The A. E. F.: With General Pershing and the American Forces

The French called him Quatre Cent Vingt after the big gun but nobody knew for certain his German alias. Once when he left the German lines in broad daylight the Boches all along the line were heard whistling for him to come back, but no one called him by name. The French chose to believe that across the way he was known as "Kamerad," but there was no evidence on this point. It is true that he would stand on his hind legs and wave his paws when anybody said "Kamerad," but this was a trick and took teaching.

He must have heard somehow or other about the coming of the Americans for he left the Germans at noon one day when the doughboys had hardly become settled in their new home. A French interpreter vouched for him and he was allowed free access to third line, second line, first line and, what he valued much more, to the company kitchen. Here for the first time he tasted slum. Soldiers are fond of belittling this combination of beef, onions, potatoes and carrots but Quatre Cent Vingt was frank in his admiration of the dish. Naturally, free-born American citizens could not be expected to know him by his outlandish French name or any abbreviation of it and he became Big Ed in honor of the mess sergeant. Hitherto Quatre Cent Vingt had been careful to show no favors. He had been the company's dog but he became so distinctly partial to the mess sergeant that the soldier took him over as his own and when the company went away Quatre Cent Vingt went too, following closely behind a rolling kitchen.

The experience in the trenches made American soldiers a little more expressive than they had been before but the national character remained baffling. As a nation we unquestionably have personality but our army is somewhat lacking in this quality even among its leaders. Pershing is a personality, of course, and Bullard and Sibert and March, but for the rest all major generals seemed much alike to us. Sibert we remembered because he was a quiet, kindly man who got the things he wanted without much fuss. He was among the thinkers of the army. Mostly he was listening to other people, but when he talked he wasted no words. Undoubtedly he was one of the best loved men in the army for he combined with his efficiency and his kindliness an occasional playful flash of humor. I remember a visit which three American newspaperwomen paid to him one day at his headquarters. The conversation had scarcely begun when one of the women somewhat tactlessly remarked, "General, this is a young man's war, isn't it?"

General Sibert is husky enough but he is a bit gray and he smiled quizzically as he looked at his questioner over the top of a big pair of horn-rimmed glasses.

"When I was a cadet at West Point," said General Sibert, "I used to console myself with the thought that Napoleon was winning battles when he was thirty. Now, I find that my mind dwells more on the fact that Hindenburg is seventy."

Robert H. Bullard is probably the most picturesque figure in the American army. He has a reputation as a fighter and a daredevil and he is still one of the best polo players and broadsword experts in the American army. They say that when a second lieutenant swore at him one day in the heat of a game he made no complaint but laid for the young man later on and sent him sprawling off his horse in a wild scrimmage. He will fight broadsword duels with anybody regardless of rank if his opponent promises to be a man who can test his mettle. And yet it was a bit surprising that when the command of one of the crack divisions in France was open, General Pershing chose Bullard for the command because Major General Robert H. Bullard is perhaps the worst dressed major general in the American army. A poilu in one of the provincial cities mistook him for an American enlisted man and talked to him with great freedom for more than half an hour before an excited French officer rushed up and told him that the man with whom he was talking so familiarly was an American general.

"Oh, that's all right," said Bullard, "I wanted to hear what he had to say. Come around to my headquarters sometime and tell me some more."

On another occasion I saw an American captain suffer acutely because Bullard appeared at a public Franco-American function with two days' growth of beard. "What kind of an aide can he have," moaned the captain. "I was on his staff for two years and I never let him come out like that. I always had him fixed up when there was anything important on."

Tall, spare, hawk-featured and straight, Bullard represents a type of officer who has a large part to play in the American army. It is around such men that tradition grows and tradition is the marrow of an army. It was Bullard, too, who gave the best expression to the hope and purpose of the American army which I heard in France. He had said that what the American army must always maintain as its most important asset was the offensive spirit and when we asked him just what that was he lapsed into a story which was always his favorite device for exposition.

