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Hypatia. or New Foes with an Old Face

Год написания книги
2019
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‘What?’ asked Pelagia eagerly.

‘A great house in Athens—and a great battle there—and coming to Egypt in a ship.’

‘Heavens!’ said Pelagia, and paused.... ‘How strange! Girls, who said he was like me?’

‘I’m sure we meant no harm, if we did say it in a joke,’ pouted one of the attendants.

‘Like me!—you must come and see us. I have something to say to you .... You must!’

Philammon misinterpreted the intense interest of her tone, and if he did not shrink back, gave some involuntary gesture of reluctance. Pelagia laughed aloud.

‘Don’t be vain enough to suspect, foolish boy, but come! Do you think that I have nothing to talk about but nonsense? Come and see me. It may be better for you. I live in—’ and she named a fashionable street, which Philammon, though he inwardly vowed not to accept the invitation, somehow could not help remembering.

‘Do leave the wild man, and come,’ growled the Amal from within the palanquin. ‘You are not going to turn nun, I hope?’

‘Not while the first man I ever met in the world stays in it,’ answered Pelagia, as she skipped into the palanquin, taking care to show the most lovely white heel and ankle, and, like the Parthian, send a random arrow as she retreated. But the dart was lost on Philammon, who had been already hustled away by the bevy of laughing attendants, amid baskets, dressing-cases, and bird-cages, and was fain to make his escape into the Babel round, and inquire his way to the patriarch’s house.

‘Patriarch’s house?’ answered the man whom he first addressed, a little lean, swarthy fellow, with merry black eyes, who, with a basket of fruit at his feet, was sunning himself on a baulk of timber, meditatively chewing the papyrus-cane, and examining the strangers with a look of absurd sagacity. ‘I know it; without a doubt I know it; all Alexandria has good reason to know it. Are you a monk?’

‘Yes.’

‘Then ask your way of the monks; you won’t go far without finding one.’

‘But I do not even know the right direction; what is your grudge against monks, my good man?’

‘Look here, my youth; you seem too ingenuous for a monk. Don’t flatter yourself that it will last. If you can wear the sheepskin, and haunt the churches here for a month, without learning to lie, and slander, and clap, and hoot, and perhaps play your part in a sedition—and—murder satyric drama—why, you are a better man than I take you for. I, sir, am a Greek and a philosopher; though the whirlpool of matter may have, and indeed has, involved my ethereal spark in the body of a porter. Therefore, youth,’ continued the little man, starting up upon his baulk like an excited monkey, and stretching out one oratorio paw, ‘I bear a treble hatred to the monkish tribe. First, as a man and a husband;.... for as for the smiles of beauty, or otherwise,—such as I have, I have; and the monks, if they had their wicked will, would leave neither men nor women in the world. Sir, they would exterminate the human race in a single generation, by a voluntary suicide! Secondly, as a porter; for if all men turned monks, nobody would be idle, and the profession of portering would be annihilated. Thirdly, sir, as a philosopher; for as the false coin is odious to the true, so is the irrational and animal asceticism of the monk, to the logical and methodic self-restraint of one who, like your humblest of philosophers, aspires to a life according to the pure reason.’

‘And pray,’ asked Philammon, half laughing, ‘who has been your tutor in philosophy?’

‘The fountain of classic wisdom, Hypatia herself. As the ancient sage—the name is unimportant to a monk—pumped water nightly that he might study by day, so I, the guardian of cloaks and parasols, at the sacred doors of her lecture-room, imbibe celestial knowledge. From my youth I felt in me a soul above the matter-entangled herd. She revealed to me the glorious fact, that I am a spark of Divinity itself. A fallen star, I am, sir!’ continued he, pensively, stroking his lean stomach—‘a fallen star!—fallen, if the dignity of philosophy will allow of the simile, among the hogs of the lower world—indeed, even into the hog-bucket itself. Well, after all, I will show you the way to the Archbishop’s. There is a philosophic pleasure in opening one’s treasures to the modest young. Perhaps you will assist me by carrying this basket of fruit?’ And the little man jumped up, put his basket on Philammon’s head, and trotted off up a neighbouring street.

