In twenty minutes Nihla Quellen, the celebrated and adored of European capitals, crept out of the street 37 door. She wore the dress of a Finistère peasant; her hair was grey, her step infirm.
The commissaire, two agents de police, and a Government detective, one Souchez, already on their way to identify and arrest her, never even glanced at the shabby, infirm figure which hobbled past them on the sidewalk and feebly mounted an omnibus marked Gare du Nord.
For a long time Paris was carefully combed for the dancer, Nihla Quellen, until more serious affairs occupied the authorities, and presently the world at large. For, in a few weeks, war burst like a clap of thunder over Europe, leaving the whole world stunned and reeling. The dossier of Nihla Quellen, the dancing girl, was tossed into secret archives, together with the dossier of one Ferez Bey, an Eurasian, now far beyond French jurisdiction, and already very industrious in the United States about God knows what, in company with one Max Freund.
As for Monsieur the Count d’Eblis, he remained a senator, an owner of many third-rate decorations, and of the Mot d’Ordre.
And he remained on excellent terms with everybody at the Swedish, Greek, and Bulgarian legations, and the Turkish Embassy, too. And continued in cipher communication with Max Freund and Ferez Bey in America.
Otherwise, he was still president of the Numismatic Society of Spain, and he continued to add to his wonderful collection of coins, and to keep up his voluminous numismatic correspondence.
He was growing stouter, too, which increased his spinal waddle when he walked; and he became very 38 prosperous financially, through fortunate “operations,” as he explained, with one Bolo Pasha.
He had only one regret to interfere with his sleep and his digestion; he was sorry he had not fired his pistol into the youthful face of Nihla Quellen. He should have avenged himself, taken his chances, and above everything else he should have destroyed her beauty. His timidity and caution still caused him deep and bitter chagrin.
For nearly a year he heard absolutely nothing concerning her. Then one day a letter arrived from Ferez Bey through Max Freund, both being in New York. And when, using his key to the cipher, he extracted the message it contained, he had learned, among other things, that Nihla Quellen was in New York, employed as a teacher in a school for dancing.
The gist of his reply to Ferez Bey was that Nihla Quellen had already outlived her usefulness on earth, and that Max Freund should attend to the matter at the first favourable opportunity.
III
SUNSET
On the edge of evening she came out of the Palace of Mirrors and crossed the wet asphalt, which already reflected primrose lights from a clearing western sky.
A few moments before, he had been thinking of her, never dreaming that she was in America. But he knew her instantly, there amid the rush and clatter of the street, recognised her even in the twilight of the passing storm – perhaps not alone from the half-caught glimpse of her shadowy, averted face, nor even from that young, lissome figure so celebrated in Europe. There is a sixth sense – the sense of nearness to what is familiar. When it awakes we call it premonition.
The shock of seeing her, the moment’s exciting incredulity, passed before he became aware that he was already following her through swarming metropolitan throngs released from the toil of a long, wet day in early spring.
Through every twilit avenue poured the crowds; through every cross-street a rosy glory from the west was streaming; and in its magic he saw her immortally transfigured, where the pink light suffused the crossings, only to put on again her lovely mortality in the shadowy avenue.
At Times Square she turned west, straight into the dazzling fire of sunset, and he at her slender heels, not knowing why, not even asking it of himself, not thinking, not caring.
A third figure followed them both.
The bronze giants south of them stirred, swung their great hammers against the iron bell; strokes of the hour rang out above the din of Herald Square, inaudible in the traffic roar another square away, lost, drowned out long before the pleasant bell-notes penetrated to Forty-second Street, into which they both had turned.
Yet, as though occultly conscious that some hour had struck on earth, significant to her, she stopped, turned, and looked back – looked quite through him, seeing neither him nor the one-eyed man who followed them both – as though her line of vision were the East itself, where, across the grey sea’s peril, a thousand miles of cannon were sounding the hour from the North Sea to the Alps.
He passed her at her very elbow – aware of her nearness, as though suddenly close to a young orchard in April. The girl, too, resumed her way, unconscious of him, of his youthful face set hard with controlled emotion.
The one-eyed man followed them both.
