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Sketches by Boz, Illustrative of Every-Day Life and Every-Day People

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2017
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See them at the neighbouring public-house or the theatrical coffee-shop! They are the kings of the place, supposing no real performers to be present; and roll about, hats on one side, and arms a-kimbo, as if they had actually come into possession of eighteen shillings a-week, and a share of a ticket night. If one of them does but know an Astley’s supernumerary he is a happy fellow. The mingled air of envy and admiration with which his companions will regard him, as he converses familiarly with some mouldy-looking man in a fancy neckerchief, whose partially corked eyebrows, and half-rouged face, testify to the fact of his having just left the stage or the circle, sufficiently shows in what high admiration these public characters are held.

With the double view of guarding against the discovery of friends or employers, and enhancing the interest of an assumed character, by attaching a high-sounding name to its representative, these geniuses assume fictitious names, which are not the least amusing part of the play-bill of a private theatre. Belville, Melville, Treville, Berkeley, Randolph, Byron, St. Clair, and so forth, are among the humblest; and the less imposing titles of Jenkins, Walker, Thomson, Barker, Solomons, &c., are completely laid aside. There is something imposing in this, and it is an excellent apology for shabbiness into the bargain. A shrunken, faded coat, a decayed hat, a patched and soiled pair of trousers – nay, even a very dirty shirt (and none of these appearances are very uncommon among the members of the corps dramatique), may be worn for the purpose of disguise, and to prevent the remotest chance of recognition. Then it prevents any troublesome inquiries or explanations about employment and pursuits; everybody is a gentleman at large, for the occasion, and there are none of those unpleasant and unnecessary distinctions to which even genius must occasionally succumb elsewhere. As to the ladies (God bless them), they are quite above any formal absurdities; the mere circumstance of your being behind the scenes is a sufficient introduction to their society – for of course they know that none but strictly respectable persons would be admitted into that close fellowship with them, which acting engenders. They place implicit reliance on the manager, no doubt; and as to the manager, he is all affability when he knows you well, – or, in other words, when he has pocketed your money once, and entertains confident hopes of doing so again.

A quarter before eight – there will be a full house to-night – six parties in the boxes, already; four little boys and a woman in the pit; and two fiddles and a flute in the orchestra, who have got through five overtures since seven o’clock (the hour fixed for the commencement of the performances), and have just begun the sixth. There will be plenty of it, though, when it does begin, for there is enough in the bill to last six hours at least.

That gentleman in the white hat and checked shirt, brown coat and brass buttons, lounging behind the stage-box on the O. P. side, is Mr. Horatio St. Julien, alias Jem Larkins. His line is genteel comedy – his father’s, coal and potato. He does Alfred Highflier in the last piece, and very well he’ll do it – at the price. The party of gentlemen in the opposite box, to whom he has just nodded, are friends and supporters of Mr. Beverley (otherwise Loggins), the Macbeth of the night. You observe their attempts to appear easy and gentlemanly, each member of the party, with his feet cocked upon the cushion in front of the box! They let them do these things here, upon the same humane principle which permits poor people’s children to knock double knocks at the door of an empty house – because they can’t do it anywhere else. The two stout men in the centre box, with an opera-glass ostentatiously placed before them, are friends of the proprietor – opulent country managers, as he confidentially informs every individual among the crew behind the curtain – opulent country managers looking out for recruits; a representation which Mr. Nathan, the dresser, who is in the manager’s interest, and has just arrived with the costumes, offers to confirm upon oath if required – corroborative evidence, however, is quite unnecessary, for the gulls believe it at once.

The stout Jewess who has just entered, is the mother of the pale, bony little girl, with the necklace of blue glass beads, sitting by her; she is being brought up to ‘the profession.’ Pantomime is to be her line, and she is coming out to-night, in a hornpipe after the tragedy. The short thin man beside Mr. St. Julien, whose white face is so deeply seared with the small-pox, and whose dirty shirt-front is inlaid with open-work, and embossed with coral studs like ladybirds, is the low comedian and comic singer of the establishment. The remainder of the audience – a tolerably numerous one by this time – are a motley group of dupes and blackguards.

