The Man From Oklahoma

“Well?” was all she said.

With one big hand at her tiny waist and the other grasping the back of her slender neck, Nathan pulled Susie against his body while he danced her backward, toward privacy, all the while giving her a lusty kiss.

“You crazy woman,” he growled when they got to the door of the master suite. Then he kissed her again. Fiercely. Joyously. For at last the clouds of discontent that had enveloped her these past months seemed to have parted.

“Not crazy,” Susie said, laughing as his hungry mouth made its way down her slender neck. “Just fertile.”

But Nathan—who had never in their entire ten-year marriage received a call that tantalizing from Susie, fertile or not—was way beyond caring about Susie’s endless obsession with calendars and basal thermometers and fertility charts. Right now all he wanted was Susie.

She smelled like pure heaven and her skin felt as soft as rose petals. Her answering kisses told him that this was going to be easy, so easy. He didn’t feel even a glimmer of the anxiety about pregnancy that had disabled their sex life in recent months.

In fact, on that Wednesday afternoon, Nathan Biddle didn’t feel anything at all except Susie. Only Susie.

CHAPTER ONE

Oh, most beautiful of women,

You will wear the white of happiness.

My soul will slide into your soul.

I could never be lonely when I am with you.

—from an ancient Native American song to attract affection

Three years later

“IN THE VALLEY behind me, you can see the Hart Ranch, home of Tulsa philanthropist, Nathan Biddle. Biddle, known for his many efforts on behalf of disadvantaged children, has been living as a recluse in his childhood home here in these Osage Hills for three years, ever since his wife, oil heiress Susan Claremont Biddle, disappeared. But early this morning, authorities—Dammit!” Jamie Evans lowered her hand mike and tossed a hank of honey-blond hair out of her eyes. “The wind up here is absolutely ridiculous! Sorry, Dave. We’ll have to reshoot.”

Jamie sighed as she tottered across the gravel road on high heels toward the Channel Six van, wondering why she’d spent so much energy convincing her news director they needed this footage. All this work, all this setup, for ten seconds of film that would be obsolete by eleven o’clock tonight. But her instincts told her that this time she was on to something big. There was more to this story than a missing oil heiress whose remains had finally been found. As if that wasn’t enough. But the strange way Nathan Biddle had kept himself hidden in these hills, completely cut off from his former life only an hour away in Tulsa…

“You know, maybe we should forget about shooting from this plateau.” The lanky young cameraman tugged at his earring and made a disgruntled face at the forbidding isolated terrain below. “Aren’t we trespassing?”

Jamie glanced over her shoulder. Why was Dave so edgy? The ink was barely dry on his degree, but Dave Reardon was normally as aggressive as the most seasoned photojournalist. “Trespassing? On a ranch this big? Come on,” she chided, “look at that view—the meanders of the river and everything. You can see the entire ranching complex.” She fanned an arm toward the buildings below: a two-story native-sandstone house with a plantation-style porch stretching across its front; two long modern steel horse barns; and an old-fashioned gambrel-roofed barn, complete with a charming hay door tucked under the peak. Hart Ranch was a venerable old establishment, dating back to territorial days.

“That’s one fantastic visual.” She turned and made a face at her reflection in the side mirror of the Channel Six van. “Everybody wants to know what Biddle’s ranch looks like—especially now. I’m telling you, this’ll make a terrific teaser.” She yanked the door open, grabbing a brush and a can of hairspray off the front seat.

“None of the other stations have time to get out here and back to Tulsa before the newscast. They’ll all run the same old head shot of our ugly DA, preening and posturing about solving this heinous crime.”

She made a couple of determined chops at her thick hair, then stopped. “Wonder if I can show a close-up of the mysterious Mr. Biddle’s face at ten o’clock? By then they might have the dental records matched, maybe even know the cause of death, and I’ll have my second source confirmed, et cetera, et cetera.”

