The Younger Set

"That chuckle head—the young man who continued to haunt you so persistently when you poured tea for Nina on Tuesday. Of course they all haunted you," he explained politely, as she shook her head in sign of non-comprehension; "but there was one who—ah—gulped at his cup."

"Please—you are rather dreadful, aren't you?"

"Yes. So was he; I mean the infatuated chinless gentleman whose facial ensemble remotely resembled the features of a pleased and placid lizard of the Reptilian period."

"Oh, George Fane! That is particularly disagreeable of you, Captain Selwyn, because his wife has been very nice to me—Rosamund Fane—and she spoke most cordially of you—"

"Which one was she?"

"The Dresden china one. She looks—she simply cannot look as though she were married. It's most amusing—for people always take her for somebody's youngest sister who will be out next winter. . . . Don't you remember seeing her?"

"No, I don't. But there were dozens coming and going every minute whom I didn't know. Still, I behaved well, didn't I?"

"Pretty badly—to Kathleen Lawn, whom you cornered so that she couldn't escape until her mother made her go without any tea."

"Was that the reason that old lady looked at me so queerly?"

"Probably. I did, too, but you were taking chances, not hints. . . . She is attractive, isn't she?"

"Very fetching," he said, leaning down to examine his stirrup leathers which he had already lengthened twice. "I've got to have Cummins punch these again," he muttered; "or am I growing queer-legged in my old age?"

As he straightened up, Miss Erroll said: "Here comes Mr. Fane now—with a strikingly pretty girl. How beautifully they are mounted"—smilingly returning Fane's salute—"and she—oh! so you do know her, Captain Selwyn? Who is she?"

Crop raised mechanically in dazed salute, Selwyn's light touch on the bridle had tightened to a nervous clutch which brought his horse up sharply.

"What is it?" she asked, drawing bridle in her turn and looking back into his white, stupefied face.

"Pain," he said, unconscious that he spoke. At the same instant the stunned eyes found their focus—and found her beside his stirrup, leaning wide from her seat in sweet concern, one gloved hand resting on the pommel of his saddle.

"Are you ill?" she asked; "shall we dismount? If you feel dizzy, please lean against me."

"I am all right," he said coolly; and as she recovered her seat he set his horse in motion. His face had become very red now; he looked at her, then beyond her, with all the deliberate concentration of aloof indifference.

Confused, conscious that something had happened which she did not comprehend, and sensitively aware of the preoccupation which, if it did not ignore her, accepted her presence as of no consequence, she permitted her horse to set his own pace.

Neither self-command nor self-control was lacking now in Selwyn; he simply was too self-absorbed to care what she thought—whether she thought at all. And into his consciousness, throbbing heavily under the rushing reaction from shock, crowded the crude fact that Alixe was no longer an apparition evoked in sleeplessness, in sun-lit brooding; in the solitude of crowded avenues and swarming streets; she was an actual presence again in his life—she was here, bodily, unchanged—unchanged!—for he had conceived a strange idea that she must have changed physically, that her appearance had altered. He knew it was a grotesquely senseless idea, but it clung to him, and he had nursed it unconsciously.

He had, truly enough, expected to encounter her in life again—somewhere; though what he had been preparing to see, Heaven alone knew; but certainly not the supple, laughing girl he had known—that smooth, slender, dark-eyed, dainty visitor who had played at marriage with him through a troubled and unreal dream; and was gone when he awoke—so swift the brief two years had passed, as swift in sorrow as in happiness.

Two vision-tinted years!—ended as an hour ends with the muffled chimes of a clock, leaving the air of an empty room vibrant. Two years!—a swift, restless dream aglow with exotic colour, echoing with laughter and bugle-call and the noise of the surf on Samar rocks—a dream through which stirred the rustle of strange brocades and the whisper of breezes blowing over the grasses of Leyte; and the light, dry report of rifles, and the shuffle of bare feet in darkened bungalows, and the whisper of dawn in Manila town.

Two years!—wherever they came from, wherever they had gone. And now, out of the ghostly, shadowy memory, behold her stepping into the world again!—living, breathing, quickening with the fire of life undimmed in her. And he had seen the bright colour spreading to her eyes, and the dark eyes widen to his stare; he had seen the vivid blush, the forced smile, the nod, the voiceless parting of her stiffened lips. Then she was gone, leaving the whole world peopled with her living presence and the very sky ringing with the words her lips had never uttered, never would utter while sun and moon and stars endured.

