In Silk Attire: A Novel

"Bid Mr. Chetwynd come here," she said to the servant.

In a minute or two the door was again opened, and there entered a tall, grey-haired man, with a grave and rather kindly expression of face.

She held out the letter, and said, in a cold, clear tone:

"Do you know the contents of this letter?"

"I do, your ladyship," said he.

"And you have been sent to see what money I should take for keeping out of the way, and not troubling Lord Knottingley? Very well – "

"I assure your ladyship – "

"You need not speak," she said, with a dignity of gesture which abashed him – which made him regard her with the half-frightened, half-admiring look she had many a time seen on the faces of the scene-shifters after one of her passionate climaxes – "I presume I am still the Marchioness of Knottingley?"

"Certainly."

"And my husband has commissioned you to receive my instructions?"

"He has, your ladyship; and if you would only allow me to explain the circumstances – "

"Mr. Chetwynd, you and I used to talk frankly with each other. I hope you will not embarrass yourself by making an apology for his lordship, when he himself has done that so admirably in this letter. Now, be good enough to attend to what I say. You will secure for me and my daughter a passage to America by the earliest vessel we can reach from here; and to-morrow morning you will accompany us on the first stage of the journey. I will take so much money from you as will land us in New York; whatever surplus there may be will be returned to Lord Knottingley."

"May I beg your ladyship to consider – to remain here until I communicate with his lordship?"

"I have considered," she said, calmly, in a tone which put an end to further remonstrance, "and I do not choose to remain in this house another day."

So Mr. Chetwynd withdrew. He saw nothing of this strangely self-possessed woman until the carriage was at the door next morning, ready to take her from the house which she had cast for ever behind her.

When he did see her he scarcely recognised her. She was haggard and white; her eyes were red and wild; she appeared to be utterly broken down. She was dressed in black, and so was the little girl she led by the hand. He did not know that she had spent the entire night in her daughter's room, and that it was not sleep which had occupied those long hours.

So it was that Annie Napier and her daughter arrived in America; and there she went again upon the stage, under the name of Annie Brunel, and earned a living for both of them. But the old fire had gone out; and there was not one who recognised in the actress her who had several years before been the idol of London. One message only she sent to her husband; and it was written, immediately on her reaching New York, in these words:

"HARRY ORMOND, – I married you for your love. When you take that from me, I do not care to have anything in its place. Nor need you try to buy my silence; I shall never trouble you.

"ANNIE NAPIER."

On the receipt of that brief note, Harry Ormond had a severe fit of compunction. The freedom of his new life was strong upon him, however; and in process of time he, like most men of his stamp, grew to have a conviction that he was not responsible for the wrong he had done. If she had wilfully relinquished the luxury he offered her, was he to blame?

Ten years afterwards, Lord Knottingley lay very sick. He was surrounded by attentive relatives, who, having affectionately interested themselves in him during his life, naturally expected to be paid for their solicitude at his death. But at the last moment remorse struck him. As the drowning man is said to be confronted by a ghastly panorama of his whole life, so he, in these last hours, recalled the old tenderness and love of his youth, which he had so cruelly outraged. He would have sent for her then; he would have braved the ridicule and indignation which he had once so feared; but it was too late. One act of reparation was alone possible. When Harry Ormond Marquis of Knottingley died, it was found that he had left, by a will dated only a few days before his death, his whole property to his wife, of whom nobody knew anything, accompanying the bequest with such expressions of affection and penitence as sorely puzzled his lady relatives.

Not for several months did the lawyers who acted for the trustees discover where the missing wife had taken up her abode in America; and then an elderly gentleman waited upon the actress to break the news of her husband's death, and to invite her to become the mistress of a large property and the wearer of a proud title.

"How pleased she will be!" he had said to himself, before seeing her.

Once in her presence, however, he did not so tastily judge the tender-eyed, beautiful, melancholy woman; and it was with all the delicacy he could command that he told his story, and watched its effect upon her handsome, sad face.

