The Garden of Dreams

THE CREEK-ROAD

Calling, the heron flies athwart the blue
That sleeps above it; reach on rocky reach
Of water sings by sycamore and beech,
In whose warm shade bloom lilies not a few.
It is a page whereon the sun and dew
Scrawl sparkling words in dawn's delicious speech;
A laboratory where the wood-winds teach,
Dissect each scent and analyze each hue.
Not otherwise than beautiful, doth it
Record the happ'nings of each summer day;
Where we may read, as in a catalogue,
When passed a thresher; when a load of hay;
Or when a rabbit; or a bird that lit;
And now a bare-foot truant and his dog.

THE COVERED BRIDGE

There, from its entrance, lost in matted vines, —
Where in the valley foams a water-fall, —
Is glimpsed a ruined mill's remaining wall;
Here, by the road, the oxeye daisy mines
Hot brass and bronze; the trumpet-trailer shines
Red as the plumage of the cardinal.
Faint from the forest comes the rain-crow's call
Where dusty Summer dreams among the pines.
This is the spot where Spring writes wildflower verses
In primrose pink, while, drowsing o'er his reins,
The ploughman, all unnoticing, plods along:
And where the Autumn opens weedy purses
Of sleepy silver, while the corn-heaped wains
Rumble the bridge like some deep throat of song.

THE HILLSIDE GRAVE

Ten-hundred deep the drifted daisies break
Here at the hill's foot; on its top, the wheat
Hangs meagre-bearded; and, in vague retreat,
The wisp-like blooms of the moth-mulleins shake.
And where the wild-pink drops a crimson flake,
And morning-glories, like young lips, make sweet
The shaded hush, low in the honeyed heat,
The wild-bees hum; as if afraid to wake
One sleeping there; with no white stone to tell
The story of existence; but the stem
Of one wild-rose, towering o'er brier and weed,
Where all the day the wild-birds requiem;
Within whose shade the timid violets spell
An epitaph, only the stars can read.

SIMULACRA

Dark in the west the sunset's somber wrack
Unrolled vast walls the rams of war had split,
Along whose battlements the battle lit
Tempestuous beacons; and, with gates hurled back,
A mighty city, red with ruin and sack,
Through burning breaches, crumbling bit by bit,
Showed where the God of Slaughter seemed to sit
With conflagration glaring at each crack.
Who knows? perhaps as sleep unto us makes
Our dreams as real as our waking seems
With recollections time can not destroy,
So in the mind of Nature now awakes
Haply some wilder memory, and she dreams
The stormy story of the fall of Troy.

BEFORE THE END

How does the Autumn in her mind conclude
The tragic masque her frosty pencil writes,
Broad on the pages of the days and nights,
In burning lines of orchard, wold, and wood?
What lonelier forms – that at the year's door stood
At spectral wait – with wildly wasted lights
Shall enter? and with melancholy rites
Inaugurate their sadder sisterhood? —
Sorrow, who lifts a signal hand, and slow
The green leaf fevers, falling ere it dies;
Regret, whose pale lips summon, and gaunt Woe
Wakes the wild-wind harps with sonorous sighs;
And Sleep, who sits with poppied eyes and sees
The earth and sky grow dream-accessories.

WINTER

The flute, whence Autumn's misty finger-tips
Drew music – ripening the pinched kernels in
The burly chestnut and the chinquapin,
Red-rounding-out the oval haws and hips, —
Now Winter crushes to his stormy lips
And surly songs whistle around his chin:
Now the wild days and wilder nights begin
When, at the eaves, the crooked icicle drips.
Thy songs, O Autumn, are not lost so soon!
Still dwells a memory in thy hollow flute,
Which, unto Winter's masculine airs, doth give
Thy own creative qualities of tune,
By which we see each bough bend white with fruit,