The foot-lights have just made their appearance: the wicks of the six little oil lamps round the only tier of boxes, are being turned up, and the additional light thus afforded serves to show the presence of dirt, and absence of paint, which forms a prominent feature in the audience part of the house. As these preparations, however, announce the speedy commencement of the play, let us take a peep ‘behind,’ previous to the ringing-up.

The little narrow passages beneath the stage are neither especially clean nor too brilliantly lighted; and the absence of any flooring, together with the damp mildewy smell which pervades the place, does not conduce in any great degree to their comfortable appearance. Don’t fall over this plate basket – it’s one of the ‘properties’ – the caldron for the witches’ cave; and the three uncouth-looking figures, with broken clothes-props in their hands, who are drinking gin-and-water out of a pint pot, are the weird sisters. This miserable room, lighted by candles in sconces placed at lengthened intervals round the wall, is the dressing-room, common to the gentlemen performers, and the square hole in the ceiling is the trap-door of the stage above. You will observe that the ceiling is ornamented with the beams that support the boards, and tastefully hung with cobwebs.

The characters in the tragedy are all dressed, and their own clothes are scattered in hurried confusion over the wooden dresser which surrounds the room. That snuff-shop-looking figure, in front of the glass, is Banquo: and the young lady with the liberal display of legs, who is kindly painting his face with a hare’s foot, is dressed for Fleance. The large woman, who is consulting the stage directions in Cumberland’s edition of Macbeth, is the Lady Macbeth of the night; she is always selected to play the part, because she is tall and stout, and looks a little like Mrs. Siddons – at a considerable distance. That stupid-looking milksop, with light hair and bow legs – a kind of man whom you can warrant town-made – is fresh caught; he plays Malcolm to-night, just to accustom himself to an audience. He will get on better by degrees; he will play Othello in a month, and in a month more, will very probably be apprehended on a charge of embezzlement. The black-eyed female with whom he is talking so earnestly, is dressed for the ‘gentlewoman.’ It is her first appearance, too – in that character. The boy of fourteen who is having his eyebrows smeared with soap and whitening, is Duncan, King of Scotland; and the two dirty men with the corked countenances, in very old green tunics, and dirty drab boots, are the ‘army.’

‘Look sharp below there, gents,’ exclaims the dresser, a red-headed and red-whiskered Jew, calling through the trap, ‘they’re a-going to ring up. The flute says he’ll be blowed if he plays any more, and they’re getting precious noisy in front.’ A general rush immediately takes place to the half-dozen little steep steps leading to the stage, and the heterogeneous group are soon assembled at the side scenes, in breathless anxiety and motley confusion.

‘Now,’ cries the manager, consulting the written list which hangs behind the first P. S, wing, ‘Scene 1, open country – lamps down – thunder and lightning – all ready, White?’ [This is addressed to one of the army.] ‘All ready.’ – ‘Very well. Scene 2, front chamber. Is the front chamber down?’ – ‘Yes.’ – ‘Very well.’ – ‘Jones’ [to the other army who is up in the flies]. ‘Hallo!’ – ‘Wind up the open country when we ring up.’ – ‘I’ll take care.’ – ‘Scene 3, back perspective with practical bridge. Bridge ready, White? Got the tressels there?’ – ‘All right.’

‘Very well. Clear the stage,’ cries the manager, hastily packing every member of the company into the little space there is between the wings and the wall, and one wing and another. ‘Places, places. Now then, Witches – Duncan – Malcolm – bleeding officer – where’s the bleeding officer?’ – ‘Here!’ replies the officer, who has been rose-pinking for the character. ‘Get ready, then; now, White, ring the second music-bell.’ The actors who are to be discovered, are hastily arranged, and the actors who are not to be discovered place themselves, in their anxiety to peep at the house, just where the audience can see them. The bell rings, and the orchestra, in acknowledgment of the call, play three distinct chords. The bell rings – the tragedy (!) opens – and our description closes.

