American Notes

CHAPTER VII

PHILADELPHIA, AND ITS SOLITARY PRISON

The journey from New York to Philadelphia, is made by railroad, and two ferries; and usually occupies between five and six hours. It was a fine evening when we were passengers in the train: and watching the bright sunset from a little window near the door by which we sat, my attention was attracted to a remarkable appearance issuing from the windows of the gentleman’s car immediately in front of us, which I supposed for some time was occasioned by a number of industrious persons inside, ripping open feather-beds, and giving the feathers to the wind. At length it occurred to me that they were only spitting, which was indeed the case; though how any number of passengers which it was possible for that car to contain, could have maintained such a playful and incessant shower of expectoration, I am still at a loss to understand: notwithstanding the experience in all salivatory phenomena which I afterwards acquired.

I made acquaintance, on this journey, with a mild and modest young quaker, who opened the discourse by informing me, in a grave whisper, that his grandfather was the inventor of cold-drawn castor oil. I mention the circumstance here, thinking it probable that this is the first occasion on which the valuable medicine in question was ever used as a conversational aperient.

We reached the city, late that night. Looking out of my chamber-window, before going to bed, I saw, on the opposite side of the way, a handsome building of white marble, which had a mournful ghost-like aspect, dreary to behold. I attributed this to the sombre influence of the night, and on rising in the morning looked out again, expecting to see its steps and portico thronged with groups of people passing in and out. The door was still tight shut, however; the same cold cheerless air prevailed: and the building looked as if the marble statue of Don Guzman could alone have any business to transact within its gloomy walls. I hastened to inquire its name and purpose, and then my surprise vanished. It was the Tomb of many fortunes; the Great Catacomb of investment; the memorable United States Bank.

The stoppage of this bank, with all its ruinous consequences, had cast (as I was told on every side) a gloom on Philadelphia, under the depressing effect of which it yet laboured. It certainly did seem rather dull and out of spirits.

It is a handsome city, but distractingly regular. After walking about it for an hour or two, I felt that I would have given the world for a crooked street. The collar of my coat appeared to stiffen, and the brim of my hat to expand, beneath its quakery influence. My hair shrunk into a sleek short crop, my hands folded themselves upon my breast of their own calm accord, and thoughts of taking lodgings in Mark Lane over against the Market Place, and of making a large fortune by speculations in corn, came over me involuntarily.

Philadelphia is most bountifully provided with fresh water, which is showered and jerked about, and turned on, and poured off, everywhere. The Waterworks, which are on a height near the city, are no less ornamental than useful, being tastefully laid out as a public garden, and kept in the best and neatest order. The river is dammed at this point, and forced by its own power into certain high tanks or reservoirs, whence the whole city, to the top stories of the houses, is supplied at a very trifling expense.

There are various public institutions. Among them a most excellent Hospital – a quaker establishment, but not sectarian in the great benefits it confers; a quiet, quaint old Library, named after Franklin; a handsome Exchange and Post Office; and so forth. In connection with the quaker Hospital, there is a picture by West, which is exhibited for the benefit of the funds of the institution. The subject is, our Saviour healing the sick, and it is, perhaps, as favourable a specimen of the master as can be seen anywhere. Whether this be high or low praise, depends upon the reader’s taste.

In the same room, there is a very characteristic and life-like portrait by Mr. Sully, a distinguished American artist.

My stay in Philadelphia was very short, but what I saw of its society, I greatly liked. Treating of its general characteristics, I should be disposed to say that it is more provincial than Boston or New York, and that there is afloat in the fair city, an assumption of taste and criticism, savouring rather of those genteel discussions upon the same themes, in connection with Shakspeare and the Musical Glasses, of which we read in the Vicar of Wakefield. Near the city, is a most splendid unfinished marble structure for the Girard College, founded by a deceased gentleman of that name and of enormous wealth, which, if completed according to the original design, will be perhaps the richest edifice of modern times. But the bequest is involved in legal disputes, and pending them the work has stopped; so that like many other great undertakings in America, even this is rather going to be done one of these days, than doing now.

In the outskirts, stands a great prison, called the Eastern Penitentiary: conducted on a plan peculiar to the state of Pennsylvania. The system here, is rigid, strict, and hopeless solitary confinement. I believe it, in its effects, to be cruel and wrong.

