A Prairie Infanta

"I am making nothing; I am finished," said Lola. "To-morrow you shall see my work." Jane felt taken aback. It had been work, then; not simple play. She awaited what should follow with curious interest.

Upon the next morning Lola ran off through the alfalfa rather excitedly. After a little she reappeared, walking slowly, with an air of importance. She carried something carefully before her, holding it above the reach of the alfalfa's snatching green fingers.

It was a square pedestal of adobe, sun-baked hard as stone, upon which sat a queer adobe creature, with a lean body and a great bulbous head. This personage showed the presence in his anatomy of an element of finely chopped straw. His slits of eyes were turned prayerfully upward. From his widely open mouth hung a thirsty mud tongue, and between his knobby knees he held an empty bowl, toward the filling of which his whole expression seemed an invocation.

"He is for you," said Lola, beaming artistic gratification. "He is to show my thanks for your caring for me in my broken-bonedness. He is Tesuque, the rain-god. You can let your ditches fill with weeds, if you like. You won't need to irrigate your vega any more. Tesuque will make showers come."

Jane trembled with surprised pleasure. The powers ascribed to Tesuque were hardly accountable for the gratification with which she received him.

"I'll value him as long as I live!" she exclaimed. "He – he's real handsome!"

"Not handsome," corrected Lola, with a tone of modest pride, "but good! He makes the rain come. In Taos are many Tesuques."

"I reckon it must rain considerable there," surmised Jane, not unnaturally.

Lola shook her head. "No. It's pretty dry – but it wouldn't rain at all, you see, if it wasn't for Tesuque!"

This logic was irresistible. Jane dwelt smilingly upon it as she set the rain-god on the mantel, with a crockery bowl of yellow daisies to maintain his state. Afterward, a dark, adder-like compunction glided through the flowery expanse of her joy in Tesuque, as she wondered if there was not something heathenish in his lordly enshrinement upon a Christian mantelpiece.

"Maybe he's an idol!" thought Jane. "Lola," she asked, perturbed, "you don't pray to Tersookey, do you?" Lola looked horrified.

"Me? Maria Santissima! I am of the Church! Tesuque is not to pray to. I hope you have not been making your worship to him. It is like this, señora: You plant the seed and the leaf comes; you set out Tesuque and rain falls. It is quite simple."

Jane rested in this easy and convincing philosophy. She saw the joke of Lola's advice to her not to misplace her devotions, and one day she repeated the story to the doctor, showing him the rain-god.

"Do you know," said the doctor, handling Tesuque, "that this thing is surprisingly well-modeled? The Mexicans can do anything with adobe, but this has something about it beyond the reach of most of them."

After this, a pleasanter atmosphere spread in Jane's dwelling. Lola often unbent to talk. Sometimes she sewed a little on the frocks and aprons, preparing for her school career. Oftener she worked in her roofless pottery by the ditch, where many a queer jug and vase and bowl, gaudy with ochre and Indian red, came into being and passed early to dust again, for want of firing. Jane found these things engrossing. She liked to sit and watch them grow under Lola's fingers, while the purple alfalfa flowers shed abroad sweet odors, and the ditch-water sang softly at her feet. As she sat thus one afternoon, Alejandro Vigil came running across the field, waving a letter.

"'Tis for you, Lolita!" he cried. "My father read the marks. It is from Cripple Creek!"

"Oh, give me! give me!" cried Lola, flinging down a mud dish.

Jane had taken the letter. "It's for me, dear," she said, beginning to open it. "I'll read it aloud – " She paused. Her face had a gray color.

Lola held out her hands in a passion of joy and eagerness. "What does he say? Oh, hurry! Oh, let me have it!"

Jane suddenly crushed the letter, and her eyes were stern as she withdrew it resolutely from Lola's reaching fingers.

"No, Lola, no!" she said, in a sharp tone. "I – can't let you have this letter! I can't! I can't!"

CHAPTER THREEA

TRUE BENEFACTRESS

Lola's breath was suspended in amazement. Indignation flashed from her eyes. She dropped her hands and Jane saw the fingers clench."It is my father's letter – and you keep it from me? You are cruel!" said Lola, passionately.Jane's eyes, set on the ground, seemed to see there, in fiery type, the words of the paper in her grasp. Those scrawling lines, roaming from blot to blot across the soiled sheet, had communicated to Jane no pain of a personal sort. So far, indeed, as their trend took her on the score of feeling, she might even have found something satisfying in Mr. Keene's news, since this was merely a statement of his financial disability. All along Jane had been dreading the hour when, instead of this frank disclosure of "hard luck," there should come to her a parcel of money. Not to have any money to send might conjecturally be distressing to Mr. Keene; but Jane felt that he would be able to endure his embarrassment better than she herself any question of barter respecting Lola.

Lola's breath was suspended in amazement. Indignation flashed from her eyes. She dropped her hands and Jane saw the fingers clench.

"It is my father's letter – and you keep it from me? You are cruel!" said Lola, passionately.

Jane's eyes, set on the ground, seemed to see there, in fiery type, the words of the paper in her grasp. Those scrawling lines, roaming from blot to blot across the soiled sheet, had communicated to Jane no pain of a personal sort. So far, indeed, as their trend took her on the score of feeling, she might even have found something satisfying in Mr. Keene's news, since this was merely a statement of his financial disability. All along Jane had been dreading the hour when, instead of this frank disclosure of "hard luck," there should come to her a parcel of money. Not to have any money to send might conjecturally be distressing to Mr. Keene; but Jane felt that he would be able to endure his embarrassment better than she herself any question of barter respecting Lola.

