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The Escape of Mr. Trimm

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2019
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The major half nodded, half shook his head.

“By reputation only I know the person in question,” he answered a bit stiffly.

“Well,” she went on, “there ain't so much more to tell. I've been sick lately—I had a right hard spell. I ain't got my strength all back yit. I was laid up three weeks, and last Monday, when I was up and jest barely able to crawl round, Vic Magner, she come to me and told me that I'd have to git out unless I could git somebody to stand good for my board. I owed her for three weeks already and I didn't have but nine dollars to my name. I offered her that, but she said she wanted it all or nothin'. I think she wanted to git shet of me anyway. Mister, I was mighty weak and discouraged—I was so! I didn't know what to do.

“I hadn't seen Rod Bullard for goin' on more than a year, but he was the only one I could think of; so I slipped out of the house and went acrost the street to a grocery store where there was a pay station, and I called him up on the telephone and ast him to help me out a little. It wasn't no more than right that he should, was it, seein' as he was responsible for my comin' here? Besides, if it hadn't been for him in the first place I wouldn't never 'a' got into all that trouble. I talked with him over the telephone at his office and he said he'd do somethin' for me. He said he'd send me some money that evenin' or else he'd bring it round himself. But he didn't do neither one. And Vic Magner, she kept on doggin' after me for her board money.

“I telephoned him again the next mornin'; but before I could say more'n two words to him he got mad and told me to quit botherin' him, and he rung off. That was day before yistiddy. When I got back to the house Vic Magner come to me, and I couldn't give her no satisfaction. So about six o'clock in the evenin' she made me pack up and git out. I didn't have nowheres to go and only eight dollars and ninety cents left—I'd spent a dime telephoning so, before I got out I took and wrote Rod Bullard a note, and when I got outside I give a little nigger boy fifteen cents to take it to him. I told him in the note I was out in the street, without nowheres to go, and that if he didn't meet me that night and do somethin' for me I'd jest have to come to his office. I said for him to meet me at eight o'clock at the mouth of Grayson Street Alley. That give me two hours to wait. I walked round and round, packin' my baggage.

“Then I come by a pawnstore and seen a lot of pistols in the window, and I went in and I bought one for two dollars and a half. The pawnstore man he throwed in the shells. But I wasn't aimin' to hurt Rod Bullard—jest to skeer him. I was thinkin' some of killin' myself too. Then I walked round some more till I was plum' wore out.

“When eight o'clock come I was waitin' where I said, and purty soon he come along. As soon as he saw me standin' there in the shadder he bulged up to me. He was mighty mad. He called me out of my name and said I didn't have no claims on him—a whole lot more like that—and said he didn't purpose to be bothered with me phonin' him and writin' him notes and callin' on him for money. I said somethin' back, and then he made like he was goin' to hit me with his fist. I'd had that pistol in my hand all the time, holdin' it behind my skirt. And I pulled it and I pointed it like I was goin' to shoot—jest to skeer him, though, and make him do the right thing by me. I jest simply pointed it at him—that's all. I didn't have no idea it would go off without you pulled the hammer back first!

“Then it happened! It went off right in my hand. And he said to me: 'Now you've done it!'—jest like that. He walked away from me about ten feet, and started to lean up against a tree, and then he fell down right smack on his face. And I grabbed up my baggage and run away. I wasn't sorry about him. I ain't been sorry about him a minute since—ain't that funny? But I was awful skeered!”

Rocking her body back and forth from the hips, she put her hands up to her face. Major Stone stared at her, his mind in a twisting eddy of confused thoughts. Perhaps it was the clearest possible betrayal of his utter unfitness for his new vocation in life that not until that very moment when the girl had halted her narrative did it come to him—and it came then with a sudden jolt—that here he had one of those monumental news stories for which young Gilfoil or young Webb would be willing to barter his right arm and throw in an eye for good measure. It was a scoop, as those young fellows had called it—an exclusive confession of a big crime—a thing that would mean much to any paper and to any reporter who brought it to his paper. It would transform a failure into a conspicuous success. It would put more money into a pay envelope. And he had it all! Sheer luck had brought it to him and flung it into his lap.