CHAPTER XIV – VAUXHALL-GARDENS BY DAY

There was a time when if a man ventured to wonder how Vauxhall-gardens would look by day, he was hailed with a shout of derision at the absurdity of the idea. Vauxhall by daylight! A porter-pot without porter, the House of Commons without the Speaker, a gas-lamp without the gas – pooh, nonsense, the thing was not to be thought of. It was rumoured, too, in those times, that Vauxhall-gardens by day, were the scene of secret and hidden experiments; that there, carvers were exercised in the mystic art of cutting a moderate-sized ham into slices thin enough to pave the whole of the grounds; that beneath the shade of the tall trees, studious men were constantly engaged in chemical experiments, with the view of discovering how much water a bowl of negus could possibly bear; and that in some retired nooks, appropriated to the study of ornithology, other sage and learned men were, by a process known only to themselves, incessantly employed in reducing fowls to a mere combination of skin and bone.

Vague rumours of this kind, together with many others of a similar nature, cast over Vauxhall-gardens an air of deep mystery; and as there is a great deal in the mysterious, there is no doubt that to a good many people, at all events, the pleasure they afforded was not a little enhanced by this very circumstance.

Of this class of people we confess to having made one. We loved to wander among these illuminated groves, thinking of the patient and laborious researches which had been carried on there during the day, and witnessing their results in the suppers which were served up beneath the light of lamps and to the sound of music at night. The temples and saloons and cosmoramas and fountains glittered and sparkled before our eyes; the beauty of the lady singers and the elegant deportment of the gentlemen, captivated our hearts; a few hundred thousand of additional lamps dazzled our senses; a bowl or two of punch bewildered our brains; and we were happy.

In an evil hour, the proprietors of Vauxhall-gardens took to opening them by day. We regretted this, as rudely and harshly disturbing that veil of mystery which had hung about the property for many years, and which none but the noonday sun, and the late Mr. Simpson, had ever penetrated. We shrunk from going; at this moment we scarcely know why. Perhaps a morbid consciousness of approaching disappointment – perhaps a fatal presentiment – perhaps the weather; whatever it was, we did not go until the second or third announcement of a race between two balloons tempted us, and we went.

We paid our shilling at the gate, and then we saw for the first time, that the entrance, if there had been any magic about it at all, was now decidedly disenchanted, being, in fact, nothing more nor less than a combination of very roughly-painted boards and sawdust. We glanced at the orchestra and supper-room as we hurried past – we just recognised them, and that was all. We bent our steps to the firework-ground; there, at least, we should not be disappointed. We reached it, and stood rooted to the spot with mortification and astonishment. That the Moorish tower – that wooden shed with a door in the centre, and daubs of crimson and yellow all round, like a gigantic watch-case! That the place where night after night we had beheld the undaunted Mr. Blackmore make his terrific ascent, surrounded by flames of fire, and peals of artillery, and where the white garments of Madame Somebody (we forget even her name now), who nobly devoted her life to the manufacture of fireworks, had so often been seen fluttering in the wind, as she called up a red, blue, or party-coloured light to illumine her temple! That the – but at this moment the bell rung; the people scampered away, pell-mell, to the spot from whence the sound proceeded; and we, from the mere force of habit, found ourself running among the first, as if for very life.

It was for the concert in the orchestra. A small party of dismal men in cocked hats were ‘executing’ the overture to Tancredi, and a numerous assemblage of ladies and gentlemen, with their families, had rushed from their half-emptied stout mugs in the supper boxes, and crowded to the spot. Intense was the low murmur of admiration when a particularly small gentleman, in a dress coat, led on a particularly tall lady in a blue sarcenet pelisse and bonnet of the same, ornamented with large white feathers, and forthwith commenced a plaintive duet.

We knew the small gentleman well; we had seen a lithographed semblance of him, on many a piece of music, with his mouth wide open as if in the act of singing; a wine-glass in his hand; and a table with two decanters and four pine-apples on it in the background. The tall lady, too, we had gazed on, lost in raptures of admiration, many and many a time – how different people do look by daylight, and without punch, to be sure! It was a beautiful duet: first the small gentleman asked a question, and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed, in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air: and the band wound themselves up to a pitch of fury, and the small gentleman handed the tall lady out, and the applause was rapturous.

