Dwight shrugged. “I like movies.”
“He didn’t find any signs of illegal activity in that underground lab on Henry Hake’s property,” Travis said. “That’s all I care about.”
“Mind if I go up there and take another look around?” Dwight asked. “I might take Brenda with me—she’s a historian, or at least, that’s her degree. I want to know if she sees anything that might link to the World War II labs that book talks about.”
“Fine by me,” Travis said. “Technically, it’s still a crime scene, since that’s where Gage and Maya and Casey were held after they were kidnapped, though I’m going to have to release it back to the owners soon.”
“Who are the owners?” Gage asked. “Isn’t Henry Hake’s name still on the deed?”
“Apparently, the week before he went missing, he signed the whole thing over to a concern called CNG Development. I found out last week when I tried one of the numbers I had for Hake Development. I got a recording telling me the company had been absorbed by CNG, but when I tried to track down the number for them, I couldn’t find anything. Then I checked with the courts and sure enough, the change was registered the day before Hake disappeared.”
“Coincidence?” Gage asked.
“Maybe,” Travis said. “But I’d sure like to talk to someone with CNG about it. The number listed on the court documents is answered by another recording, and the address is a mailbox service in Ogden, Utah.”
“Be careful when you head up there,” Gage said. “Allerton was right—that place is downright creepy.”
* * *
TAMMY PATTERSON, the reporter for the Eagle Mountain Examiner, agreed to meet Brenda at the museum the morning after the fire. Dwight had tried to persuade Brenda to stay at the ranch and not go in to work that day, but she had refused. Dwight had gone with her the night before to see the house, when the firefighters were still putting out the blaze, but she had wanted to see it herself this morning, alone. She had driven in early and made herself stop at the house and stare at the ruins. Her first thought was that this couldn’t really be her place—not the miner’s cottage that she and Andy had worked so hard to remodel, the dream home she had lovingly decorated and planned to live in forever.
She had allowed herself to cry for five minutes or so, then dried her eyes, repaired her makeup and driven to the museum. She couldn’t do anything about the fire right now, and crying certainly wouldn’t bring her house back. Better to go to work and focus on something she could control.
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