Artists and Arabs; Or, Sketching in Sunshine

The names of some of the streets are curious, and suggestive of change. Thus we see the 'Rue Royale,' the 'Rue Impériale there is, or was until lately, a 'Place Nationale,' and one street is still boldly proclaimed to be the 'Rue dé la Révolution'!

In passing through the French quarter, through the new wide streets, squares and inevitable boulevards, the number of shops for fancy goods and Parisian wares, especially those of hairdressers and modistes, seems rather extraordinary; remembering that the entire European population of Algeria, agricultural as well as urban, is not much more than that of Brighton. In a few shops there are tickets displayed in different languages, but linguists are rare, and where there are announcements of the labels have generally a perplexing, composite character, like the inscription on a statue at the Paris Exhibition of 1867, which ran thus 'Miss Ofelia dans Amlet.'

Before we proceed further, let us glance at the general mode of living in Algiers, speaking first of the traveller who goes to the hotels.

The ordinary visitor of a month or two will drop down pleasantly enough into the system of hotel life in Algiers; and even if staying for the winter he will probably find it more convenient and amusing to take his meals in French fashion at the hotels, ringing the changes between three or four of the best, and one or two well-known cafés, There is generally no table-d'hôte, but strangers can walk in and have breakfast or dine very comfortably at little tables 'a part,' at a fixed hour and at a moderate price. The rooms are pleasant, cool, and airy, with large windows open to the sea.

Everything is neatly and quietly served, the menu is varied enough, with good French dishes and game in abundance; the hosts being especially liberal in providing those delicious little birds that might be larks or quails, – which in Algiers we see so often on the table and so seldom on the wing.

INGLIS

SPOKEN

Half the people that are dining at the 'Hôtel d'Orient' to-day are residents or habitués; they come in and take their accustomed places as cosily, and are almost as particular and fastidious, as if they were at their club.

There is the colonel of a cavalry regiment dining alone, and within joking distance, five young officers, whose various grades of rank are almost as evident from their manner as from the number of stripes on their bright red kepis ranged on the wall of the salon. A French doctor and his wife dine vis-à-vis, at one table, a lady solitaire at another; some gentlemen, whose minds are tuned to commerce, chatter in a corner by themselves; whilst a group of newly-arrived English people in the middle of the room, are busily engaged in putting down the various questions with which they intend to bore the viceconsul on the morrow, as if he were some good-natured house-agent, valet-de-place, and interpreter in one, placed here by Providence for their especial behoof. But it is all very orderly, sociable, and comfortable, and by no means an unpleasant method of living for a time.

There is the cercle, the club, at which we may dine sometimes; there are those pretty little villas amongst the orange-trees at Mustapha Supérieure, where we may spend the most delightful evenings of all; and there are also the Governor's weekly balls, soirées at the consulate, and other pleasant devices for turning night into day, in Algiers as everywhere else – which we shall be wise if we join in but sparingly. And there are public amusements, concerts, balls, and the theatre – the latter with a company of operatic singers with weak lungs, but voices as sweet as any heard in Italy; and there are the moonlight walks by the sea, to many the greatest delight of all.

The ordinary daily occupations are decidedly social and domestic; and it may be truly said that for a stranger, until he becomes accustomed to the place, there is very little going on.

You must not bathe, for instance, on this beautiful shelving shore. 'Nobody bathes, it gives fever,' was the invariable answer to enquiries on this subject, and though it is not absolutely forbidden by the faculty, there are so many restrictions imposed upon bathers that few attempt it; moreover, an Englishman is not likely to have brought an acrobatic suit with him, nor will he easily find a 'costume de bain' in Algiers.

There is very little to do besides wander about the town, or make excursions in the environs or into the interior (in which latter case it is as well to take a fowling-piece, as there is plenty of game to be met with); and altogether we may answer a question often asked about Algiers as to its attractions for visitors, that it has not many (so called), for the mere holiday lounger.

But for those who have resources of their own, for those who have work to do which they wish to do quietly, and who breathe more freely under a bright blue sky, Algiers seems to us to be the place to come to.

The 'bird of passage,' who has unfortunately missed an earthquake, often reports that Algiers is a little dull; but even he should not find it so, for beyond the 'distractions' we have hinted at, there is plenty to amuse him if he care little for what is picturesque. There are (or were when we were there), a troop of performing Arabs of the tribe of 'Beni Zouzoug,' who performed nightly the most hideous atrocities in the name of religious rites: wounding their wretched limbs with knives, eating glass, holding burning coals in their mouths, standing on hot iron until the feet frizzled and gave forth sickening odours, and doing other things in an ecstacy of religious frenzy which we could not print, and which would scarcely be believed in if we did.[5 - Since writing the above, we observe that these Arabs (or a band of mountebanks in their name), have been permitted to perform their horrible orgies in Paris and London, and that young ladies go in evening dress to the 'stalls' to witness them.]

