Dickens' Stories About Children Every Child Can Read

"Why, they're – over there, my dear," said the turnkey, waving his key vaguely, "just about there."

"Does anybody open them and shut them? Are they locked?"

"Well," said the turnkey, not knowing what to say, "not in general."

"Are they pretty, Bob?" She called him Bob, because he wished it.

"Lovely. Full of flowers. There's buttercups, and there's daisies, and there's – " here he hesitated not knowing the names of many flowers – "there's dandelions, and all manner of games."

"Is it very pleasant to be there, Bob?"

"Prime," said the turnkey.

"Was father ever there?"

"Hem!" coughed the turnkey. "O yes, he was there, sometimes."

"Is he sorry not to be there now?"

"N – not particular," said the turnkey.

"Nor any of the people?" she asked, glancing at the listless crowd within. "O are you quite sure and certain, Bob?"

At this point, Bob gave in and changed the subject to candy. But after this chat, the turnkey and little Amy would go out on his free Sunday afternoons to some meadows or green lanes, and she would pick grass and flowers to bring home, while he smoked his pipe; and then they would go to some tea-gardens for shrimps and tea and other delicacies, and would come back hand in hand, unless she was very tired and had fallen asleep on his shoulder.

When Amy was only eight years old, her mother died; and the poor father was more helpless and broken-down than ever, and as Fanny was a careless child and Edward idle, the little one, who had the bravest and truest heart, was led by her love and unselfishness to be the little mother of the forlorn family, and struggled to get some little education for herself and her brother and sister.

At first, such a baby could do little more than sit with her father, deserting her livelier place by the high fender, and quietly watching him. But this made her so far necessary to him that he became accustomed to her, and began to be sensible of missing her when she was not there. Through this little gate, she passed out of her childhood into the care-laden world.

What her pitiful look saw, at that early time, in her father, in her sister, in her brother, in the jail; how much or how little of the wretched truth it pleased God to make plain to her, lies hidden with many mysteries. It is enough that she was inspired to be something which was not what the rest were, and to be that something, different and laborious, for the sake of the rest. Inspired? Yes. Shall we speak of a poet or a priest, and not of the heart impelled by love and self-devotion to the lowliest work in the lowliest way of life?

The family stayed so long in the prison that the old man came to be known as "The Father of the Marshalsea;" and little Amy, who had never known any other home, as "The Child of the Marshalsea."

At thirteen she could read and keep accounts – that is, could put down in words and figures how much the bare necessaries that they wanted would cost, and how much less they had to buy them with. She had been, by snatches of a few weeks at a time, to an evening school outside, and got her sister and brother sent to day-schools from time to time during three or four years. There was no teaching for any of them at home; but she knew well – no one better – that a man so broken as to be the Father of the Marshalsea, could be no father to his own children.

To these scanty means of improvement, she added another of her own contriving. Once among the crowd of prisoners there appeared a dancing-master. Her sister had a great desire to learn the dancing-master's art, and seemed to have a taste that way. At thirteen years old, the Child of the Marshalsea presented herself to the dancing-master, with a little bag in her hand, and offered her humble petition.

"If you please, I was born here, sir."

"Oh! you are the young lady, are you?" said the dancing-master, surveying the small figure and uplifted face.

"Yes, sir."

"And what can I do for you?" said the dancing-master.

"Nothing for me, sir, thank you," anxiously undrawing the strings of the little bag; "but if, while you stay here, you could be so kind as to teach my sister cheap – "

"My child, I'll teach her for nothing," said the dancing-master, shutting up the bag. He was as good-natured a dancing-master as ever danced to the Insolvent Court, and he kept his word. The sister was so apt a pupil, and the dancing-master had such abundant time to give her, that wonderful progress was made. Indeed, the dancing-master was so proud of it, and so wishful to show it before he left, to a few select friends among the collegians (the debtors in the prison were called "collegians"), that at six o'clock on a certain fine morning, an exhibition was held in the yard – the college-rooms being of too small size for the purpose – in which so much ground was covered, and the steps were so well executed, that the dancing-master, having to play his fiddle besides, was thoroughly tired out.