"There was once a Spanish farmer," said General Bullard, "who lived in a small house in the country with his pious wife. One day he came rushing out of the house with a valise in his hand and his good wife stopped him and asked, 'Where are you going?' 'I'm going to Seville,' said the farmer bustling right past her. 'You mean God willing,' suggested his pious wife. 'No,' replied the farmer, 'I just mean that I'm going.'

"The Lord was angered by this impiety and He promptly changed the farmer into a frog. His wife could tell that it was her husband all right because he was bigger than any of the other frogs and more noisy. She went to the edge of the pond every day and prayed that her husband might be forgiven. And one morning – it was the first day of the second year – the big frog suddenly began to swell and get bigger and bigger until he wasn't a frog any more, but a man. And he hopped out of the pond and stood on the bank beside his wife. Without stopping to kiss her or thank her or anything he ran straight into the house and came out with a valise in his hand.

"'Where are you going?' his wife asked in terror.

"'To Seville,' he said.

"She wrung her hands. 'You mean God willing,' she cried.

"'No,' thundered the farmer, 'to Seville or back to the frog pond!'"

In the main, however, American officers and soldiers were not very successful in expressing their feelings and ideals in regard to the war. One of the Y. M. C. A. huts carried on an anonymous symposium on the subject "Why I joined the army." Only a few of the answers came from the heart. Most of the rest were of two types. One sort was swanking and swaggering, in which the writer unconsciously melodramatized himself, and the other was cynical, in which the writer betrayed the fact that he was afraid of being melodramatic. Thus there was one man who answered, "To fight for my country, the good old United States, the land of the free and the starry flag that I love so well." "Because I was crazy," wrote another and it is probable that neither reason really represented the exact feeling of the man in question.

Some were distinctly utilitarian such as that of the soldier who wrote "To improve my mind by visiting the famous churches and art galleries of the old world." There was also a simplicity and directness in "to put Malden on the map." But the two which seemed to be the truest of all were, "Because they said I wasn't game and I am too" and "Because she'll be sorry when she sees my name in the list of the fellows that got killed."

For a time I was all muddled up about the American reaction to the war. Sometimes we seemed helplessly provincial and then along would come some glorious unhelpless assertiveness. This would probably be in something to do with plumbing or doctoring. Even our friends in Europe are inclined to put us down as materialists. They think we love money more than anything else in the world. I don't believe this is true. I think we use money only as a symbol and that even if we don't express them, or if we express them badly, the American who fights has not forgotten to pack his ideals. A young American officer brought that home to me one day in Paris. He was a doctor from a thriving factory town upstate.

"You know," he began, "this war is costing me thousands of dollars. I was getting along great back home. A lot of factories had me for their doctor. My practice was worth $15,000 a year. It was all paid up, too, you know, workman's compensation stuff. I'll bet it won't be worth a nickel when I get back."

He sat and drummed on the table and looked out on the street and a couple of Portuguese went by in their slate gray uniforms and then some Russians, with their marvelous tunics, which Bakst might have designed; there were French aviators in black and red, and rollicking Australians, an Italian, looking glum, and a Roumanian with a girl on his arm.

"Did you ever read 'Ivanhoe'?" said the man with the $15,000 practice, fiercely and suddenly.

I nodded.

"Well," he said, "when I was a boy I read that book five times. I thought it was the greatest book in the world, and I guess it is, and all this reminds me of 'Ivanhoe.'"

"Of 'Ivanhoe'?" I said.

"Yes, you know, all this," and he made an expansive gesture, "Verdun, and Joffre, and 'they shall not pass,' and Napoleon's tomb, and war bread, and all the men with medals and everything. Great stuff! There'll never be anything like it in the world again. I tell you it's better than 'Ivanhoe.' Everything's happening and I'm in it. I'm in a little of it, anyway. And if I have a chance to get in something big I don't care what happens. No, sir, if I could just help to give the old Boche a good wallop I wouldn't care if I never got back. Why, I wouldn't miss this for – " His eyes were sparkling with excitement now and he was straining for adequate expression. He brought his fist down on the table until the glasses rattled. "I wouldn't miss this for $50,000 cash," he said.