Measure Of Darkness

Prides Crossing, Massachusetts

Being a genius isn’t terribly useful when you’re five years old. Joey understands chord progressions, he sees the shape of music way better than most adults, but has very little understanding of evil in the shape of man. And yet he senses that something is wrong. The bad man has never touched or threatened the boy—all communication comes through the woman—but the man’s very presence makes Joey regress to his old habit of sucking his thumb. A habit he long ago—a year at least—abandoned to please his mother.

Mi Ma. Mommy. Joey last saw his mother two weeks ago, and he worries incessantly that he may never see her again, despite more or less constant reassurance from the woman who is taking care of him.

“Where’s my real mommy?” he asks. It’s his most frequent question, and the only one that matters.

“I told you, sweetie, she had to go away to the hospital.”

Joey nods, his eyes big. “Real Mommy’s okay?”

“She’s fine. She’ll be back in a few days, as soon as she’s all the way better. Okay?”

“Okay,” he says.

“You want to play some more? How about your Mozart, you love Mozart.”

On the verge of tears he shakes his head.

“How about a story. The Phantom Tollbooth? You like that one, don’t you?”

Weeping silently, the boy sucks his thumb and nods.

The scary man has many names. Just lately he’s been calling himself Kidder. He thinks of himself as having a sense of humor, although others might disagree. If the ability to kill without remorse is funny—and it does sometimes make him laugh out loud—then he has a great sense of humor. His present assignment involves keeping an eye on a very special little boy and his caregiver. Great location. A private, oceanfront estate with absentee owners. Less than an hour from the city and yet it’s country quiet, with total privacy and a lovely view of the sea. Easy duty for him, not so much for the woman, who gets all in a tizzy when the boy whines for his real mother.

Kidder doesn’t get it, why the kid won’t stop whining. The little brat has a new mommy, one focused solely on his welfare—a definite improvement on the old one, no question there. He has his special kid-size piano keyboard and his headphones, where he can practice for hours at a time—and only when he wants to, it’s not like anybody makes him. If he’s bored with music he has all the toys in the world, pizza whenever he wants and a big-screen TV loaded with DVDs of his favorite shows. Not exactly a torture situation. More like a trip to his own personal Disney World.

At the moment New Mommy is reading him a story, and when she gets to the end she starts all over again, keeps it up until the brat finally falls asleep.

Kidder thinks it’s funny that when New Mommy puts the kid to bed she calls it “putting him down.” Like he’s a dog at the pound being put to sleep forever. Not that New Mommy would ever do such a thing. She’s all soft and weepy and worried, totally clueless about the real nature of the operation, and comes to Kidder with her eyes wet, like she caught tears from the kid.

“How much longer?” she asks.

“A day. A week. Forever.”

“That’s not funny!”

“It is if I say it is,” Kidder says.

“How long?” she insists.

“Not my call. When Shane says so, that’s when. You know how he is.”

“I need to speak to him,” she says, her voice choking. “I need to talk to Shane. Please?”

He shakes his head, grinning. “You knew it was a one-way deal when you signed up. No calls to him. Not from me, not from you, not from anybody. That’s the only way to keep the boy safe. I explained all that.”

“I know, I know, but it’s making me crazy.”

“Yeah? I’ll make you crazy. Me and Wee Willie Winkie. Come on over here and sit on my lap.”

“You’re disgusting!”

That makes Kidder laugh. He makes the same sound when killing, a jagged, high-pitched giggle as sharp and sudden as a bag of razor blades. Not that he’s going to kill the woman or the brat.

Not yet anyway. Not today.

When it does happen, he’ll try to make it fun for everyone.

PART I

The Last Kid Finder

Chapter One

The Trunk Thing

The killer came to us in the trunk of a Lincoln Town Car, and stayed just long enough to wreck the house. By that I mean the pile of brick that Naomi Nantz uses as her personal residence as well as for the business of solving unsolvable cases, assisting the helpless and generally amusing herself by being difficult, if not impossible.

My name is Alice Crane, and I serve as Ms. Nantz’s recording secretary and chief factotum. In case you don’t know—I had to look it up when she hired me—a factotum is an employee or assistant employed in a wide range of capacities. I mean, come on, this is the twenty-first century, who uses fusty old words like that anymore?

My boss, Naomi Nantz, that’s who.

The Nantz residence takes up most of a block in the Back Bay area of Boston. Don’t bother trying to find us, we’re camouflaged as two—or is it three?—typical Victorian brick town houses located somewhere between Storrow Drive to the north, Boylston Street to the south, Arlington Street to the east and Charlesgate to the west. Check your map and you’ll see that pretty much covers the neighborhood. On the outside we’re staid and rather ordinary, the kind of staid and ordinary that only money can buy. On the inside, which was gutted and rebuilt a few years before I entered the picture, it’s clean and sleek and modern, except for the Zen sand garden that takes up part of the ground floor. Boss lady often meditates in the garden, drawing what look to me like meaningless lines in the sand, saying it helps her to think.