There are various Moorish ceremonies to be witnessed. There are the sacrifices at the time of the Ramadhan, when the negro priestesses go down to the water side and offer up beasts and birds; the victims, after prolonged agonies which crowds assemble to witness, being finally handed over to a French chef de cuisine.

There are the mosques to be entered barefoot, and the native courts of law to be seen. Then if possible, a Moor should be visited at home, and a glimpse obtained of his domestic economy, including a dinner without knives or forks.

An entertainment consisting entirely of Moorish dances and music is easily got up, and is one of the characteristic sights of Algiers. The young trained dancing girls, urged on to frenzy by the beating of the tom-tom, and falling exhausted at last into the arms of their masters; (dancing with that monotonous motion peculiar to the East, the body swaying to and fro without moving the feet); the uncouth wild airs they sing, their shrieks dying away into a sigh or moan, will not soon be forgotten, and many other scenes of a like nature, on which we must not dwell – for are they not written in twenty books on Algeria already?

But there are two sights which are seldom mentioned by other writers, which we must just allude to in passing.

The Arab races, which take place in the autumn on the French racecourse near the town, are very curious, and well worth seeing. Their peculiarity consists in about thirty Arabs starting off pell-mell, knocking each other over in their first great rush, their bournouses mingling together and flying in the wind, but arriving at the goal generally singly, and at a slow trot, in anything but racing fashion.

Another event is the annual gathering of the tribes, when representatives from the various provinces camp on the hills of the Sahel, and the European can wander from one tent to another and spend his day enjoying Arab hospitality, in sipping coffee and smoking everywhere the pipe of peace.

These things we only hint at as resources for visitors, if they are fortunate enough to be in Algiers at the right time; but there are one or two other things that they are not likely to miss, whether they wish to do so or not.

They will probably meet one day, in the 'Street of the Eastern Gate,' the Sirocco wind, and they will have to take shelter from a sudden fearful darkness and heat, a blinding choking dust, drying up as it were the very breath of life; penetrating every cavity, and into rooms closed as far as possible from the outer air. Man and beast lie down before it, and there is a sudden silence in the streets, as if they had been overwhelmed by the sea. For two or three hours this mysterious blight pours over the city, and its inhabitants hide their heads.

Another rather startling sensation for the first time is the 'morning gun.' In the consulate, which is in an old Moorish house in the upper town, the newly arrived visitor may have been shown imbedded in the wall a large round shot, which he is informed was a messenger from one of Lord Exmouth's three-deckers in the days before the French occupation; and not many yards from it, in another street, he may have had pointed out to him certain fissures or chasms in the walls of the houses, as the havoc made by earthquakes; he may also have experienced in his travels the sudden and severe effect of a tropical thunderstorm.

Let him retire to rest with a dreamy recollection of such events in his mind, and let him have his windows open towards the port just before sunrise, – when the earthquake, and the thunder, and the bombardment, will present themselves so suddenly and fearfully to his sleepy senses, that he will bear malice and hatred against the military governor for evermore.

But it has roused him to see some of the sights of Algiers. Let him go out at once to the almost deserted Place, where a few tall figures wrapped in military cloaks are to be seen quietly sidling out of a door in the corner of a square under the arcades, – coming from the club where the gas is not quite extinguished, and where the little green baize tables are not yet put away for the night;[6 - How often have we seen in the Tuileries gardens, the bronzed heroes of Algerian wars, and perhaps have pitied them for their worn appearance; but we shall begin to think that something more than the African sun and long marches have given them a prematurely aged appearance, and that absinthe and late hours in a temperature of 90° Fahrenheit may have something to do with it.] and then let him hurry out by the Bab-el-Oued and mount the fortifications, and he will see a number of poor Arabs shivering in their white bournouses, perched on the highest points of the rocks like eagles, watching with eager eyes and strained aspect for the rising of the sun, for the coming of the second Mahomet. Let him look in the same direction, eastward, over the town and over the bay to the mountains far beyond. The sparks from the chariot-wheels of fire just fringe the outline of the Kabyle Hills, and in another minute, before all the Arabs have clambered up and reached their vantage ground, the whole bay is in a flood of light. The Arabs prostrate themselves before the sun, and 'Allah il Allah' (God is great) is the burden of their psalm of praise.

But Mahomet's coming is not yet, and so they return down the hill, and crowd together to a very different scene. The officers whom we saw just now leaving the Place, have arrived at the Champ de Mars, the drill-ground immediately below us, and here, in the cool morning air, they are exercising and manoeuvring troops. There are several companies going through their drill, and the bugle and the drum drown the Muezzins' voices, who, from almost every mosque and turret in the city, repeat their cry to the faithful to 'Come to prayers.'