Nor was he under any actual pledge of secrecy. This girl had told it to him freely, of her own volition. It was not in the nature of her to keep her secret. She had told it to him, a stranger; she would tell it to other strangers—or else somebody would betray her. And surely this sickly, slack-twisted little wanton would be better off inside the strong arm of the law than outside it? No jury of Southern men would convict her of murder—the thought was incredible. She would be kindly dealt with. In one illuminating flash the major divined that these would have been the inevitable conclusions of any one of those ambitious young men at the office. He bent forward.

“What did you do then, ma'am?” he asked.

“I didn't know what to do,” she said, dropping her hands into her lap. “I run till I couldn't run no more, and then I walked and walked and walked. I reckin I must 'a' walked ten miles. And then, when I was jest about to drop, I come past this house. There was a light burnin' on the porch and I could make out to read the sign on the door, and it said Lodgers Taken.

“So I walked in and rung the bell, and when the woman came I said I'd jest got here from the country and wanted a room. She charged me two dollars a week, in advance; and I paid her two dollars down—and she showed me the way up here.

“I've been here ever since, except twice when I slipped out to buy me somethin' to eat at a grocery store and to git some newspapers. At first I figgered the police would be a-comin' after me; but they didn't—there wasn't nobody at all seen the shootin', I reckin. And I was skeered Vic Magner might tell on me; but I guess she didn't want to run no risk of gittin' in trouble herself—that Captain Brennan, of the Second Precinct, he's been threatenin' to run her out of town the first good chance he got. And there wasn't none of the other girls there that knowed I ever knew Rod Bullard. So, you see, I ain't been arrested yit.

“Layin' here yistiddy all day, with nothin' to do but think and cry, I made up my mind I'd kill myself. I tried to do it. I took that there pistol out and I put it up to my head and I said to myself that all I had to do was jest to pull on that trigger thing and it wouldn't hurt me but a secont—and maybe not that long. But I couldn't do it, mister—I jest couldn't do it at all. It seemed like I wanted to die, and yit I wanted to live too. All my life I've been jest that way—first thinkin' about doin' one thing and then another, and hardly ever doin' either one of 'em.

“Here on this bed tonight I got to thinkin' if I could jest tell somebody about it that maybe after that I'd feel easier in my mind. And right that very minute you come and knocked on the door, and I knowed it was a sign—I knowed you was the one for me to tell it to. And so I've done it, and already I think I feel a little bit easier in my mind. And so that's all, mister. But I wisht please you'd take that pistol away with you when you go—I don't never want to see it again as long as I live.”

She paused, huddling herself in a heap upon the bed. The major's short arm made a gesture toward the cheap suitcase.

“I observe,” he said, “that your portmanteau is packed as if for a journey. Were you thinking of leaving, may I ask?”

“My which?” she said. “Oh, you mean my baggage! Yes; I ain't never unpacked it since I come here. I was aimin' to go back to my home—I got a stepsister livin' there and she might take me in—only after payin' for this room I ain't got quite enough money to take me there; and now I don't know as I want to go, either. If I kin git my strength back I might stay on here—I kind of like city life. Or I might go up to Cincinnati. A girl that I used to know here is livin' there now and she wrote to me a couple of times, and I know her address—it was backed on the envelope. Still, I ain't sure—my plans ain't all made yit. Sometimes I think I'll give myself up, but most generally I think I won't. I've got to do somethin' purty soon though, one way or another, because I ain't got but a little over three dollars left out of what I had.”

She sank her head in the pillow wearily, with her face turned away from him. The major stood up. Into his side coat pocket he slipped the revolver that had snuffed out the late and unsavory Rodney Bullard's light of life, and from his trousers pocket he slowly drew forth his supply of ready money. He had three silver dollars, one quarter, one dime, and a nickel—three-forty in all. Contemplating the disks of metal in the palm of his hand, he did a quick sum in mental arithmetic. This was Thursday night now. Saturday afternoon at two he would draw a pay envelope containing twelve dollars. Meantime he must eat. Well, if he stinted himself closely a dollar might be stretched to bridge the gap until Saturday. The major had learned a good deal about the noble art of stinting these last few weeks.

