Historic Boys: Their Endeavours, Their Achievements, and Their Times

"Down with Mazarin!" It was the rallying cry that stirred the excitable people of Paris to riot and violence in those old days of strife and civil war, over two hundred years ago, – the troublesome time of the Fronde. The court of the Queen Regent Anne, the Parliament of Paris, and the great princes of France were struggling for the mastery, in a quarrel so foolish and unnecessary that history has called it "the war of the children," and its very nickname, "the Fronde," was taken from the fronde, or sling, which the mischievous boys of Paris used in their heedless street fights. Probably not one half of those who shouted so loudly "Down with Mazarin!" understood what the quarrel was about, nor just why they should rage so violently against the unpopular prime-minister of the queen regent, the Italian Cardinal Mazarin. But they had grown to believe that the scarcity of bread, the pinching pains of hunger, the poverty, and wretchedness which they all did understand were due, somehow, to this hated Mazarin, and they were therefore ready to flame up in an instant and to shout "Down with Mazarin!" until they were hoarse.

And now in the great palace all was confusion. Lights flashed from turret to guard-room, casting flickering shadows in the long passages, and gleaming on the gay liveries of the guard as it stood to arms in the gallery where Olympia and Armand had held hurried conversation. Below, the narrow postern opened hastily, and through the swaying and excited crowd pressed the Captain Destouches and his escort of Swiss guards, hurrying with his report to his master, the timorous Duke of Orleans, uncle of the king, and bitter enemy of Mazarin and the regent.

"The King! the King!" rose the people's cry, as they crowded Destouches' little band.

"He is in there," said the guardsman, pointing to the palace.

"Can one see him?" demanded a rough fellow, dashing a flambeau close to the guardsman's face.

Destouches shrugged his shoulders meaningly. "Friend," he said, "I have just seen his little Majesty asleep. Why should not you?"

"The King! the King! We must see the King!" shout the swaying crowd. There is a dash against the trellised gates of the palace, a dash and then a mighty crash, and, as the outer gate falls before the people's assault, the great alarm bell of the palace booms out its note of danger. Then guards and gentlemen press hastily toward the royal apartments in defence of the queen and her sons, while ladies, and pages, and servants scatter and hide in terror.

But Anne, Queen Regent of France, was as brave as she was shrewd.

"What is the people's wish?" she demanded, as the Duc de Beaufort entered her apartment.

"To see his Majesty with their own eyes, they say," was the reply.

"But can they not trust their queen, my lord?" she asked.

"Their queen, your Highness? Yes. But not Mazarin," said the blunt duke.

"Ho, there, d'Aumont," said the queen to the captain of the palace guard, "bid that the portals be opened at once! Draw off your guard. And you, my lords, stand aside; we will show the king to our good people of Paris and defeat the plots of our enemies. Bid the people enter."

"But – " said d'Aumont, hesitatingly, fearful as to the result of this concession to the mob.

"Give me no buts!" said Anne, imperiously. "Bid the people enter," and, unattended save by M. de Villeroi, the king's governor, and two of her ladies-in-waiting, she passed quickly through the gallery that led to the magnificent bedchamber of the little King Louis.

"What now, madame?" was the greeting she received from a handsome, auburn-haired boy of twelve, who, as she entered the apartment, was sitting upright in his bed. "Laporte tells me that the rabble are in the palace."

"Lie down, my son," said the queen, "and if ever you seemed to sleep, seem to do so now. Your safety, your crown, perhaps your life, depend upon this masking. The people are crowding the palace, demanding to see with their own eyes that I have not taken you away to St. Germain."

Young Louis of Bourbon flushed angrily. "The people!" he exclaimed. "How dare they? Why does not Villeroi order the Swiss guard to drive the ruffians out?"

"Hush, my Louis," his mother said. "You have other enemies than these barbarians of Paris. Your time has not yet come. Help me play my part and these frondeurs may yet feel the force of your sling. Hark, they are here!"

The angry boy dropped upon his pillow and closed his eyes in pretended sleep, while his mother softly opened the door of the apartment, and faced the mob alone. For, obedient to her order, the great portals of the palace had been opened, and up the broad staircase now pushed and scrambled the successful mob. The people were in the palace of the king.

"Enter, my friends," said the intrepid queen, as rough, disordered, and flushed with the novelty of success, the eager crowd halted in presence of royalty. "Enter, my friends; but – softly. The king sleeps. They said falsely who declared that I sought to steal the king from his faithful people of Paris. See for yourselves!" and she swung open the door of the chamber; "here lies your king!" With ready hand she parted the heavy curtains of the splendid bed, and, with finger on lip as if in caution, she beckoned the people to approach the bedside of their boy king.

And then came a singular change. For, as they looked upon the flushed face and the long, disordered hair of that beautiful boy, whose regular breathing seemed to indicate the healthy sleep of childhood, the howling, rebellious rabble of the outer gates became a reverent and loyal throng, which quietly and almost noiselessly filed past the royal bed upon which that strong-willed boy of twelve lay in a "make-believe" sleep.