A few steps further and she turned into the entrance to one of those sprawling, pretentious restaurants, the sham magnificence of which becomes grimy overnight. He halted, swung around, retraced his steps and followed her. And at his heels two shapes followed them very silently – her shadow and his own – so close together now, against the stucco wall that they seemed like Destiny and Fate linked arm in arm.
The one-eyed man halted at the door for a few moments. Then he, too, went in, dogged by his sinister shadow.
The red sunset’s rays penetrated to the rotunda and were quenched there in a flood of artificial light; and 41 there their sun-born shadows vanished, and three strange new shadows, twisted and grotesque, took their places.
She continued on into the almost empty restaurant, looming dimly beyond. He followed; the one-eyed man followed both.
The place into which they stepped was circular, centred by a waterfall splashing over concrete rocks. In the ruffled pool goldfish glimmered, nearly motionless, and mandarin ducks floated, preening exotic plumage.
A wilderness of tables surrounded the pool, set for the expected patronage of the coming evening. The girl seated herself at one of these.
At the next table he found a place for himself, entirely unnoticed by her. The one-eyed man took the table behind them. A waiter presented himself to take her order; another waiter came up leisurely to attend to him. A third served the one-eyed man. There were only a few inches between the three tables. Yet the girl, deeply preoccupied, paid no attention to either man, although both kept their eyes on her.
But already, under the younger man’s spellbound eyes, an odd and unforeseen thing was occurring: he gradually became aware that, almost imperceptibly, the girl and the table where she sat, and the sleepy waiter who was taking her orders, were slowly moving nearer to him on a floor which was moving, too.
He had never before been in that particular restaurant, and it took him a moment or two to realise that the floor was one of those trick floors, the central part of which slowly revolves.
Her table stood on the revolving part of the floor, his upon fixed terrain; and he now beheld her moving toward him, as the circle of tables rotated on its axis, 42 which was the waterfall and pool in the middle of the restaurant.
A few people began to arrive – theatrical people, who are obliged to dine early. Some took seats at tables placed upon the revolving section of the floor, others preferred the outer circles, where he sat in a fixed position.
Her table was already abreast of his, with only the circular crack in the floor between them; he could easily have touched her.
As the distance began to widen between them, the girl, her gloved hands clasped in her lap, and studying the table-cloth with unseeing gaze, lifted her dark eyes – looked at him without seeing, and once more gazed through him at something invisible upon which her thoughts remained fixed – something absorbing, vital, perhaps tragic – for her face had become as colourless, now, as one of those translucent marbles, vaguely warmed by some buried vein of rose beneath the snowy surface.
Slowly she was being swept away from him – his gaze following – hers lost in concentrated abstraction.
He saw her slipping away, disappearing behind the noisy waterfall. Around him the restaurant continued to fill, slowly at first, then more rapidly after the orchestra had entered its marble gallery.
The music began with something Russian, plaintive at first, then beguiling, then noisy, savage in its brutal precision – something sinister – a trampling melody that was turning into thunder with the throb of doom all through it. And out of the vicious, Asiatic clangour, from behind the dash of too obvious waterfalls, glided the girl he had followed, now on her way toward him again, still seated at her table, still gazing at nothing out of dark, unseeing eyes.
It seemed to him an hour before her table approached his own again. Already she had been served by a waiter – was eating.
He became aware, then, that somebody had also served him. But he could not even pretend to eat, so preoccupied was he by her approach.
Scarcely seeming to move at all, the revolving floor was steadily drawing her table closer and closer to his. She was not looking at the strawberries which she was leisurely eating – did not lift her eyes as her table swept smoothly abreast of his.
Scarcely aware that he spoke aloud, he said:
“Nihla – Nihla Quellen!..”
Like a flash the girl wheeled in her chair to face him. She had lost all her colour. Her fork had dropped and a blood-red berry rolled over the table-cloth toward him.
“I’m sorry,” he said, flushing. “I did not mean to startle you – ”
The girl did not utter a word, nor did she move; but in her dark eyes he seemed to see her every sense concentrated upon him to identify his features, made shadowy by the lighted candles behind his head.
By degrees, smoothly, silently, her table swept nearer, nearer, bringing with it her chair, her slender person, her dark, intelligent eyes, so unsmilingly and steadily intent on him.
He began to stammer:
“ – Two years ago – at – the Villa Tresse d’Or – on the Seine… And we promised to see each other – in the morning – ”
She said coolly: