The Four Corners

THE FAIRY GODMOTHER

As she entered the long living-room, Nan found it deserted except for the presence of Lady Gray, who sleepily stretched out her paws on the broad window-sill where she was taking a nap, and winked one eye at Nan. "Nobody here, at least nobody who counts, if you will excuse the remark, Lady Gray," said Nan, "so I can try my song."

She went to the corner where the melodeon stood. It was piled high with a variety of things; her mother's work-basket, Aunt Sarah's knitting, a scrap-book, and some sheets of paper from which Nan was taking cuttings, the twins' dolls, and a pile of books which she herself had taken from the shelves. All these had to be removed before the song could be tried.

The warm summer sunshine sifted in through the vines that covered the western windows and disclosed the dinginess of the room. An old-fashioned paper, discolored by time, covered the walls; its green and gold had been pleasant to look upon in days gone by, but now it was patched and streaked. Upon the floor was a worn carpet; handsome old mahogany furniture which had lost its polish gave a well-filled appearance to the room, though the springs of the long sofa had been greatly weakened by frequent jumpings upon them, so that the seat of the sofa presented an uphill and down-dale surface, not rendered more inviting by the neutral-toned, frayed upholstery.

A tall secretary with a beautifully leaded glass top had been chosen by some yellow-jackets as a place for building purposes, and they were droning about their mud-bedaubed residences along the edge of the secretary's top.

A handsome centre-table with claw feet was littered with books and magazines. A set of chairs in about the same condition as the sofa evidenced that a constant use had been made of them. The shades at the windows were in a more or less worn condition. Over the mantel hung a portrait of a man in gray uniform, one hand on his sword. His eyes were like Nan's.

Nan began industriously to pick out her tune by working the pedals of the old melodeon vigorously, an operation which was followed by a long-drawn wheezing complaint from somewhere in the interior of the instrument. But Nan did not perceive any reason for amusement; she carefully wrote down her notes one by one, saying aloud "D, d, f, a, – I wish that note would sound. I think it must be a – b, a, – I wonder if it is a; it comes so often, too, I ought to know. Oh, dear, e is out of order, too. Let me see, where was I? Oh, yes, 'blue his eyes,' it is eyes that ought to be e. I reckon I'll know what it is anyhow, even if I don't get it exactly right. 'Blue his eyes,'" she sang softly.

"Nannie," came a voice from the window, "do shut up that dreadful wheezing thing; I want to take a nap."

Nan jumped up and closed the melodeon with a bang. Why was it that Aunt Sarah always wanted to take a nap when she was "composing"? It was always so. Aunt Sarah might go days and never think of napping in the daytime, but let Nan but send forth one note and, if Aunt Sarah were anywhere within hearing distance, there came the order to stop. "I wish I could have it all to myself somewhere out of the way," she said. "I'll ask mother if I may get Landy to take it over in one of the old rooms, or up in the attic or somewhere so nobody will hear me."

Acting upon this idea she sought out her mother who was busy at her sewing-machine. Mrs. Corner looked up brightly, though she did not stop her work when Nan appeared. "Well, daughter?" she said.

"Oh, mother, mayn't I have the old melodeon all to myself somewhere; over in the barn, or in one of the shut up rooms of the wing or in the garret or somewhere so nobody can hear when I am playing?"

"Playing?" An amused pucker came around Mrs. Corner's eyes. "It is truly playing that you do with it. I don't see how I can let you have it, for it is so useful to pile things on in the living-room."

"But mother, a table would do just as well."

"If one had the table."

"I'm sure there must be one somewhere in the garret."

"None that is whole."

"There's one that is only a little rickety in the legs, and Landy could mend that."

"Landy has no time for such things, at least, unless they are absolutely necessary. He has all that he can do."

"Oh, but I do want it so very much. Aunt Sarah always wants to take a nap the minute I begin to play and I always have to stop."

Mrs. Corner smiled again. "I'm not surprised. Don't be unreasonable, Nan. You know it is trying to hear any one wheeze out impossible tunes with one finger, or make distracting discords which are agony to a sensitive ear. You are getting too big to want to drum."

A lump arose in Nan's throat. She was shy of divulging her ambitions. Her mother did not understand that she did not want to drum, but that this was a serious matter. She would not explain, however, but she hurried away with a sense of being aggrieved. Mary Lee and Phil were at that moment deeply interested in watching a family of tadpoles which were about to lose their tails. The two children kept them in an old half-cask and spent many moments in bending over it. Jack and Jean were playing house with paper-dolls in the orchard. No one wanted Nan and she did want her music. She made one more attempt, returning slowly to her mother's door. "If you only just knew, mother, how awfully much I want it, you'd let me have it."

Her mother stopped stitching. "Poor little girl," she spoke sympathetically, "I wish you could have lessons, and that I could give you a good piano to practice on, for I do appreciate your love of music, but dear, I don't see that your efforts on that old worn-out melodeon will bring you the slightest reward; in fact, I have heard it said that it is not well to allow a child to practice on a poor instrument. Now, be reasonable, darling, and don't want impossibilities. You know mother would give you your every heart's desire if she could."