But these ten years of labour had not quite broken Annie Napier's spirit. Out of her grief and her tears – for she was a woman, and could not help still loving the lover of her youth – she rose with her old grandeur of manner, and refused the offer. Not theatrically, nor angrily, but simply and definitely, so that the messenger from England, perplexed and astonished, could only beg of her to think, not of herself, but of her daughter.

"My daughter," she said, perhaps rather bitterly, "will never seek, any more than myself, to go amongst those people. God knows that it is she alone whom I consider in everything I do. I have taught her to earn her own bread; and I will teach her that her only chance of happiness is to marry, if she does marry, in her own profession. You appear to be surprised, sir; but what I say to you is not the result of any hasty impulse. Have you seen her?" she added, with a touch of pride. "Have you seen her since you came over? Some years hence you may find her in England, and she will reap my old triumphs again."

"If you will only consider what you are taking from her – the position she would hold – the – "

For an instant the large dark eyes of the actress were filled with a strange, wistful look; was she striving – as we often do strive – to anticipate the current of years, and look over the long future lying in wait for this girl of hers?

"I have considered, sir, many a year ago. She has been brought up in perfect ignorance of her birth and name; and there is no one of her associates who knows our secret. So she will remain."

This unlooked-for termination to his mission so astounded the lawyer, that he could not at first comprehend the decision of her tone.

"You will understand, madam," he said, "that professionally I have no resource but to return to England with your message. But may I not beg you to reflect? Is it not possible that you have been moved to this decision by a – what shall I say? – a view of things which may appear natural to you in your professional life, but which is looked upon otherwise by the outside world? – "

"You think I am led astray by theatrical notions of life?" she said, with a smile. "It was my experience of your 'outside world' which made me resolve that my girl should never suffer that which I have suffered. The resolution is a very old one, sir. But supposing that I should die, would she then have this property – would it belong to her?"

"Undoubtedly, if she chooses to accept it."

After a few moments' silence, the prudent and tender mother having calculated every possibility which might affect her daughter's happiness, she said to him:

"In that case, sir, I can always provide against her suffering want. I will give her to-day your address in England, and tell her that if at any future time I am taken from her, and if she should ever be in need, she can go to you; and then, sir, you will remember who Annie Brunel is."

"And you absolutely condemn your daughter to be an actress, when a word from you could make her an English lady – "

The woman before him drew herself up.

"When my daughter ceases to believe that an actress may be a lady, it will be time for her to apply to you for the rank she has lost."

CHAPTER IV.

THE ACTRESS

It was near midnight when an unusually notable and brilliant little party sate down to supper in the largest hall of an hotel in the neighbourhood of Charing Cross. Brilliant the meeting was, for beneath the strong lights shone the long white table with its gleaming crystal, and silver, and flowers; and notable it was in that the persons sitting there were, every one of them, marked by an obvious individualism of face and dress. They wore no mere company of cultivated nothings, as like each other in brain, costume, and manner, as the wine-glasses before them; scarcely a man or woman of them had not his or her own special character rendered apparent by this or that peculiarity of facial line or intentional adornment.

But there was one woman there – or girl, rather, for she was clearly not over twenty – whose character you could not easily catch. You might watch the expression of her eyes, listen to her bright, rapid, cheerful talk, and study her bearing towards her associates; and then confess that there was something elusive about her – she had not exhibited her real nature to you – you knew nothing of her but those superficial characteristics which were no index to the spirit underneath.

Slight in figure, and somewhat pale and dark, there was nevertheless a certain dignity about her features, and a stateliness in her gestures, which gave an almost massive grandeur to her appearance. Then her magnificent black hair lay around the clear, calm face, which was rendered the more intensely spiritual by large eyes of a deep and tender grey. They were eyes, under these long eyelashes, capable of a great sadness, and yet they were not sad. There seemed to play around the beautiful, intellectual face a bright, superficial, unconscious vivacity; and she herself appeared to take a quite infantine interest in the cheerful trivialities around her. For the rest, she was dressed in a gleaming white moiré, with tight sleeves which came down to her tiny wrists, and there ended in a faint line of blue; and through the great braided masses of her black hair there was wound a thick cord of twisted silver, which also had a thread of blue cunningly interwoven with it. The artistic possibilities of her fine face and complexion were made the most of; for she was an artist, one of the few true artists who have been seen upon our modern stage.