Philammon followed, half contemptuous, half wondering at what this philosophy might be, which could feed the self-conceit of anything so abject as his ragged little apish guide; but the novel roar and whirl of the street, the perpetual stream of busy faces, the line of curricles, palanquins, laden asses, camels, elephants, which met and passed him, and squeezed him up steps and into doorways, as they threaded their way through the great Moon-gate into the ample street beyond, drove everything from his mind but wondering curiosity, and a vague, helpless dread of that great living wilderness, more terrible than any dead wilderness of sand which he had left behind. Already he longed for the repose, the silence of the Laura—for faces which knew him and smiled upon him; but it was too late to turn back ow. His guide held on for more than a mile up the great main street, crossed in the centre of the city, at right angles, by one equally magnificent, at each end of which, miles away, appeared, dim and distant over the heads of the living stream of passengers, the yellow sand-hills of the desert; while at the end of the vista in front of them gleamed the blue harbour, through a network of countless masts.

At last they reached the quay at the opposite end of the street; and there burst on Philammon’s astonished eyes a vast semicircle of blue sea, ringed with palaces and towers....He stopped involuntarily; and his little guide stopped also, and looked askance at the young monk, to watch the effect which that grand panorama should produce on him.

‘There!—Behold our works! Us Greeks!—us benighted heathens! Look at it and feel yourself what you are, a very small, conceited, ignorant young person, who fancies that your new religion gives you a right to despise every one else. Did Christians make all this? Did Christians build that Pharos there on the left horn—wonder of the world? Did Christians raise that mile-long mole which runs towards the land, with its two drawbridges, connecting the two ports? Did Christians build this esplanade, or this gate of the Sun above our heads? Or that Caesareum on our right here? Look at those obelisks before it!’ And he pointed upwards to those two world-famous ones, one of which still lies on its ancient site, as Cleopatra’s Needle. ‘Look up! look up, I say, and feel small—very small indeed! Did Christians raise them, or engrave them from base to point with the wisdom of the ancients? Did Christians build that Museum next to it, or design its statues and its frescoes—now, alas! re-echoing no more to the hummings of the Attic bee? Did they pile up out of the waves that palace beyond it, or that Exchange? or fill that Temple of Neptune with breathing brass and blushing marble? Did they build that Timonium on the point, where Antony, worsted at Actium, forgot his shame in Cleopatra’s arms? Did they quarry out that island of Antirrhodus into a nest of docks, or cover those waters with the sails of every nation under heaven? Speak! Thou son of bats and moles—thou six feet of sand—thou mummy out of the cliff caverns! Can monks do works like these?’

‘Other men have laboured, and we have entered into their labours,’ answered Philammon, trying to seem as unconcerned as he could. He was, indeed, too utterly astonished to be angry at anything. The overwhelming vastness, multiplicity, and magnificence of the whole scene; the range of buildings, such as mother earth never, perhaps, carried on her lap before or since, the extraordinary variety of form-the pure Doric and Ionic of the earlier Ptolemies, the barbaric and confused gorgeousness of the later Roman, and here and there an imitation of the grand elephantine style of old Egypt, its gaudy colours relieving, while they deepened, the effect of its massive and simple outlines; the eternal repose of that great belt of stone contrasting with the restless ripple of the glittering harbour, and the busy sails which crowded out into the sea beyond, like white doves taking their flight into boundless space?—all dazzled, overpowered, saddened him.... This was the world.... Was it not beautiful?.... Must not the men who made all this have been—if not great.... yet.... he knew not what? Surely they had great souls and noble thoughts in them! Surely there was something godlike in being able to create such things! Not for themselves alone, too; but for a nation—for generations yet unborn.... And there was the sea.... and beyond it, nations of men innumerable .... His imagination was dizzy with thinking of them. Were they all doomed—lost?.... Had God no love for them?

At last, recovering himself, he recollected his errand, and again asked his way to the archbishop’s house.

‘This way, O youthful nonentity!’ answered the little man, leading the way round the great front of the Caesareum, at the foot of the obelisks.