The comic singer, however, was the especial favourite; we really thought that a gentleman, with his dinner in a pocket-handkerchief, who stood near us, would have fainted with excess of joy. A marvellously facetious gentleman that comic singer is; his distinguishing characteristics are, a wig approaching to the flaxen, and an aged countenance, and he bears the name of one of the English counties, if we recollect right. He sang a very good song about the seven ages, the first half-hour of which afforded the assembly the purest delight; of the rest we can make no report, as we did not stay to hear any more.

We walked about, and met with a disappointment at every turn; our favourite views were mere patches of paint; the fountain that had sparkled so showily by lamp-light, presented very much the appearance of a water-pipe that had burst; all the ornaments were dingy, and all the walks gloomy. There was a spectral attempt at rope-dancing in the little open theatre. The sun shone upon the spangled dresses of the performers, and their evolutions were about as inspiriting and appropriate as a country-dance in a family vault. So we retraced our steps to the firework-ground, and mingled with the little crowd of people who were contemplating Mr. Green.

Some half-dozen men were restraining the impetuosity of one of the balloons, which was completely filled, and had the car already attached; and as rumours had gone abroad that a Lord was ‘going up,’ the crowd were more than usually anxious and talkative. There was one little man in faded black, with a dirty face and a rusty black neckerchief with a red border, tied in a narrow wisp round his neck, who entered into conversation with everybody, and had something to say upon every remark that was made within his hearing. He was standing with his arms folded, staring up at the balloon, and every now and then vented his feelings of reverence for the aëronaut, by saying, as he looked round to catch somebody’s eye, ‘He’s a rum ’un is Green; think o’ this here being up’ards of his two hundredth ascent; ecod, the man as is ekal to Green never had the toothache yet, nor won’t have within this hundred year, and that’s all about it. When you meets with real talent, and native, too, encourage it, that’s what I say;’ and when he had delivered himself to this effect, he would fold his arms with more determination than ever, and stare at the balloon with a sort of admiring defiance of any other man alive, beyond himself and Green, that impressed the crowd with the opinion that he was an oracle.

‘Ah, you’re very right, sir,’ said another gentleman, with his wife, and children, and mother, and wife’s sister, and a host of female friends, in all the gentility of white pocket-handkerchiefs, frills, and spencers, ‘Mr. Green is a steady hand, sir, and there’s no fear about him.’

‘Fear!’ said the little man: ‘isn’t it a lovely thing to see him and his wife a going up in one balloon, and his own son and his wife a jostling up against them in another, and all of them going twenty or thirty mile in three hours or so, and then coming back in pochayses? I don’t know where this here science is to stop, mind you; that’s what bothers me.’

Here there was a considerable talking among the females in the spencers.

‘What’s the ladies a laughing at, sir?’ inquired the little man, condescendingly.

‘It’s only my sister Mary,’ said one of the girls, ‘as says she hopes his lordship won’t be frightened when he’s in the car, and want to come out again.’

‘Make yourself easy about that there, my dear,’ replied the little man. ‘If he was so much as to move a inch without leave, Green would jist fetch him a crack over the head with the telescope, as would send him into the bottom of the basket in no time, and stun him till they come down again.’

‘Would he, though?’ inquired the other man.

‘Yes, would he,’ replied the little one, ‘and think nothing of it, neither, if he was the king himself. Green’s presence of mind is wonderful.’

Just at this moment all eyes were directed to the preparations which were being made for starting. The car was attached to the second balloon, the two were brought pretty close together, and a military band commenced playing, with a zeal and fervour which would render the most timid man in existence but too happy to accept any means of quitting that particular spot of earth on which they were stationed. Then Mr. Green, sen., and his noble companion entered one car, and Mr. Green, jun., and his companion the other; and then the balloons went up, and the aërial travellers stood up, and the crowd outside roared with delight, and the two gentlemen who had never ascended before, tried to wave their flags, as if they were not nervous, but held on very fast all the while; and the balloons were wafted gently away, our little friend solemnly protesting, long after they were reduced to mere specks in the air, that he could still distinguish the white hat of Mr. Green. The gardens disgorged their multitudes, boys ran up and down screaming ‘bal-loon;’ and in all the crowded thoroughfares people rushed out of their shops into the middle of the road, and having stared up in the air at two little black objects till they almost dislocated their necks, walked slowly in again, perfectly satisfied.

