Complete Poetical Works

Still she lost him with the folding of the great white-tented seas;
Until hollows chased the dimples from her cheeks of olive brown,
And at times a swift, shy moisture dragged the long sweet lashes down;
Or the small mouth curved and quivered as for some denied caress,
And the fair young brow was knitted in an infantine distress.
Then the grim Commander, pacing where the brazen cannon are,
Comforted the maid with proverbs, wisdom gathered from afar;
Bits of ancient observation by his fathers garnered, each
As a pebble worn and polished in the current of his speech:
"'Those who wait the coming rider travel twice as far as he;'
'Tired wench and coming butter never did in time agree;'
"'He that getteth himself honey, though a clown, he shall have flies;'
'In the end God grinds the miller;' 'In the dark the mole has eyes;'
"'He whose father is Alcalde of his trial hath no fear,'—
And be sure the Count has reasons that will make his conduct clear."
Then the voice sententious faltered, and the wisdom it would teach
Lost itself in fondest trifles of his soft Castilian speech;
And on "Concha" "Conchitita," and "Conchita" he would dwell
With the fond reiteration which the Spaniard knows so well.
So with proverbs and caresses, half in faith and half in doubt,
Every day some hope was kindled, flickered, faded, and went out.

IV

Yearly, down the hillside sweeping, came the stately cavalcade,
Bringing revel to vaquero, joy and comfort to each maid;
Bringing days of formal visit, social feast and rustic sport,
Of bull-baiting on the plaza, of love-making in the court.
Vainly then at Concha's lattice, vainly as the idle wind,
Rose the thin high Spanish tenor that bespoke the youth too kind;
Vainly, leaning from their saddles, caballeros, bold and fleet,
Plucked for her the buried chicken from beneath their mustang's feet;
So in vain the barren hillsides with their gay serapes blazed,—
Blazed and vanished in the dust-cloud that their flying hoofs had
raised.
Then the drum called from the rampart, and once more, with patient
mien,
The Commander and his daughter each took up the dull routine,—
Each took up the petty duties of a life apart and lone,
Till the slow years wrought a music in its dreary monotone.

V

Forty years on wall and bastion swept the hollow idle breeze,
Since the Russian eagle fluttered from the California seas;
Forty years on wall and bastion wrought its slow but sure decay,
And St. George's cross was lifted in the port of Monterey;
And the citadel was lighted, and the hall was gayly drest,
All to honor Sir George Simpson, famous traveler and guest.
Far and near the people gathered to the costly banquet set,
And exchanged congratulations with the English baronet;
Till, the formal speeches ended, and amidst the laugh and wine,
Some one spoke of Concha's lover,—heedless of the warning sign.
Quickly then cried Sir George Simpson: "Speak no ill of him, I pray!
He is dead.  He died, poor fellow, forty years ago this day,—
"Died while speeding home to Russia, falling from a fractious horse.
Left a sweetheart, too, they tell me.  Married, I suppose, of course!
"Lives she yet?"  A deathlike silence fell on banquet, guests, and
hall,
And a trembling figure rising fixed the awestruck gaze of all.
Two black eyes in darkened orbits gleamed beneath the nun's white hood;
Black serge hid the wasted figure, bowed and stricken where it stood.
"Lives she yet?" Sir George repeated.  All were hushed as Concha drew
Closer yet her nun's attire.  "Senor, pardon, she died, too!"

"FOR THE KING"

    (NORTHERN MEXICO, 1640)

As you look from the plaza at Leon west
You can see her house, but the view is best
From the porch of the church where she lies at rest;

Where much of her past still lives, I think,
In the scowling brows and sidelong blink
Of the worshiping throng that rise or sink

To the waxen saints that, yellow and lank,
Lean out from their niches, rank on rank,
With a bloodless Saviour on either flank;

In the gouty pillars, whose cracks begin
To show the adobe core within,—
A soul of earth in a whitewashed skin.

And I think that the moral of all, you'll say,
Is the sculptured legend that moulds away
On a tomb in the choir: "Por el Rey."

"Por el Rey!"  Well, the king is gone
Ages ago, and the Hapsburg one
Shot—but the Rock of the Church lives on.

"Por el Rey!"  What matters, indeed,
If king or president succeed
To a country haggard with sloth and greed,

As long as one granary is fat,
And yonder priest, in a shovel hat,
Peeps out from the bin like a sleek brown rat?