"He says he is inclined to believe women have no souls; or, if they have, they make queer use of them."
The countess looked slightly shocked.
Lord Vivianne gave one angry look at the spoiled beauty.
"That is a very dreadful opinion to hold, my lord," said Lady Estelle.
"Lady Studleigh is hardly just to me," he replied. "She tells you what I say, but she does not tell you, although she knows, what led me to form that opinion."
The countess looked quickly from one to the other with a grave intentness that did not escape either. There was something more than mere badinage in this – something which she did not at all understand. Then Lady Doris saw that she had made a mistake in trying to expose him – she must not play with edged tools.
Lady Linleigh left them, not feeling quite satisfied. Why should he speak in that contemptuous manner of women, to a woman who was so young, so beautiful? It was not chivalrous – it was not even gentlemanly. And Lady Doris' manner puzzled her too; it was as though she wished to expose Lord Vivianne, to make others think evil of him. She could not forget the little circumstance.
"Yet it must be a fancy of mine," she thought. "They have so seldom met, they know so little of each other, there can be nothing but the most commonplace acquaintance between them."
Still it made her curious, and she purposely selected Lord Vivianne to take her down to dinner, in order that she might, after a little diplomatic fashion of her own, question him.
"How do you think Lady Studleigh is looking?" she asked him, when they had a chance for a few quiet words. "She was not well at all when we left London."
"I think her looking as beautiful as it is possible for any one to look," he replied, "and as well."
"I am glad you think so. It must have been a great privation for her to leave London in the very midst of the season, or, I should say, in the midst of a brilliant finale."
"Yes; I do not remember, of late years, any one who created such a furor as Lady Studleigh," was his reply.
"You met her often during the season?"
"Yes, I met her very frequently; it was impossible to go much into society without doing so – she was an unusual favorite."
The countess saw plainly that if he admired her he was not going to say so; she would not be able to get at his real opinion. Yet the very caution of his words and manner, the restraint in his speech, the guarded expression of his face, all told her that she was right in her half-formed fancy. There was something unusual – either on his part or hers – which she could not make out. She would not devote more time to him that evening; the guests were numerous, and must be entertained.
The gentlemen did not remain long in the dining-room, and the drawing-room presented a beautiful picture; the lamps were all lighted and shone like huge pearls among the countless flowers; the gay dresses and shining jewels of the ladies seemed to shine with unwonted luster. The sweet summer evening was so warm and so fragrant, the rich silken hangings were drawn, and the long windows were open, and from them the countess saw a fairyland of moonlight and flowers.
"I wish we had some music," said the earl; "it only wants that to complete the enchantment. Doris, will you sing?"
She went to the piano, and the rich voice floated through the room. Many who saw her then never forgot her; the green and white dress floating round her, the water-lilies in her golden hair, a flush on the beautiful face, while the rich voice poured out such a strain of melody as few had ever heard equaled.
They who saw her then, and knew what followed, did not forget the picture.
CHAPTER LXXIV
A LAST VAIN APPEAL
"The night is so fine," said the earl, "you young people would enjoy a short time on the lawn. Look at those lilies asleep in the moonlight – go and wake them. Then we will have the card-tables. That is as it should be – cards for the old, moonlight for the young."
That was the very chance Lord Vivianne had been longing for; he did not think he could bear suspense much longer. Now he was sure of a tete-a-tete. Here, in these rooms, half-filled with people, it had been an easy matter to avoid him, or to make others join in the conversation; it would not be as easy out there in the moonlight.
Lady Linleigh, who had never for one moment relaxed her keen, untiring watch, saw him go up to Lady Doris, and speak a few words to her in a low voice. At first the beautiful face flushed hotly, and the bright eyes seemed to flash out a proud defiance. Then there was an expression of half-startled fear, followed by one of submission most unusual in her.
"There is a mystery," she said to herself; "there is something between him and my darling!"
The mother's first impulse was to screen her, to help her. Lady Linleigh crossed the room and went to her.
"Doris," she said, in a clear distinct voice, that all might hear, "Doris, do not go if you prefer remaining here."
The girl raised her eyes to the calm gentle face, and Lady Linleigh was shocked to see tears in them.
"Thank you," she said, calmly; "I shall enjoy going out. Who could resist the moon and the flowers?"
"Then do not remain long. You look tired, and we must remember you are not strong."
Lord Vivianne joined them.
"Lady Studleigh has graciously promised to show me the fountains by moonlight. I will watch her faithfully, and at the first symptom of fatigue I promise you she shall return."
Then the countess could say no more. She saw Lord Vivianne carefully draw the black lace shawl over the white neck and arms.
"Not that you can be cold," he said, in reply to some objection, "but, as Lady Linleigh says, we must be careful of you."
And he smiled down on her with an air of protection and of appropriation, for which she in her rage could have struck him dead, and which made Lady Linleigh wonder exceedingly.
"It is ten thousand pities," she thought, "that he does not know she is engaged to Earle."
Then a new suspicion came to her, which made her even more uncomfortable. Was it possible that her daughter's passionate desire for secrecy had anything to do with Lord Vivianne? Was her daughter afraid of letting him know that she was going to be married? The very torment of the suspicion, faint as it was, filled her with dread. Then she saw the happy little group of guests on the lawn, she caught one glimpse of the white water-lilies and green dress as Lady Studleigh disappeared with her cavalier.
"What has come over me?" said the countess. "I have a presentiment, heavy as death! What can be wrong? I shall begin to think I am growing old and fanciful. What danger can be near my darling?"
She set herself resolutely to play at whist, but every now and then her partner saw her turn pale and shudder, as though she were cold.
Doris and Lord Vivianne were out in the moonlight together, and alone at last. At first they maintained complete and perfect silence. Lord Vivianne placed the white jeweled hand on his arm. She did not make the least objection; it was all useless, she was in his power, and she knew it; she would not even ask the question that trembled on her lips, and filled her with despairing wonder – what had brought him there? She walked by his side, silent, proud, and uncomplaining.
"My darling," he said, at last, "does not this evening remind you of Florence, and the moonlight on the river?"
"If I am to talk to you, Lord Vivianne, and it seems I am compelled to do so, I must ask you to refrain from using such expressions as 'darling.' I will not answer you if you do: they are utterly hateful to me."
"Yet I remember the time when they pleased you passing well. Do you remember, Dora, when I gave you a diamond ring? You have diamonds now on your neck and arms, in your ears, and your hair. They shine like fire-rivers over your beautiful figure; you are so accustomed to them that they have ceased to have any particular value for you. But do you remember your delight in the first?"
"Women remember their first diamonds, as they do their first long dress or their first lover," she replied.
"I suppose so. Oh, Dora, be a little kind to me! We are here in this sweet moonlight together, yet you do not give me one word, one smile. You were not always so hard or so cruel. In Florence, you used to walk with both these beautiful white hands clasped over my arm. Do you remember it?"
Then she raised to his a face that, in its pride and anger, he never forgot.
"I will not permit you to mention those days to me," she cried. "They are hateful; the very memory of them brands me as with a red-hot iron. I will not bear it. I would sooner – listen to me – I know the words are unwomanly – I would sooner pass through the infernal fires than go to Florence with you again."
He laughed.
"I like to see you in a passion, Dora; it suits you; you would have made a grand tragedy queen. I do not wish to vex you or to tease you, because, as you know, I wish to make you my wife. Do you know, can you guess, what has brought me here?"