The very thought of being paid for what she had so freely given hurt Jane. Without realizing its coldness and emptiness, her life had been truly void of human warmth before the little, lonely girl stole in to fill it with her piteous, proud presence. A happier child, with more childish ways, might not so fully have compassed Jane's awakening; for this had been in proportion to the needs of the one who so forlornly made plea for entrance. Having once thrown wide the door of her heart, Jane had begun to understand the blessedness that lies in generosity. Lola might never care for her, indeed; but to Lola she owed the impulse of loving self-bestowal, which is as shining sunlight in the bosom.

Mr. Keene wrote that the claim he had been working had proved valueless. He expected better luck next time; but just now he could not do as he had intended for Lola; and in view of his unsettled circumstances he thought it might be well if Miss Combs could place the girl in some family where her services would be acceptable.

"Life," he wrote, was at best "a rough proposition," and it would doubtless be good for Lola, who had sundry faults of temper, to learn this fact early. For the present she would have to give up all idea of going to school. Mr. Keene would be sorry if the prospect displeased his daughter, but people couldn't have everything their own way in this world.

Such words as these Jane instinctively knew would fall crushingly upon Lola, and leave her in a sorry plight of abject, hardening thought. Therefore, steeling herself to bear the girl's misinterpretation, she said, "Lola, your father wouldn't want you to see this letter. It's on business."

"Does he say I'm not to see it?" asked Lola.

Jane's brows twisted painfully. "No," she said, "but – "

Lola turned away. Every line of her figure was eloquent of grievance. She walked off without a glance to apprise her of the anguish in Jane's face. Slowly Jane went toward the house; whereupon Alejandro Vigil, who had continued an interested spectator, followed Lola to the ditch.

"If thou hadst wept, she would have given thee the letter," he suggested. "My mother, she always gives up to us when we weep loudly. A still baby gets no milk," said Alejandro, wisely, as he hugged his bare knees.

"I am no baby!" retorted Lola. Nevertheless her voice was husky, and Alejandro watched her anxiously.

"It's no good to cry now," he advised her. "She's gone into the house."

"Tonto! Do you think I want her to see me?" wept Lola. "She is hard and cruel. O my father!"

"Come over and tell my mother about it!" urged the boy, troubled. "You are Mexican like us, no? Your mother was Mexican? Come! My mother will say what is best to do."

Lola listened. She let herself be dragged up. An adviser might speak some word of wisdom. "Come, then," she agreed.

But Señora Vigil, on hearing the story, only groaned and sighed.

"These Americans have the heart of ice!" she said. "Doubtless there was money in the letter and she did not want you to know. Serafita, leave thy sister alone, or I will beat thee! It will be best, Lolita, to say little. A close mouth catches no flies."

"I may not stay here with you?" asked Lola.

"Alas, no, little pigeon!" mourned the señora. "In the cage where thy father has put thee thou must stay! But come and tell me everything. This shall be thy house when thou art in trouble!" and thus defining the limits of her hospitality, she made a gesture toward the mud walls on which strings of goat meat were drying in a sanguinary fringe.

Autumn fell bright on the foot-hills. The plains blazed with yellow flowers which seemed to run in streams of molten gold from every cañon, and linger in great pools on the flats and line all the ditches. Ricks of green and silver rose all along the Apishapa. Alfalfa was purple to the last crop, and an air of affluence pervaded everything.

The town was thronged with ranchers, coming in to trade; the mine had started up for the winter. Men who had prospected for precious metals all summer in the mountains now bundled their pots and pans and blankets back to shelter for the winter; the long-eared burros, lost in great rolls of bedding, stood about the tipple awaiting the result of their masters' interviews with the mine boss, concerning work and the occupancy of any "shack" that might still be empty.

Now, too, the bell of the red-brick school clamored loudly of mornings; and dark, taciturn Mexican children, and paler, noisier children from the mining end of town, bubbled out of every door. Seven Vigils obeyed the daily summons, clad, boy and girl, in cotton stuff of precisely the hue of their skin. Bobbing through the gate, one after another, they were like a family of little dun-colored prairie-dogs, of a hue with their adobe dwelling, shy and brown and bright-eyed.

Among them Lola had an effect of tropical brilliancy, by reason of the red frock with which Jane had provided her. There were red ribbons also in Lola's braided hair; and the girl, although still aware of bitter wrongs, was sensible of being pleased with her raiment. More than once on her way to school that first day she looked at the breadths of her scarlet cashmere with a gratified eye; and catching her at this, Ana Vigil had sighed disapprovingly, saying, "It is too good for every day – that dress."

"It isn't too good for me!" flashed back Lola. "My father can do what he likes!"

"True," said Ana, "since he has a gold-mine. But even if I were rich, I should fear that the saints might punish me for wearing to school my best clothes. I would wish to win their good-will by wearing no finery," said Ana, piously. She was a plump girl, with eyes like splinters of coal in her suave brown face; despite the extreme softness of her voice, these glittering splinters rested with no gentle ray on Lola.