Sharpe’s Waterloo: The Waterloo Campaign, 15–18 June, 1815

The Colonel paused. ‘Fire!’

There was a split second’s silence, then the volley crashed hugely loud in the still evening air. The musketballs slammed across the small stream and bent the rye crop as though a squall of wind had struck the stalks. Rooks protested at the disturbance by flapping angrily up from the roadside.

‘Reload!’ To Sharpe’s eyes the battalion’s musket drill was lamentably slow, but it did not matter; they were fighting.

A few French skirmishers returned the fire, but they were massively outnumbered and their shooting was wild. Another Nassauer battalion had formed a line to the right of the stream. ‘Fire!’ Again a volley hammered at the evening’s perfection. A bank of smoke, thick and vile smelling, rolled across the stream.

‘Fire!’ That was the first battalion again. Yet more men were coming from the crossroads and deploying left and right beyond the first two units. Staff officers were galloping busily behind the lines where the battalion’s colours were bright in the dusk. The drummers kept up their din.

‘How many of them?’ The Brigade Major, who spoke English with a thick German accent, reined in beside Sharpe.

‘I only saw one battalion of skirmishers.’

‘Guns? Cavalry?’

‘None that I saw, but they can’t be far behind.’

‘We’ll hold them here as long as we can.’ The Brigade Major glanced at the sun. It was not long now till nightfall, and the French advance would certainly stop with the darkness.

‘I’ll let headquarters know you’re here,’ Sharpe said.

‘We’ll need help by morning,’ the Brigade Major said fervently.

‘You’ll get it.’ Sharpe hoped he spoke the truth.

Lieutenant Simon Doggett waited at the crossroads and frowned when he saw the blood on Sharpe’s arm. ‘Are you hurt, sir?’

‘That’s someone else’s blood.’ Sharpe brushed at the bloodstain, but it was still wet. ‘You’re to go back to Braine-le-Comte. Tell Rebecque that the crossroads at Quatre Bras are safe, but that the French are bound to attack in greater strength in the morning. Tell him we need men here; as many as possible!’

‘And you, sir? Are you staying here?’

‘No. I’ll take the spare horse.’ Sharpe slid out of the saddle and began unbuckling its girth. ‘You take this horse back to headquarters.’

‘Where are you going, sir?’ Doggett, seeing the flicker of irritation on Sharpe’s face, justified his question. ‘The Baron’s bound to ask me, sir.’

‘Tell Rebecque I’m going to Brussels. The Prince wants me to go to a bloody ball.’

Simon Doggett’s face blanched as he looked at Sharpe’s frayed and blood-drenched uniform. ‘Like that, sir? You’re going to a ball dressed like that?’

‘There’s a bloody war on. What does the Young Frog expect? Bloody lace and pantaloons?’ He handed Doggett the stallion’s bridle, then carried the saddle over to the spare horse. ‘Tell Rebecque I’m riding to Brussels to see the Duke. Someone has to tell him what’s happening here. Go on with you!’

Behind Sharpe the firing had died away. The French had retreated, presumably back to Frasnes, while Saxe-Weimar’s men had begun to make their bivouacs. Their axes sounded loud in the long wood as they cut the timber for their cooking fires. The people of the hamlet, sensing what destruction would follow the coming of these soldiers, were packing their few belongings into the farm cart. The small girl was crying, looking for her lost kittens. A man cursed at Sharpe, then went to help harness a thin mule to the cart.

Sharpe wearily mounted his fresh horse. The cross-roads were safe, at least for this one night. He clicked his fingers for Nosey to follow him, then rode northwards in the dusk. He was going to a dance.

CHAPTER SIX

Lucille Castineau stared gravely at her reflection in the mirror which, because it was only a small broken sliver, was being held by her maid, Jeanette, who was forced to tilt the glass up and down in an effort to show her mistress the whole dress. ‘It looks lovely,’ Jeanette said reassuringly.

‘It’s very plain. Oh, well. I am plain.’

‘That’s not true, madame,’ Jeanette protested.

Lucille laughed. Her ball gown was an old grey dress which she had prettified with some lengths of Brussels lace. Fashion dictated a filmy sheath that would scarcely cover the breasts and with a skirt slit to reveal a length of thigh barely disguised beneath a flimsy petticoat, but Lucille had neither the tastes nor the money for such nonsense. She had taken in the grey dress so that it hugged her thin body more closely, but that was her sole concession to fashion. She would not lower its neckline, nor would she have dreamed of cutting the skirt.

‘It looks lovely,’ Jeanette said again.

‘That’s because you haven’t seen what anyone else will be wearing.’

‘I still think it’s lovely.’

‘Not that it matters,’ Lucille said, ‘for I doubt whether anyone will be looking at me. Or will even dance with me.’ She well knew Richard Sharpe’s reluctance to dance, which was why she had been surprised when the message came from the Prince of Orange’s headquarters informing her that Lieutenant-Colonel Sharpe would be attending His Royal Highness at the Duchess of Richmond’s ball, in anticipation of which His Royal Highness took pleasure in enclosing a ticket for Madame la Vicomtesse de Seleglise. Lucille herself never used her title, but she knew Sharpe was perversely proud of it and must have informed the Prince of its existence.