In its intention, I am well convinced that it is kind, humane, and meant for reformation; but I am persuaded that those who devised this system of Prison Discipline, and those benevolent gentlemen who carry it into execution, do not know what it is that they are doing. I believe that very few men are capable of estimating the immense amount of torture and agony which this dreadful punishment, prolonged for years, inflicts upon the sufferers; and in guessing at it myself, and in reasoning from what I have seen written upon their faces, and what to my certain knowledge they feel within, I am only the more convinced that there is a depth of terrible endurance in it which none but the sufferers themselves can fathom, and which no man has a right to inflict upon his fellow-creature. I hold this slow and daily tampering with the mysteries of the brain, to be immeasurably worse than any torture of the body: and because its ghastly signs and tokens are not so palpable to the eye and sense of touch as scars upon the flesh; because its wounds are not upon the surface, and it extorts few cries that human ears can hear; therefore I the more denounce it, as a secret punishment which slumbering humanity is not roused up to stay. I hesitated once, debating with myself, whether, if I had the power of saying ‘Yes’ or ‘No,’ I would allow it to be tried in certain cases, where the terms of imprisonment were short; but now, I solemnly declare, that with no rewards or honours could I walk a happy man beneath the open sky by day, or lie me down upon my bed at night, with the consciousness that one human creature, for any length of time, no matter what, lay suffering this unknown punishment in his silent cell, and I the cause, or I consenting to it in the least degree.

I was accompanied to this prison by two gentlemen officially connected with its management, and passed the day in going from cell to cell, and talking with the inmates. Every facility was afforded me, that the utmost courtesy could suggest. Nothing was concealed or hidden from my view, and every piece of information that I sought, was openly and frankly given. The perfect order of the building cannot be praised too highly, and of the excellent motives of all who are immediately concerned in the administration of the system, there can be no kind of question.

Between the body of the prison and the outer wall, there is a spacious garden. Entering it, by a wicket in the massive gate, we pursued the path before us to its other termination, and passed into a large chamber, from which seven long passages radiate. On either side of each, is a long, long row of low cell doors, with a certain number over every one. Above, a gallery of cells like those below, except that they have no narrow yard attached (as those in the ground tier have), and are somewhat smaller. The possession of two of these, is supposed to compensate for the absence of so much air and exercise as can be had in the dull strip attached to each of the others, in an hour’s time every day; and therefore every prisoner in this upper story has two cells, adjoining and communicating with, each other.

Standing at the central point, and looking down these dreary passages, the dull repose and quiet that prevails, is awful. Occasionally, there is a drowsy sound from some lone weaver’s shuttle, or shoemaker’s last, but it is stifled by the thick walls and heavy dungeon-door, and only serves to make the general stillness more profound. Over the head and face of every prisoner who comes into this melancholy house, a black hood is drawn; and in this dark shroud, an emblem of the curtain dropped between him and the living world, he is led to the cell from which he never again comes forth, until his whole term of imprisonment has expired. He never hears of wife and children; home or friends; the life or death of any single creature. He sees the prison-officers, but with that exception he never looks upon a human countenance, or hears a human voice. He is a man buried alive; to be dug out in the slow round of years; and in the mean time dead to everything but torturing anxieties and horrible despair.

His name, and crime, and term of suffering, are unknown, even to the officer who delivers him his daily food. There is a number over his cell-door, and in a book of which the governor of the prison has one copy, and the moral instructor another: this is the index of his history. Beyond these pages the prison has no record of his existence: and though he live to be in the same cell ten weary years, he has no means of knowing, down to the very last hour, in which part of the building it is situated; what kind of men there are about him; whether in the long winter nights there are living people near, or he is in some lonely corner of the great jail, with walls, and passages, and iron doors between him and the nearest sharer in its solitary horrors.

Every cell has double doors: the outer one of sturdy oak, the other of grated iron, wherein there is a trap through which his food is handed. He has a Bible, and a slate and pencil, and, under certain restrictions, has sometimes other books, provided for the purpose, and pen and ink and paper. His razor, plate, and can, and basin, hang upon the wall, or shine upon the little shelf. Fresh water is laid on in every cell, and he can draw it at his pleasure. During the day, his bedstead turns up against the wall, and leaves more space for him to work in. His loom, or bench, or wheel, is there; and there he labours, sleeps and wakes, and counts the seasons as they change, and grows old.