CHAPTER III. THE MOORISH QUARTER – OUR STUDIO

WE said, in the last chapter, that in Algiers there was very little going on for the visitor or idler; but if the traveller have anything of the artist in him, he will be delighted with the old town. If he is wise he will spend the first week in wandering about, and losing himself in the winding streets, going here, there, and everywhere on a picturesque tour of inspection. His artistic tendencies will probably lead him to spend much time in the Moorish cafés, where he may sit down unmolested (if unwelcomed) for hours on a mat, and drink his little saucer of thick, sweet coffee, for which he pays one sou, and smoke in the midst of a group of silent Moors, who may perchance acknowledge his presence by a slight gesture, and offer him their pipes, but who will more frequently affect not to see him, and sit still doing absolutely nothing, with that dignified solemnity peculiar to the East.

He will pass through narrow streets and between mysterious-looking old houses that meet over head and shut out the sky; he will jostle often in these narrow ways, soft plump objects in white gauze, whose eyes and ankles give the only visible signs of humanity; he may turn back to watch the wonderful dexterity with which a young Arab girl balances a load of fruit upon her head down to the market place; and he will, if he is not careful, be finally carried down himself by an avalanche of donkeys, driven by a negro gamin who sits on the tail of the last, threading their way noiselessly and swiftly, and carrying everything before them;[7 - How different from what we read of in Æothen. The cry is not, 'Get out of the way, O old man! O virgin! – the Englishman, he comes, he comes!' If we were to push an old man out of the way, or, ever so little, to forget our duty to a fair pedestrian, we should be brought up before the Cadi, and fined and scorned, by a jury of unbelievers!] and he will probably take refuge under the ruined arch of some old mosque, whose graceful lines and rich decoration are still visible here and there, and he will in a few hours be enchanted with the place, and the more so for the reason that we have already hinted at, viz.: – that in Algiers he is let alone, that he is free to wander and 'moon' about at will, without custodian or commissionaire, or any of the tribe of 'valets de place.'

He may go into the Grand Divan; or into the streets where the embroiderers are at work, sitting in front of their open shops, amongst heaps of silks, rich stuffs and every variety of material; or where the old merchant traders, whose occupation is nearly gone, sit smoking out their lazy uncommercial lives.

He may go to the old Moorish bath, in a building of curious pattern, which is as well worth seeing as anything in Algiers; and, if an Arabic scholar, he may pick up an acquaintance or two amongst the Moors, and visit their homes when their wives are away for the day, on some mourning expedition to a suburban cemetery. He may explore innumerable crooked, irregular streets, with low doorways and carved lattices, some painted, some gilt; the little narrow windows and the grilles, being as perfectly after the old type as when the Moors held undivided possession of the city.

One old street, now pulled down, we remember well; it was the one always chosen for an evening stroll because it faced the western sea, and caught and reflected from its pavement and from its white walls, the last rosy tints of sunset, long after the cobblers and the tinkers in the lower town had lighted their little lanterns, and the cafés were flaring in the French quarter. It was steep and narrow, so steep, in fact, that steps were made in the pavement to climb it, and at the upper end there was the dome of a mosque shining in the sun. It was like the child's picture of 'Jacob's ladder,' brighter and more resplendent at each step, and ending in a blaze of gold.

We are often reminded of Spain in these old streets; there are massive wooden doors studded with iron bosses or huge nails as we see them at Toledo, and there is sometimes to be seen over them, the emblem of the human hand pointing upwards, which recalls the Gate of Justice at the entrance to the Alhambra at Granada.

The Moors cling to their old traditions, and the belief that they will some day reconquer Spain is still an article of faith. But if ever the Moors are to regain their imaginary lost possessions in Spain, they must surely be made of sterner stuff than the present race, who, judging from appearances, are little likely to do anything great.

There are little shops and dark niches where the Moors sit cross-legged, with great gourds and festoons of dried fruits hanging above and around them; the piles of red morocco slippers, the oddshaped earthenware vessels, and the wonderful medley of form and colour, resembling in variety the bazaars at Constantinople, or carrying us in imagination still further East.

Other sights and sounds we might mention, some not quite so pleasant but peculiarly Eastern; and we should not forget to note the peculiar scent of herbs and stuffs, which, mingled with the aroma of coffee and tobacco, was sometimes almost overpowering in the little Covered streets; and one odour that went up regularly on Sunday mornings in the Moorish quarter that was not incense, and which it took us a long time to discover the origin of – an Arab branding his donkeys with his monogram!

Everything we purchase is odd and quaint, irregular or curious in some way. Every piece of embroidery, every remnant of old carpet, differs from another in pattern as the leaves on the trees. There is no repetition, and herein lies its charm and true value to us. Every fabric differs either in pattern or combination of colours – it is something, as we said, unique, something to treasure, something that will not remind us of the mill.[8 - The little pattern at the head of this chapter was traced from a piece of embroidered silk, worked by the Moors.]