Philammon’s eye fell on some new masonry in the pediment, ornamented with Christian symbols.

‘How? Is this a church?’

‘It is the Caesareum. It has become temporarily a church. The immortal gods have, for the time being, condescended to waive their rights; but it is the Caesareum, nevertheless. This way; down this street to the right. There,’ said he, pointing to a doorway in the side of the Museum, ‘is the last haunt of the Muses—the lecture-room of Hypatia, the school of my unworthiness. And here,’ stopping at the door of a splendid house on the opposite side of the street, ‘is the residence of that blest favourite of Athene—Neith, as the barbarians of Egypt would denominate the goddess—we men of Macedonia retain the time-honoured Grecian nomenclature.... You may put down your basket.’ And he knocked at the door, and delivering the fruit to a black porter, made a polite obeisance to Philammon, and seemed on the point of taking his departure.

‘But where is the archbishop’s house?’

‘Close to the Serapeium. You cannot miss the place: four hundred columns of marble, now ruined by Christian persecutors, stand on an eminence—’

‘But how far off?’

‘About three miles; near the gate of the Moon.’

‘Why, was not that the gate by which we entered the city on the other side?’

‘Exactly so; you will know your way back, having already traversed it.’

Philammon checked a decidedly carnal inclination to seize the little fellow by the throat, and knock his head against the wall, and contented himself by saying—

‘Then do you actually mean to say, you heathen villain, that you have taken me six or seven miles out of my road?’

‘Good words young man. If you do me harm, I call for help; we are close to the Jews’ quarter, and there are some thousands there who will swarm out like wasps on the chance of beating a monk to death. Yet that which I have done, I have done with a good purpose. First, politically, or according to practical wisdom—in order that you, not I, might carry the basket. Next, philosophically, or according to the intuitions of the pure reason—in order that you might, by beholding the magnificence of that great civilisation which your fellows wish to destroy, learn that you are an ass, and a tortoise, and a nonentity, and so beholding yourself to be nothing, may be moved to become something.’

And he moved off.

Philammon seized him by the collar of his ragged tunic, and held him in a gripe from which the little man, though he twisted like an eel could not escape.

‘Peaceably, if you will; if not, by main force. You shall go back with me, and show me every step of the way. It is a just penalty.’

‘The philosopher conquers circumstances by submitting to them. I go peaceably. Indeed, the base necessities of the hog-bucket side of existence compel me of themselves back to the Moon-gate, for another early fruit job.’

So they went back together.

Now why Philammon’s thoughts should have been running on the next new specimen of womankind to whom he had been introduced, though only in name, let psychologists tell, but certainly, after he had walked some half-mile in silence, he suddenly woke up, as out of many meditations, and asked—

‘But who is this Hypatia, of whom you talk so much?’

‘Who is Hypatia, rustic? The queen of Alexandria! In wit, Athene; Hera in majesty; in beauty, Aphrodite!’

‘And who are they?’ asked Philammon.

The porter stopped, surveyed him slowly from foot to head with an expression of boundless pity and contempt, and was in the act of walking off in the ecstasy of his disdain, when he was brought to suddenly by Philammon’s strong arm.

‘Ah!—I recollect. There is a compact.... Who is Athene? The goddess, giver of wisdom. Hera, spouse of Zeus, queen of the Celestials. Aphrodite, mother of love.... You are not expected to understand.’

Philammon did understand, however, so much as this, that Hypatia was a very unique and wonderful person in the mind of his little guide; and therefore asked the only further question by which he could as yet test any Alexandrian phenomenon—

‘And is she a friend of the patriarch?’

The porter opened his eyes very wide, put his middle finger in a careful and complicated fashion between his fore and third fingers, and extending it playfully towards Philammon, performed therewith certain mysterious signals, the effect whereof being totally lost on him, the little man stopped, took another look at Philammon’s stately figure, and answered—

‘Of the human race in general, my young friend. The philosopher must rise above the individual, to the contemplation of the universal.... Aha!-Here is something worth seeing, and the gates are open.’ And he stopped at the portal of a vast building.

‘Is this the patriarch’s house?’
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