The first man I saw, was seated at his loom, at work. He had been there six years, and was to remain, I think, three more. He had been convicted as a receiver of stolen goods, but even after his long imprisonment, denied his guilt, and said he had been hardly dealt by. It was his second offence.

He stopped his work when we went in, took off his spectacles, and answered freely to everything that was said to him, but always with a strange kind of pause first, and in a low, thoughtful voice. He wore a paper hat of his own making, and was pleased to have it noticed and commanded. He had very ingeniously manufactured a sort of Dutch clock from some disregarded odds and ends; and his vinegar-bottle served for the pendulum. Seeing me interested in this contrivance, he looked up at it with a great deal of pride, and said that he had been thinking of improving it, and that he hoped the hammer and a little piece of broken glass beside it ‘would play music before long.’ He had extracted some colours from the yarn with which he worked, and painted a few poor figures on the wall. One, of a female, over the door, he called ‘The Lady of the Lake.’

He smiled as I looked at these contrivances to while away the time; but when I looked from them to him, I saw that his lip trembled, and could have counted the beating of his heart. I forget how it came about, but some allusion was made to his having a wife. He shook his head at the word, turned aside, and covered his face with his hands.

‘But you are resigned now!’ said one of the gentlemen after a short pause, during which he had resumed his former manner. He answered with a sigh that seemed quite reckless in its hopelessness, ‘Oh yes, oh yes! I am resigned to it.’ ‘And are a better man, you think?’ ‘Well, I hope so: I’m sure I hope I may be.’ ‘And time goes pretty quickly?’ ‘Time is very long gentlemen, within these four walls!’

He gazed about him – Heaven only knows how wearily! – as he said these words; and in the act of doing so, fell into a strange stare as if he had forgotten something. A moment afterwards he sighed heavily, put on his spectacles, and went about his work again.

In another cell, there was a German, sentenced to five years’ imprisonment for larceny, two of which had just expired. With colours procured in the same manner, he had painted every inch of the walls and ceiling quite beautifully. He had laid out the few feet of ground, behind, with exquisite neatness, and had made a little bed in the centre, that looked, by-the-bye, like a grave. The taste and ingenuity he had displayed in everything were most extraordinary; and yet a more dejected, heart-broken, wretched creature, it would be difficult to imagine. I never saw such a picture of forlorn affliction and distress of mind. My heart bled for him; and when the tears ran down his cheeks, and he took one of the visitors aside, to ask, with his trembling hands nervously clutching at his coat to detain him, whether there was no hope of his dismal sentence being commuted, the spectacle was really too painful to witness. I never saw or heard of any kind of misery that impressed me more than the wretchedness of this man.

In a third cell, was a tall, strong black, a burglar, working at his proper trade of making screws and the like. His time was nearly out. He was not only a very dexterous thief, but was notorious for his boldness and hardihood, and for the number of his previous convictions. He entertained us with a long account of his achievements, which he narrated with such infinite relish, that he actually seemed to lick his lips as he told us racy anecdotes of stolen plate, and of old ladies whom he had watched as they sat at windows in silver spectacles (he had plainly had an eye to their metal even from the other side of the street) and had afterwards robbed. This fellow, upon the slightest encouragement, would have mingled with his professional recollections the most detestable cant; but I am very much mistaken if he could have surpassed the unmitigated hypocrisy with which he declared that he blessed the day on which he came into that prison, and that he never would commit another robbery as long as he lived.

There was one man who was allowed, as an indulgence, to keep rabbits. His room having rather a close smell in consequence, they called to him at the door to come out into the passage. He complied of course, and stood shading his haggard face in the unwonted sunlight of the great window, looking as wan and unearthly as if he had been summoned from the grave. He had a white rabbit in his breast; and when the little creature, getting down upon the ground, stole back into the cell, and he, being dismissed, crept timidly after it, I thought it would have been very hard to say in what respect the man was the nobler animal of the two.