For two long midnight hours on that memorable tenth of February, 1651, did mother and son endure this trying ordeal. At length it was over. The last burgher had departed, the great gates were closed, the guards were replaced, and, as shouts of "Vive le roi" came from the jubilant crowd without, the boy king sprang from his splendid bed and, quivering with shame and rage, shook his little fist toward the cheering people. For, from boyhood, young Louis of Bourbon had been taught to regard himself as the most important lad in all the world. Think, then, what a terrible shock to his pride must have been this invasion of his palace by the people, whom he had been taught to despise.

The angry quarrel of the Fronde raged high for full five months after this midnight reception in the king's bedchamber, but at last came the eventful day which was to fulfil the boy's oft-repeated wish – the day of his majority. For, according to a law of the realm, a king of France could be declared of age at thirteen; and young Louis of Bourbon, naturally a high-spirited lad, had been made even more proud and imperious by his surroundings and education. He chafed under the restraints of the regency, and hailed with delight the day that should set him free.

It was the seventh of August, 1651. Through the echoing streets of Paris wound a glittering cavalcade, gay with streaming banners and a wealth of gorgeous color. With trumpeters in blue velvet and heralds in complete armor, with princes and nobles and high officials mounted on horses gleaming in housings of silver and gold, with horse-guards and foot-guards, pages and attendants, in brilliant uniforms and liveries, rode young King Louis, "Louis the God-given," as his subjects called him, to hold his "Bed of Justice," and proclaim himself absolute king of France. He was a noble-looking young fellow, and he rode his splendid Barbary horse dressed so magnificently that he looked almost "like a golden statue." What wonder that the enthusiastic and loyal Aubery is carried away by his admiration of this kingly boy. "Handsome as Adonis," writes the chronicler. "August in majesty, the pride and joy of humanity, the king looked so tall and majestic that his age would have been thought to be eighteen."

And so through the same mob that five months before had howled around the palace of the imprisoned king, young Louis of Bourbon, rode on to the Palace of Justice while the streets echoed to the loyal shouts of "Vive le roi!" The glittering procession swept into the great hall of the palace and gathered around the throne. And a singular throne it was. On a broad dais, topped with a canopy of crimson and gold, five great cushions were arranged. This was the young king's "Bed of Justice," as it was called. Seating himself upon one cushion, "extending his arms and legs upon three others and using the fifth to lean against," this boy of thirteen, with his plumed and jewelled cap on his head, while every one else remained uncovered, said, in a clear and steady voice: "Messieurs: I have summoned my Parliament to inform its members that, in accordance with the laws of my realm, it is my intention henceforth to assume the government of my kingdom." Then princes and lords, from little "Monsieur," the ten-year-old brother of the king, to the gray old Marshals of France, bent the knee in allegiance, and back to the Palais Royal with his glittering procession, and amid the jubilant shouts of the people, rode the boy king of France, Louis of Bourbon, "King Louis Quatorze."

But alas for the ups and downs of life! This long-wished-for day of freedom did not bring to young Louis the absolute obedience he expected. The struggles of the Fronde still continued, and before the spring of the next year this same haughty young monarch who, in that gorgeous August pageant, had glittered like a "golden statue," found himself with his court, fugitives from Paris, and crowded into stuffy little rooms or uncomfortable old castles, fearful of capture, while not far away the cannons of the two great generals, Turenne and Condé thundered at each other across the Loire, in all the fury of civil war. Something of a bully by nature, for all his blood and kingliness, young Louis seems to have taken a special delight, during these months of wandering, in tormenting his equally high-spirited brother, the little "Monsieur"; and there flashes across the years a very "realistic" picture of a narrow room in the old chateau of Corbeil, in which, upon a narrow bed, two angry boys are rolling and pulling and scratching in a bitter "pillow-fight," brought on by some piece of boyish tyranny on the elder brother's part. And these two boys are not the "frondeurs" of the Paris streets, but the highest dignitaries, of France – her king and her royal prince. There is but little difference in the make-up of a boy, you see, whether he be prince or pauper.

But even intrigue and quarrel may wear themselves out. Court and people alike wearied of the foolish and ineffectual strivings of the Fronde, and so it came about that in the fall of 1652, after a year of exile, the gates of Paris opened to the king, while the unpopular Mazarin, so long the object of public hatred, the man who had been exiled and outlawed, hunted and hounded for years, now returned to Paris as the chief adviser of the boy-king, with shouts of welcome filling the streets that for so many years had resounded with the cry of "Down with Mazarin!"

And now the gay court of King Louis Fourteenth blazed forth in all the brilliancy of pomp and pleasure. The boy, himself, as courageous in the trenches and on the battle-field as he was royal and imperious in his audience-chamber, became the hero and idol of the people. Life at his court was very joyous and delightful to the crowd of gay, fun-loving, and unthinking young courtiers who thronged around this powerful young king of fifteen; and not the least brilliant and lively in the royal train were Olympia Mancini and the young Count of Guiche, both proud of their prominence as favorites of the king.