The next day there was a grand account of the ascent in the morning papers, and the public were informed how it was the finest day but four in Mr. Green’s remembrance; how they retained sight of the earth till they lost it behind the clouds; and how the reflection of the balloon on the undulating masses of vapour was gorgeously picturesque; together with a little science about the refraction of the sun’s rays, and some mysterious hints respecting atmospheric heat and eddying currents of air.

There was also an interesting account how a man in a boat was distinctly heard by Mr. Green, jun., to exclaim, ‘My eye!’ which Mr. Green, jun., attributed to his voice rising to the balloon, and the sound being thrown back from its surface into the car; and the whole concluded with a slight allusion to another ascent next Wednesday, all of which was very instructive and very amusing, as our readers will see if they look to the papers. If we have forgotten to mention the date, they have only to wait till next summer, and take the account of the first ascent, and it will answer the purpose equally well.

CHAPTER XV – EARLY COACHES

We have often wondered how many months’ incessant travelling in a post-chaise it would take to kill a man; and wondering by analogy, we should very much like to know how many months of constant travelling in a succession of early coaches, an unfortunate mortal could endure. Breaking a man alive upon the wheel, would be nothing to breaking his rest, his peace, his heart – everything but his fast – upon four; and the punishment of Ixion (the only practical person, by-the-bye, who has discovered the secret of the perpetual motion) would sink into utter insignificance before the one we have suggested. If we had been a powerful churchman in those good times when blood was shed as freely as water, and men were mowed down like grass, in the sacred cause of religion, we would have lain by very quietly till we got hold of some especially obstinate miscreant, who positively refused to be converted to our faith, and then we would have booked him for an inside place in a small coach, which travelled day and night: and securing the remainder of the places for stout men with a slight tendency to coughing and spitting, we would have started him forth on his last travels: leaving him mercilessly to all the tortures which the waiters, landlords, coachmen, guards, boots, chambermaids, and other familiars on his line of road, might think proper to inflict.

Who has not experienced the miseries inevitably consequent upon a summons to undertake a hasty journey? You receive an intimation from your place of business – wherever that may be, or whatever you may be – that it will be necessary to leave town without delay. You and your family are forthwith thrown into a state of tremendous excitement; an express is immediately dispatched to the washerwoman’s; everybody is in a bustle; and you, yourself, with a feeling of dignity which you cannot altogether conceal, sally forth to the booking-office to secure your place. Here a painful consciousness of your own unimportance first rushes on your mind – the people are as cool and collected as if nobody were going out of town, or as if a journey of a hundred odd miles were a mere nothing. You enter a mouldy-looking room, ornamented with large posting-bills; the greater part of the place enclosed behind a huge, lumbering, rough counter, and fitted up with recesses that look like the dens of the smaller animals in a travelling menagerie, without the bars. Some half-dozen people are ‘booking’ brown-paper parcels, which one of the clerks flings into the aforesaid recesses with an air of recklessness which you, remembering the new carpet-bag you bought in the morning, feel considerably annoyed at; porters, looking like so many Atlases, keep rushing in and out, with large packages on their shoulders; and while you are waiting to make the necessary inquiries, you wonder what on earth the booking-office clerks can have been before they were booking-office clerks; one of them with his pen behind his ear, and his hands behind him, is standing in front of the fire, like a full-length portrait of Napoleon; the other with his hat half off his head, enters the passengers’ names in the books with a coolness which is inexpressibly provoking; and the villain whistles – actually whistles – while a man asks him what the fare is outside, all the way to Holyhead! – in frosty weather, too! They are clearly an isolated race, evidently possessing no sympathies or feelings in common with the rest of mankind. Your turn comes at last, and having paid the fare, you tremblingly inquire – ‘What time will it be necessary for me to be here in the morning?’ – ‘Six o’clock,’ replies the whistler, carelessly pitching the sovereign you have just parted with, into a wooden bowl on the desk. ‘Rather before than arter,’ adds the man with the semi-roasted unmentionables, with just as much ease and complacency as if the whole world got out of bed at five. You turn into the street, ruminating as you bend your steps homewards on the extent to which men become hardened in cruelty, by custom.