The reluctant Vicomtesse now propped the broken mirror on a shelf and poked fingers at her hair which she had piled loosely before decorating with an ostrich feather. ‘I don’t like the feather.’

‘Everyone’s wearing them.’

‘I’m not.’ Lucille plucked it out and tickled the sleeping baby with its tip. The baby twitched, but slept on. Henri-Patrick had black hair like his father, but Lucille fancied she already saw her own family’s long skull in the baby’s wrinkled face. If he had his father’s looks and his mother’s brains, Lucille liked to say, Henri-Patrick should be well blessed.

She was unfair, at least to herself. Lucille Castineau had lived all her twenty-seven years in the Norman countryside and, though she came from a noble family, she proudly considered herself to be a farm woman. The rural life had denied her Jane Sharpe’s fashionable pallor; instead Lucille’s skin had the healthy bloom of country weather. She had a long, narrow and strong-boned face, its severity softened by her eyes which seemed to glow with laughter and sense. She was a widow. Her husband had been an elegant officer in Napoleon’s cavalry, and Lucille had often wondered why such a handsome man had sought to marry her, but Xavier Castineau had thought himself most fortunate in his wife. They had been married for only a few weeks before he had been hacked down by a sabre. In the peace after the wars, when Lucille had found herself alone in her family’s Norman château, she had met Sharpe and become his lover. Now she was the mother of his son.

Loyalty to her man had brought Lucille to Brussels. She had never been a Bonapartist, yet that distaste had not made it any easier for her to leave France and follow an army that must fight against her countrymen. Lucille had left France because she loved Sharpe, whom she knew was a better man than he thought himself to be. The war, she told herself, would end one day, but love was timeless and she would fight for it, just as she would fight to give her child his father’s company. Lucille had lost one good man; she would not lose a second.

And tonight, surprisingly, she had an opportunity to dance with her good man. Lucille took a last look in the mirror, decided there was nothing that could be done to make herself any more elegant or beautiful, and so picked up her small bag that contained the precious pasteboard ticket. She kissed her child, gave her hair one last despairing pat, and went to a ball.

A tall man waited at the stable entrance of the lodging house where Lucille Castineau had rented two attic rooms. He was a man whose frightening appearance commanded instant respect. His height, four inches over six feet, was formidable enough, yet he also carried the muscles to match his inches and this evening he looked even more threatening for he hefted an oak cudgel and had a longbarrelled horse-pistol thrust into his belt and a British army rifle slung on one shoulder. He had sandy hair and a flat hard face. The man was in civilian clothes, yet, in this city thronged with soldiers, he had a confidence that suggested he might well have worn a uniform in his time.

The tall man had been leaning against the stable’s open gates, but straightened up as Lucille appeared from the house. She looked nervously at the western sky, tumultuous with dark clouds that had so hastened the dusk that the first lamps were already being lit in the city’s archways and windows. ‘Shall I bring an umbrella?’ she asked.

‘It’s not going to rain tonight, ma’am.’ The tall man spoke with the harsh accent of Ulster.

‘You don’t have to walk me, Patrick.’

‘And what else would I be doing tonight? Besides, the Colonel doesn’t want you walking the streets alone after dark.’ Harper took a step back and gave Lucille an appreciative smile. ‘You look just grand, so you do!’

Lucille laughed good-naturedly at the compliment. ‘It’s a very old dress, Patrick.’

In truth Patrick Harper had not really noticed Lucille’s dress, but, being a married man, he knew the importance a woman attached to a compliment. Harper’s own wife would need more than a few such compliments when he reached home, for she had been adamantly opposed to her husband travelling to Brussels. ‘Why do you do this to me?’ Isabella had demanded. ‘You’re not a soldier any more! You have no need to go! Your place is here, with me!’

That place was Dublin, where, at the end of the last war, Harper had gone with a saddlebag full of stolen gold. The treasure had come from the French baggage captured at Vitoria in Spain, a country where Sergeant Patrick Harper had found both wealth and a wife. Discharged from the army, he had intended to return to his beloved Donegal, but he had reached no further than Dublin where he bought a tavern close to the city’s quays. The tavern also did a thriving trade in the sale of stolen horses, an activity that provided Harper with an excuse to travel deep into the Irish countryside. The return of the Emperor to France and the subsequent declaration of war had been good for Harper’s trade; a good hunter stolen from a Protestant plantation in Ireland would fetch a prime price in England where so many officers equipped themselves for the campaign.

Harper had used the excuse of horse-trading to explain his journey to Isabella, but she knew the real truth of his escapade. It was not horses that fetched Harper to Belgium, but Sharpe. Sharpe and Harper were friends. For six years, on battlefields and in sieges, they had fought side by side and Harper, as soon as he heard of the new war, had waited for a word from his old officer. Instead, and to Isabella’s chagrin, Sharpe had come to Dublin himself. At first it had seemed he was only there to sit out the war with his French woman, but then the summons had come from the Dutch army and Isabella had known that her husband would follow Sharpe.

Isabella had tried to dissuade Patrick. She had threatened to leave him and return to Badajoz. She had cursed him. She had wept, but Harper had dismissed her fears. ‘I’m only going to trade a few horses, woman, nothing else.’

‘You won’t be fighting?’

‘Now why in the name of all Ireland would I want to be fighting?’