"I know," said Nan weakly as she turned again from the room. A sudden inspiration had seized her, and her heart beat very fast as she made her way back to the retreat in the pines and from there to the hollow and on to the very threshold of the house at Uplands, the old Corner place. She tried the door but it did not yield to her efforts. From window to window she went making an effort to open each. To the side door, the back door and around to the porch on the north side. There were side lights to the door here, and, shading her eyes, Nan tried to peer through into the dimness.

Nan thought she heard sounds within and felt a little scared, then all at once she saw a form in black garments flit across the hall, and with a suppressed scream she turned and fled, crashing through the weeds and underbrush, leaping across the brook and reaching her retreat frightened and wondering. There could be no mistake; some one was certainly there. Was it flesh and blood presence or some ghostly visitor? Uplands had the reputation of being haunted and Nan really believed she had seen the ghost of her great-great-grandmother.

She sat quaking and yet half trying to make up her mind to return for further investigation when a shadow fell across the spot where she sat, and, looking up, she saw a strange little lady standing before her, looking down at her wistfully. The lady was all in black and though her face was young, and her cheeks showed softly pink, her hair was very white. Nan had not seen her approach, and it appeared almost as if she had dropped from the skies. "Who are you?" inquired the little lady.

"One of the four Corners," returned Nan with a sudden smile.

"Which one?"

"Nan."

"I was sure of it. And why were you trying to get into that house?" The little lady nodded toward Uplands.

"Because it is my grandmother's and – and – " She glanced up shyly at the stranger.

"Go on, please," said the lady, taking a seat on an end of Nan's pretended piano. "Did you want anything in particular?"

There was something compelling in the lady's manner, and Nan replied, "Yes, I did. I know I really ought not to have gone, for mother doesn't like us even to cross the brook. She never actually forbids it, but she looks distressed if she finds out that any of us have been over, but I wanted awfully to see if I could get in and try to open the piano. It seems so perfectly dreadful for it to stand there month after month and year after year, no good to anybody, when I'd give my right hand to have it."

"If you gave your right hand for it," said the lady, suddenly dimpling, "you could only play bass, you know, and I don't believe you would care for that."

Nan laughed. "No, I wouldn't. I like the fine high notes, though sometimes I think the growling bass of the organ at church is beautiful. It makes me think of what it says in the Psalter: 'The noise of the seas, the noise of the waves, and the tumult of the people.'"

The lady nodded understandingly and was silently thoughtful for some moments, then she said, "This is a nice little spot." She put her hand upon Nan's improvised music-rack. "What is this for?" she asked.

Nan blushed. "It's just to hold up the music, you know. That's my piano where you are sitting."

"Goodness!" cried the lady, jumping up. "How undignified of me to sit on a piano. Please pardon me; I didn't know."

"Of course not." Nan's eyes grew starlike. It was not only very delightful but very exciting to meet one who so perfectly understood. "You see," she went on, "all I have at home is a dreadful old melodeon that skips notes and wheezes like our old Pete; he has the heaves, you know."

"Poor old Pete," said the lady, with a tender retrospective look in her eyes. "You have the melodeon, yes, and then?"

"Aunt Sarah always wants to take a nap the minute I begin to play, and to-day," her voice dropped and she went nearer to her visitor, "I had made a new tune and I did so want to write it down. I came out here first and tried it; it sounded very well, I thought, but I had written only a little of it when I had to shut the melodeon. Aunt Sarah always does have such inconvenient times for taking naps," she sighed.

"Won't you let me hear your song, or your tune?" said the lady, politely seating herself with an expectant air upon a stump further off.

Nan's cheeks grew redder. She did not like to seem ungracious to this stranger who showed such an unusual interest in her performances and yet her only audience heretofore had been the creatures of the field and the air. "No one has ever heard it but the crows," she said hesitatingly, then impulsively: "You won't laugh?"

"Indeed no, of course not," returned the lady with some real indignation at such a suspicion.

Nan sat still long enough to screw up her courage to the active point, and then drawing from her blouse a bit of paper, she seated herself before her log-piano and began her song. The lady, with cheek in hand, leaned forward and listened intently. Once there was a slight flicker of amusement in her eyes, but for the most part her face was tenderly serious. At the close of the song she said gently: "Thank you, dear. I think that is a very sweet little air for one so young as you to think of. May I see?" She extended her hand for Nan's half-written song. "How will you finish it?" she asked.

"I don't know. I'll have to wait till Aunt Sarah goes out or goes away. I hope I shall not forget it before then. I'll sing it over every day and then maybe I won't forget."

The lady looked at her thoughtfully for a minute. "Can you keep a secret?" she asked suddenly.

"Oh, yes. Why, nobody, not even Mary Lee, has an idea about this." She waved her hand to include her music-room retreat.

"Then promise not to tell a soul."

"I promise." Nan's eyes grew eager.

"I am your fairy godmother, and if you will meet me under the sunset tree to-morrow morning at ten o'clock, I will conduct you to a place where you can finish your song undisturbed, for I guarantee Aunt Sarah will not be caught napping within hearing of you and the melodeon."