If there be one thing in existence more miserable than another, it most unquestionably is the being compelled to rise by candlelight. If you have ever doubted the fact, you are painfully convinced of your error, on the morning of your departure. You left strict orders, overnight, to be called at half-past four, and you have done nothing all night but doze for five minutes at a time, and start up suddenly from a terrific dream of a large church-clock with the small hand running round, with astonishing rapidity, to every figure on the dial-plate. At last, completely exhausted, you fall gradually into a refreshing sleep – your thoughts grow confused – the stage-coaches, which have been ‘going off’ before your eyes all night, become less and less distinct, until they go off altogether; one moment you are driving with all the skill and smartness of an experienced whip – the next you are exhibiting à la Ducrow, on the off-leader; anon you are closely muffled up, inside, and have just recognised in the person of the guard an old schoolfellow, whose funeral, even in your dream, you remember to have attended eighteen years ago. At last you fall into a state of complete oblivion, from which you are aroused, as if into a new state of existence, by a singular illusion. You are apprenticed to a trunk-maker; how, or why, or when, or wherefore, you don’t take the trouble to inquire; but there you are, pasting the lining in the lid of a portmanteau. Confound that other apprentice in the back shop, how he is hammering! – rap, rap, rap – what an industrious fellow he must be! you have heard him at work for half an hour past, and he has been hammering incessantly the whole time. Rap, rap, rap, again – he’s talking now – what’s that he said? Five o’clock! You make a violent exertion, and start up in bed. The vision is at once dispelled; the trunk-maker’s shop is your own bedroom, and the other apprentice your shivering servant, who has been vainly endeavouring to wake you for the last quarter of an hour, at the imminent risk of breaking either his own knuckles or the panels of the door.

You proceed to dress yourself, with all possible dispatch. The flaring flat candle with the long snuff, gives light enough to show that the things you want, are not where they ought to be, and you undergo a trifling delay in consequence of having carefully packed up one of your boots in your over-anxiety of the preceding night. You soon complete your toilet, however, for you are not particular on such an occasion, and you shaved yesterday evening; so mounting your Petersham great-coat, and green travelling shawl, and grasping your carpet-bag in your right hand, you walk lightly down-stairs, lest you should awaken any of the family, and after pausing in the common sitting-room for one moment, just to have a cup of coffee (the said common sitting-room looking remarkably comfortable, with everything out of its place, and strewed with the crumbs of last night’s supper), you undo the chain and bolts of the street-door, and find yourself fairly in the street.

A thaw, by all that is miserable! The frost is completely broken up. You look down the long perspective of Oxford-street, the gas-lights mournfully reflected on the wet pavement, and can discern no speck in the road to encourage the belief that there is a cab or a coach to be had – the very coachmen have gone home in despair. The cold sleet is drizzling down with that gentle regularity, which betokens a duration of four-and-twenty hours at least; the damp hangs upon the house-tops and lamp-posts, and clings to you like an invisible cloak. The water is ‘coming in’ in every area, the pipes have burst, the water-butts are running over; the kennels seem to be doing matches against time, pump-handles descend of their own accord, horses in market-carts fall down, and there’s no one to help them up again, policemen look as if they had been carefully sprinkled with powdered glass; here and there a milk-woman trudges slowly along, with a bit of list round each foot to keep her from slipping; boys who ‘don’t sleep in the house,’ and are not allowed much sleep out of it, can’t wake their masters by thundering at the shop-door, and cry with the cold – the compound of ice, snow, and water on the pavement, is a couple of inches thick – nobody ventures to walk fast to keep himself warm, and nobody could succeed in keeping himself warm if he did.

