The Common Law

"What I'll do," she said with decision, "will be to telephone John Burleson. I never knew him to fail a girl in search of an engagement."

"Isn't he a dear," said Valerie, smiling. "I adore him."

She sat at the piano, running her fingers lightly over the keyboard, listening to what was being said, watching with happy interest everything that was going on around her, and casting an occasional glance over her shoulder and upward to where Neville stood at work.

"John Burleson," observed Rita, looking fixedly at Ogilvy, "is easily the nicest man I know."

"Help!" said Ogilvy, feebly.

Valerie glanced across the top of the piano, laughing, while her hands passed idly here and there over the keys:

"Sam can be very nice, Rita; but you've got to make him," she said.

"Did you ever know a really interesting man who didn't require watching?" inquired Annan, mildly.

Rita surveyed him with disdain: "Plenty."

"Don't believe it. No girl has any very enthusiastic use for a man in whom she has perfect confidence."

"Here's another profound observation," added Ogilvy; "when a woman loses confidence in a man she finds a brand-new interest in him. But when a man once really loses confidence in a woman, he never regains it, and it's the beginning of the end. What do you think about that, Miss West?"

Valerie, still smiling, struck a light chord or two, considering:

"I don't know how it would be," she said, "to lose confidence in a man you really care much about. I should think it would break a girl's heart."

"It doesn't," said Rita, with supreme contempt. "You become accustomed to it."

Valerie leaned forward against the keyboard, laughing:

"Oh, Rita!" she said, "what a confession!"

"You silly child," retorted Rita, "I'm twenty-two. Do you think I have the audacity to pretend I've never been in love?"

Ogilvy said with a grin: "How about you, Miss West?"—hoping to embarrass her; but she only smiled gaily and continued to play a light accompaniment to the fugitive air that was running through her head.

"Don't be selfish with your experiences," urged Ogilvy. "Come on, Miss West! 'Raus mit 'em!'"

"What do you wish me to say, Sam?"

"That you've been in love several times."

"But I haven't."

"Not once?"

Her lowered face was still smiling, as her pliant fingers drifted into Grieg's "Spring Song."

"Not one pretty amourette to cheer those twenty-one years of yours?" insisted Ogilvy.

But his only answer was her lowered head and the faint smile edging her lips, and the "Spring Song," low, clear, exquisitely persistent in the hush.

When the last note died out in the stillness Rita emphasised the finish with the ferrule of her parasol and rose with decision:

"I require several new frocks," she said, "and how am I to acquire them unless I pose for somebody? Good-bye, Mr. Neville—bye-bye! Sam—good-bye, Mr. Annan—good-bye, dear,"—to Valerie—"if you've nothing better on hand drop in this evening. I've a duck of a new hat."

The girl nodded, and, as Rita Tevis walked out, turning up her nose at Ogilvy who opened the door for her, Valerie glanced up over her shoulder at Neville:

"I don't believe you are going to need me to-day after all, are you?" she asked.

"No," he said, absently. "I've a lot of things to do. You needn't stay, Miss West."

"Now will you be good!" said Annan, smiling at her with his humourous, bantering air. And to his surprise and discomfiture he saw the least trace of annoyance in her dark eyes.

"Come up to the studio and have a julep," he said with hasty cordiality. "And suppose we dine together at Arrowhead—if you've nothing else on hand—"

She shook her head—the movement was scarcely perceptible. The smile had returned to her lips.

"Won't you, Miss West?"

"Isn't it like you to ask me when you heard Rita's invitation? You're a fraud, Mr. Annan."

"Are you going to sit in that boarding-house parlour and examine Rita's new bonnet all this glorious evening?"

She laughed: "Is there any man on earth who can prophesy what any woman on earth is likely to do? If you can, please begin."

Ogilvy, hands clasped behind him, balancing alternately on heels and toes, stood regarding Neville's work. Annan looked up, too, watching Neville where he stood on the scaffolding, busy as always, with the only recreation he cared anything for—work.

"I wish to Heaven I were infected with the bacillus of industry," broke out Ogilvy. "I never come into this place but I see Kelly busily doing something."

"You're an inhuman sort of brute, Kelly!" added Annan. "What do you work that way for—money? If I had my way I'd spend three quarters of my time shooting and fishing and one quarter painting—and I'm as devotedly stuck on art as any healthy man ought to be."

"Art's a bum mistress if she makes you hustle like that!" commented Ogilvy. "Shake her, Kelly. She's a wampire mit a sarpint's tongue!"

"The worst of Kelly is that he'd rather paint," said Annan, hopelessly. "It's sufficient to sicken the proverbial cat."

"Get a machine and take us all out to Woodmanston?" suggested Ogilvy.

"It's a bee—u—tiful day, dearie!"

"Get out of here!" retorted Neville, painting composedly.

"Your industry saddens us," insisted Annan. "It's only in mediocrity that you encounter industry. Genius frivols; talent takes numerous vacations on itself—"

"And at its own expense," added Valerie, demurely. "I knew a man who couldn't finish his 'Spring Academy' in time: and he had all winter to finish it. But he didn't. Did you ever hear about that man, Sam?"

"Me," said Ogilvy, bowing with hand on heart. "And with that cruel jab from you—false fair one—I'll continue heavenward in the elevator. Come on, Harry."

Annan took an elaborate farewell of Valerie which she met in the same mock-serious manner; then she waved a gay and dainty adieu to Ogilvy, and reseated herself after their departure. But this time she settled down into a great armchair facing Neville and his canvas, and lay back extending her arms and resting the back of her head on the cushions.