Run To You

Run To You
Charlotte Stein

Alissa Layton leads a dull and ordinary life, safe in routines, with no plans to escape. But when she meets businessman, Janos Kovaks, and is introduced to his kinky lifestyle, Allissa’s entire world changes…From Charlotte Stein, author of best selling Mischief titles ‘Power Play’, ‘Deep Desires’ and ‘Make Me’.Alissa uncovers a hidden world of secret assignations and kinky meetings between like-minded high fliers at an exclusive hotel. The businessman Alissa spies on seems far too handsome, sexy and worldly for someone like her, and he's into the kind of things she's not sure she can do.Janos Kovacs has spent so long indulging in emotion-less dalliances that he's forgotten what real passion is. But the more time he spends with Alissa, the less control he has over himself. By the time he's finished teaching how deliciously naughty sex can be, he might be the one learning the lessons …

Run to You

Charlotte Stein

(http://www.mischiefbooks.com)

Table of Contents

Title Page (#uea831375-6069-57aa-bb77-622ca01f0581)

Chapter One (#u26cd4b0f-1c32-50ad-955f-714b55335767)

Chapter Two (#u85719e16-4d90-542f-8529-afa2a38b1fb1)

Chapter Three (#u98cf29a9-4655-5f07-867a-313082a689de)

Chapter Four (#u5ac3501b-a237-5080-ad4f-9ad8e34a3227)

Chapter Five (#u7b41459f-8308-5721-a9e2-5565fe7ca713)

Chapter Six (#litres_trial_promo)

Chapter Seven (#litres_trial_promo)

Chapter Eight (#litres_trial_promo)

Chapter Nine (#litres_trial_promo)

Chapter Ten (#litres_trial_promo)

Chapter Eleven (#litres_trial_promo)

Chapter Twelve (#litres_trial_promo)

Chapter Thirteen (#litres_trial_promo)

Chapter Fourteen (#litres_trial_promo)

Chapter Fifteen (#litres_trial_promo)

Chapter Sixteen (#litres_trial_promo)

Chapter Seventeen (#litres_trial_promo)

Chapter Eighteen (#litres_trial_promo)

More from Mischief (#litres_trial_promo)

About Mischief (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Chapter One (#ulink_8908e2d0-6294-562f-ad38-ad0096359020)

Sometimes I’m sure Lucy hasn’t really gone on holiday. Something else has happened to her, something terrible, like the little scene at the start of a gritty crime drama. The police are going to find her tomorrow, floating in the Thames. In fact, I can almost see it when I close my eyes: that pretty under-slip of hers drifting around her pale, still body, like transparent water weeds. Her red hair so bright against those murky depths.

She isn’t somewhere exotic, living the life of Riley. She wouldn’t leave with only a note for a goodbye. And yet, when I search for some other answer, there’s nothing to be found. Her apartment is as clean and featureless as ever: an open book. There’s no clue stuck on her refrigerator, in the form of a shopping list she suspiciously never went out for. I can’t find clothes she didn’t take, or arrangements she didn’t make.

‘I’m moving to my Mediterranean heaven – rent’s paid for the next three months,’ she said, which should be explanation enough, really. It’s only because I’m left with an absence, and a sense that I meant far less to her than I thought I did. I was just a blip to her, in a life filled with jagged edges and full Technicolor. I am a speck, a stripe of grey.

But that’s OK, because I like it that way. It’s not nearly as bad as it sounds. I have a sensible job at a sensible company, and every night I eat sensible meals in my sensible flat, before retiring at a sensible hour. My pleasures are few and simple, but they are pleasures.

And even better: they can never hurt me. I don’t have to flee to some far-off place because I did something very wicked – though I don’t know if this wickedness of Lucy’s is just my imagination. It certainly seems like it might be when I flick through the little date diary she’s left in the upper right-hand drawer of her desk.

‘Dentist at three,’ it says, in that looping, dangerous-looking scrawl of hers. ‘Floor waxing at nine.’ Dull appointments like that almost look disingenuous, dressed in those slashing black ‘T’s and her big, all-consuming ‘S’s. The latter letter seems to devour entire pages, and puts my own handwriting to shame. My words creep across the bottom of pages, narrow and cramped and completely unobtrusive. I can’t bring myself to turn my ‘C’s into great, gaping mouths. And I certainly don’t know how to write in red.

But she does. She has. Every third Friday, there it is – the one appointment that doesn’t seem quite as dull as the rest. ‘Assignation’, it says, in bold, bloody crimson. And then as though to emphasise how incongruous that one word looks and sounds, she’s circled it three times. She’s circled all of them three times – these sibilant, secretive marks of the thing she must have been doing.

She was meeting someone. Someone she didn’t tell me about, someone dark and deadly. Or maybe it’s worse than that: an affair, an embroilment in the underworld … anything. It could be anything, which probably explains why I then pick up the telephone, and call the place she’s listed under every instance of that word.

‘The Harrington’, her diary says, and I immediately picture a great, grand dinosaur of a place. It will be one of those hotels that’s been caught between the wealth it once commanded and the seediness it’s disappearing into, and when a woman answers the phone she does nothing to dispel this impression.

‘How can we be of service?’ she says, in a tone designed to put the casual patron off. It’s both haughty and bored, like a person who’s just stepped out of the nineteenth century. She could kill with a voice like that, but my answer spills out of me anyway. I stretch my neck out, and put it on the chopping block.

‘My name is Lucy Talbert,’ I say. ‘I believe I have a reservation with you for Friday.’

And the woman says, ‘Yes. Yes, Lucy, you do.’

* * *

The place is even more intimidating than I had initially imagined – mainly because that seediness simply isn’t present. There are no holes in the velvet curtains, or cracks in the yellowing plaster. Everything gleams like the inside of a wine glass, and for a moment I stand transfixed in the doorway. I’m afraid to walk on the glossy marble floor, in case my cheap heels crack it.

Or maybe I’ll slip. Yes, slipping seems likely. It’s practically an ice rink in front of me, and I’ve never been known for my poise. Whereas the woman descending the elegantly curved stairs in front of me … well. She has poise in abundance. She’s wearing a skirt so slim and tight I’m surprised she can walk, and her heels are daggers.

But she doesn’t falter on that smooth floor. She doesn’t even seem aware of it. She glides to reception with all the grace of a swan, murmurs something to the equally elegant lady behind the mahogany desk and waltzes on.

It doesn’t surprise me that I hold my breath when she swings past me. If I inhale her perfume I might die of wealth. Her sheer classiness is on the verge of swamping me – or at the very least it’s about to mark me out as the impostor I am.

Suddenly, the difference between me and Lucy is immense. It’s a chasm. She came here, and she came here often. There are a lot of assignations in her little book, and if she attended them all she must have known how to operate in this environment. You couldn’t come here as a misfit, in ill-fitting clothes.

Though somehow that’s what I have done. I shamble up to the reception desk like an old washerwoman, skirt riding up my thighs, jacket gaping open. These heels are crippling me, and they aren’t half the height of that other woman’s. It’s really no wonder the receptionist looks at me with clear disdain, though I suspect that’s her default expression. Her eyes are the cool, clear blue of an arctic ocean, each framed with the kind of artistic sweep of eyeliner that I can never hope to achieve. And her hair …

I’ve never seen such neat, complicated coils. She’s wearing a snake on her head, only the snake is beautiful and blonde and so much better than me. I’m embarrassed to be in my own body, right at this moment.