It strikes a quarter past five as you trudge down Waterloo-place on your way to the Golden Cross, and you discover, for the first time, that you were called about an hour too early. You have not time to go back; there is no place open to go into, and you have, therefore, no resource but to go forward, which you do, feeling remarkably satisfied with yourself, and everything about you. You arrive at the office, and look wistfully up the yard for the Birmingham High-flier, which, for aught you can see, may have flown away altogether, for preparations appear to be on foot for the departure of any vehicle in the shape of a coach. You wander into the booking-office, which with the gas-lights and blazing fire, looks quite comfortable by contrast – that is to say, if any place can look comfortable at half-past five on a winter’s morning. There stands the identical book-keeper in the same position as if he had not moved since you saw him yesterday. As he informs you, that the coach is up the yard, and will be brought round in about a quarter of an hour, you leave your bag, and repair to ‘The Tap’ – not with any absurd idea of warming yourself, because you feel such a result to be utterly hopeless, but for the purpose of procuring some hot brandy-and-water, which you do, – when the kettle boils! an event which occurs exactly two minutes and a half before the time fixed for the starting of the coach.

The first stroke of six, peals from St. Martin’s church steeple, just as you take the first sip of the boiling liquid. You find yourself at the booking-office in two seconds, and the tap-waiter finds himself much comforted by your brandy-and-water, in about the same period. The coach is out; the horses are in, and the guard and two or three porters, are stowing the luggage away, and running up the steps of the booking-office, and down the steps of the booking-office, with breathless rapidity. The place, which a few minutes ago was so still and quiet, is now all bustle; the early vendors of the morning papers have arrived, and you are assailed on all sides with shouts of ‘Times, gen’lm’n, Times,’ ‘Here’s Chron – Chron – Chron,’ ‘Herald, ma’am,’ ‘Highly interesting murder, gen’lm’n,’ ‘Curious case o’ breach o’ promise, ladies.’ The inside passengers are already in their dens, and the outsides, with the exception of yourself, are pacing up and down the pavement to keep themselves warm; they consist of two young men with very long hair, to which the sleet has communicated the appearance of crystallised rats’ tails; one thin young woman cold and peevish, one old gentleman ditto ditto, and something in a cloak and cap, intended to represent a military officer; every member of the party, with a large stiff shawl over his chin, looking exactly as if he were playing a set of Pan’s pipes.

‘Take off the cloths, Bob,’ says the coachman, who now appears for the first time, in a rough blue great-coat, of which the buttons behind are so far apart, that you can’t see them both at the same time. ‘Now, gen’lm’n,’ cries the guard, with the waybill in his hand. ‘Five minutes behind time already!’ Up jump the passengers – the two young men smoking like lime-kilns, and the old gentleman grumbling audibly. The thin young woman is got upon the roof, by dint of a great deal of pulling, and pushing, and helping and trouble, and she repays it by expressing her solemn conviction that she will never be able to get down again.

‘All right,’ sings out the guard at last, jumping up as the coach starts, and blowing his horn directly afterwards, in proof of the soundness of his wind. ‘Let ’em go, Harry, give ’em their heads,’ cries the coachman – and off we start as briskly as if the morning were ‘all right,’ as well as the coach: and looking forward as anxiously to the termination of our journey, as we fear our readers will have done, long since, to the conclusion of our paper.