On the coverlet alongside the girl he softly piled two of the silver dollars and the forty cents in change. Then, after a momentary hesitation, he put down the third silver dollar, gathered up the forty cents, slid it gently into his pocket and started for the door, the loose planks creaking under his tread. At the threshold he halted.

“Good night, Miss La Mode,” he said. “I trust your night's repose may be restful and refreshing to you, ma'am.”

She lifted her face from the pillow and spoke, without turning to look at him.

“Mister,” she said, “I've told you the whole truth about that thing and I ain't goin' to lie to you about anythin' else. I didn't come from Indianapolis, Indiana, like I told you. My home is in Swainboro', this state—a little town. You might know where it is? And my real name ain't La Mode, neither. I taken it out of a book—the La Mode part—and I always did think Blanche was an awful sweet name for a girl. But my real name is Gussie Stammer. Good night, mister. I'm much obliged to you fer listenin', and I ain't goin' to disturb you no more with my cryin' if I kin help it.”

As the major gently closed her door behind him he heard her give a long, sleepy sigh, like a tired child. Back in his own room he glanced about him, meanwhile feeling himself over for writing material. He found in his pockets a pencil and a couple of old letters, whereas he knew he needed a big sheaf of copy paper for the story he had to write. Anyway, there was no place here to do an extended piece of writing—no desk and no comfortable chair. The office would be a much better place.

The office was only a matter of two or three blocks away. The negro watchman would be there; he stayed on duty all night. Using the corner of his washstand for a desk, the major set down his notes—names, places, details, dates—upon the backs of his two letters. This done, he settled his ancient hat on his head, picked up his cane, and in another minute was tiptoeing down the stairs and out the front doorway. Once outside, his tread took on the brisk emphasis of one set upon an important task and in a hurry to do it.

Ten minutes later Major Stone sat at his desk in the empty city room of the Evening Press. Except for Henry, the old black night watchman, there was no other person in the building anywhere. Just over his head an incandescent bulb blazed, bringing out in strong relief the major's intent old face, mullioned with crisscross lines. A cedar pencil, newly sharpened, was in his fingers; under his right hand was a block of clean copy paper. His notes lay in front of him, the little stubnosed pistol serving as a paper weight to hold the two wrinkled envelopes flat. Through the loop of the trigger guard the words, Gussie Stammer, alias Blanche La Mode, showed. Everything was ready.

The major hesitated, though. He readjusted his paper and fidgeted his pencil. He scratched his head and pulled at the little tuft of goatee under his lower lip. Like many a more experienced author, Major Stone was having trouble getting under way. He had his own ideas about a fitting introductory paragraph. Coming along, he had thought up a full sonorous one, with a biblical injunction touching on the wages of sin embodied in it; but, on the other hand, there was to be borne in mind the daily-dinned injunction of Devore that every important news item should begin with a sentence in which the whole story was summed up. Finally Major Stone made a beginning. He covered nearly a sheet of paper.

Then, becoming suddenly dissatisfied with it, he tore up what he had written and started all over again, only to repeat the same operation. Two salty drops rolled down his face and fell upon the paper, and instantly little twin blistered blobs like tearmarks appeared on its clear surface. They were not tears, though—they were drops of sweat wrung from the major's brow by the pains of creation. Again he poised his pencil and again he halted it in the air—he needed inspiration. His gaze rested absently upon the pistol; absently he picked it up and began examining it.

It was a cheap, rusted, second-hand thing, poorly made, but no doubt deadly enough at close range. He unbreeched it and spun the cylinder with his thumb and spilled the contents into his palm—four loaded shells, suety and slick with grease, and one that had been recently fired; and it was discolored and flattened a trifle. Each of the four loaded shells had a small cap like a little round staring eye set in the exact center of its flanged butt-end, but the eye of the fifth shell was punched in. He turned the empty weapon in his hands, steadying its mechanism, and as he did so a scent of burnt powder, stale and dead, came to him out of the fouled muzzle. He wrinkled his nose and sniffed at it.

