions, these are not for me, and I, Alroy, the descendant of sacred kings, and with a soul that pants for empire, I stand here extending my vain arm for my lost sceptre, a most dishonoured slave! And do I still exist? Exist! ay, merrily. Hark! Festivity holds her fair revel in these light-hearted walls. We are gay to-day; and yet, ere yon proud sun, whose mighty course was stayed before our swords that now he even does not deign to shine upon; ere yon proud sun shall, like a hero from a glorious field, enter the bright pavilion of his rest, there shall a deed be done.

‘My fathers, my heroic fathers, if this feeble arm cannot redeem your heritage; if the foul boar must still wallow in thy sweet vineyard, Israel, at least I will not disgrace you. No! let me perish. The house of David is no more; no more our sacred seed shall lurk and linger, like a blighted thing, in this degenerate earth. If we cannot flourish, ‘why, then, we will die!’

‘Oh! say not so, my brother!’

He turns, he gazes on a face beauteous as a starry night; his heart is full, his voice is low.

‘Ah, Miriam! thou queller of dark spirits! is it thou? Why art thou here?’

‘Why am I here? Are you not here? and need I urge a stronger plea? Oh! brother dear, I pray you come, and mingle in our festival. Our walls are hung with flowers you love;[2 - page 12.—Our walls are hung with flowers you love. It is the custom of the Hebrews in many of their festivals, especially in the feast of the Tabernacle, to hang the walls of their chambers with garlands of flowers.] I culled them by the fountain’s side; the holy lamps are trimmed and set, and you must raise their earliest flame. Without the gate, my maidens wait, to offer you a robe of state. Then, brother dear, I pray you come and mingle in our festival.’

‘Why should we feast?’

‘Ah! is it not in thy dear name these lamps are lit, these garlands hung? To-day to us a prince is given, to-day–’

‘A prince without a kingdom.’

‘But not without that which makes kingdoms precious, and which full many a royal heart has sighed for, willing subjects, David.’

‘Slaves, Miriam, fellow-slaves.’

‘What we are, my brother, our God has willed; and let us bow and tremble.’

‘I will not bow, I cannot tremble.’

‘Hush, David, hush! It was this haughty spirit that called the vengeance of the Lord upon us.’

‘It was this haughty spirit that conquered Canaan.’

‘Oh, my brother, my dear brother! they told me the dark spirit had fallen on thee, and I came, and hoped that Miriam might have charmed it. What we may have been, Alroy, is a bright dream; and what we may be, at least as bright a hope; and for what we are, thou art my brother. In thy love I find present felicity, and value more thy chance embraces and thy scanty smiles than all the vanished splendour of our race, our gorgeous gardens, and our glittering halls.’

‘Who waits without there?’

‘Caleb.’

‘Caleb!’

‘My lord.’

‘Go tell my uncle that I will presently join the banquet. Leave me a moment, Miriam. Nay, dry those tears.’

‘Oh, Alroy! they are not tears of sorrow.’

‘God be with thee! Thou art the charm and consolation of my life. Farewell! farewell!

‘I do observe the influence of women very potent over me. ‘Tis not of such stuff that they make heroes. I know not love, save that pure affection which doth subsist between me and this girl, an orphan and my sister. We are so alike, that when, last Passover, in mimicry she twined my turban round her head, our uncle called her David.

‘The daughters of my tribe, they please me not, though they are passing fair. Were our sons as brave as they are beautiful, we still might dance on Sion. Yet have I often thought that, could I pillow this moody brow upon some snowy bosom that were my own, and dwell in the wilderness, far from the sight and ken of man, and all the care and toil and wretchedness that groan and sweat and sigh about me, I might haply lose this deep sensation of overwhelming woe that broods upon by being. No matter! Life is but a dream, and mine must be a dull one.’

Without the gates of Hamadan, a short distance from the city, was an enclosed piece of elevated ground, in the centre of which rose an ancient sepulchre, the traditionary tomb of Esther and Mordecai.[3 - page 13.—The traditionary tomb of Esther and Mordecai. ‘I accompanied the priest through the town over much ruin and rubbish to an enclosed piece of ground, rather more elevated than any in its immediate vicinity. In the centre was the Jewish tomb-a square building of brick, of a mosque-like form, with a rather elongated dome at the top. The door is in the ancient sepulchral fashion of the country, very small, consisting of a single stone of great thickness, and turning on its own pivots from one side. Its key is always in possession of the eldest of the Jews resident at Hamadan. Within the tomb are two sarcophagi, made of a very dark wood, carved with great intricacy of pattern and richness of twisted ornament, with a line of inscription in Hebrew,’ &c.—Sir R. K. Porter’s Travels in Persia, vol. ii. p. 107.] This solemn and solitary spot was an accustomed haunt of Alroy, and thither, escaping from the banquet, about an hour before sunset, he this day repaired.

As he unlocked the massy gate of the burial-place, he heard behind him the trampling of a horse; and before he had again secured the entrance, some one shouted to him.