Shrinking from the clamouring tumult of his thoughts he looked around, hard-eyed and drawn of mouth, to find Miss Erroll riding a length in advance, her gaze fixed resolutely between her horse's ears.

How much had she noticed? How much had she divined?—this straight, white-throated young girl, with her self-possession and her rounded, firm young figure, this child with the pure, curved cheek, the clear, fearless eyes, untainted, ignorant, incredulous of shame, of evil.

Severe, confident, untroubled in the freshness of adolescence, she rode on, straight before her, symbolic innocence leading the disillusioned. And he followed, hard, dry eyes narrowing, ever narrowing and flinching under the smiling gaze of the dark-eyed, red-mouthed ghost that sat there on his saddle bow, facing him, almost in his very arms.

Luncheon had not been served when they returned. Without lingering on the landing as usual, they exchanged a formal word or two, then Eileen mounted to her own quarters and Selwyn walked nervously through the library, where he saw Nina evidently prepared for some mid-day festivity, for she wore hat and furs, and the brougham was outside.

"Oh, Phil," she said, "Eileen probably forgot that I was going out; it's a directors' luncheon at the exchange. Please tell Eileen that I can't wait for her; where is she?"

"Dressing, I suppose. Nina, I—"

"One moment, dear. I promised the children that you would lunch with them in the nursery. Do you mind? I did it to keep them quiet; I was weak enough to compromise between a fox hunt or fudge; so I said you'd lunch with them.. Will you?"

"Certainly. . . . And, Nina—what sort of a man is this George Fane?"

"Fane?"

"Yes—the chinless gentleman with gentle brown and protruding eyes and the expression of a tame brontosaurus."

"Why—how do you mean, Phil? What sort of man? He's a banker. He isn't very pretty, but he's popular."

"Oh, popular!" he nodded, as close to a sneer as he could ever get.

"He has a very popular wife, too; haven't you met Rosamund? People like him; he's about everywhere—very useful, very devoted to pretty women; but I'm really in a hurry, Phil. Won't you please explain to Eileen that I couldn't wait? You and she were almost an hour late. Now I must pick up my skirts and fly, or there'll be some indignant dowagers downtown. . . . Good-bye, dear. . . . And don't let the children eat too fast! Make Drina take thirty-six chews to every bite; and Winthrop is to have no bread if he has potatoes—" Her voice dwindled and died, away through the hall; the front door clanged.

He went to his quarters, drove out Austin's man, arranged his own fresh linen, took a sulky plunge; and, an unlighted cigarette between his teeth, completed his dressing in sullen introspection.

When he had tied his scarf and bitten his cigarette to pieces, he paced the room once or twice, squared his shoulders, breathed deeply, and, unbending his eyebrows, walked off to the nursery.

"Hello, you kids!" he said, with an effort. "I've come to luncheon. Very nice of you to want me, Drina."

"I wanted you, too!" said Billy; "I'm to sit beside you—"

"So am I," observed Drina, pushing Winthrop out of the chair and sliding in close to Selwyn. She had the cat, Kit-Ki, in her arms. Kit-Ki, divining nourishment, was purring loudly.

Josephine and Clemence, in pinafores and stickout skirts, sat wriggling, with Winthrop between them; the five dogs sat in a row behind; Katie and Bridget assumed the functions of Hibernian Hebes; and luncheon began with a clatter of spoons.

It being also the children's dinner—supper and bed occurring from five to six—meat figured on the card, and Kit-Ki's purring increased to an ecstatic and wheezy squeal, and her rigid tail, as she stood up on Drina's lap, was constantly brushing Selwyn's features.

"The cat is shedding, too," he remarked, as he dodged her caudal appendage for the twentieth time; "it will go in with the next spoonful, Drina, if you're not careful about opening your mouth."

"I love Kit-Ki," said Drina placidly. "I have written a poem to her—where is it?—hand it to me, Bridget."

And, laying down her fork and crossing her bare legs under the table, Drina took breath and read rapidly:

"LINES TO MY CAT

"Why
Do I love Kit-Ki
And run after
Her with laughter
And rub her fur
So she will purr?
Why do I know