There was an English thief, who had been there but a few days out of seven years: a villainous, low-browed, thin-lipped fellow, with a white face; who had as yet no relish for visitors, and who, but for the additional penalty, would have gladly stabbed me with his shoemaker’s knife. There was another German who had entered the jail but yesterday, and who started from his bed when we looked in, and pleaded, in his broken English, very hard for work. There was a poet, who after doing two days’ work in every four-and-twenty hours, one for himself and one for the prison, wrote verses about ships (he was by trade a mariner), and ‘the maddening wine-cup,’ and his friends at home. There were very many of them. Some reddened at the sight of visitors, and some turned very pale. Some two or three had prisoner nurses with them, for they were very sick; and one, a fat old negro whose leg had been taken off within the jail, had for his attendant a classical scholar and an accomplished surgeon, himself a prisoner likewise. Sitting upon the stairs, engaged in some slight work, was a pretty coloured boy. ‘Is there no refuge for young criminals in Philadelphia, then?’ said I. ‘Yes, but only for white children.’ Noble aristocracy in crime!

There was a sailor who had been there upwards of eleven years, and who in a few months’ time would be free. Eleven years of solitary confinement!

‘I am very glad to hear your time is nearly out.’ What does he say? Nothing. Why does he stare at his hands, and pick the flesh upon his fingers, and raise his eyes for an instant, every now and then, to those bare walls which have seen his head turn grey? It is a way he has sometimes.

Does he never look men in the face, and does he always pluck at those hands of his, as though he were bent on parting skin and bone? It is his humour: nothing more.

It is his humour too, to say that he does not look forward to going out; that he is not glad the time is drawing near; that he did look forward to it once, but that was very long ago; that he has lost all care for everything. It is his humour to be a helpless, crushed, and broken man. And, Heaven be his witness that he has his humour thoroughly gratified!

There were three young women in adjoining cells, all convicted at the same time of a conspiracy to rob their prosecutor. In the silence and solitude of their lives they had grown to be quite beautiful. Their looks were very sad, and might have moved the sternest visitor to tears, but not to that kind of sorrow which the contemplation of the men awakens. One was a young girl; not twenty, as I recollect; whose snow-white room was hung with the work of some former prisoner, and upon whose downcast face the sun in all its splendour shone down through the high chink in the wall, where one narrow strip of bright blue sky was visible. She was very penitent and quiet; had come to be resigned, she said (and I believe her); and had a mind at peace. ‘In a word, you are happy here?’ said one of my companions. She struggled – she did struggle very hard – to answer, Yes; but raising her eyes, and meeting that glimpse of freedom overhead, she burst into tears, and said, ‘She tried to be; she uttered no complaint; but it was natural that she should sometimes long to go out of that one cell: she could not help that,’ she sobbed, poor thing!

I went from cell to cell that day; and every face I saw, or word I heard, or incident I noted, is present to my mind in all its painfulness. But let me pass them by, for one, more pleasant, glance of a prison on the same plan which I afterwards saw at Pittsburg.

When I had gone over that, in the same manner, I asked the governor if he had any person in his charge who was shortly going out. He had one, he said, whose time was up next day; but he had only been a prisoner two years.

Two years! I looked back through two years of my own life – out of jail, prosperous, happy, surrounded by blessings, comforts, good fortune – and thought how wide a gap it was, and how long those two years passed in solitary captivity would have been. I have the face of this man, who was going to be released next day, before me now. It is almost more memorable in its happiness than the other faces in their misery. How easy and how natural it was for him to say that the system was a good one; and that the time went ‘pretty quick – considering;’ and that when a man once felt that he had offended the law, and must satisfy it, ‘he got along, somehow:’ and so forth!

‘What did he call you back to say to you, in that strange flutter?’ I asked of my conductor, when he had locked the door and joined me in the passage.

‘Oh! That he was afraid the soles of his boots were not fit for walking, as they were a good deal worn when he came in; and that he would thank me very much to have them mended, ready.’

Those boots had been taken off his feet, and put away with the rest of his clothes, two years before!

I took that opportunity of inquiring how they conducted themselves immediately before going out; adding that I presumed they trembled very much.

‘Well, it’s not so much a trembling,’ was the answer – ‘though they do quiver – as a complete derangement of the nervous system. They can’t sign their names to the book; sometimes can’t even hold the pen; look about ’em without appearing to know why, or where they are; and sometimes get up and sit down again, twenty times in a minute. This is when they’re in the office, where they are taken with the hood on, as they were brought in. When they get outside the gate, they stop, and look first one way and then the other; not knowing which to take. Sometimes they stagger as if they were drunk, and sometimes are forced to lean against the fence, they’re so bad: – but they clear off in course of time.’