It had been many a long day since the major had had that smell in his nostrils—many a long, long day. But there had been a time when it was familiar enough to him. Even now it brought the clamoring memories of that far distant time back to him, fresh and vivid. It stimulated his imagination, quickening his mind with big thoughts. It recalled those four years when he had fought for a principle, and had kept on fighting even when the substance of the thing he fought for was gone and there remained but the empty husks. It recalled those last few hopeless months when the forlorn hope had become indeed a lost cause; when the forty cents he now carried in his pocket would have seemed a fortune; when the sorry house where he lodged now would have seemed a palace; when, without prospect or hope of reward or victory, he had piled risk upon risk, had piled sacrifice upon sacrifice, and through it all had borne it all without whimper or complaint—fighting the good fight like a soldier, keeping the faith like a gentleman. It was the Smoke of Battle!

The major had his inspiration now, right enough. He knew just what he would write; knew just how he would write it. He laid down the pistol and the shells and squared off and straightway began writing. For two hours nearly he wrote away steadily, rarely changing or erasing a word, stopping only to repoint the lead of his pencil. Methodically as a machine he covered sheet after sheet with his fine old-fashioned script. Never for one instant did he hesitate or falter.

Just before one o'clock he finished. The completed manuscript, each page of the twenty-odd pages properly numbered, lay in a neat pile before him. He scooped up the pistol shells and stored them in an inner breast pocket of his coat; then he opened a drawer, slipped the emptied revolver well back under a riffle of papers and clippings and closed the drawer and locked it. His notes he tore into squares, and those squares into smaller squares—and so on until the fragments would tear no finer, but fluttered out between his fingers in a small white shower like stage snow.

He shoved his completed narrative back under the roll-top of Devore's desk, where the city editor would see it the very first thing when he came to work; and as he straightened up with a little grunt of satisfaction and stretched his arms out the last of his fine-linen shirts, with a rending sound, ripped down the plaited front, from collarband almost to waistline.

He eyed the ruined bosom with a regretful stare, plucking at the gaping tear with his graphite-dusted fingers and shaking his head mournfully. Yet as he stepped out into the street, bound for his lodgings, he jarred his heels down upon the sidewalk with the brisk, snapping gait of a man who has tackled a hard job and has done it well, and is satisfied with the way he has done it.

Under a large black head the major's story was printed in the Fourth of July edition of the Evening Press. It ran full two columns and lapped over into a third column. It was an exhaustive—and exhausting—account of the Fall of Vicksburg.

VI

THE EXIT OF ANSE DUGMORE

When a Kentucky mountaineer goes to the penitentiary the chances are that he gets sore eyes from the white walls that enclose him, or quick consumption from the thick air that he breathes. It was entirely in accordance with the run of his luck that Anse Dugmore should get them both, the sore eyes first and then the consumption.

There is seldom anything that is picturesque about the man-killer of the mountain country. He is lacking sadly in the romantic aspect and the delightfully studied vernacular with which an inspired school of fiction has invested our Western gun-fighter. No alluring jingle of belted accouterment goes with him, no gift of deadly humor adorns his equally deadly gun-play. He does his killing in an unemotional, unattractive kind of way, with absolutely no regard for costume or setting. Rarely is he a fine figure of a man.

Take Anse Dugmore now. He had a short-waisted, thin body and abnormally long, thin legs, like the shadow a man casts at sunup. He didn't have that steel-gray eye of which we so often read. His eyes weren't of any particular color, and he had a straggly mustache of sandy red and no chin worth mentioning; but he could shoot off a squirrel's head, or a man's, at the distance of a considerable number of yards.

Until he was past thirty he played merely an incidental part in the tribal war that had raged up and down Yellow Banks Creek and its principal tributary, the Pigeon Roost, since long before the Big War. He was getting out timber to be floated down the river on the spring rise when word came to him of an ambuscade that made him the head of his immediate clan and the upholder of his family's honor.

“Yore paw an' yore two brothers was laywaid this mawnin' comin' 'long Yaller Banks togither,” was the message brought by a breathless bearer of news. “The wimmenfolks air totin' 'em home now. Talt, he ain't dead yit.”