One pleasant afternoon in the early autumn of 1653, a glittering company filled the little theatre of the Hotel de Petit Bourbon, near to the Louvre. The curtain parted, and, now soft and sweet, now fast and furious, the music rose and fell, as the company of amateurs – young nobles and demoiselles of the court – danced, declaimed, and sang through all the mirth and action of one of the lively plays of that period written for the king by Monsieur Benserade.

In one of the numbers of the ballet, Mars and Venus stood at the wings awaiting their cue and watching the graceful dancing of a nimble dryad who, beset by a cruel satyr, changed speedily into the tuneful Apollo, vanquished the surprised satyr, and then sang to the accompaniment of his own lute the high-sounding praises of the great and glorious "King Louis Quatorze."

And Mars said to Venus: "Our noble brother Immortal sings divinely; does he not, Olympia? – or thinks he does," he added, in a whisper.

"Hush, Count Armand," Venus replied, holding up a warning finger. "Your last words are barely short of treason."

"Is it treason to tell the truth, fair Olympia?" asked the boy courtier. "Sure, you hear little enough of it from royal lips."

Olympia tossed her pretty head disdainfully. "And how can you know, Sir Count, that his Majesty does not mean truthfully all the pretty things he says to me? Ay, sir, and perhaps – "

"Well! perhaps what, Mam'selle?" Count Armand asked, as the imperious little lady hesitated in her speech.

"Perhaps – well – who knows? Perhaps, some day, Count Armand, you may rue on bended knee the sharp things you are now so fond of saying to me – to me, who may then be – Olympia, Queen of France!"

Armand laughed softly. "Ho, stands my lady there?" he said. "I kiss your Majesty's hand, and sue for pardon," and he bent in mock reverence above the beautiful hand which the young king admired, and the courtiers, therefore, dutifully raved over. "But – " he added, slowly.

"But what, Count?" Olympia exclaimed, hastily withdrawing her hand.

"Why, his Majesty says just as many and as pretty things, believe me, to all the fair young demoiselles of his court."

"Ay, but he means them with me," the girl protested. "Why, Count, who can stand before me in the king's eyes? Can the little square-nozed Montmorency, or the straw-colored Marie de Villeroi? Can – ah, Count, is it, think you, that very proper little girl sitting there so demurely by her mamma in the fauteuil yonder – is it she that may be foremost in the king's thoughts?"

"What, the Princess Henrietta of England?" exclaimed the count. "Ah, no, Olympia; trust me, le Dieu-donné looks higher than the poverty-stricken daughter of a headless king and a crownless queen. There is nought to fear from her. But, come, there is our cue," and, with a gay song upon their gossipy lips, Mars and Venus danced in upon the stage, while a terrible Fury circled around them in a mad whirl. And amid the applause of the spectators the three bowed low in acknowledgment, but the Fury received by far the largest share of the bravas– for you must know that the nimble dryad, the tuneful Apollo, and the madly whirling Fury were alike his gracious Majesty, Louis, King of France, who was passionately fond of amateur theatricals, sometimes appearing in four or five different characters in a single ballet.

That very evening the most select of the court circle thronged the spacious apartments of the queen-mother in attendance at the ball given to the widowed queen of England, who, since the execution of her unfortunate husband, Charles the First, had found shelter at the court of her cousin Louis. And with her came her daughter, the little Princess Henrietta, a fair and timid child of eleven.

The violins sounded the call to places in the bransle, the favorite dance of the gay court, and Count Armand noted the smile of triumph which Mam'selle Olympia turned toward him, as King Louis solicited her hand for the dance. And yet she paused before accepting this invitation, for she knew that the honor of opening the dance with the king belonged to the little Henrietta, the guest of the evening. She was still halting between desire and decorum, when Anne, the queen-mother, rising in evident surprise at this uncivil action of her son, stepped down from her seat and quietly withdrew the young girl's hand from that of the king.

"My Louis," she said, in a low voice, "this is but scant courtesy to your cousin and guest, the Princess of England."

The boy's face flushed indignantly at this interference with his wishes, and looking towards the timid Henrietta, he said, with singular rudeness: "'T is not my wish, madame, to dance with the Princess. I am not fond of little girls."

His mother looked at him in quick displeasure. And the Queen of England, who had also heard the ungallant reply, keenly felt her position of dependence on so ungracious a relative, as she hastened to say: "Pardon, dear cousin, but do not, I beg, constrain his Majesty to dance contrary to his wishes. The Princess Henrietta's ankle is somewhat sprained and she can dance but ill."

The imperious nature of Anne of Austria yielded neither to the wishes of a sulky boy nor to the plea of a sprained ankle. "Nay, your Majesty," she said, "I pray you let my desire rule. For, by my word, if the fair Princess of England must remain a simple looker-on at this, my ball, to-night, then, too, shall the King of France."

With a face still full of anger Louis turned away, and when the music again played the opening measures, a weeping little princess and a sulky young king danced in the place of honor. For the poor Henrietta had also overheard the rude words of her mighty cousin of France.

As, after the ball, the king and his mother parted for the night, Anne said to her son: "My dear Louis, what evil spirit of discourtesy led you to so ungallant an action towards your guest, this night? Never again, I beg, let me have need openly to correct so grave a fault."