The Colonel's Dream

"The night air is not damp," she said, "and it is pleasanter for her here than in the house. She won't mind the music; she is accustomed to it."

Graciella went to the piano and with great boldness of touch struck the bizarre opening chords and then launched into the grotesque words of the latest New York "coon song," one of the first and worst of its kind, and the other young people joined in the chorus.

It was the first discordant note. At home, the colonel subscribed to the opera, and enjoyed the music. A plantation song of the olden time, as he remembered it, borne upon the evening air, when sung by the tired slaves at the end of their day of toil, would have been pleasing, with its simple melody, its plaintive minor strains, its notes of vague longing; but to the colonel's senses there was to-night no music in this hackneyed popular favourite. In a metropolitan music hall, gaudily bedecked and brilliantly lighted, it would have been tolerable from the lips of a black-face comedian. But in this quiet place, upon this quiet night, and in the colonel's mood, it seemed like profanation. The song of the coloured girl, who had dreamt that she dwelt in marble halls, and the rest, had been less incongruous; it had at least breathed aspiration.

Mrs. Treadwell was still dozing in her armchair. The colonel, beckoning Miss Laura to follow him, moved to the farther end of the piazza, where they might not hear the singers and the song.

"It is delightful here, Laura. I seem to have renewed my youth. I yield myself a willing victim to the charm of the old place, the old ways, the old friends."

"You see our best side, Henry. Night has a kindly hand, that covers our defects, and the starlight throws a glamour over everything. You see us through a haze of tender memories. When you have been here a week, the town will seem dull, and narrow, and sluggish. You will find us ignorant and backward, worshipping our old idols, and setting up no new ones; our young men leaving us, and none coming in to take their place. Had you, and men like you, remained with us, we might have hoped for better things."

"And perhaps not, Laura. Environment controls the making of men. Some rise above it, the majority do not. We might have followed in the well-worn rut. But let us not spoil this delightful evening by speaking of anything sad or gloomy. This is your daily life; to me it is like a scene from a play, over which one sighs to see the curtain fall—all enchantment, all light, all happiness."

But even while he spoke of light, a shadow loomed up beside them. The coloured woman who had waited at the table came around the house from the back yard and stood by the piazza railing.

"Miss Laura!" she called, softly and appealingly. "Kin you come hyuh a minute?"

"What is it, Catherine?"

"Kin I speak just a word to you, ma'am? It's somethin' partic'lar—mighty partic'lar, ma'am."

"Excuse me a minute, Henry," said Miss Laura, rising with evident reluctance.

She stepped down from the piazza, and walked beside the woman down one of the garden paths. The colonel, as he sat there smoking—with Miss Laura's permission he had lighted a cigar—could see the light stuff of the lady's gown against the green background, though she was walking in the shadow of the elms. From the murmur which came to him, he gathered that the black woman was pleading earnestly, passionately, and he could hear Miss Laura's regretful voice, as she closed the interview:

"I am sorry, Catherine, but it is simply impossible. I would if I could, but I cannot."

The woman came back first, and as she passed by an open window, the light fell upon her face, which showed signs of deep distress, hardening already into resignation or despair. She was probably in trouble of some sort, and her mistress had not been able, doubtless for some good reason, to help her out. This suspicion was borne out by the fact that when Miss Laura came back to him, she too seemed troubled. But since she did not speak of the matter, the colonel gave no sign of his own thoughts.

"You have said nothing of yourself, Laura," he said, wishing to divert her mind from anything unpleasant. "Tell me something of your own life—it could only be a cheerful theme, for you have means and leisure, and a perfect environment. Tell me of your occupations, your hopes, your aspirations."

"There is little enough to tell, Henry," she returned, with a sudden courage, "but that little shall be the truth. You will find it out, if you stay long in town, and I would rather you learned it from our lips than from others less friendly. My mother is—my mother—a dear, sweet woman to whom I have devoted my life! But we are not well off, Henry. Our parlour carpet has been down for twenty-five years; surely you must have recognised the pattern! The house has not been painted for the same length of time; it is of heart pine, and we train the flowers and vines to cover it as much as may be, and there are many others like it, so it is not conspicuous. Our rentable property is three ramshackle cabins on the alley at the rear of the lot, for which we get four dollars a month each, when we can collect it. Our country estate is a few acres of poor land, which we rent on shares, and from which we get a few bushels of corn, an occasional load of firewood, and a few barrels of potatoes. As for my own life, I husband our small resources; I keep the house, and wait on mother, as I have done since she became helpless, ten years ago. I look after Graciella. I teach in the Sunday School, and I give to those less fortunate such help as the poor can give the poor."