Dave was studying the landscape through the camera lens. “Dream on,” he muttered. “Nobody’s caught him on film for at least two years.” He lowered the camera. “Unless you’re gonna pull a Jamie and go banging on his front door or something.”

“I might.” Banging on the door was exactly what she would do in most cases. But this wasn’t like most cases. She knew the Biddles’ story too well. This man would undoubtedly be in shock, in pain.

“I’ve got to think that one through.” She gave her hair one last swipe and started spraying. “Man! How on earth can a place be this windy and still be so warm in the middle of October?”

Her panty hose were sticking to her legs like plastic wrap, and her cream-colored linen suit couldn’t be more wrinkled if she’d slept in it. She’d probably look like holy hell on camera. But, hey, that’s life. Jamie had been working on this story ever since she transferred to Tulsa from Kansas City, and she wasn’t about to blow an opportunity like this—a one-of-a-kind six-o’clock teaser about the biggest breaking story in ages.

Her only regret was that she hadn’t come out to the ranch to sneak this footage before now. But who would have imagined the body would be found way out here in Osage County? It sure paid to have sources in the DA’s office. Still not satisfied with her hair repairs, she gave up and glanced back at Dave.

“Who would actually choose to live out in the middle of this godforsaken prairie?” She tossed the hairspray back onto the front seat.

Dave shrugged. “A guy whose family has owned the place since before the Land Run, I guess.” He went back to studying the view through the lens.

Dave had done his homework, too. They were a great team, charging around the state scooping the competition on stories that were visually startling and chock-full of eyewitness accounts and pithy little sound bites. They were so good that Dave’s footage and Jamie’s voice-over had once been picked up by the network news.

Only four years out of journalism school, pretty as a peach and smart as a whip, Jamie Evans was the undisputed princess of Channel Six, the one who garnered all the awards. The one the viewer focus groups liked most. The one people phoned the station to gush about.

And call it luck or call it instinct, but Jamie Evans was also the reporter who managed to be in the right place at the right time.

“Hey!” Dave cried. “I think I spotted our man!”

“Get a shot! Get a close-up!” Jamie ran across the road as fast as she dared in the heels.

Dave was already filming.

“Zoom in on his face,” Jamie urged. She tiptoed at Dave’s side but couldn’t see much without the magnification of the camera lens. “It’s got to be Biddle. He lives out here all alone.” She peered down at the ranch house, the outbuildings and the corrals below as the thrill of the chase coursed through her. “Try to get a good clean close-up.” Her heart pounded when she spotted a big man in a cowboy hat emerging from the barn with a horse on a lead.

“Uh-oh.” The skinny photographer jerked back from the lens. “He spotted us, too.” He frowned as he refocused. “Man! That dude looks mean.”

“Lemme look.”

Dave held the camera steady while Jamie scanned the scene below.

“Where the hell is he?”

Dave adjusted the camera upward and the man came into focus. Jamie almost stumbled off her high heels at the sight of him.

He was mounting a big muscular paint, and as Jamie watched his movements, her throat went dry. He was long-legged, broad-shouldered, wearing tight jeans, a faded chambray shirt and a beatup black cowboy hat.

He pulled the horse’s head around and took off at a hard gallop toward a dirt road that disappeared into a stand of blackjacks. Jamie figured—feared—that the road led to this plateau.

And when he got here, he would run them off. Great.

“Dave, he’s coming. You have the red light disabled?”

“Always,” Dave said. He was already taking the camera off the tripod.

“Okay. Whatever he says, whatever he does, keep that camera rolling. Aimed at him.”

Dave made a face that said duh. “You really think I should film this guy?” he said, “I was thinking it’d be better to get a good clean close-up of these rocks.”

Jamie ignored him and chewed a nail, thinking. “And don’t be obvious about it.”

“Huh?” Dave’s sarcasm was replaced by genuine confusion. Normally the photographer rolled the camera openly while Jamie let fly a barrage of questions.

“We’re out here all alone,” Jamie explained.