This was Miss Annie Brunel, who in three months from the date of her arrival in this country had won the heart of London. The young American actress, with her slight and nervous physique, her beautiful head, and the dark lustre of her eyes, was photographed, lithographed, and written about everywhere: people went and wept covertly beneath the spell of her voice; for once unanimity prevailed among all the critics who were worth attention, and they said that the new actress was a woman of genius. Who could doubt it that had witnessed the utter self-abandonment of her impersonations? She did not come upon the stage with a thought about her jewellery, a consciousness of her splendid hair, and an eye to the critical corner of the stalls. On the stage she was no longer mistress of herself. Her eyes deepened until they were almost black; her face was stirred with the white light of passion; and her words were instinct with the tenderness which thrills a theatre to its core. When the sudden intensity died down, when she resumed her ordinary speech and dress, she seemed to have come out of a trance. Not a trace remained of that fire and those intonations, which were the result of unconscious creation; her eyes resumed their serene, happy indifference, her face its pleased, childlike expression. Swift, active, dexterous she was, full of all sorts of genial and merry activities; that kindling of the eye and tremor of the voice belonged to the dream-life she led elsewhere.

The supper was rather a nondescript affair, resembling the little entertainment sometimes given by an author on the production of his new piece. As the play, however, in which Miss Brunel had just appeared was "Romeo and Juliet," there was a little difficulty about the author's being present to perform the ordinary duties; and so the manager's very good friend, the Graf von Schönstein, had stepped in and offered to play the part of host on the occasion.

The Graf, indeed, occupied the chair – a large and corpulent man, with a broad, fair face, small blue eyes, red hands, a frilled shirt, flowered waistcoat, and much jewellery. He had made the acquaintance of Miss Brunel during the previous year in America, and lost no time in renewing it now that she had so suddenly become famous in England. Of the Graf, who it may be mentioned was once a respectable tea-broker in Thames Street, E.C., we shall hear more.

On the left of the chairman sate the manager, a middle-aged man, with grey hair and a melancholy face; on the right Miss Brunel, and next to her a young man of the name of Will Anerley, a friend of Count Schönstein. Then followed several members of the company, an elderly little woman who officiated as Miss Brunel's guardian, two or three critics, and a young man who spoke to nobody, but kept his eyes intently fixed upon a charming soubrette (with whom he had quarrelled some days before) who was wickedly flirting with Mercutio. There was no lack of jest and talk down both sides of the table, for the wine-glasses were kept well filled; and occasionally there rang out, clear and full, the mellifluous laughter of the Nurse – a stout, big, red-faced woman, who had a habit of using her pocket handkerchief where a table-napkin might have been more appropriate – as she cracked her small jokes with Benvolio, who sate opposite to her. Then Friar Lawrence, who had thrown aside his robe and become comic, happened to jolt a little champagne into Lady Capulet's lap; and the angrier she grew over his carelessness, the more did the people laugh, until she herself burst out with a big, good-natured guffaw.

Meanwhile the small clique at the upper end of the table was engaged in a conversation by itself, Count Schönstein appealing to the manager vehemently:

"Was I not right in begging you to give the public Miss Brunel's 'Juliet?' There never was such a triumph, Miss Brunel; I assure you, you have taken London by storm. And with the public satisfied, will the critics object? You will not see a dissentient voice in the papers on Monday morning. What do you say to that, Mr. Helstone?"

The man whom he addressed had forsaken the cluster of his brother critics, and was busily engaged in amusing the pretty soubrette, whom he had entirely drawn away from poor Mercutio.