Heroines of the Crusades

The poetical taste of Eleanor was early cultivated and developed by the unrestrained freedom she enjoyed in the queenless court of her minstrel grandfather in Gay Guienne. The language that prevailed all over the south of France, was called Provençal. It was the mother-tongue of Duke William, the grandfather of Eleanor, who was one of the most liberal patrons and earliest professors of that style of composition in which the Troubadours celebrated the feats of love and arms. The matchless charms of Eleanor were enhanced by all the accomplishments of the south. Her fine genius found ample exercise in composing the sirvantes and chansons of Provençal poetry, and her delicate fingers wiled the spirit of music from the echoing harp to accompany her voice adown the tide of song. She inherited from her grandfather the political sovereignty of her native dominions not only, but the brilliant talents and ancestral superiority that made her Empress in the realm of Taste, and Queen of the courts of Love.

When the gay and licentious Duke William felt the infirmities of age coming upon him, he determined to seek the readiest means to rid himself of the burden of his sins. Accordingly, he resolved to resign the most potent sceptre in Europe to the unpractised hand of his youthful granddaughter, and devote the rest of his days to prayer and penitence in a hermitage of the rocky wilderness of St. James de Compostella. Eleanor had not attained her fifteenth year when her grandfather commenced his career of self-denial, by summoning the baronage of Aquitaine to transfer their allegiance to herself; and the child-sovereign exercised the royal functions of her new dignities while the duke visited the court of Louis le Gros and offered her hand to the young prince. The wise lawgiver of France readily accepted the proposal – for the rich provinces which constituted the dower of Eleanor, held allegiance to the crown, only by feudal tenure; and the son, equally impatient for the possession of his fair prize, set off with a noble train for Bordeaux. The light heart of Eleanor was easily won by the unrivalled attractions of Louis le Jeune, whose courtly graces were illuminated by the prospect of the crown of Charlemagne; while the damsels that composed her court, exercised their blandishments with cruel skill upon the too susceptible hearts of the cavaliers that came in the train of the bridegroom. The parliament of Love deliberated day by day in mock solemnity upon the pretensions of the fair rivals, and the discreet decisions of Eleanor, the presiding genius of the conclave, inspired the songs of Trouveres and Troubadours, who vied with each other in celebrating her charms.

A succession of long, bright days, closed the month of July, and on the last evening the court of Love continued its session till the brilliant twilight had faded from the western sky, and the mellow harvest-moon poured a silver flood upon fountains that sprang as if instinct with life to catch and fling the shining radiance upon the gay company that still lingered in the Rose Pavilion. The Queen of the court, attired like Venus, sat upon a throne, canopied with Acaeia, through whose trembling leaves the light fell playfully contending with the envious shadows that seemed striving to hide her smiles. At her feet sat her favorite page, with wings framed of gauze attached to his shoulders, holding a lyre, fashioned to resemble the bow of Cupid, upon which he occasionally struck a few notes to announce a change in the evening’s entertainment. Lovely maidens arrayed as Nymphs and Graces reclined upon verdant couches around the fair arbitress of these amorous debates. Groups of light-hearted girls, representing heathen goddesses, listened encouragingly to their favorite minstrels, and strove, by various subtle arts, to win the meed of praise to the verse that celebrated their charms. Sirventes and Chansons had been recited and sung, still the assembly listened with an air of impatience, as if anticipating matters of more general interest. With a smile that at once excited and baffled curiosity, the Queen touched the cheek of her page with her flowery sceptre, saying, “Why slumbers the harp of my pretty Peyrol? Has he no song for the ear of his lady?”

“Peyrol cannot sing in the Romance Walloon,” said the youth, casting down his eyes with jealous pique.

“Proud one,” replied the queen, “thou knowest that though the lord of oui and non delights our eye, his language charms not our ear. We would hear a pretty faibleaux of Grenada, or wilt thou give us a fitting apostrophe to the court, where Gaiety and Innocence preside.”

“Nay, honored lady,” said the page, “since Gaiety and Innocence parted company on the plains of Pleasure, harmony hath forsaken the lyre, and not even the goddess of Love can heal the discord.”

“Thou pratest, pert boy,” replied the queen, with a stolen glance at Petronilla.

Perceiving from her tone, that he had presumed too far, the page bent over his harp and rapidly swept his fingers across the strings, saying apologetically,

“If my lady will accept a lay of Bretagne, Peyrol is ready to do her bidding.”

“The sweet tones of the langue d’oc little befit the rugged legends of the northern clime,” said the queen, “but tune thy lyre without further parley.” The page needed no second command, but sang: —

1. In a province fair of sunny France,
Beside a winding river,
Over whose waves in joyous dance,
The sunbeams gleam and quiver,
Stood a castle tall, a goodly sight,
With its broad and rich domain,
And therein dwelt a noble knight;
I ween he had a lady bright
And three sweet babes withouten stain.

2. A generous heart, an open hand,
To courtlie companie,
And eke as any in the land
For beggars of low degree.
So gentle his mien in lady’s bower,
So full of courtesie,
Yet valiant was he in tournament,
And a good bow in the greenwood bent,
I wot right dextrously.

3. He had been blest in his earthly state
With such fair prosperity,
That his heart beat high with pride elate,
Forgot he the giver good and great
And christian humility.
Whereat to punish his arrogance,
Our Lady sent him sore mischance,
And dire adversity.

4. Sir Isumbras to the hunt has gone,
Riding so gallantly,
With hawk and hound in the dewy morn,
When a vision bright above him born,
Appeared in the clear blue sky.
He saw a maiden meek and fair,
An angel I wist was she,
A messenger sent to bid him prepare
For chill calamity.

5. A woful man was the knight that day,
He turned him home in sore dismay,
When his good steed fell and died,
And hawk and hound of life bereft,
Sir Isumbras in the forest left,
With no living thing beside.
When to him there came his little foot page,
As fast as he might hie.
My noble master, a sad message,
It is that I bear to thee.
“Thy proud castell lies in ruins low,
Thy lady and children escaped the blow,
But and with jeopardy.”

6. The knight bowed meekly to heaven’s decree;
A wiser and sadder man was he,
And with his lady and children, three,
Sir Isumbras boune him o’er the sea —
A penitent pilgrim he would be
To holy Palestine.
Through seven weary lands they went —
The strength of the babes was wellnigh spent,
For charity, cold was their nourishment.
They came to a wood, with flowers besprent —
To a rapid river of broad extent,
Where never the sunbeams shine.

7. His eldest born, Sir Isumbras bore
With tenderest care to the farther shore;
But ere he returned again,
A lion fierce from the thicket sprang —
The little one tore from that cruel strand,
Nor him might they regain.

8. He found his lady weeping, full lorn,
For in his absence a leopard strong,
With a fell and bloody unicorn,
The others from her arms had torn.

9. The lady wished that she might die,