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Год написания книги
2019
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I loved Antonio, and he loved me.

Life was all shadow, but it was not sin!
I loved Antonio, but I kept me pure,
Not for my husband's sake, but for the sake
Of him, my first-born child, my little child,
Mine for a few short weeks, whose touch, whose look
Thrilled all my soul and thrills it to this day.
I loved; but, hear me swear, I kept me pure!
(Remember that, Madonna, when I come
Before thy throne to-morrow. Be not stern,
Or gaze upon me with reproachful look,
Making my little angel hide his face
And weep, while all the others turn glad eyes
Rejoicing on their mothers.)

It was hard
To sit in darkness while the rest had light,
To move to discords when the rest had song,
To be so young and never to have lived.
I bore, as women bear, until one day
Soul said to flesh, "This I endure no more,"
And with the word uprose, tore clay apart,
And what was blank before grew blanker still.

It was a fever, so the leeches said.
I had been dead so long, I did not know
The difference, or heed. Oil on my breast,
The garments of the grave about me wrapped,
They bore me forth, and laid me in the tomb.
The rich and beautiful and dreadful tomb,
Where all the buried Amteris lie,
Beneath the Duomo's black and towering shade.

Open the curtain, child. Yes, it is night.
It was night then, when I awoke to feel
That deadly chill, and see by ghostly gleams
Of moonlight, creeping through the grated door,
The coffins of my fathers all about.
Strange, hollow clamors rang and echoed back,
As, struggling out of mine, I dropped and fell.
With frantic strength I beat upon the grate.
It yielded to my touch. Some careless hand
Had left the bolt half-slipped. My father swore
Afterward, with a curse, he would make sure
Next time. NEXT TIME. That hurts me even now!

Dead or alive I issued, scarce sure which.
High overhead Giotto's tower soared;
Behind, the Duomo rose all white and black;
Then pealed a sudden jargoning of bells,
And down the darkling street I wildly fled,
Led by a little, cold, and wandering moon,
Which seemed as lonely and as lost as I.
I had no aim, save to reach warmth and light
And human touch; but still my witless steps
Led to my husband's door, and there I stopped,
By instinct, knocked, and called.

A window oped.
A voice—t'was his—demanded: "Who is there?"
"Tis I, Ginevra." Then I heard the tone
Change into horror, and he prayed aloud
And called upon the saints, the while I urged,
"O, let me in, Francesco; let me in!
I am so cold, so frightened, let me in!"
Then, with a crash, the window was shut fast;
And, though I cried and beat upon the door
And wailed aloud, no other answer came.

Weeping, I turned away, and feebly strove
Down the hard distance towards my father's house.
"They will have pity and will let me in,"
I thought. "They loved me and will let me in."
Cowards! At the high window overhead
They stood and trembled, while I plead and prayed:
"I am your child, Ginevra. Let me in!
I am not dead. In mercy, let me in!"
"The holy saints forbid!" declared my sire.
My mother sobbed and vowed whole pounds of wax
To St. Eustachio, would he but remove
This fearful presence from her door. Then sharp
Came click of lock, and a long tube was thrust
From out the window, and my brother cried,
"Spirit or devil, go! or else I fire!"

Where should I go? Back to the ghastly tomb
And the cold coffined ones? Up the long street,
Wringing my hands and sobbing low, I went.
My feet were bare and bleeding from the stones;
My hands were bleeding too; my hair hung loose
Over my shroud. So wild and strange a shape
Saw never Florence since. The people call
That street through which I walked and wrung my hands
"Street of the Dead One," even to this day.
The sleeping houses stood in midnight black,
And not a soul was in the streets but I.

At last I saw a flickering point of light
High overhead, in a dim window set.
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