If we explore still further we shall come to the Arab quarter, where we also find characteristic things. Here we may purchase for about thirty francs a Kabyle match-lock rifle, or an old sabre with beautifully ornamented hilt; we may, if we please, ransack piles of primitive and rusty implements of all kinds, and pick up curious women's ornaments, beads, coral, and anklets of filagree work; and, if we are fortunate, meet with a complete set or suit of harness and trappings, once the property of some insolvent Arab chief, and of a pattern made familiar to us in the illustrated history of the Cid.

In the midst of the Moorish quarter, up a little narrow street (reached in five or six minutes from the centre of the town) passing under an archway and between white walls that nearly meet overhead, we come to a low dark door, with a heavy handle and latch which opens and shuts with a crashing sound; and if we enter the courtyard and ascend a narrow staircase in one corner, we come suddenly upon the interior view of the first or principal floor, of our Moorish home.

The house, as may be seen from the illustration, has two stories, and there is also an upper terrace from which we overlook the town. The arrangement of the rooms round the courtyard, all opening inwards, is excellent; they are cool in summer, and warm even on the coldest nights, and although we are in a noisy and thickly populated part of the town, we are ignorant of what goes on outside, the massive walls keeping out nearly all sound. The floors and walls are tiled, so that they can be cleansed and cooled by water being thrown over them; the carpets and cushions spread about invite one to the most luxurious repose, tables and chairs are unknown, there is nothing to offend the eye in shape or form, nothing to offend the ear – not even a door to slam.

Above, there is an open terrace, where we sit in the mornings and evenings, and can realise the system of life on the housetops of the East. Here we can cultivate the vine, grow roses and other flowers, build for ourselves extempore arbours, and live literally in the open air.

From this terrace we overlook the flat roofs of the houses of the Moorish part of the city, and if we peep over, down into the streets immediately below us, a curious hum of sounds comes up. Our neighbours are certainly industrious; they embroider, they make slippers, they hammer at metal work, they break earthenware and mend it, and appear to quarrel all day long, within a few feet of us; but as we sit in the room from which our sketch is taken, the sounds become mingled and subdued into a pleasant tinkle which is almost musical, and which we can, if we please, shut out entirely by dropping a curtain across the doorway.

Our attendants are Moorish, and consist of one old woman, whom we see by accident (closely veiled) about once a month, and a bare-legged, bare-footed Arab boy who waits upon us. There are pigeons on the roof, a French poodle that frequents the lower regions, and a guardian of our doorstep who haunts it day and night, whose portrait is given at Chapter V.

Here we work with the greatest freedom and comfort, without interruption or any drawbacks that we can think of. The climate is so equal, warm, and pleasant – even in December and January – that by preference we generally sit on the upper terrace, where we have the perfection of light, and are at the same time sufficiently protected from sun and wind.

At night we sleep almost in the open air, and need scarcely drop the curtains at the arched doorways of our rooms; there are no mosquitoes to trouble us, and there is certainly no fear of intrusion. There is also perfect stillness, for our neighbours are at rest soon after sundown.

Such is a general sketch of our dwelling in Algiers; let us for a moment, by way of contrast, return in imagination to London, and picture to ourselves our friends as they are working at home.

It is considered very desirable, if not essential, to an artist, that his immediate surroundings should be in some sort graceful and harmonious, and it is a lesson worth learning, to see what may be done, with ingenuity and taste, towards converting a single room, in a dingy street, into a fitting abode of the arts.

We know a certain painter well, one whose studio it is always a delight to enter, and whose devotion to Art (both music and painting) for its own sake has always stood in the way of his advancement and pecuniary success. He has converted a room in the neighbourhood of Gower Street into a charming nook where colour, form, and texture are all considered in the simplest details of decoration, where there is nothing inharmonious to eye or ear, but where perhaps the sound of the guitar may be heard a little too often. The walls of his studio are draped, the light falls softly from above, the doorway is arched, the seats are couches or carpets on a raised daïs, a Florentine lamp hangs from the ceiling, a medley of vases, costumes, old armour, &c, are grouped about in picturesque confusion, and our friend, in an easy undress of the last century, works away in the midst.

Not to particularize further, let the reader consider for a moment what one step beyond his own door brings about, on an average winter's day. A straight, ungraceful, colourless costume of the latter half of the nineteenth century which he must assume, a hat of the period, an umbrella raised to keep off sleet and rain, and for landscape a damp, dreary, muddy, blackened street, with a vista of areas and lamp-posts, and, if perchance he be going to the Academy, a walk through the parish of St. Giles!