As I walked among these solitary cells, and looked at the faces of the men within them, I tried to picture to myself the thoughts and feelings natural to their condition. I imagined the hood just taken off, and the scene of their captivity disclosed to them in all its dismal monotony.

At first, the man is stunned. His confinement is a hideous vision; and his old life a reality. He throws himself upon his bed, and lies there abandoned to despair. By degrees the insupportable solitude and barrenness of the place rouses him from this stupor, and when the trap in his grated door is opened, he humbly begs and prays for work. ‘Give me some work to do, or I shall go raving mad!’

He has it; and by fits and starts applies himself to labour; but every now and then there comes upon him a burning sense of the years that must be wasted in that stone coffin, and an agony so piercing in the recollection of those who are hidden from his view and knowledge, that he starts from his seat, and striding up and down the narrow room with both hands clasped on his uplifted head, hears spirits tempting him to beat his brains out on the wall.

Again he falls upon his bed, and lies there, moaning. Suddenly he starts up, wondering whether any other man is near; whether there is another cell like that on either side of him: and listens keenly.

There is no sound, but other prisoners may be near for all that. He remembers to have heard once, when he little thought of coming here himself, that the cells were so constructed that the prisoners could not hear each other, though the officers could hear them. Where is the nearest man – upon the right, or on the left? or is there one in both directions? Where is he sitting now – with his face to the light? or is he walking to and fro? How is he dressed? Has he been here long? Is he much worn away? Is he very white and spectre-like? Does he think of his neighbour too?

Scarcely venturing to breathe, and listening while he thinks, he conjures up a figure with his back towards him, and imagines it moving about in this next cell. He has no idea of the face, but he is certain of the dark form of a stooping man. In the cell upon the other side, he puts another figure, whose face is hidden from him also. Day after day, and often when he wakes up in the middle of the night, he thinks of these two men until he is almost distracted. He never changes them. There they are always as he first imagined them – an old man on the right; a younger man upon the left – whose hidden features torture him to death, and have a mystery that makes him tremble.

The weary days pass on with solemn pace, like mourners at a funeral; and slowly he begins to feel that the white walls of the cell have something dreadful in them: that their colour is horrible: that their smooth surface chills his blood: that there is one hateful corner which torments him. Every morning when he wakes, he hides his head beneath the coverlet, and shudders to see the ghastly ceiling looking down upon him. The blessed light of day itself peeps in, an ugly phantom face, through the unchangeable crevice which is his prison window.

By slow but sure degrees, the terrors of that hateful corner swell until they beset him at all times; invade his rest, make his dreams hideous, and his nights dreadful. At first, he took a strange dislike to it; feeling as though it gave birth in his brain to something of corresponding shape, which ought not to be there, and racked his head with pains. Then he began to fear it, then to dream of it, and of men whispering its name and pointing to it. Then he could not bear to look at it, nor yet to turn his back upon it. Now, it is every night the lurking-place of a ghost: a shadow: – a silent something, horrible to see, but whether bird, or beast, or muffled human shape, he cannot tell.

When he is in his cell by day, he fears the little yard without. When he is in the yard, he dreads to re-enter the cell. When night comes, there stands the phantom in the corner. If he have the courage to stand in its place, and drive it out (he had once: being desperate), it broods upon his bed. In the twilight, and always at the same hour, a voice calls to him by name; as the darkness thickens, his Loom begins to live; and even that, his comfort, is a hideous figure, watching him till daybreak.

Again, by slow degrees, these horrible fancies depart from him one by one: returning sometimes, unexpectedly, but at longer intervals, and in less alarming shapes. He has talked upon religious matters with the gentleman who visits him, and has read his Bible, and has written a prayer upon his slate, and hung it up as a kind of protection, and an assurance of Heavenly companionship. He dreams now, sometimes, of his children or his wife, but is sure that they are dead, or have deserted him. He is easily moved to tears; is gentle, submissive, and broken-spirited. Occasionally, the old agony comes back: a very little thing will revive it; even a familiar sound, or the scent of summer flowers in the air; but it does not last long, now: for the world without, has come to be the vision, and this solitary life, the sad reality.