"How did you come to lose Belleview?" asked the colonel, after a pause. "I had understood Major Treadwell to be one of the few people around here who weathered the storm of war and emerged financially sound."

"He did; and he remained so—until he met Mr. Fetters, who had made money out of the war while all the rest were losing. Father despised the slavetrader's son, but admired his ability to get along. Fetters made his acquaintance, flattered him, told him glowing stories of wealth to be made by speculating in cotton and turpentine. Father was not a business man, but he listened. Fetters lent him money, and father lent Fetters money, and they had transactions back and forth, and jointly. Father lost and gained and we had no inkling that he had suffered greatly, until, at his sudden death, Fetters foreclosed a mortgage he held upon Belleview. Mother has always believed there was something wrong about the transaction, and that father was not indebted to Fetters in any such sum as Fetters claimed. But we could find no papers and we had no proof, and Fetters took the plantation for his debt. He changed its name to Sycamore; he wanted a post-office there, and there were too many Belleviews."

"Does he own it still?"

"Yes, and runs it—with convict labour! The thought makes me shudder! We were rich when he was poor; we are poor and he is rich. But we trust in God, who has never deserted the widow and the fatherless. By His mercy we have lived and, as mother says, held up our heads, not in pride or haughtiness, but in self-respect, for we cannot forget what we were."

"Nor what you are, Laura, for you are wonderful," said the colonel, not unwilling to lighten a situation that bordered on intensity. "You should have married and had children. The South needs such mothers as you would have made. Unless the men of Clarendon have lost their discernment, unless chivalry has vanished and the fire died out of the Southern blood, it has not been for lack of opportunity that your name remains unchanged."

Miss Laura's cheek flushed unseen in the shadow of the porch.

"Ah, Henry, that would be telling! But to marry me, one must have married the family, for I could not have left them—they have had only me. I have not been unhappy. I do not know that I would have had my life different."

Graciella and her friends had finished their song, the piano had ceased to sound, and the visitors were taking their leave. Graciella went with them to the gate, where they stood laughing and talking. The colonel looked at his watch by the light of the open door.

"It is not late," he said. "If my memory is true, you too played the piano when you—when I was young."

"It is the same piano, Henry, and, like our life here, somewhat thin and weak of tone. But if you think it would give you pleasure, I will play—as well as I know how."

She readjusted the veil, which had slipped from her mother's face, and they went into the parlour. From a pile of time-stained music she selected a sheet and seated herself at the piano. The colonel stood at her elbow. She had a pretty back, he thought, and a still youthful turn of the head, and still plentiful, glossy brown hair. Her hands were white, slender and well kept, though he saw on the side of the forefinger of her left hand the telltale marks of the needle.

The piece was an arrangement of the well-known air from the opera of Maritana:

"Scenes that are brightest,
May charm awhile,
Hearts which are lightest
And eyes that smile.
Yet o'er them above us,
Though nature beam,
With none to love us,
How sad they seem!"

Under her sympathetic touch a gentle stream of melody flowed from the old-time piano, scarcely stronger toned in its decrepitude, than the spinet of a former century. A few moments before, under Graciella's vigorous hands, it had seemed to protest at the dissonances it had been compelled to emit; now it seemed to breathe the notes of the old opera with an almost human love and tenderness. It, too, mused the colonel, had lived and loved and was recalling the memories of a brighter past.

The music died into silence. Mrs. Treadwell was awake.

"Laura!" she called.

Miss Treadwell went to the door.

"I must have been nodding for a minute. I hope Colonel French did not observe it—it would scarcely seem polite. He hasn't gone yet?"

"No, mother, he is in the parlour."

"I must be going," said the colonel, who came to the door. "I had almost forgotten Phil, and it is long past his bedtime."

Miss Laura went to wake up Phil, who had fallen asleep after supper. He was still rubbing his eyes when the lady led him out.

"Wake up, Phil," said the colonel. "It's time to be going. Tell the ladies good night."

Graciella came running up the walk.

"Why, Colonel French," she cried, "you are not going already? I made the others leave early so that I might talk to you."

"My dear young lady," smiled the colonel, "I have already risen to go, and if I stayed longer I might wear out my welcome, and Phil would surely go to sleep again. But I will come another time—I shall stay in town several days."

"Yes, do come, if you must go," rejoined Graciella with emphasis. "I want to hear more about the North, and about New York society and—oh, everything! Good night, Philip. Good night, Colonel French."

"Beware of the steps, Henry," said Miss Laura, "the bottom stone is loose."

They heard his footsteps in the quiet street, and Phil's light patter beside him.

"He's a lovely man, isn't he, Aunt Laura?" said Graciella.

"He is a gentleman," replied her aunt, with a pensive look at her young niece.