CHAPTER XVI – OMNIBUSES

It is very generally allowed that public conveyances afford an extensive field for amusement and observation. Of all the public conveyances that have been constructed since the days of the Ark – we think that is the earliest on record – to the present time, commend us to an omnibus. A long stage is not to be despised, but there you have only six insides, and the chances are, that the same people go all the way with you – there is no change, no variety. Besides, after the first twelve hours or so, people get cross and sleepy, and when you have seen a man in his nightcap, you lose all respect for him; at least, that is the case with us. Then on smooth roads people frequently get prosy, and tell long stories, and even those who don’t talk, may have very unpleasant predilections. We once travelled four hundred miles, inside a stage-coach, with a stout man, who had a glass of rum-and-water, warm, handed in at the window at every place where we changed horses. This was decidedly unpleasant. We have also travelled occasionally, with a small boy of a pale aspect, with light hair, and no perceptible neck, coming up to town from school under the protection of the guard, and directed to be left at the Cross Keys till called for. This is, perhaps, even worse than rum-and-water in a close atmosphere. Then there is the whole train of evils consequent on a change of the coachman; and the misery of the discovery – which the guard is sure to make the moment you begin to doze – that he wants a brown-paper parcel, which he distinctly remembers to have deposited under the seat on which you are reposing. A great deal of bustle and groping takes place, and when you are thoroughly awakened, and severely cramped, by holding your legs up by an almost supernatural exertion, while he is looking behind them, it suddenly occurs to him that he put it in the fore-boot. Bang goes the door; the parcel is immediately found; off starts the coach again; and the guard plays the key-bugle as loud as he can play it, as if in mockery of your wretchedness.

Now, you meet with none of these afflictions in an omnibus; sameness there can never be. The passengers change as often in the course of one journey as the figures in a kaleidoscope, and though not so glittering, are far more amusing. We believe there is no instance on record, of a man’s having gone to sleep in one of these vehicles. As to long stories, would any man venture to tell a long story in an omnibus? and even if he did, where would be the harm? nobody could possibly hear what he was talking about. Again; children, though occasionally, are not often to be found in an omnibus; and even when they are, if the vehicle be full, as is generally the case, somebody sits upon them, and we are unconscious of their presence. Yes, after mature reflection, and considerable experience, we are decidedly of opinion, that of all known vehicles, from the glass-coach in which we were taken to be christened, to that sombre caravan in which we must one day make our last earthly journey, there is nothing like an omnibus.

We will back the machine in which we make our daily peregrination from the top of Oxford-street to the city, against any ‘buss’ on the road, whether it be for the gaudiness of its exterior, the perfect simplicity of its interior, or the native coolness of its cad. This young gentleman is a singular instance of self-devotion; his somewhat intemperate zeal on behalf of his employers, is constantly getting him into trouble, and occasionally into the house of correction. He is no sooner emancipated, however, than he resumes the duties of his profession with unabated ardour. His principal distinction is his activity. His great boast is, ‘that he can chuck an old gen’lm’n into the buss, shut him in, and rattle off, afore he knows where it’s a-going to’ – a feat which he frequently performs, to the infinite amusement of every one but the old gentleman concerned, who, somehow or other, never can see the joke of the thing.

We are not aware that it has ever been precisely ascertained, how many passengers our omnibus will contain. The impression on the cad’s mind evidently is, that it is amply sufficient for the accommodation of any number of persons that can be enticed into it. ‘Any room?’ cries a hot pedestrian. ‘Plenty o’ room, sir,’ replies the conductor, gradually opening the door, and not disclosing the real state of the case, until the wretched man is on the steps. ‘Where?’ inquires the entrapped individual, with an attempt to back out again. ‘Either side, sir,’ rejoins the cad, shoving him in, and slamming the door. ‘All right, Bill.’ Retreat is impossible; the new-comer rolls about, till he falls down somewhere, and there he stops.

As we get into the city a little before ten, four or five of our party are regular passengers. We always take them up at the same places, and they generally occupy the same seats; they are always dressed in the same manner, and invariably discuss the same topics – the increasing rapidity of cabs, and the disregard of moral obligations evinced by omnibus men. There is a little testy old man, with a powdered head, who always sits on the right-hand side of the door as you enter, with his hands folded on the top of his umbrella. He is extremely impatient, and sits there for the purpose of keeping a sharp eye on the cad, with whom he generally holds a running dialogue. He is very officious in helping people in and out, and always volunteers to give the cad a poke with his umbrella, when any one wants to alight. He usually recommends ladies to have sixpence ready, to prevent delay; and if anybody puts a window down, that he can reach, he immediately puts it up again.

‘Now, what are you stopping for?’ says the little man every morning, the moment there is the slightest indication of ‘pulling up’ at the corner of Regent-street, when some such dialogue as the following takes place between him and the cad:
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