The success of this beginning, which led to the dancing-master's continuing his teaching after his release, led the poor child to try again. She watched and waited months for a seamstress. In the fullness of time a milliner came in, sent there like all the rest for a debt which she could not pay; and to her she went to ask a favor for herself.

"I beg your pardon, ma'am," she said, looking timidly round the door of the milliner, whom she found in tears and in bed: "but I was born here."

Everybody seemed to hear of her as soon as they arrived; for the milliner sat up in bed, drying her eyes, and said, just as the dancing-master had said:

"Oh! you are the child, are you?"

"Yes, ma'am."

"I am sorry I haven't got anything for you," said the milliner, shaking her head.

"It's not that, ma'am. If you please, I want to learn needlework."

"Why should you do that," returned the milliner, "with me before you? It has not done me much good."

"Nothing – whatever it is – seems to have done anybody much good who comes here," she returned in her simple way; "but I want to learn, just the same."

"I am afraid you are so weak, you see," the milliner objected.

"I don't think I am weak, ma'am."

"And you are so very, very little, you see," the milliner objected.

"Yes, I am afraid I am very little indeed," returned the Child of the Marshalsea; and so began to sob over that unfortunate smallness of hers, which came so often in her way. The milliner – who was not unkind or hardhearted, only badly in debt – was touched, took her in hand with good-will, found her the most patient and earnest of pupils, and made her a good workwoman.

In course of time, the Father of the Marshalsea gradually developed a new trait of character. He was very greatly ashamed of having his two daughters work for their living; and tried to make it appear that they were only doing work for pleasure, not for pay. But at the same time he would take money from any one who would give it to him, without any sense of shame. With the same hand that had pocketed a fellow-prisoner's half-crown half an hour ago, he would wipe away the tears that streamed over his cheeks if anything was spoken of his daughters' earning their bread. So, over and above her other daily cares, the Child of the Marshalsea had always upon her the care of keeping up the make-believe that they were all idle beggars together.

The sister became a dancer. There was a ruined uncle in the family group – ruined by his brother, the Father of the Marshalsea, and knowing no more how, than his ruiner did, but taking the fact as something that could not be helped. Naturally a retired and simple man, he had shown no particular sense of being ruined, at the time when that calamity fell upon him, further than he left off washing himself when the shock was announced, and never took to washing his face and hands any more. He had been a rather poor musician in his better days; and when he fell with his brother, supported himself in a poor way by playing a clarionet as dirty as himself in a small theatre band. It was the theatre in which his niece became a dancer; he had been a fixture there a long time when she took her poor station in it; and he accepted the task of serving as her guardian, just as he would have accepted an illness, a legacy, a feast, starvation – anything but soap.

To enable this girl to earn her few weekly shillings, it was necessary for the Child of the Marshalsea to go through a careful form with her father.

"Fanny is not going to live with us, just now, father. She will be here a good deal in the day, but she is going to live outside with uncle."

"You surprise me. Why?"

"I think uncle wants a companion, father. He should be attended to and looked after."

"A companion? He passes much of his time here. And you attend and look after him, Amy, a great deal more than ever your sister will. You all go out so much; you all go out so much."

This was to keep up the form and pretense of his having no idea that Amy herself went out by the day to work.

"But we are always very glad to come home father; now, are we not? And as to Fanny, perhaps besides keeping uncle company and taking care of him, it may be as well for her not quite to live here always. She was not born here as I was you know, father."

"Well, Amy, well. I don't quite follow you, but it's natural I suppose that Fanny should prefer to be outside, and even that you often should, too. So, you and Fanny and your uncle, my dear, shall have your own way. Good, good. I'll not meddle; don't mind me."

To get her brother out of the prison; out of the low work of running errands for the prisoners outside, and out of the bad company into which he had fallen, was her hardest task. At eighteen years of age her brother Edward would have dragged on from hand to mouth, from hour to hour, from penny to penny, until eighty. Nobody got into the prison from whom he gained anything useful or good, and she could find no patron for him but her old friend and godfather, the turnkey.

"Dear Bob," said she, "what is to become of poor Tip?" His name was Edward, and Ted had been changed into Tip, within the walls.