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The Poetical Works of William Lisle Bowles Vol. 2

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Год написания книги
2017
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While thousands gasp and die beneath the wheels,
As they go groaning on, 'mid cries, and drums,
And flashing cymbals, and delirious songs
Of tinkling dancing girls, and all the rout
Of frantic superstition! Turn away!
And is not Juggernaut himself with us?
Not only cold insidious sophistry
Comes, blinking with its taper-fume, to light,
If so he may, the sun in the mid heaven!
Not only blind and hideous blasphemy
Scowls in his cloak, and mocks the glorious orb,
Ascending, in its silence, o'er a world
Of sin and sorrow; but a hellish brood
Of imps, and fiends, and phantoms, ape the form
Of godliness, till godliness itself
Seems but a painted monster, and a name
For darker crimes, at which the shuddering heart
Shrinks; while the ranting rout, as they march on,
Mock Heaven with hymns, till, see! pale Belial
Sighs o'er a filthy tract, and Moloch marks,
With gouts of blood, his brandished magazine!
Start, monster, from the dismal dream! Look up!
Oh! listen to the apostolic voice,
That, like a voice from heaven, proclaims, To faith
Add virtue! There is no mistaking here;
Whilst moral education by the hand
Shall lead the children to the house of God,
Nor sever Christian faith from Christian love.
If we would see the fruits of charity,
Look at that village group, and paint the scene!
Surrounded by a clear and silent stream,
Where the swift trout shoots from the sudden ray,
A rural mansion on the level lawn
Uplifts its ancient gables, whose slant shade
Is drawn, as with a line, from roof to porch,
Whilst all the rest is sunshine. O'er the trees
In front, the village church, with pinnacles
And light gray tower, appears; whilst to the right,
An amphitheatre of oaks extends
Its sweep, till, more abrupt, a wooded knoll,
Where once a castle frowned, closes the scene.
And see! an infant troop, with flags and drum,
Are marching o'er that bridge, beneath the woods,
On to the table spread upon the lawn,
Raising their little hands when grace is said;
Whilst she who taught them to lift up their hearts
In prayer, and to "remember, in their youth,"
God, "their Creator," mistress of the scene
(Whom I remember once as young), looks on,
Blessing them in the silence of her heart.
And we too bless them. Oh! away, away!
Cant, heartless cant, and that economy,
Cold, and miscalled "political," away!
Let the bells ring – a Puritan turns pale
To hear the festive sound: let the bells ring —
A Christian loves them; and this holiday
Remembers him, while sighs unbidden steal,
Of life's departing and departed days,
When he himself was young, and heard the bells,
In unison with feelings of his heart —
His first pure Christian feelings, hallowing
The harmonious sound!
And, children, now rejoice, —
Now, for the holidays of life are few;
Nor let the rustic minstrel tune, in vain,
The cracked church-viol, resonant to-day
Of mirth, though humble! Let the fiddle scrape
Its merriment, and let the joyous group
Dance in a round, for soon the ills of life
Will come! Enough, if one day in the year,
If one brief day, of this brief life, be given
To mirth as innocent as yours! But, lo!
That ancient woman, leaning on her staff!
Pale, on her crutch she rests one withered hand;
One withered hand, which Gerard Dow might paint,
Even its blue veins! And who is she? The nurse
Of the fair mistress of the scene: she led
Her tottering steps in infancy – she spelt
Her earliest lesson to her; and she now
Leans from that open window, while she thinks —
When summer comes again, the turf will lie
On my cold breast; but I rejoice to see
My child thus leading on the progeny
Of her poor neighbours in the peaceful path
Of humble virtue! I shall be at rest,
Perhaps, when next they meet; but my last prayer
Is with them, and the mistress of this home.
"The innocent are gay,"[36 - Cowper.] gay as the lark
That sings in morn's first sunshine; and why not?
But may they ne'er forget, as life steals on,
In age, the lessons they have learned in youth!
How false the charge, how foul the calumny
On England's generous aristocracy,
That, wrapped in sordid, selfish apathy,
They feel not for the poor!
Ask, is it true?
Lord of the whirling wheels, the charge is false![37 - The English landlord has been held up to obloquy, as endeavouring to keep up the price of corn, for his own sordid interest; but rent never leads, it only follows, and the utmost a landlord can get for his capital is three per cent., whereas the lord of whirling wheels gains thirty per cent.]
Ten thousand charities adorn the land,
Beyond thy cold conception, from this source.
What cottage child but has been neatly clad,
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