Then might you sing like Theocritus or Virgil,
Then might we each make a metrical essay;
But verse just now—I must protest and urge—ill
Fits a digestion by travel led astray.
CHORUS OF PASSENGERS
Speed, Yuba Bill! oh, speed us to our dinner!
Speed to the sunset that beckons far away.
SECOND TOURIST
William of Yuba, O Son of Nimshi, hearken!
Check thy profanity, but not thy chariot's play.
Tell us, O William, before the shadows darken,
Where, and, oh! how we shall dine? O William, say!
YUBA BILL
It ain't my fault, nor the Kumpeney's, I reckon,
Ye can't get ez square meal ez any on the Bay,
Up at you place, whar the senset 'pears to beckon—
Ez thet sharp allows in his airy sort o' way.
Thar woz a place wor yer hash ye might hev wrestled,
Kept by a woman ez chipper ez a jay—
Warm in her breast all the morning sunshine nestled;
Red on her cheeks all the evening's sunshine lay.
SECOND TOURIST
Praise is but breath, O chariot compeller!
Yet of that hash we would bid you farther say.
YUBA BILL
Thar woz a snipe—like you, a fancy tourist—
Kem to that ranch ez if to make a stay,
Ran off the gal, and ruined jist the purist
Critter that lived—
STRANGER (quietly)
You're a liar, driver!
YUBA BILL (reaching for his revolver).
Eh!
Here take my lines, somebody—
CHORUS OF PASSENGERS
Hush, boys! listen!
Inside there's a lady! Remember! No affray!
YUBA BILL
Ef that man lives, the fault ain't mine or his'n.
STRANGER
Wait for the sunset that beckons far away,
Then—as you will! But, meantime, friends, believe me,
Nowhere on earth lives a purer woman; nay,
If my perceptions do surely not deceive me,
She is the lady we have inside to-day.
As for the man—you see that blackened pine tree,
Up which the green vine creeps heavenward away!
He was that scarred trunk, and she the vine that sweetly
Clothed him with life again, and lifted—
SECOND TOURIST
Yes; but pray
How know you this?
STRANGER
She's my wife.
YUBA BILL
The h-ll you say!
THOMPSON OF ANGELS
It is the story of Thompson—of Thompson, the hero of Angels.
Frequently drunk was Thompson, but always polite to the stranger;
Light and free was the touch of Thompson upon his revolver;
Great the mortality incident on that lightness and freedom.
Yet not happy or gay was Thompson, the hero of Angels;
Often spoke to himself in accents of anguish and sorrow,
"Why do I make the graves of the frivolous youth who in folly
Thoughtlessly pass my revolver, forgetting its lightness and freedom?
"Why in my daily walks does the surgeon drop his left eyelid,
The undertaker smile, and the sculptor of gravestone marbles
Lean on his chisel and gaze? I care not o'er much for attention;
Simple am I in my ways, save but for this lightness and freedom."
So spake that pensive man—this Thompson, the hero of Angels,
Bitterly smiled to himself, as he strode through the chapparal musing.
"Why, oh, why?" echoed the pines in the dark olive depth far
resounding.