Like several of the staff, I live in. At the time of hire, it wasn’t a choice for me because my adorable husband had suddenly vanished along with all of my money, and it was either the Nantz residence or my sister’s place in Malden. The choice was Back Bay, with twelve-foot ceilings, an exquisitely furnished suite, or Malden, a paneled basement with a cat-scented futon. Not a tough decision. There are days when boss lady drives me nuts, but my sister has the same ability, and she doesn’t pay. Whereas Naomi Nantz pays very well indeed, with benefits that include room and board, full medical and dental, as well as the occasional opportunity to right wrongs, dodge bullets, tilt at windmills and rescue kidnapped children.

I’d like to say there’s never a dull moment, but that wouldn’t be true. There are many dull moments, for which I’m thankful. Twenty-nine years on this planet have taught me that dull moments are to be savored. Dull moments fortify the soul, because without them life would just be one thing after another, blurred together like the windows on a passing subway car.

In my opinion the best dull moments occur around the kitchen table. In this case a ten-foot-long pickled-white oak table situated in the southeast corner of Mrs. Beasley’s basement kitchen. If Beasley has a first name, she’s not inclined to share it, nor any information about what might have happened to Mr. Beasley, if ever he existed. She’s not much for conversation, preferring to let her food do the talking. Her food, be assured, is eloquent on many subjects. For most people “fruit plate” suggests a cafeteria serving, but then most people have never had the experience of a Beasley Breakfast Fruit Plate. Farm fresh local strawberries dusted with one of her secret ingredients—could it be some exotic formulation of cinnamon? Perfectly ripened peaches that have doubtless been airlifted in from Georgia (Beasley has many connections) and sliced into mouth-size morsels. A single Medjool date stuffed with diced pecans. A chilled pear compote, lightly gingered. Honeyed bran muffins straight from the oven, slathered with hand-churned apricot butter that will make your eyes roll back in pleasure. And Mrs. Beasley’s famous French press coffee, which makes your favorite Starbucks taste like thin dishwater.

There are only three at the table this morning because young Teddy Boyle, our spiky-haired live-in computer guru, has not yet emerged from his dungeon. Too much late-night fun, apparently. Well, he’s of a late-night age, either twenty-one (so he says) or eighteen (so Naomi thinks) or barely sixteen (my theory). Whatever, he’s missing the muffins, so to speak.

For the better part of half an hour there are no more than a dozen words exchanged between us. Naomi, never a casual conversationalist, concentrates on her morning papers: the Boston Herald, Boston Globe, New York Times and Wall Street Journal, which she studies in exactly that order. Nothing casual about it, although she seems to enjoy the process as she scans and absorbs the text. Among her many talents, virtual retention of everything she sees, hears and reads. Not word-for-word, but the essence thereof. On many a case her remarkable memory has dredged up some small, useful item of information from weeks or months or even years ago. A notice of alternate parking on a particular street in the South End. Who was third runner-up in a celebrity fishing tournament in Nantucket. A warehouse fire in Jamaica Plain. A hit-and-run in Chelsea. Lives have been saved because of what she remembers, villains apprehended. In one very disturbing case a prominent sociopath took his own life—and if you knew the circumstances, and the unspeakable crime he committed, you’d undoubtedly agree he made the right choice.

While Naomi reads, uploading data, Mrs. Beasley, silent as usual, methodically fills in Sudoku squares using a felt-tip pen, never lifting her eyes from the page. Left to myself I’d probably have the TV on to one of the morning chat shows, but there are house rules about television, so I content myself with the Globe’s entertainment section, improving my cultural awareness about the hottest new reality show.

“Beasley, do you mind a question?”

Beasley looks up from her puzzle, shrugs.

“Okay, here goes. Say you’re a celebrity chef who has to prepare tarantula for eight—you’re in a Central American jungle, campfire but no stove—could you make it taste good?”

“No,” she says, after giving it some thought. “Not tarantulas. I could do something with jumping spiders.”

I’m pretty sure she’s kidding, but can’t be certain because that happens to be the moment when dapper Jack Delancey, our chief investigator, strolls in and makes the request that will soon result in us being invaded and the house, or part of it, being wrecked.

“Sorry to interrupt, but this is an emergency situation,” he announces, his lean, athletic figure ramrod straight in a gorgeously tailored dark gray suit, a look that gets him dubbed “Gentleman Jack” in the tabloids. “I need your help.”