From a dry spot behind a log Anse lifted his rifle and started over the ridge with the long, shambling gait of the born hill-climber that eats up the miles. For this emergency he had been schooled years back when he sat by a wood fire in a cabin of split boards and listened to his crippled-up father reciting the saga of the feud, with the tally of this one killed and that one maimed; for this he had been schooled when he practised with rifle and revolver until, even as a boy, his aim had become as near an infallible thing as anything human gets to be; for this he had been schooled still more when he rode, armed and watchful, to church or court or election. Its coming found him ready.

Two days he ranged the ridges, watching his chance. The Tranthams were hard to find. They were barricaded in their log-walled strongholds, well guarded in anticipation of expected reprisals, and prepared in due season to come forth and prove by a dozen witnesses, or two dozen if so many should be needed to establish the alibi, that they had no hand in the massacre of the Dugmores.

But two days and nights of still-hunting, of patiently lying in wait behind brush fences, of noiseless, pussy-footed patrolling in likely places, brought the survivor of the decimated Dugmores his chance. He caught Pegleg Trantham riding down Red Bird Creek on a mare-mule. Pegleg was only a distant connection of the main strain of the enemy. It was probable that he had no part in the latest murdering; perhaps doubtful that he had any prior knowledge of the plot. But by his name and his blood-tie he was a Trantham, which was enough.

A writer of the Western school would have found little in this encounter that was really worth while to write about. Above the place of the meeting rose the flank of the mountain, scarred with washes and scantily clothed with stunted trees, so that in patches the soil showed through like the hide of a mangy hound. The creek was swollen by the April rains and ran bank-full through raw, red walls. Old Pegleg came cantering along with his rifle balanced on the sliding withers of his mare-mule, for he rode without a saddle. He was an oldish man and fat for a mountaineer. A ten-year-old nephew rode behind him, with his short arms encircling his uncle's paunch. The old man wore a dirty white shirt with a tabbed bosom; a single shiny white china button held the neckband together at the back. Below the button the shirt billowed open, showing his naked back. His wooden leg stuck straight out to the side, its worn brass tip carrying a blob of red mud, and his good leg dangled down straight, with the trousers hitched half-way up the bare shank and a soiled white-yarn sock falling down into the wrinkled and gaping top of an ancient congress gaiter.

From out of the woods came Anse Dugmore, bareheaded, crusted to his knees with dried mud and wet from the rain that had been dripping down since daybreak. A purpose showed in all the lines of his slouchy frame.

Pegleg jerked his rifle up, but he was hampered by the boy's arms about his middle and by his insecure perch upon the peaks of the slab-sided mule. The man afoot fired before the mounted enemy could swing his gunbarrel into line. The bullet ripped away the lower part of Pegleg's face and grazed the cheek of the crouching youngster behind him. The white-eyed nephew slid head first off the buck-jumping mule and instantly scuttled on all fours into the underbrush. The rifle dropped out of Trantham's hands and he lurched forward on the mule's neck, grabbing out with blind, groping motions. Dugmore stepped two paces forward to free his eyes of the smoke, which eddied back from his gunmuzzle into his face, and fired twice rapidly. The mule was bouncing up and down, sideways, in a mild panic. Pegleg rolled off her, as inert as a sack of grits, and lay face upward in the path, with his arms wide outspread on the mud. The mule galloped off in a restrained and dignified style until she was a hundred yards away, and then, having snorted the smells of burnt powder and fresh blood out of her nostrils, she fell to cropping the young leaves off the wayside bushes, mouthing the tender green shoots on her heavy iron bit contentedly.

For a long minute Anse Dugmore stood in the narrow footpath, listening. Then he slid three new shells into his rifle, and slipping down the bank he crossed the creek on a jam of driftwood and, avoiding the roads that followed the little watercourse, made over the shoulder of the mountain for his cabin, two miles down on the opposite side. When he was gone from sight the nephew of the dead Trantham rolled out of his hiding place and fled up the road, holding one hand to his wounded cheek and whimpering. Presently a gaunt, half-wild boar pig, with his spine arched like the mountains, came sniffing slowly down the hill, pausing frequently to cock his wedge-shaped head aloft and fix a hostile eye on two turkey buzzards that began to swing in narrowing circles over one particular spot on the bank of the creek.
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